University Of Aberdeen Alumni

"A very large number of variables must be considered and either eliminated by matching or allowed for in the plan of any piece of research in . First the animals, including man: to be taken into account are breed, sex, age, size at birth and at completed growth, rate of growth or of production (milk, egg, meat), stage of reproductive life, previous dietary history, physical environment (e.g., temperature and humidity). Second, in diet there is a great complexity of s. Known to be of importance are about 20 s, 14 inorganic elements each in many different compounds, and 17 s of known structure; of s there are 10 sugars and 8 groups of s; 14 s, and as many s, innumerable pigments and aromatic substances, as well as many injurious and inert components, present in countless different foods. Add to which that a complete longitudinal study of human growth must take about 20 years, of growth in a pig at least 3 years and even in a rat 9 months; and that there is the reproductive span also, and old age beyond that. It is obvious that the number of possible questions is enormous and that no one man or one team in the whole of a lifetime can hope to cover by original research more than a minute part of any nutritional field."

"It might seem an extremely easy matter to obtain accurate records of food consumed. Experience shows that it is not so. At the foot of the social scale there is a residue of housewives who are incapable of keeping accurate records, even with help and supervision. The work of Dr A. M. Thomson (unpublished) on shows that those unable to keep records are, almost certainly, worse fed than the more intelligent. In most surveys they swell the proportion of non-cooperators. But in all social and intellectual grades, vigilance is needed. Even highly intelligent scientists have been found grossly inaccurate in attempts to record what they ate the day before (Morrison, Russell & Stevenson, 1949)."

"... Dr Isabella Leitch ... had a profound but often unacknowledged or unrecognizaed influence on nutritional science and scientists. Though a member of the since its formation, she never held office except as an editor of the first three volumes of the ' and the first five volumes of the . She contributed several papers of notable originality to its meetings and in 1979 the Society paid tribute by electing her as an Honorary Member. She was Director of the Commonwealth Bureau of Nutrition in Aberdeen from 1945 until her retirement in 1960; and as a member of staff of the Bureau since its formation was the driving force behind Nutrition Abstracts and Reviews for over 30 years."

"I think the partnership bonus was the most critical [lesson]. [I learned early on that] you work better in a partnership than you do in a traditional supplier relationship, because you understand what your client is trying to do better, and you'll go the extra mile to help them do that."

"Legacy”? Just a bit, then! Whilst much of it is proud “legacy”, the bank, like every well-established financial services firm, had no shortage of ageing infrastructure and applications to clean up. Mercifully, a major overhaul had already born fruit when Russell joined in 2024, she cheerfully admits."

"I had to stamp cheques every day; thousands of them. I’d get to 1,500 stamps, and then I'd forget the number, and I have to start it all again. It just wasn't my dream of how I would spend my life"

"environment you're trying to play into, you can standardize your own products, make your own business better… get into that real win-win for both organizations” she adds. “Nobody's successful without great partnerships. That is a real focus for me in engineering.”"

"They touch almost everything at the bank” she says on production deployments, citing “anomaly detection on our asset servicing platforms, trade settlements; on our Client Services team, we have a multi-agentic solution; these are delivering real value in dollar terms and productivity terms. I would say that scale [of deployment] is pretty unique…”"

"The significance attached to the fact that the Indogermans were acquainted with the horse . . . may have been exaggerated. We do not know the precise meaning of the Indogermanic words in question; we do not know whether they mean the domesticated or the wild animals." ... "it is difficult to see how these names can be safely used for determining the original home of the Indogermans"."

"No arguments unaccompanied by the influences of the Holy Spirit, can convert the soul from sin to God; though even to such conversion, arguments are, by the agency of the Spirit, rendered subservient."

"All art is founded in science, and the science is of little value which does not serve as a foundation to some beneficial art. On the most sublime of all sciences, theology and ethics, is built the most important of all arts, the art of living. The abstract mathematical sciences serve as a groundwork to the arts of the land-measurer and the accountant; and in conjunction with natural philosophy, including geography and astronomy, to those of the architect, the navigator, the dialist, and many others. Of what consequence anatomy is to surgery, and that part of physiology which teaches the laws of gravitation and of motion, is to the artificer, is a matter too obvious to need illustration. The general remark might, if necessary, be exemplified throughout the whole circle of arts, both useful and elegant. Valuable knowledge, therefore, always leads to some practical skill, and is perfected in it. On the other hand, the practical skill loses much of its beauty and extensive utility which does not originate in knowledge. There is, by consequence, a natural relation between the sciences and the arts, like that which subsists between the parent and the offspring."

