keyboardists

"When it comes to the leader and true soul of Iron Maiden, it's Steve Harris' show. Sure, frontman Bruce Dickinson, or even beloved Eddie, might be "the face" of Iron Maiden, but Harris is the guy who makes the operation run. He’s the band's principal songwriter and one of the slickest, quickest bass players in hard rock and heavy metal history. Known for his "gallop" method of playing the instrument, Harris' work shines on Maiden classics like "The Trooper" and "Run to the Hills." Harris has cited Phil Lynott as one of his many bass influences."

"When it comes to modern-day bassists, the creative Keeler stands tall above the field. The son of musician Fred Keeler, who jammed with the likes of Bob Dylan, Jesse has made a name for himself as the driving force within Canadian dance-punk duo Death From Above 1979 and the electronic-tinged MSTRKRFT. Whether talking dance, techno, electronica, punk, or pure rock, Keeler is a dynamic musician who continues experimenting with his overall sound. Keeler is usually sporting his see-through bass, which screams and howls with an almost haunting vibe."

"Deep Purple are responsible for an awfully lot of what we would come to know as heavy metal, so it might be surprising to learn that the band’s keyboardist was one of their driving forces. A classically-trained pianist, Lord fused blues, jazz, rock and classical styles to add a bit of sophistication to the bombastic barrages of Deep Purple, Whitesnake and more. He focused on the Hammond C3, though he was equally adept with a Minimoog. An outstanding and often overlooked player."

"Like Tony Banks, Rick Wright (pictured on the right) was less a showy player than a musician who knew exactly which notes to play and which to leave out. His training and love of jazz made him one of Pink Floyd’s most musically-gifted members and his sensibilities can be heard on the wistful piano of "Us and Them." He was no slouch with a synthesizer, either. His performances with EMS VCS3 and Minimoog on the band’s classic Wish You Were Here have become etched into rock history. Musicians are still trying to suss out how he achieved his sounds on "Shine On, You Crazy Diamond." An effortless player, Wright was the breath that kept Pink Floyd alive."

"Keith Emerson: the man who brought the keyboardist out from behind the organ (and then proceeded to throw said organ about the stage after teaching it a hard lesson involving knives). He (literally!) wrestled with his Hammond, climbed the rafters and showered sparks from the end of his custom Moog ribbon controller. Of course, such histrionics wouldn’t have been worth a hoot if the feller couldn’t play. But play he did. From blistering rock leads to impossibly fast baroque keyboard runs, Emerson has done it all. A surprisingly ballsy rocker, he wasn’t afraid to tone it down. His famous Lucky Man solo is etched into rock and roll history. Perhaps best of all, he dared to drag his monster modular Moog on stage."

"One can hardly skim a music magazine without seeing mention made of Mr Rudess. He has achieved fame as a keyboard virtuoso, a feat that seems almost impossible in a post-punk world.Yet the man’s skills are undeniable. He studied classical piano at Julliard at the age of nine before becoming enamoured of the synthesizer as a teenager. His first solo album earned him a Best New Talent award in a Keyboard magazine poll before he joined up with the Dixie Dregs and Dream Theater, with whom he still plays."

"Wakeman, it turns out, is prog rock’s class clown. Possessed of a sharp and irreverent wit of which the public has only recently been made aware, his skills on the keys are no laughing matter. [...] Often an object of ridicule for his stage garb of silver capes and flowing locks, he is highly respected for his skill and humour."

"It takes a special kind of musician to stand onstage with Jimmy Page, Robert Plant and John Bonham and hold their own. John Paul Jones is that musician twice over, primarily on bass but also on keys. Jonesy’s Jazz Bass is an integral part of the Led Zeppelin sound, with its thunderous harmonic overtones providing a solid bed for Page to go ham all over while also not getting lost underneath the almighty power of Bonham’s gloriously animalistic drumming style."

"Swapping out the fully competent Tony Kaye for keyboard virtuoso Rick Wakeman put Yes on a completely new level."

"Perhaps the most interesting and undoubtedly impressive aspect of Jones' run is the fact he's essentially had two careers. The first came with Led Zeppelin, where he was arguably the most unheralded member of the legendary rock outfit . When Led Zeppelin disbanded following drummer John Bonham's death, Jones ensured he kept his bass plugged in. Jones, whose professional career began as a technically sound session player capable of playing anything from blues to hard rock, had no trouble making a living while working with the likes of R.E.M, Foo Fighters, and Peter Gabriel in his post-Zeppelin world."

