Aviators

"Some are tricks of the light You'll never know Make a flickering midnight Light into a glow..."

"Voices in the dark And the lights burn low Teach yourself the art That you never know Try to put a message through To your sweetheart Won't you like to know The secrets of the heart?"

"What you gonna do? Time is running out on you! Anyway you choose Anyway you're gonna lose..."

"When you want the score When you need a helping hand And you find closed doors And you're back where you began Keeping those secrets Telling those lies... Can anybody tell me What's the big surprise?"

"Watching for a spark It's a moonlight show Reaching through the dark Do you have to go?"

"We took a place in the sun To see just what had become The warm wind blows constantly Does the answer still blow? Did you find your château In that Mediterranean fantasy?"

"Treat me like I'm evil Freeze me till I'm cold Beat me till I'm feeble Grind me till I'm old Wire me till I'm tired Push me like I fall Treat me like a criminal, just a shadow on the wall!"

"Taking on water Sailing a restless sea From a memory A fantasy The wind carries into white water Far from the islands Don't you know... You're never going to get to France Mary, queen of chance, will they find you! Never going to get to France... Could a new romance ever bind you?"

"Walking on foreign ground Like a shadow Roaming in far off territory Over your shoulder Stories unfold You're searching For a sanctuary..."

"Drifting a dream On a mystical sea... A wishful emotion A drop in the ocean A hush in the air You can feel anywhere In the cool twilight Of a tropical night..."

"The Watcher and the Tower Waiting hour by hour."

"The trees that whisper in the evening Carried away by a moonlight shadow Sing a song of sorrow and grieving Carried away by a moonlight shadow All she saw was a silhouette of a gun Far away on the other side He was shot six times by a man on the run And she couldn't find how to push trough I stay, I pray, see you in heaven far away I stay, I pray, see you in heaven one day..."

"I see a picture by the lamp's flicker... Isn't it strange how dreams fade and shimmer?"

"Look down from in high places Lift up the ground Without a sound [...] Check altitude Check your heart 'n this cloudless blue 'n this starlight night..."

"Speak, vision of the night, Tell me why you haunt me so... Speak, heaven morning light, Whisper all my heart would know. Dawn never finds you, Gone back to where the Shadows dwell... Speak, my beloved, speak, tho' you only say farewell!"

"With a smile of joy and gladness, with a look of exultation, as of one who in a vision what is to be, but it is not, stood and waited Hiawatha. Toward the sun his hands were lifted both the palms spread out toward it and, between departed fingers, felt the sunshine on his features. Flecked with light his naked shoulders, as it falls and flecks an oak-tree through the rifted leaves and branches."

"Can it be the sun descending o'er the level plain of water or the Red Swan floating, flying wounded by the Magic Arrow? Staining all the waves with crimson, with the crimson of its life-blood, filling all the air with splendor, filling all the air with plumage? [...] O'er it the Star of Evening melts and trembles through the purple, hangs suspensed in twilight, walks in silence through the heavens..."

"The sails are unfurled And the anchor's away going home... She heels to the breeze as she gathers her way, And we're bound to the old country. Then away, love, away, going home! We're homeward bound this very day, And we're bound to the old country..."

"On dusty roads and tracks Now it's the time to turn back The warm wind blows constantly Riding that storm Since the day you were born Is there somebody in? Now answer me"

"Queen and Huntress chaste and fair Now the Sun is laid to sleep Seated in the Silver Chair State in wonder Manner keep [...] Hesperus entreats Thy light Goddess excellently bright Bless us then with a wished sight Thou who mak'st the day of night..."

"Somebody's out to get you Hiding in the shadows Poison arrows! Somebody's out to break you Hiding in narrows Poison arrows!"

"Come, take my hand And wander in the willow river Glistening the blue bells Come, take my flesh And wander in the sunny corn That shimmer stills at snowfalls 'Cause I love you lover I love you, like I love The Four high Seasons."

"My moon shines so softly On the hair of my killer Pours flowers on his head Help me, give him some shelter! Come, lie by the river Rest your head, don't you fear Sleep softly, my baby They won't find you here."

"Don't wanna know your name You're just my lover Just wanna spend the night Walking beside you on the water You look like my lover But you're words are cold You say words like him But thinking has made you grow old."

"I watch the boats go by As the evening colours of the sand The rain is bringing tears From my lover's land I watch the silver stars melt in love with the sea I cry to the wind: – Bring back my lover to me! -"

"If it was a horrible thing I was known for, like some horrible pop song, it would annoy me, but it doesn't. I'm proud of it."

"We're looking For the strangers With sunlight in their eyes Who lived on Earth When Man was new When Time was Just a coloured dew That grew inside their mind..."

"Little bluebird's Fluttering into my hand Sun falls in love over the land I will live forever Just you wait and see No matter want you do To my bluebird and me..."

