Vegetarians

"My proximity to the sheep, cattle, and geese who are now my neighbors in the country is what has finally turned me into a vegetarian. I talk to these animals when I walk. Sometimes I am lucky enough to make physical contact with them, and as I look into their eyes I see not only the innocence, but also the clear fact that those eyes are no less complicated in their structure than my own. Don't we now have enough tasty things to eat from the garden and all the delicious ways to prepare them?"

"My grandfather once said, having watched me one entire afternoon, prancing and leaping and cavorting, "this child will either end up on stage or in jail." Fortunately, I took the easy route."

"I suspect Hemsworth may have been cast for his appeal to fangirls, rather like Robert Pattinson in "Twilight." He's a little too tall, blonde, blue-eyed and hunky to be super plausible. He can definitely become a star, but it may be in the Peter O'Toole tradition; I can more easily imagine him in a remake of "Lawrence of Arabia" than as a settled spouse in a domestic drama."

"After all the information I gathered about the mistreatment of animals, I couldn’t continue to eat meat. The more I was aware of, the harder and harder it was to do. About six months ago I went and saw a nutritionist to do a blood-diet analysis. He basically told me, based on my blood type and all the other different little tests they do, that red meat was good for me, and I should eat a lot more red meat and various other foods. So I started doing that, and the more red meat I ate, the worse I felt. At the same time, I have a lot of friends who are vegan. [Hunger Games co-star] Woody Harrelson was actually one of the original reasons I became vegan, because he’s been vegan for, I don’t know, 30 years or something. So, with the facts I was gathering, and then just how I was physically feeling, I felt like I had to do something different, so I adopted this vegan-diet lifestyle. … I feel nothing but positive, mentally and physically. I love it. I feel like it also has a kind of a domino effect on the rest of my life."

"I'm so happy to be engaged and look forward to a life of happiness with Liam."

"Yeah, the physical stuff is always fun. I'm a physical and active person, so I would have loved to have done more of this, but my character does a lot more in the other films."

"Not eating. To not get fat. I lost about 15 pounds for the role because I wanted to get a sense of what it’s like to be hungry and what it does to your brain and your physical state. It was extremely tough to not be eating as much."

"My trainer was a great guy … who made me want to die for an hour. My character was spending most of his life in a state of hunger, and I wanted to get a sense of that, physically and mentally."

"Gary Ross is just an incredible director, and it was great to have someone like him."

"The thought definitely crosses my mind, but for me, it has always been about reading great scripts and finding things I relate to, and this was one of those. As an actor, I think you always want your work to do well, and I think that’s hopefully what’s going to happen. Hopefully this movie does turn out as great as everyone wants it to be, and hopefully we don’t disappoint anyone."

"Jennifer was great. She is fantastic. Really easy to work with, no drama, really down-to-earth, such a funny girl. Nothing but good things to say about her. She really was great to work with. And it always makes it easier when you’re working with people that you like and you enjoy being around."

"It's about kids in a horrible situation and there's this girl who overcomes it and gives hope to everyone and they come together to do something about it."

"Jennifer Lawrence is an incredible person and the most unpredictable person you will ever meet. You never know what she's going to say and why she's saying it. She's extremely fun to work with her and obviously perfect for Katniss."

"It was a nice change of pace to come to work, put on a nice suit and stay clean all day."

"Gary Ross is amazing. He’s just—he always has a billion ideas of what he wants, but has a very clear perspective also; he just makes it work. He really does. He’s trying different things and making everything look amazing."

"Well, I play purely from the heart, y'know, and so if it doesn't work the first couple of hours, forget it. Unless we feel like we're somehow on the right track then I'll keep on going. That's it, really; I don't have any magic where I just press a button and it happens. It'll either happen or it won't."

"I've got no particular desire to play ten minute solos. Those were never valid anyway in my book -- never. It was just a cheap way of building up a tension in the audience...A solo should do something; it shouldn't just be there as a cosmetic. It should have some aim, take the tune somewhere. I'm not saying I can do it, but I try and take the tune somewhere."

"Jeff can play damn fast, but he chooses not to most of the time, and that’s what impresses me. It’s what he chooses to leave out rather than what he chooses to stick in."

"He’s a man of both immovable conviction and incorruptible beliefs; who unabashedly holds true to the virtues of his heart. /—/ Though always outspoken, opinionated, outrageous, and passionate, Havok has never been one to willfully impart the mystery surrounding him."

"The front man, Davey Havok, comes straight out of the Velvet Goldmine school of glam rock. Wearing more make-up than Carol Channing at the Tony Awards, Havok emerged with his band, all wearing white, a shocking change of pace for a group known for an approach to fashion blacker than Saddam's mustache. Havok brought the Civic crowd to a frenzy with his brash and messianic front-man antics. At one point, he stepped out into the undulating, adrenaline-mad masses, literally walking on the shoulders of fans like You Know Who walking on water."