"Widely regarded as one of the finest vocalists in all of metal (who possesses a multi-octave range), Danish theatrical rocker King Diamond first rose to prominence as a member of gothic black metal group Mercyful Fate before launching a solo career in 1986. Known for his elastic falsetto, distinctive face-paint, occult leanings, femur- and tibia bone-adorned microphone stand, and seminal 1987 concept album Abigail, Diamond is one of late 20th and early 21st century most iconic heavy metal figures, issuing a slew of quality, narrative-driven albums, [one] of which earned a Grammy nomination."

"How stupid is it? I can’t talk about it I gotta sing about it And make a record of my heart"

"I’m dumb, she’s a lesbian I thought I had found the one We were good as married in my mind But married in my mind’s no good."

"The workers are going home"

"Everyone’s a little queer Why can’t she be a little straight?"

"When we couldn’t find sleep, things were better then"

"Goddamn, this business is really lame"

"I’m in a state again, but I stay polite It keeps me alive"

"You remain turned away Turning further every day"

"What’s with these homies dissin’ my girl? Why do they gotta front?"

"Goddamn, you half-Japanese girls do it to me every time"

"I did what my body told me to I didn't mean to do you harm"

"You’ll be a home for ungrateful drones who will churn your bones to butter."

"What could you possibly see in little ol’ three-chord me?"

"You are burdened by only your dangerous mind"

"You take your car to work, I’ll take my board And when you’re out of fuel, I’m still afloat."

"I’m shaking at your touch, I like you way too much"

"This summer hurts!"

"We're just spinning where we stand"

"I need to stop singing in code To start ringing true because true rings only"

"There comes a time when you decide if you fight it off or learn to die."

"Tonight, I’m down on my knees Tonight, I’m begging you please Tonight, tonight, please Oh, why can’t I be makin’ love come true?"

"Ooh-wee-hoo, I look just like Buddy Holly"

"You can’t resist her, she’s in your bones [...] And so it seems, only in dreams"

"Our ears get bored very quickly. Sometimes a guitar plugged into an amplifier isn’t really enough."

"Sometimes the riffs, the ideas that are simpler, make a more direct connection and you can allow it to have that weight. Heaviness, doom, it’s a very elusive quality. If you get too tricky with it you lose that feeling of doom very quickly. It’s fleeting. It will run away, like a deer!"

"It became obvious to us early on that if you put in too many exotic elements, at some point it’s no longer really a metal record. Different Nile albums have had varying levels of extraneous elements to them. [...] It’s always a variable based on what each songs need. It’s the randomness of the universe."

"I think we’re aliens. I think we’re not necessarily native to this planet. I think we came here from somewhere else, destroyed ourselves a couple of times, and what’s left after all that period of chaos, that’s what we have left, and that’s why no one knows where the fuck we came from. The early part of human history and civilisation is riddled with unknowns. Where did we come from? Where did these ideas come from? How do the Egyptians have such an advanced civilisation? Well, I think it came from before and just no one remembers. (The) last Ice Age, when the sea levels rose 400 meters. There’s a whole lot of stuff sitting out there, covered by water that we have no idea where the fuck it is. What was there? Just imagine if you took our sea level right now and raised it by 400 meters, how much of our current civilisation would then be underwater? So what happened at the end of the last stage? How do we know what was before the end of the last ice age? We only have a few things you know left. So you know, and how much shit survives 10,000 years of natural decay? Not much. Why do we still even know about the Egyptians? Well, they managed to build some shit that lasted 1000s of years, right? Otherwise, would we know anything about them? No, we wouldn’t; or it just be speculation, hearsay, and rumour."

"People radically underestimate what it takes to try and take all that sonic abuse and turn it into something that you can listen to. It eats the mix (fast double kicks), and then you add some down-tuned guitars and some low screaming, growling vocals. How on earth do you hear anything?"

"I didn’t get really exposed to metal until I was a teenager, but world history I loved from a very early age. I was in fourth grade and had to do a book report on Alexander The Great, and that just fired my brain up. My dad was always watching the epic flicks of the day like Ben Hur, The Ten Commandments, Land Of The Pharaohs, so it was a worm in my brain from an early age."

