Science Fiction Authors From The United States

"They’re here and we’re here, and they think we’re gods—maybe because we do nothing for them but make them miserable."

"Two days, like icebergs—bleak, blank, half-melting, all frigid, mainly out of sight, and definitely a threat to peace of mind—drifted by and were good to put behind."

"It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us."

"“Ooh,” she said. A pause, then, “Is it sacred?” “No, it’s nicotine,” I answered, “a very ersatz form of divinity.”"

"And I came to the land where the sun is a tarnished penny, where the wind is a whip, where two moons play at hot rod games, and a hell of sand gives you the incendiary itches whenever you look at it."

"Knowledge was what he needed. Fear was what he had."

"It is anticipation and recollection that fill the heart—never the sensation of the moment."

"“I believe I love you,” he mentioned. “Fortunately, love does not require an act of faith,” she noted, accepting a light for her cigar, “because I don’t believe in anything.”"

"“Let’s go to New Hampshire.” “What’s wrong with Scotland?” “I’ve never been to New Hampshire.” “I have, and I don’t like it. It looks like your description of the moon.”"

"In a world of physical ease, brutal social equality, and reasonable economic equality, exclusiveness in frivolity becomes the most sought-after of all distinctions."

"“Her money means nothing. She is an institution. “Hers is the quality of exclusiveness which keeps the Set the Set,” she went on. “Imitators will always fail because they lack her discrimination. They’ll take in any boorish body who’ll pay. That is the reason that People Who Count,” (she pronounced the capitals), “will neither attend nor sponsor any but Set functions. All exclusiveness would vanish from the Earth if the Set lowered its standards.”"

"The price of mortal existence is age."

"Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now."

"I got the idea for that story in May of 1979. I didn't know what it was going to be; I just thought it would be neat to write something about Jack the Ripper's dog, and ask Gahan Wilson to illustrate it, partly because of the fact that a dog is such an unusual person. No matter who owns a dog, if that person is nice to the animal, the dog is going to love him. I thought at the time, if you take a really despicable person, a serial killer or someone like that, and tell a story from his dog's point of view it would make him look pretty good."

"Every now and then it's nice to stop and just look over what you've been writing and the way you've been writing it and sort of reassess it, and see if you've fallen into bad habits or there's something you'd like to get better at. One way of reexamining your own work is to work with somebody else. It's a learning experience. I don't want to get into a rut."

"Death is the only god that comes when you call."

"I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters."

"Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories. I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central. But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites."

"Since the earliest thirties, to read science fiction is to read Simak. A reader who does not like Simak stories does not like science fiction at all."

"Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land."

"I never heard a bad word about him but only universal approval and approbation... [I have tried to] imitate his easy and uncluttered style. I think I have succeeded to an extent and that it has immeasurably improved my writing. He is the third of three people, then, who formed my writing career. John Campbell and Fred Pohl did it by precept, and Cliff Simak by example."

"Without consciousness and intelligence, the universe would lack meaning."

"An untold time ago, there was a well-founded perception that the human race would end and that something else must take its place. Why must something else take its place? I cannot tell you that. There is no solid rationale for it, but the belief seemed to be that there must be a dominant race upon this planet. Before men were the dinosaurs and before the dinosaurs there were the trilobites..."

"Much of what we see in the universe," said Hugo, "starts out as imaginary. Often you must imagine something before you can come to terms with it."

"This is the core of the galaxy," Horseface said. "This is the very center of everything there is. A huge black hole eating up the galaxy. The end of everything."

"Boone gulped and swallowed. He spoke to The Hat. "You said the Highway to Eternity?" That is not what I said. I said the Highway of Eternity. "Small difference," Boone told him. Not so small as you might think."

"It is a net," said Horseface, "useful for the fishing of the universe." Enid crinkled up her face, staring at what he called a net. It was a flimsy thing and it had no shape. "Certainly," she said, "you would not go fishing the universe in so slight a thing as this." "Time means nothing to it," said Horseface, "nor does space. It is independent of both time and space except as it makes use of them."

"Perversity, she thought. Could that have been what happened to the human race — a willing perversity that set at naught all human values which had been so hardly won and structured in the light of reason for a span of more than a million years? Could the human race, quite out of hand and with no sufficient reason, have turned its back upon everything that had built humanity? Or was it, perhaps, no more than second childhood, a shifting of the burden off one's shoulders and going back to the selfishness of the child who romped and frolicked without thought of consequence or liability?"

"He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile. He stared at the hat. Who are you? What is this about? He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf. The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter. An interpreter for whom? For the wolf and you. But the wolf does not talk. No, he does not talk. But he thinks. He is greatly pleased and puzzled. Puzzled I can understand. But pleased? He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are. In time to come, said Boone, he will be one with us. He will become a dog. If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal..."

"We have time travel," she said, "and none of us, I am sure, really understands it. We stole it from the Infinites. To steal time travel was the one way we could fight back, the one way we could flee. The human race had far space travel before the Infinites showed up. I think it was our far travel that aroused the interest of the Infinites in us. I've often wondered if some of the very primitive principles of time might not have made our many-times-faster-than-light travel possible. Time is somehow tied into space, but I have never known quite how."

"What your friend told you of his seeing of the time wall is true, Henry said in Boone's mind. I know he saw it, although imperfectly. Your friend is most unusual. So far as I know, no other human actually can see it; although there are ways of detecting time. I tried to show him a sniffler. There are a number of snifflers, trying to sniff out the bubble. They know there's something strange, but don't know what it is."

"They changed," said Enid, "from corporeal beings, from biological beings, to incorporeal beings, immaterial, pure intelligences. They now are ranged in huge communities on crystal lattices..."

