buddhists

"Dear Prime Minister, America has already called us corrupt, India calls us beggars, and China doesn't respect us. Forget about me being the mayor and just provide a basis for living as a Nepali."

"I am not going to comply with any law and court as far as the country’s sovereignty and independence is concerned. Their intent becomes clear when film’s writer says Nepal was under India. That the Government of Nepal called this thing a stunt, and the court instructing to allow screening of film means Nepal was under India, and the court and the government are Indian slaves. I am ready to face any punishment for that but the film will not be screened or allowed to be screened."

"We have made it clear. This is a Generation Z movement. Dear Generation Z, the resignation of your murderer has come. Now be moderate!! The loss of the country's people and property means the loss of your property. You and I must be moderate now. Your generation will now have to lead the country. Be prepared! And prepare to negotiate with the army chief. But remember: parliament must be dissolved before negotiations can take place."

"I enjoyed nothing more than simply being on the way to somewhere else. I was quite content to peer for hours through the grimy, grease-smeared windows of a rattling bus with cooped chickens in the aisle, observing farmers bent over as they toiled in fields, women carrying babies on their backs, barefoot children playing in the dust, old men seated in the shade smoking hookahs, and all the shabby little towns and villages at which we stopped for sweet tea and unleavened bread. Yet as soon as we entered the telltale suburban sprawl of the city of our destination, my stomach would contract and I would feel anxious and restless again. I did not want to stop. My craving to keep moving was like an addiction."

"Like others on the hippie trail to India, I thought of myself as a traveler rather than a mere tourist, someone on an indeterminate quest rather than a journey with a prescribed beginning and end. Had I been asked what I was seeking, I doubt my answer would have been very coherent. I had no destination, either of the geographical or spiritual kind. I was simply “on the road,” in that anarchic and ecstatic sense celebrated by Jack Kerouac, Allen Ginsberg, and other role models I revered at the time."

"If you’re happier, you’ll be healthier, and you’ll live longer too."

"There were too many unknowns, and that caused me to doubt myself. At the time, I also took awards more seriously. But after some time in the industry, I realised that it’s more important to treat your job seriously every day. Everything else is just a bonus."

"I think things have their own ways of operation in different period or times. [Formerly], each entertainer was well polished before they were shown to the public. They were well protected. Now, with the effect of social media platforms, each entertainer is expected to present themselves very honestly. Live interviews are getting popular on social media now. The good side of it is that you can let your audience know what you are really like."

"What attracts people is the aura that you exude, rather than just good looks."

"I have liked fashion since I was small. Only after becoming the creative director of my fashion brand, did I realize that making a piece of apparel is nothing easy. The entire process starts from conceptualization, deciding on the materials, to production and sales and marketing, which are all very interesting to me. Most importantly, I believe fashion coexists with films. I actually have got many of my creative inspirations from films. Good fashion is timeless."

"Being knowledgeable is a prerequisite, only then can you be good at acting. Otherwise, you are just a flower vase."

"I’m still learning how to be a good person. I feel that sometimes, I’m not objective enough. When you think of situations from a different point of view, you’ll discover that it might be the reason why disagreements occur in the first place. Learning to be more accepting of different points of views and mindsets is very important."

"I had high expectations of myself from the start. I think I had a rather smooth journey in showbiz — I always had work opportunities knocking on my door, but rather than being stressed over a lack of work, I put pressure on myself because I wanted to do better. When you want to become better, you put more pressure on yourself as well."

"A hard-working person might not end up being successful, but a successful person is most definitely a hard worker."

"I’d say never give up on your dreams. Destiny strikes you when you are least prepared, but as long as you are prepared your dream will come true."

"I need to see charisma, X-factor or something unique about the person. Something that will make me go ‘Wow’ the moment he or she walks on stage. Just like how it was when I was a rookie."

"I really get the hang of it when I feel like my soul is intertwined with the character I’m playing. That excitement is beyond what words could describe. I feel the character’s pain, her helplessness, her everything. When I’m there, I secretly feel happy for my own acting."

"Alas, my share of good fortune may be inferior, but I think a discovery such as this is good fortune... My intelligence has not been refined in three-fold knowledge, but I think the raising of Mount Meru has caused the ocean to gush forth. I bow in homage to the masters, buddhas, and kalkis, by whose kindness the essential points, difficult for even exalted beings to realize, are precisely realized, and to their great stupa."