"The 80s were a lot of fun. It was a time where everybody had disposable income so everybody was always going out. There were half a dozen places to play in my home town. You could have quite the life playing four nights a week, even as a cover band, but after a while we wanted to write our own songs. You have to start asking yourself, ‘What is it I wanna do? What do we wanna sound like?’ It was a chance meeting with [ex-Morbid Angel frontman] David Vincent while we were playing Charlotte, North Carolina, where he introduced me to this whole universe of underground death metal that I was completely unaware of. That was the poison apple that I bit and it soon infected my entire band. [...] The vibe in the late 90s was that death metal was dead. We didn’t care though, because we were going to do whatever we wanted to do, the world be damned. We were from Greenville, South Carolina, which is a nowhere town. Already we had wrestled with the idea that probably no one was going to give a fuck, so let’s just do what we like and own it. We didn’t care about the ebb and flow of whatever is currently popular. [...] That mindset has helped us over the years, remembering who we are and why we’re doing what we’re doing. It’s humbling in a way that we are just some guys from South Carolina who are willing to work hard. We were happy that the timing of the universe then worked in our favour. You can’t complain - you just have to thank the metal gods."

"Basically, if you’re a guitar player, there’s riffs that are going to come out. It just happens. It’s part of it. So we’re not lacking in inspiration. George (Kollias) is always playing drums, so he’s always got drum ideas. You know, (guitarists) Brian (Kingsland) and Zach (Jeter) are always playing. So there are always new guitar ideas. It’s not necessarily an endless well, and not every riff that we come up with manages to make its way into a song. That is where it comes from; we love to play music, so we’re always riffing. But, as soon as you try to dictate to the muse, it goes away. You can’t force yourself to be creative. You can be disciplined and work on your craft every day. That’s a little bit different. Not always is gold just gonna fall out of the sky, like when you hear a Nile record. You know that’s not just because we sat down in 10 minutes and said, “Okay, we’re done writing the record”. No, those songs took years to put together. A lot of blood, sweat, and tears went into taking the inspiration that we had and crafting it into something."

"It's close to midnight and something evil's lurking In the dark Under the moonlight you see a sight that almost stops Your heart. You try to scream, but terror takes the sound before You make it You start to freeze as horror looks you right between The eyes You're paralyzed 'Cause this is thriller, thriller night And no one's gonna save you from the beast about to Strike You know it's thriller, thriller night You're fighting for your life inside a killer Thriller tonight."

"Ooh, dream weaver I believe you can get me through the night Ooh, dream weaver I believe we can reach the morning light"

"Well, I think it's time to get ready To realize just what I have found I have lived only half of what I am It's all clear to me now My heart is on fire My soul's like a wheel that's turnin' My love is alive My love is alive, yeah, girl, yeah"

"Fly me high through the starry skies Maybe to an astral plane Cross the highways of fantasy Help me to forget today's pain Ooh, dream weaver I believe you can get me through the night Ooh, dream weaver I believe we can reach the morning light Though the dawn may be coming soon There still may be some time Fly me away to the bright side of the moon Meet me on the other side"

"Don't give up 'cause you have friends Don't give up You're not the only one Don't give up No reason to be ashamed Don't give up You still have us Don't give up now We're proud of who you are Don't give up I know it's never, never been easy Don't give up 'cause I believe there's a place There's a place where we belong"

"Hold on, it'll take a while. You can't always be so juvenile. Hold on while the love we had loses nothing, could be half as bad. Waiting for the right time. You never showed me one sign. Give me your lifeline, but don't you give me your sympathy."

"Sitting in your easy chair looking at the wall, thinking of the things that might've been. And as you wish your life away with dreams of mystic gold, imagine all the things you could've seen, imagine all the things you could've seen. Looking out the window staring at the rain, Wonder if the sun will ever shine? And if you only realised that life won't pass you by, the only thing that's passing is your time. The only thing that's passing is your time. Oh no! Oh no! No!"

"So take these broken wings and learn to fly again, learn to live so free And when we hear the voices sing the book of love will open up for us and let us in Take these broken wings You got to learn to fly again, got to learn to live so free And when we hear the voices sing the book of love will open up and let us in Yeah, yeah"