Robert Barry

"I try to deal with things that maybe other people haven't thought about, emptiness, making a painting that isn't a painting. For years people have been concerned with what goes on inside the frame. Well maybe there is something going on outside the frame that could be considered an artistic idea."

"Nothing seems to me the most potent thing in the world."

"My idea of painting was that those yellow squares, being put on the wall as delineating a virtual square or rectangle, were involving the wall itself within the piece and, in this sense, compared to what is usually a work of art, a painting, this piece was somehow reversing the usual terms of the esthetic proposition. Usually, you see the painting and you ignore the wall. Here you had the wall coming through the painting — and the painting itself, the painted pieces, become a standpoint to make the wall appear."

"Barry is part of a generation of artists that gave up traditional aesthetic methodologies in order to reappraise the meaning of art... His use of language, along with photography, and experiments with a range of other materials and media helped transform the way we look at and think about art today."

"Barry was one of the first to see that mass and volume in sculpture were not dependent upon visibility... But also, and perhaps more importantly, that language was a necessary component to communicate the idea in conceptual art."