"Dolpopa Sherab Gyeltsen was born in 1292, in the Dolpo region of present-day Nepal. He took ordination as a novice monk in 1304 and spent the following years studying the tantras of the Nyingma tradition. In 1309 he traveled to Mustang to study the treatises on the vehicle of the perfections, epistemology, and abhidharma... In the year 1321, when he was twenty-nine years old, Dolpopa ascended to the monastic seat (gdan sa) of Sakya Monastery... The Karmapa significantly prophesied that Dolpopa would quickly become even more expert in the view and practice... Yonten Gyatso convinced Dolpopa to teach in the assembly at Jonang, and also taught him many more systems of esoteric knowledge, such as Lamdre, the Five Stages (rim lnga) of the Guhyasamāja and the Cakrasaṃvara, Zhije and Chod... [After he passed, his] ...body was placed in a wooden casket anointed with perfume and adorned with silk and precious ornaments, and put inside the crematorium...When the cremation began, the smoke rose only a few feet and then streaked to the stupa, circled it many times, and finally disappeared to the west. The men and women practitioners offered butter lamps on the roofs of their individual meditation huts, so that the entire valley sparkled... each of them made prayers with tears flowing down their faces."

"I bow down to and go for refuge in the glorious sublime master and all the glorious accomplished ones. Please accept us with your great love at all times. I bow down to the dharmadhātu, the ground which is devoid of all relative conceptual labeling, which is the ultimate, the thoroughly established1. I bow down to the ground which is free from all kinds of thought, the unconditioned self-arisen wisdom."

"Auspicious – what dwells in the heart of all sentient beings, The selfness of all, the highest lord of all lineages, The producer of sentient beings without exception, great bliss, In that way, may auspiciousness bring peace to you today! Auspicious – what in the triple world is pure form, Formless, good form, and form free of subtle particles, Indivisible with all living beings, Buddha Nature good in that way, May its auspiciousness bring peace to you today! Auspicious – what takes form resembling eight prognostic images, Form that is indestructible like space, free of beginning, end and middle, Referenced as shunyata, Buddha Nature good in that way, May its auspiciousness bring peace to you today!"

"Enjoy the journey of life and not just the endgame. I'm also a great believer in treating others as you would like to be treated."

"There have enough people who been vilified in American politics to have American villains now, but it is a very American thing, to have British villains."

"If you’re talking about playing an iconic superhero, then there’s a huge pressure that comes with the expectations of what you do with that material, even though it’s fictitious. Obviously, if it’s someone that’s real, there’s the pressures and the rightful kind of responsibility of protecting a legacy. But they’re very, very different kinds of pressures. At the end of the day, it’s about trying to do a good job."

"You know, I’m not a fan of horror. I’m a fan of some of those films, but I’m not a fan in the sense I find it very difficult to watch them. I’m very suggestible and gullible and I buy into what I’m watching and it just haunts me for too long afterwards. It just scares me for longer than the moment in the film. I don’t really like living a life in horror or terrors, other than that in the real world without my imagination creating more. Horror is not my genre go-to. It’s not my genre go to."

"If I get something wrong or if I'm late it's an act of wilfulness. This is not the case; it's disorganisation on my part."

"I would say in compound sense of what little I know is it’s definitely darker in tone, and in terms of advice for taking kids of a certain age, it’s going to be prohibitive for certain people of a certain age because it is scary."

"It's part of the job to mythologise the experience, and you don't have to do that with this one. It's as easy as breath to talk about this one."

"If I’m playing someone who’s smart, suddenly every character I’ve played is smart. If I’m playing a bad guy, every character is a bad guy. I suppose it’s that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too."

"It's time to start playing the smallest violin in the world for me right now. I was very lucky because I had other people's pets. I was like an uncle or godparent. You get all the benefits without any of the trauma. We had animals at school that we tended to, I don't know how they survived. I didn't go through the trauma of seeing them as babies and then going through their life cycle with them and the inevitable end. I love, love, love, love, love dogs. Cats, on the other hand... Don't ever do a film with them. They just wander around looking really unimpressed with everything. I love them, but working with them is really tough."

"I'm good at being self-critical. I've also been told that I'm good at taking up new sports. I'm a fast learner and pick things up very quickly."