"Dr. Campbell, writing in the middle of the last century, held that a word which had not appeared in any book written since 1688, or which was to be found in the works of living authors only, should not be deemed in present use; but in these days of change words go and come more rapidly."

"London's a dull town," said Magnus, ... "It's easy to live in," he said, "but the air's flat and stale and the people half-hearted. There's nothing to do there. You can make love without trouble or meaning, or get mildly drunk, or extract second-hand emotions from the cinema, or put your mind to sleep on a dance-floor, or play bridge, or throw yourself in front of a train on the Underground. There are forty ways of escaping from consciousness. But I want something more exciting than that."

"I find it difficult to recognize people. Human beings are so much alike."

"There won’t be any revolution in America," said Isadore. Nikitin agreed. "The people are all too clean. They spend all their time changing their shirts and washing themselves. You can’t feel fierce and revolutionary in a bathroom."

"He that could teach mathematics well, would not be a bad teacher in any of the rest [physics, chemistry, biology, psychology] unless by the accident of total inaptitude for experimental illustration; while the mere experimentalist is likely to fall into the error of missing the essential condition of science as reasoned truth; not to speak of the danger of making the instruction an affair of sensation, glitter, or pyrotechnic show."

"The method of arithmetical teaching]] is perhaps the best understood of any of the methods concerned with elementary studies."

"Those that can readily master the difficulties of Mathematics find a considerable charm in the study, sometimes amounting to fascination. This is far from universal; but the subject contains elements of strong interest of a kind that constitutes the pleasures of knowledge. The marvellous devices for solving problems elate the mind with the feeling of intellectual power; and the innumerable constructions of the science leave us lost in wonder."

"What renders a problem definite, and what leaves it indefinite, may best be understood from mathematics. The very important idea of solving a problem within limits of error is an element of rational culture, coming from the same source. The art of totalizing fluctuations by curves is capable of being carried, in conception, far beyond the mathematical domain, 65 where it is first learned. The distinction between laws and coefficients applies in every department of causation. The theory of Probable Evidence is the mathematical contribution to Logic, and is of paramount importance."

"The arguments for the two substances - mind and body - have, we believe, entirely lost their validity; they are no longer compatible with ascertained science and clear thinking. One substance with two sets of attributes, two sides (a physical and a mental), a double-faced unity, would appear to comply with all the exigencies of the case."

"Instinct is untaught ability."

"Disinterestedness is as great a puzzle and paradox as ever. Indeed, strictly speaking, it is a species of irrationality, or insanity, as regards the individual’s self; a contradiction of the most essential nature of a sentient being, which is to move to pleasure and from pain"

"Alexander Bain was probably the first modern thinker whose primary concern was with psychology itself He has been credited with writing the first 'comprehensive treatise having psychology as its sole purpose'. His two-volume systematic work, The Senses and the Intellect (1855) and The Emotions and the Will (1859), was the standard British text for almost half a century, until Stout's replaced it. He also founded Mind (1876-), the first psychological journal in any country. His work requires close attention, because it is the meeting-point of experimental sensory-motor physiology and the association psychology. His influence on the conceptions of later workers was direct and extremely important. Ferrier studied classics and philosophy under Bain at Aberdeen (first class honours, 1863). When he and Jackson acknowledge their intellectual debts or make references to psychology, the names most often mentioned are Bain and Spencer-the figures whose work was the culmination of the association psychology in its traditional form."

"I look down from my height on nations And they become ashes before me."

"I beheld their chief, tall as a glittering rock. His spear is a blasted pine. His shield the rising moon! He sat on the shore, like a cloud of mist on the silent hill!"

"As autumn's dark storms pour from two echoing hills, toward each other approached the heroes.—As two dark streams from high rocks meet, and mix and roar on the plain; loud, rough and dark in battle met Lochlin and Innis-fail. Chief mixed his strokes with chief, and man with man; steel, clanging, sounded on steel, helmets are cleft on high. Blood bursts and smokes around. ... As the troubled noise of the ocean when roll the waves on high; as the last peal of the thunder of heaven, such is the noise of battle."

"As roll a thousand waves to the rocks, so Swaran's host came on. As meets a rock a thousand waves, so Erin met Swaran of spears."

"Pleasant are the words of the song," said Cuthullin, "and lovely are the tales of other times. They are like the calm dew of the morning on the hill of roes, when the sun is faint on its side, and the lake is settled and blue in the vale."

"The gloom of the battle roared."

"The groan of the people spread over the hills; it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind."