"Hey, cool princess With your eyes hanging The milk of the moon Hey, pretty princess Take me down to your cave in the dawn And you're gonna be a queen When the stars water Heaven with tears And you gonna love me When all our Golden lands are free."

"In this world, everything has a pulse or a vibration. This sound is unique to each living or non-living thing and in itself creates a music that no-one can hear. I believe that this has a very powerful resonance with, and a deep effect on, our lives. What would happen if we took this further and applied it to bigger things, more powerful things; like an entire solar system or galaxy say, what would that sound like? Musica Universalis is the ancient theory that every celestial body, the sun, the moon and the stars, has an inner music. This is a harmonic and mathematical concept derived from the movements of the planets in the solar system. The music created is inaudible to the human ear. Music of the Spheres is my interpretation of this theory. Every planet and every star; the whole universe has music within it that no-one can hear. This is what it would sound like if it was set free. This is Music of the Spheres. (from the introduction to Music of the Spheres)"

"The biggest problems were to do with... well, to get that successful when you're so young, it attracts hangers-on, parasites, people who want to feed off you. I thought people actually liked me, but they actually liked my money. I'd probably say to my younger self, get yourself a whole collection of lawyers. Which is what I have now. I don't have any friends; I just have lawyers. At the last count I had about 15 different sets of them for all kinds of problems. And you can trust them because you're paying them. I know that sounds very negative, but that's the world we live in."

"When I was younger I had an incredible sensitivity; I suppose there were too many brain cells, or they were organised in the wrong way, and they've either reorganised themselves or I've lost lots of them through alcohol and substance abuse. I can get along without being terrified now. Maybe I've just got used to it."

"I want not to panic. I want to be comfortable in my body and my life. I don't want to keep thinking that I don't belong here, that I have ended up on the wrong planet, completely alienated. (from Changeling)"

"Everything on Tubular Bells was done on the first take – it was lovely, so spontaneous. I had such a long time to prepare it, and I had just one little chance to do it, and now I listen to it and it has a lovely spontaneous energy. It's got mistakes, and I could easily have cut them out, but I left them on."

"Things like radio etc. didn't exist. You passed an aeroplane on the right and the aircraft landing had priority over the one taking off. There was no control tower, and no control. If you were going to practice flying through cloud you told someone on the aerodrome that's what you were going to do and that was enough!"

"Sunlight falling bright Over village garden walls Moonlight shower's gold where leaving waterfalls People walk in splendour Under trees hung in starlight."

"As a four-year-old, my mother told me I was climbing the fence, jumping off and calling myself an 'eppyplane' … I bought books on aeroplanes, I followed everything in the newspapers about aeroplanes. Amy Johnson flew to Australia in 1930 - why couldn't I do something like that?"

"Other women who flew were women of independent means. But I had to do something with it."

"Oh, my love You're searching For your name Beside the sea Of dwells and dreams Where Shadows're dancing For your glance... The sky would chance The granting of a dream To the restless soul That dwells within your heart..."

"I feel a rush in the air tonight, I can feel the Earth moving. Love is beacon, a guiding light, can't you feel the Earth moving?"

"Feel the Earth move! Now I'm wrapped In a sweet love's arms, Reaching out for you..."

"Reach out, it's a leap in the dark, But there's no danger of falling. Give out, give it straight from the heart, You feel the thunder rolling..."

"Some find it strange to be here On this small planet and who knows where... But when it's strange and full of fear It's nice to be on horseback."

"If we die we want people to accept it. We are in a risky business, and we hope that if anything happens to us, it will not delay the program. The conquest of space is worth the risk of life. Our God-given curiosity will force us to go there ourselves because in the final analysis, only man can fully evaluate the moon in terms understandable to other men."

"Do good work."

"The adverse impact on development productivity of requiring programmers to navigate along access paths to reach target data [...] was enormous. In addition, it was not possible to make slight changes in the layout in storage without simultaneously having to revise all programs that relied on the previous structure. [...] As a result, far too much manpower was being invested in continual (and avoidable) maintenance of application programs."

"For his fundamental and continuing contributions to the theory and practice of database management systems. He originated the relational approach to database management in a series of research papers published commencing in 1970. His paper "A Relational Model of Data for Large Shared Data Banks" was a seminal paper, in a continuing and carefully developed series of papers. Dr. Codd built upon this space and in doing so has provided the impetus for widespread research into numerous related areas, including database languages, query subsystems, database semantics, locking and recovery, and inferential subsystems."

"I could imagine how those queries would have been represented in CODASYL by programs that were five pages long that would navigate through this labyrinth of pointers and stuff. Codd would sort of write them down as one-liners. … They weren't complicated at all. I said, "Wow." This was kind of a conversion experience for me."

"At the time, Nixon was normalizing relations with China. I figured that if he could normalize relations, then so could I."

"The most important motivation for the research work that resulted in the relational model was the objective of providing a sharp and clear boundary between the logical and physical aspects of database management."