Natalie Diaz

"I had to be willing to risk myself for what I wanted. And I want desire; I want to be capable of it. I want to be deserving of it."

"Poetry was an unlikely place for me to land … I mean, who says: ‘I’m going to be a poet when I grow up’? I grew up on a reservation and we had a boarding school where language was taken."

"In Mojave, our words for want and need are the same – because why would you want what you don’t need?"

"Maybe a wound is a way of seeing into someone. Or maybe it is an opening into the person who inflicted the wound. I don’t need the wounds to disappear, but I want to give them the possibility to flower or tu’aachk, as we might say in Mojave. I can’t deny my wounds, those I’ve gathered across my own body and mind, as well as those I have inflicted on others’ bodies and minds. I can try to imagine a condition in which the wound will bloom, meaning a place beyond the wound…"

"I am Native, so I am both—truth/fiction—and also bleeding over or overflowing each. Truth is always a placeholder for something. For how we feel, or how we want to feel, how we wished we didn’t feel. Things we wish we’d done, or hadn’t done, hadn’t enjoyed doing. The way we handle or mishandle our wounds, and try to hold them up and look through them, like mirrors, to be seen, no matter how opaque and obstructed they are. You can’t trust truth. But then, even the word trust. . . what is that a placeholder for?"

"Diaz is my antidote to being uninspired. I never leave her work empty-handed."

"Recently, I read a tweet by the poet Natalie Diaz, who asked, Why must writers of color always have to talk about whiteness? Why center it in our work when it's centered everywhere else?"