Clint Smith (writer)

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aprile 10, 2026

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aprile 10, 2026

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"Over the course of decades, she has made it her mission to see that this day came. It was almost a singular mission. She has walked for miles and miles, literally and figuratively, to bring attention to Juneteenth, to make this day possible...when I think about someone like Miss Opal Lee, part of what I think about is our proximity to this period of history, right? Slavery existed for 250 years in this country, and it’s only not existed for 150. And, you know, the way that I was taught about slavery, growing up, in elementary school, we were made to feel as if it was something that happened in the Jurassic age, that it was the flint stone, the dinosaurs and slavery, almost as if they all happened at the same time. But the woman who opened the National Museum of African American History and Culture alongside the Obama family in 2016 was the daughter of an enslaved person — not the granddaughter or the great-granddaughter or the great-great-granddaughter. The daughter of an enslaved person is who opened this museum of the Smithsonian in 2016. And so, clearly, for so many people, there are people who are alive today who were raised by, who knew, who were in community with, who loved people who were born into intergenerational chattel bondage. And so, this history that we tell ourselves was a long time ago wasn’t, in fact, that long ago at all."

- Clint Smith (writer)

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"What a lot of people don’t know is that New York City, for an extended period of time, was the second-largest slave port in the country, after Charleston, South Carolina; that in 1860, on the brink of the Civil War, when South Carolina was about to secede from the Union after the election of Abraham Lincoln, that New York City’s mayor, Fernando Wood, proposed that New York City should also secede from the Union alongside the Southern states, because New York’s financial and political infrastructure were so deeply entangled and tied to the slavocracy of the South; also that the Statue of Liberty was originally conceived by Édouard de Laboulaye, a French abolitionist, who conceived of the idea of the Statue of Liberty and giving it to the United States as a gift, that it was originally conceived as an idea to celebrate the end of the Civil War and to celebrate abolition. The original conception of the statue actually had Lady Liberty breaking shackles, like a pair of broken shackles on her wrists, to symbolize the end of slavery. And over time, it became very clear that that would not have the sort of wide stream — or, wide mainstream support of people across the country, obviously this having been just not too long after the end of the Civil War, so there were still a lot of fresh wounds. And so they shifted the meaning of the statue to be more about sort of inclusivity, more about the American experience, the American project, the American promise, the promise of democracy, and sort of obfuscated the original meaning, to the point where even the design changed. And so they replaced the shackles with a tablet and the torch, and then put the shackles very subtly sort of underneath her robe. And you can — but the only way you can see them, these broken chains, these broken links, are from a helicopter or from an airplane. And in many ways, I think that that is a microcosm for how we hide the story of slavery across this country, that these chain links are hidden, out of sight, out of view of most people, under the robe of Lady Liberty, and how the story of slavery across this country is very — as we see now, very intentionally trying to be hidden and kept from so many people, so that we have a fundamentally inconsistent understanding of the way that slavery shaped our contemporary society today."

- Clint Smith (writer)

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"When I read Jefferson's disparagement of Wheatley, it felt like he had been disparaging the entire lineage of Black poets who would follow her, myself included, and I saw a man who had not had a clear understanding of what love is. When Robert Hayden gave us the ballads to remember how captured Africans survived the Middle Passage and arrived on these shores, it was an act of love. When Gwendolyn Brooks wrote about the children on the South Side of Chicago playing with one another in neighborhoods left neglected by the city, it was an act of love. When Audre Lorde fractured this language and then built us a new one, giving us a fresh way to make sense of who we are in the world, it was an act of love. When Sonia Sanchez makes lightning of her tongue, moving from Southern colloquialisms to stanzas shaped by Swahili, traversing an ocean in one breath, it is an act of love. Jefferson's conceptions of love seem to have been so distorted by his own prejudices that he was unable to recognize the endless examples of love that pervaded plantations across the country: mothers who huddled over their children and took the lash so their little ones wouldn't have to; surrogate mothers, fathers, and grandparents who took in children and raised them as their own when their biological parents were disappeared in the middle of the night; the people who loved and married and committed to one another despite the omnipresent threat that they might be separated at any moment. What is love if not this?"

- Clint Smith (writer)

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