"We're very close to immortal, you know. The time mechanism keeps it that way." "No, I hadn't known," said Boone. "Inside the time bubble we do not age. We age only when we are outside of it."

"A wrongness persisted, a sense of aberration, some factor not quite right, the feeling of a corner. But Boone could not pin it down; there seemed no way to reach it."

"In the east the moon was rising, a full moon that lighted the landscape so that he could see every little clump of bushes, every grove of trees. And as he stood there, he realized with a sudden start that the moon was full again, that it was always full, it rose with the setting of the sun and set just before the sun came up, and it was always a great pumpkin of a moon, an eternal harvest moon shining on an eternal autumn world. The realization that this was so all at once seemed shocking. How was it that he had never noticed this before? Certainly he had been here long enough, had watched the moon often enough to have noticed it. He had been here long enough — and how long had that been, a few weeks, a few months, a year? He found he did not know. He tried to figure back and there was no way to figure back. There were no temporal landmarks. Nothing ever happened to mark one day from the next. Time flowed so smoothly and so uneventfully that it might as well stand still."

"The old and the young, he thought. The old, who do not care; the young, who do not think."

"First there was space—endless, limitless space, so far from everything, so brutal, so frigid, so uncaring that it numbed the mind, not so much from fear or loneliness as from the realization that in this eternity of space the thing that was himself was dwarfed to an insignificance no yardstick could measure."

"Accident, he wondered, or a way of hiding? Trapped or planned? He had no way of knowing and further speculation was ridiculous, based as it necessarily must be upon earlier assumptions that were entirely without support."

"Perhaps all that had happened had been no more than the working out of human destiny. If the human race could not attain directly the paranormal power he held, this instinct of the mind, then they would gain it indirectly through the agency of one of their creations. Perhaps this, after all, unknown to Man himself, had been the prime purpose of the robots. He turned and walked slowly down the length of village street, his back turned to the ship and the roaring of the captain, walked contentedly into this new world he'd found, into this world that he would make — not for himself, nor for robotic glory, but for a better Mankind and a happier. Less than an hour before he'd congratulated himself on escaping all the traps of Earth, all the snares of Man. Not knowing that the greatest trap of all, the final and the fatal trap, lay on this present planet. But that was wrong, he told himself. The trap had not been on this world at all, nor any other world. It had been inside himself. He walked serenely down the wagon-rutted track in the soft, golden afternoon of a matchless autumn day, with the dog trotting at his heels. Somewhere, just down the street, the sick baby lay crying in its crib."

"Once again the universe was spread far out before him and it was a different and in some ways a better universe, a more diagrammatic universe, and in time, he knew, if there were such a thing as time, he'd gain some completer understanding and acceptance of it. He probed and sensed and learned and there was no such thing as time, but a great foreverness. He thought with pity of those others locked inside the ship, safe behind its insulating walls, never knowing all the glories of the innards of a star or the vast panoramic sweep of vision and of knowing far above the flat galactic plane. Yet he really did not know what he saw or probed; he merely sensed and felt it and became a part of it, and it became a part of him — he seemed unable to reduce it to a formal outline of fact or of dimension or of content. It still remained a knowledge and a power so overwhelming that it was nebulous. There was no fear and no wonder, for in this place, it seemed, there was neither fear nor wonder. And he finally knew that it was a place apart, a world in which the normal space-time knowledge and emotion had no place at all and a normal space-time being could have no tools or measuring stick by which he might reduce it to a frame of reference. There was no time, no space, no fear, no wonder — and no actual knowledge, either."

"He sat and watched them come and he thought of going in to get a rifle, but he didn’t stir from his seat upon the steps. The rifle would do no good, he told himself. It would be a senseless thing to get it; more than that, a senseless attitude. The least that man could do, he thought, was to meet these creatures of another world with clean and empty hands."

"Beyond his own sure knowledge, he had not a shred of proof."

"There have been moments when I also wasn’t able to attach as much importance to football as it seemed to me I should."

"“McKay tells me that you went home sick,” she said. “Personally, I hope you don’t survive.”"

"My reluctance to use alien invasion is due to the feeling that we are not likely to be invaded and taken over. It would seem to me that by the time a race has achieved deep space capability it would have matured to a point where it would have no thought of dominating another intelligent species. Further than this, there should be no economic necessity of its doing so. By the time it was able to go into deep space, it must have arrived at an energy source which would not be based on planetary natural resources."

"If mankind were to continue in other than the present barbarism, a new path must be found, a new civilization based on some other method than technology."

"We came into a homeless frontier, a place where we were not welcome, where nothing that lived was welcome, where thought and logic were abhorrent and we were frightened, but we went into this place because the universe lay before us, and if we were to know ourselves, we must know the universe..."

"Space is an illusion, and time as well. There is no such factor as either time or space. We have been blinded by our own cleverness, blinded by false perceptions of those qualities that we term eternity and infinity. There is another factor that explains it all, and once this universal factor is recognized, everything grows simple. There is no longer any mystery, no longer any wonder, no longer any doubt; for the simplicity of it all lies before us..."

"Time is still the great mystery to us. It is no more than a concept; we don't know if it even exists..."

"“As an auxiliary to all of this,” he said, “I have found myself speculating upon a world in which no one ever grew up. I admit, of course, that it is a rather acrobatic feat of thinking, not entirely consistent, to leap from the one idea to the other. In a world where one was able to package his experiences, he merely would be able to relive at some future time the experiences of the past. But in a world of the eternally young he'd have no need of such packaging. Each new day would bring the same freshness and the everlasting wonder inherent in the world of children. There would be no realization of death and no fear born of the knowledge of the future. Life would be eternal and there'd be no thought of change. One would exist in an everlasting matrix and while there would be little variation from one day to the next, one would not be aware of this and there'd be no boredom...”"