"Q: You seem relatively upbeat and sociable. It’s funny, because I’ve always had this idea of you, like, always crying in the dark. A: Most people do. Q: Do you care about that? A: Oh, no. It doesn’t bother me. Whatever people think of me is fine, however they want to envision me. I find it curious. I’m always intrigued by who people think I am and the persona they have created for me, what they think I’m into, what they think I’m not into. But I certainly understand that consideration, that I would be a bleak and miserable person, because a lot of my lyrics are very despondent. Luckily, I have the music to use as catharsis. If I didn’t, I might spend more time sitting and crying in a corner than I need to. Also, I think manners are very important. To be a sullen rain cloud when conversing with someone, be they your friends or a journalist, I think is inappropriate."

"Q: You never heard about it again? A: No. There was no Face-Space or Twitter at the time, so they would have had to put it in a ’zine. Now it’s just folklore. Except it’s not folklore because I’ve just confirmed it."

"I’ve gotten kicked in the face, got my nose broken, I’m constantly chipping teeth and there’s been a lot of very close calls with Hunter [the band’s bassist]. In a recent show, if our movement had’ve been inches different, I might be dead. I almost caught his bass to my head at full velocity. You laugh but it’s really scary."

"Q: Especially starting off in punk and hardcore like you did, you’re taking a huge risk by constantly expanding your sound, and it’s something you’ve gotten a lot of flack for. Have you reconciled yourselves to that? A: Absolutely. It’s something that we accepted very early on. It really comes from the ethos of being a punk and hardcore band. It was really because we just didn’t give a fuck. In the same way that we were playing punk and hardcore and didn’t give a fuck that anybody liked it, we continued to write and play what we liked and didn’t give a fuck if anybody liked it. Our hope is that people do like it, but if they have an issue with it, it doesn’t matter because we’re doing what makes us happy."

"More often than not, even the people and even the moments and even the circumstances that you feel you can go to for stability, for that piece of happiness, can all of a sudden shift, and can all of a sudden become tainted. And everything that you believe, or even that small moment of connection that you can feel can sometimes be destroyed. And I’m not a negative person — shockingly. I’m somewhat of a realist. And I’m a very passionate person, so I don’t like to expect that shift, I don’t like to expect for things that I love to become malignant or to become a great disappointment. But it happens. And it’s devastating. Every time."

"One of my many favorite tattoos I’ve seen of myself is from a photo shoot I did for the cover of a compilation called Punk Fiction that came out in the 90s. And my friend who was putting it together asked me to re-create the movie poster for Pulp Fiction with me in place of Uma Thurman as Mia Wallace on the bed smoking a cigarette with the wig on and everything. So I went in and did that and it was the cover of the record and posters were made. Since then I’ve seen a portrait tattoo of me as Mia Wallace. That’s my favorite. And that was years before I was publicly dressing as a woman, which I’ve been doing for years now onstage and off. I think Mia Wallace was just one of my earlier excuses to strut around in women’s clothing."

"I just heard a story from someone the other day where somebody was beaten up by Christians for wearing one of our shirts. Of course, that's a very Christian thing to do."

"I miss having to wonder about any aspect of an artist’s life. [This] was a luxury we don’t have anymore. Whether it’s the people surrounding them revealing things about their process or their personal lives, or the artists themselves going on Twitter and telling you what they’re doing in the middle of the night with their girlfriend — it’s like, ‘Wow, um... I really liked you better before you told me that. I really would like to go back to imagining the person that I was imagining.’"

"Someone gave me a pig heart in a mason jar. It was in the context of art, I believe. It was chained to a gourd and spattered with the expected colors of paint. And it was indeed, really and truly, a pig’s heart. I’m vegan and so it was kind of upsetting and pretty ironic, really, because it was the type of person I would want to guess was infatuated or obsessed."

"I've found that at times that question and the dubiousness that I seem to exude has given people something — not simply gossip or whether God is going to smite them for liking our band, but actually they've found strength and become more comfortable with who they are as a person. It's pansexual, that sort of reach. It's a wonderful side effect of what we're doing, to give someone the strength to come out of the closet to their family, or simply present themselves aesthetically in a way they feel happy with, whether or not their friends are going to be allowed to like them anymore. So it's actually a really cool side effect to all the rumors."

"It’s not a matter of imaging, despite what a lot of people would feel that it is. I’ve never presented myself in a way that I don’t feel comfortable with; I’ve never presented myself in a way to appeal to anybody. For the most part the way I’ve always looked to not appeal to most people. Really, my aesthetic was really more of a terrorism or violence than it was something to attract; more of a representation of my detachment than anything else — though it’s not always a very conscious thing."

"I’ve heard we’re Christian, and that always tickles me. I’ve heard that I’m a junkie. I’ve heard that I’m a vampire. I’m a junkie vampire. That can be your pull-quote."

"/—/ This attitude embodies a pursuit of clarity and integrity while demanding a certain readiness to make sacrifices (cf. “Sacrifice Theory”). Many of his works show that Havok sees no other way to achieve peace of mind than by living a life coined by fight and sacrifice."