"I don’t know if watching your own work is a good or bad thing. I don’t know how much I learn from it. Each individual circumstance holds its own world of singularities and peculiarities. But among that, you can go: “Oh yeah, I remember that was what I tried to do.” Sometimes it doesn’t fit with the cast or the energy of the scene or the beat of another character. But to sit down in the audience and go: “Oh my God, I think that was what I intended”, was great."

"I was very, very into techno for a long time. That was my bag at uni. I went clubbing a lot and all sorts of nonsense ensued. Havok on a Friday was my favourite night because I just loved dancing."

"Everything flat lines in my brain, to be honest. I don’t think much at all. I just sit there going, “Holy s**t!” It’s very rare that you stop to look back. What I’m trying to do, all the time, whatever I’m doing, is being in that present moment. I seem to have an appetite for life and I seem to have an appetite for work, so I keep going. I don’t really look back. So, to do that is a novel experience and quite a surreal one."

"Situations where what I say echoes much further than what is healthy. I would love to just have the work do the talking. We’re in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I’ve completely shot my mouth off, whether it’s too much about my private life or being too opinionated about things in the world. I think the better thing to do—I’ve learned this from people far wiser than me—is to do very good, quiet work behind closed doors."

"What I try to look for is something that a general audience can relate to, to have an investment in these extraordinary people who achieve extraordinary things. That’s an easy task for an actor, to humanize these incredible machines of ideas that some of these people are. It’s not always easy, but that’s the challenge, and that’s what I’ve enjoyed doing. I’m very lucky."

"I have many more choices on the character I can play (in Hong Kong). The role for Asian actors and actresses is very restrictive in Hollywood movies. They already have a lot of great actors and actresses, I have no idea why they need to write scripts for Chinese actors. I will have more space in Asia and I know my culture very well. I know everybody might have his reason for going to Hollywood; you want to be more famous, you want to make more money. You might have your reason, but I can’t find a reason for myself to go to Hollywood."

"I found a way to express myself. The others thought I was playing a character, but actually I was living behind the character. I could release my emotions, and the others didn't know that was me. That's the reason I love acting so much. I wasn't asking for fame or money - it was the natural high I got addicted to."

"If I want to experience the life of an ordinary person, I cannot do it in Asia."

"I wasn't so happy in my childhood. My parents broke up when I was six. Before, I was a very active, naughty child, but after my father left me I stopped talking. I became very good at hiding my emotions. I felt so ashamed of telling others that I didn't have a father, because that was not common in the 1960s. People didn't break up - even if they didn't love each other - in traditional Chinese families. Not like today."

"If I'm not working, I'll go on my boat and have a few drinks. Most of my friends are outside the movie business. It's too much to mix with other celebrities. When I go out I prefer no one talk about movies. I'd rather talk about waterskiing, the sea, beaches, seafood..."

"Once I'm committed to a role, I will go very deep into it, even when I'm not at work. I'll keep on studying the script, maybe 40 or 50 times. I might call a scriptwriter at three in the morning to say I've thought of something new."

"I had been making dramas for some time and suddenly I wanted to change, I wanted to have new feelings."

"I think moviemakers in every country are looking for ideas. It’s interactive. And sometimes we remake a lot of Hollywood films but we don’t buy the rights, we just try to imitate those films."

"For me, when I was a kid, I came from a broken family. I don't know how to express my feelings. I don't want to express my feelings in front of others, so I became very isolated. I don't talk too much, and I'm very good at hiding my emotions. And somehow when I get into the training class, when I learn how to act, then I find a way to express my feelings in front of others without being shy. Because you can hide behind someone, and express you feelings. You can do whatever you want, you can cry, but you won't feel shy. And that's the reason why I enjoy acting very much. That's the reason why I've been acting for twenty-something years. I don't do it for fame or for money. That's not important to me. For myself it's a kind of relief that you have to suppress for 13 years in your childhood."

"I don’t want to become more famous because I don’t have any privacy anymore and I hate that very much. Outside of work I just want to be an ordinary person, not to be recognised, not a monkey on the street when everybody is looking at you."

"Many times, I finished and asked my scene partner, 'Did you notice just now that one of my eyes was blank? Actually, I was thinking, what's my line?'"

"I think it’s incredible and I think I had a breakthrough in my acting career. I did something that I had never done before and to me, at least, it was quite successful."

"For every winner, there doesn’t have to be a loser...In fact, most success stories are less about competition and more about collaboration."

"When you are leaping without a safety net, people become your safety net. And you become theirs."