people-from-indiana

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April 10, 2026

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April 10, 2026

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"When is it correct to use the F-word? Not the four-letter one that has become so common it barely raises an eyebrow, the seven-letter political word: fascist. The term arose with the early 20th century European political movement that gave us Hitler and Mussolini, so it weighs heavy with the horrors of World War II and the Holocaust. But, arguably, there are 21st century fascist regimes, even if they do not brand themselves with the term. Hungary’s leader, Viktor Orban, probably qualifies as a fascist. Russian President Vladimir Putin certainly does. Even the supposedly communist regime in China is more fascist than Marxist. Broadly defined, what is a fascist? Here are some key characteristics: A fascist supports a charismatic nationalist leader who seeks total or near total power. A fascist is a member of a party or a movement that supports that leader without question. Fascists believe political opposition is illegitimate and subversive and that perceived enemies of the state -- whether in the media, in popular culture, in academia or in competing political parties -- must be suppressed or, if it is the leader’s wish, prosecuted and tossed into prison. A fascist believes private industry, the courts and elected officials should all be in thrall to the leader. And a fascist has no objection to the leader’s quasi-military secret police committing acts of political violence and rounding up alien groups perceived to be a detriment to the homeland."

- David Horsey

• 0 likes• pulitzer-prize-winners• people-from-indiana• cartoonists-from-the-united-states•
"It was famously observed that, though Duke Ellington played piano, his real instrument was his orchestra. Similarly, while Eddie Condon was a useful rhythm guitarist, he was a virtuoso of the spirit of Chicago jazz. Organiser, promoter, impresario, publican and publicist, he symbolised its carefree pleasures until his death in 1973. [...] If Chicago jazz epitomised the devil-may-care mood of the 1920s, it also looked forward to the ’30s: Chicago stars such as Benny Goodman and Gene Krupa spearheaded the age of the big bands. But Condon kept faith with his original passion, espousing both small-group spontaneity and the fun-loving, hard-drinking ethos that went with it. Leading groups in clubs, arranging record dates and concerts, he became a one-man mission for Chicago jazz and was rewarded in the ’40s when public interest revived in Dixieland. Condon was the music’s embodiment. A dapper figure with slicked-back hair, he was a celebrated wit, typically addressing a sparse audience as ‘Lady and gentleman’. The music itself was first class, as you can hear in Eddie Condon: Windy City Jazz.[...] In later years, the Condon style was often barbarised by amateurs, giving Dixieland a bad name. But he would be pleased with a record that so appealingly distils the best of his life’s work."

- Unknown

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