"One thing I will say is the education was good — even religion classes. I appreciate the knowledge I have — the imagery still appeals to me. But otherwise, it's pretty fucked up. I remember in the eighth grade, during a parent/teacher conference, a nun came down and spoke to my parents. It's funny because I had great grades, did very well on tests, and got along well with others but she told my parents she was "very concerned". My parents were like "what for?" She told them "I think your son might worship the devil...""

"Usually, old ladies tell me to find Jesus. Look, I'm just trying to find some chai and a good vegan muffin."

"Well I think that my main concern is that there is a market lack of desire for quote-unquote art that people are creating and appreciating. I think because there’s a lack of desire for that, which translates to the creation and elevation of art that then thereby lack substance because there’s no desire for it, there’s no appreciation for it. It self-perpetuates a world in which the hollow, the vapid and the greedy are elevated and revered. That bothers me because art is so important whether it’s design, fine art, film, fashion, things that are important to the world. It’s what makes me want to wake up in the morning, it drives me."

"Look at who people are elevating and deifying in the public eye, and ask yourself what those people have done to receive such lauding and what it is they haven’t. When you look at that you say, okay, are these people being revered for something of merit, or are they completely hallow? Or even worse, are they being revered for something that is actually destructive?"

"I really think for the good of this world that, if I could have it my way, the whole world would be vegan and straightedge. So that’s why I feel it’s important to create an awareness of this lifestyle, create an awareness of the choices people make. To bring awareness about those lifestyles can bring a positive change, if only on the level of an individual."

"It’d be great if the record industry wasn’t completely falling apart and people’s interest in music wasn’t totally disappearing. It’s sad on a cultural level. Not even from the perspective of being in a band, just as a fan. It’s heartbreaking to see how little music means to people in modern times. And people say, “No, no, no — music means more than ever before! People are consuming music at a greater rate!” Well, that doesn’t mean anything, that’s just a statistic. All that’s saying is that people are downloading music more than before. That doesn’t mean that they’re listening to it, that they know anything about it, or that they’re going to see it."

"As far as vocal preparation goes, it’s really an interesting thing for such a fragile instrument and using it properly is like walking a tightrope. I have learned not to do extensive warm-ups. It’s really more of a cerebral mind-body connection Zen hippy thing, just knowing your body and figuring out if I do that then I will be able to speak tomorrow."

"No stranger to adopting changes in sound or appearance, singer Davey Havok threw fans for a loop (and caused them to question his sexuality) when he began rocking not only eyeliner but metallic eyeshadow, blonde highlights and false eyelashes, and pursuing a sideline in fashion. In the band’s latest incarnation, Havok has ditched some of the makeup, thus provoking a slew of “Is he straight again?” questions. Is it that simple? Who knows; because like all good gender benders, Havok keeps mum on his personal life — and as a result, the rumors keep swirling."

"It's not that everything needs to have substance, but when nothing does then you know we’re living in a bankrupt society, an artistically bankrupt society, and that’s not okay. I think there’s room for forms of entertainment that are very light and frivolous and fun, but when those forms of entertainment, forms of "art" if you will, become presented as something more than that, and are believed to be something more than that, then we’ve got a lot of problems."

"To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source. My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life."

"I have closely studied the figured documents of all ages and of all the great masters, but I have never seen in them any representations of human beings walking on the extremity of the toes or raising the leg higher than the head. These ugly and false positions in no way express that state of unconscious Dionysiac delirium which is necessary to the dancer. Moreover movèments, just like harmonies in music, are not invented; they are discovered."

"Bernard Shaw says that as long as men torture and slay animals and eat their flesh we shall have war. I think all sane, thinking people must be of his opinion. The children of my school were all vegetarians, and grew strong and beautiful on a vegetable and fruit diet. Sometimes during the war when I heard the cries of the wounded I thought of the cries of the animals in the slaughterhouse, and I felt that, as we torture these poor defenceless creatures, so the gods torture us. Who loves this horrible thing called war? Probably the meat-eaters, having killed, feel the need to kill—kill birds, animals—the tender stricken deer—hunt foxes. The butcher with his bloody apron incites bloodshed, murder. Why not? From cutting the throat of a young calf to cutting the throat of our brothers and sisters is but a step. While we are ourselves the living graves of murdered animals, how can we expect any ideal conditions on the earth?"

"I could have played the part of Saint Joan. I ought to have played it. I have the ample figure, the hardy physique of a farm-servant. Joan was a buxom creature. Yet she is always played by thin little actresses."

"Love is not the sacred thing that poets talk about … Love is an illusion; it is the world's greatest mistake. I ought to know for I've been loved as no other woman of my time has been loved. Men have threatened suicide, they have taken poison, they have fought duels for me. All kinds have come to me — geniuses, poets, millionaires, artists, musicians — but now there is not one to whom I have appealed for the loan of £25 who have responded. There is love for you!"

"I could not adopt him so I married him. You know how wonderful he is, like all Russians. He starts reciting verse at two o'clock in the morning."

"The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body."

"Nor must we forget the liberating force which sprang from the art of Isadora Duncan, whose heroic practice has done more than any precepts of philosophy to widen our ideas as to the intellectual and spiritual possibilities of the dance."