"Son of my son," begun the king, "O Oscar, pride of youth! I saw the shining of thy sword, I gloried in my race. Pursue the fame of our fathers; be thou what they have been, when Trenmor lived, the first of men, and Trathal the father of heroes! They fought the battle in their youth. They are the song of bards. O Oscar! bend the strong in arm: but spare the feeble hand. Be thou a stream of many tides against the foes of thy people; but like the gale, that moves the grass, to those who ask thine aid. So Trenmor lived; such Trathal was; and such has Fingal been. My arm was the support of the injured; the weak rested behind the lightning of my steel."

"Hail, Carril of other times! Thy voice is like the harp in the halls of Tura."

"We may boldly assign him [Ossian] a place among those, whose works are to last for ages."

"That Fingal is not from beginning to end a translation from the Gallick, but that some passages have been supplied by the editor to connect the whole, I have heard admitted by very warm advocates for its authenticity. If this be the case, why are not these distinctly ascertained? Antiquaries, and admirers of the work, may complain, that they are in a situation similar to that of the unhappy gentleman whose wife informed him, on her death-bed, that one of their reputed children was not his; and, when he eagerly begged her to declare which of them it was, she answered, That you shall never know', and expired, leaving him in irremediable doubt as to them all."

"Dr. Blair, relying on the internal evidence of their antiquity, asked Dr. Johnson whether he thought any man of a modern age could have written such poems? Johnson replied, "Yes, Sir, many men, many women, and many children.""

"Except the Bible and Shakespeare, there is not any book that sells better than Ossian."

"Ossian, sublimest, simplest bard of all, Whom English infidels Macpherson call."

"Ossian is the decay and old age of poetry. He lives only in the recollection and regret of the past. There is one impression which he conveys more entirely than all other poets, namely, the sense of privation, the loss of all things."

"Sir, a man might write such stuff for ever, if he would abandon his mind to it."

"Why is not the original deposited in some public library, instead of exhibiting attestations of its existence? Suppose there were a question in a court of justice, whether a man be dead or alive. You aver he is alive, and you bring fifty witnesses to swear it. I answer, 'Why do you not produce the man?'"

"I received your foolish and impudent letter. Any violence offered me I shall do my best to repel; and what I cannot do for myself, the law shall do for me. I hope I shall never be deterred from detecting what I think a cheat, by the menaces of a ruffian. What would you have me retract? I thought your book an imposture; I think it an imposture still. For this opinion I have given my reasons to the publick, which I here dare you to refute. Your rage I defy. Your abilities, since your Homer, are not so formidable; and what I hear of your morals, inclines me to pay regard not to what you shall say, but to what you shall prove. You may print this if you will."

"These pieces have been and will, I think, during my life, continue to be to me the sources of daily and exalted pleasures. The tender and the sublime emotions of the mind were never before so wrought up by the human hand. I am not ashamed to own that I think this rude bard of the North the greatest poet that has ever existed. Merely for the pleasure of reading his works, I am become desirous of learning the language in which he sung, and of possessing his songs in their original form."

"With a genius truly poetical, he [Macpherson] was one of the first literary impostors in modern times."

"I first read the poems in my early youth, with an ardent credulity that remained unshaken for many years of my life; and with a pleasure to which even the triumphant satisfaction of detecting the imposture is comparatively nothing. The enthusiasm with which I read and studied the poems, enabled me afterwards, when my suspicions were once awakened, to trace and expose the deception with greater success. Yet, notwithstanding the severity of minute criticism, I can still peruse them as a wild and wonderful assemblage of imitations, with which the fancy is often pleased and gratified, even when the judgment condemns them most."

"Par une de ces journées sombres qui attristent la fin de l'année, et que rend encore plus mélancoliques le souffle glacé du vent du Nord, écoutez, en lisant Ossian, la fantastique harmonie d'une harpe éolienne balancée au sommet d'un arbre dépouillé de verdure, et vous pourrez éprouver un sentiment profond de tristesse, un désir vague et infini d'une autre existence, un dégoût immense de celle-ci."

"Those who have doubted my veracity have paid a compliment to my genius."

"Carthon, one of the poems, was translated into French as early as 1762 while the collected works followed suit in 1777. Diderot loved them. Voltaire parodied them. Ossianic plays, operas, and mimes were written. They influenced or attracted Mme. de Staël, Chateaubriand, Lamartine, Alfred de Vigny, Victor Hugo, and Alfred de Musset. Napoleon became a fervent admirer after he had read the poems in the Italian translation by Cesarotti."

"One is tempted to call them works of genius; they are quite Homeric in their internal unity, purity of phrasing, clear, ringing music of language and dramatic coloring."

"All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. [...] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. [...] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. [...] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless."

"He produced a work of art which by its deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend did more than any single work to bring about the romantic movement in European, and especially in German, literature."