Film Producers From The United States

"Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between."

"Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time."

"The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society."

"A stylized version of our IKEA present. It is talking about very simple concepts. We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore. In that societal emasculation this everyman is created."

"We wanted a title sequence that started in the fear center of the brain. [When you hear] the sound of a gun being cocked that's in your mouth, the part of you brain that gets everything going, that realizes that you are fucked - we see all the thought processes, we see the synapses firing, we see the chemical electrical impulses that are the call to arms. And we wanted to sort of follow that out. Because the movie is about thought, it's about how this guy thinks. And it's from his point of view, solely. So I liked the idea of starting a movie from thought, from the beginning of the first fear impulse that went, Oh shit, I'm fucked, how did I get here?"

"There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch."

"You know, I don't think I've ever listened to someone's commentary. Ever."

"He's probably the world's most beautiful-looking man, yet he doesn't think that he's gorgeous. And to me, he's just smelly, farty Leo."

"With those eyes and his intellect, I see no real limit to his potential."

"His two eyes are different," says Lasse Hallstrom, who directed Leo in what may be his best movie, What's Eating Gilbert Grape. "The left eye is very soft and empathetic. The right eye is more analyzing. One eye oozes warmth, while the other is more penetrating. One eye is psyche, the other is intellect."

"You know, I worked with Leonardo when he was 18 [on The Quick and the Dead]. He was a virgin, and he would talk about that constantly. So I'm hoping we have some time so he can fill in what's happened in between. Maybe show some photos. Because I'm sure life's different now."

"DiCaprio is both a famous actor and perhaps the world’s best-known climate activist. He doesn’t speak on the subject of carbon emissions so much as he preaches. “Humans have put our entire existence into jeopardy,” DiCaprio thunders. Climate change is “the most urgent threat facing our entire species.” Those who question climate policy, he declares, should be banned from public office. “The scientific consensus is in, and the argument is now over.” Few preachers live up to the standards they set from the pulpit, and DiCaprio is no exception. In the summer of 2016, DiCaprio was scheduled to receive an award from the environmental group Riverkeeper. He was in Cannes attending the film festival at the time, so he chartered a private jet to fly from France to New York and back. That’s an eight-thousand-mile round-trip, which in addition to being physically exhausting, amounts to a gargantuan carbon footprint, bigger than the average African might emit in a lifetime. For DiCaprio, it was just another Cannes Film Festival. The year before, he was photographed off the coast of France meandering alone on the deck of a 450-foot, $200 million yacht, which he’d rented as an accommodation for the week. Once again, a lot of carbon."

"I insist on keeping a level head. I`ve maintained the same exact home life that I`ve had for 20 years. All I see is more people looking at me than before. But, you know, who cares? You just can`t obsess yourself with this fame stuff."

"I've been very lucky to have achieved a lot of the things that I dreamt of achieving as a young man. But, at the end of the day – and I truly believe this – it is not about achieving great wealth or success. Because they don't bring happiness ultimately. They really don't. What matters is whether or not you've fulfilled the idea of having led an interesting life, whether you've contributed in some way to the world around you."

"People always like to make up stories. I am not planning on getting married. Then again, I might wake up tomorrow and decide to get married!"

"As an Academy member, you're not allowed to endorse somebody else when they're up for an Academy Award and if you do, there's a good chance you'll lose your membership. But I have to tell you Leo DiCaprio is so amazing in The Revenant"

"Brothers don`t necessarily have to say anything to each other-they can sit in a room and be together and just be completely comfortable with each other."

"Love at first sight? I absolutely believe in it! You`ve got to keep the faith. Who doesn`t like the idea that you could see someone tomorrow and she could be the love of your life? It`s very romantic."

"We were peers, I think. Leo's an incredibly intelligent guy who's been through a great amount of life experience over the course of the last few years. He's very dedicated and I think he had a very good idea of what he wanted to do and how he wanted to do it."

"Yes, I can play younger than my age. But I can play characters older than I am, too. I`m not an actor who can just play the kid."

"I don't really have many extravagances. I don't fly private jets and I don't have bodyguards and I don't buy crazy things. I have a couple of houses here and there. I bought a very expensive watch, and I am going to buy a really expensive movie poster, the original for The Thief of Bagdad (1940). I love movie posters."

"A consensus has emerged in our scientific community that global warming is no longer merely a theory but a reality, a crisis with truly global implications for planet Earth and all of us who share it. - Told to thousands at the New Jersey concert for Live Earth"

"On working with Martin Scorsese in Gangs of New York (2002): "He's a perfectionist, obsessed with detail. That's why he went over budget and over schedule."

"There are pros and cons to everything. To be able to do what I do and what I love on this level is a very positive thing. There are certain invasions of privacy, but I hate sitting around complaining about it, I just don't like to hear it come out of my mouth. I'm a very fortunate person being able to do what I do."

""People want you to be a crazy, out-of-control teen brat. They want you miserable, just like them. They don't want heroes; what they want is to see you fall."

"He reminds me of that excitement when De Niro and I stumbled upon a way of working together - a similar kind of energy to the actors in the 1970s. It’s very rare for me to find that kind of connection again. Leo will give me the emotion where I least expect it and could only hope for it about three or four scenes. And he can do it take after take.""

"Everywhere I go, somebody is staring at me. I don`t know if people are staring because they recognize me or because they think I`m a weirdo."

"I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did."

"On whether there are any aspects of fame he dislikes: You kidding? I feel very fortunate. A lot of people would love to be in my position. There are so many people out there who are suffering trillions of times more than I could ever suffer, and would love to be me. I am a lucky little bastard."

"The best thing about acting is that I get to lose myself in another character and actually get paid for it. It`s a great outlet. As for myself, I`m not sure who I am. It seems that I change every day."

"If you hear of any incident about me - a fight, a change of clothes, a little extra gel in the hair, don't believe it till you talk to me."

"Well it's a risk to do a movie of this calibre on a subject matter and a point in history people are not very familiar with. It's a tough subject to sell - so salary-wise you have to make sacrifices to make a certain film happen. I would have been an idiot to pass up the opportunity to work with Mr Scorsese."

"I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating."

"Being dubbed as a hunk sort of annoys me. It gives me a yucky feeling."

"I got attention by being funny at school, pretending to be retarded, and jumping around with a deformed hand."

"I’ve been in the business since I was 16, so I’ve had a 14-year career. I’ve always had acting in my blood. Doing this, whatever it is, was something I was drawn to since my earliest memories. Ironically, I lived in Hollywood, but never understood that all it took was getting an agent and being persistent."

"School, I never truly got the knack of. I could never focus on things I didn't want to learn."

"On Martin Scorsese: Martin has brought so much to the art form of film, and he is not the type of person who would be upset by not receiving an Oscar, although it is a practical joke that he has not won an Academy Award after all these years. Whatever opinions critics will have of The Aviator, I really think that this is a great piece of art: once again, he has made a great classic film."

"I like to help the whales, the otters, and the dolphins. When I`m acting and I take a break, the first thing on my list is spending time by the sea."

"On turning 30: "I kind of feel like the same person except more time has gone by. I hate to say that I feel like an adult now. I have to admit I wish I was still 18. After all, even through the time while I was representing that wild kid, I really wasn't. I was just living my life. I was just not making movies at the time."

"A lot of actors ask me “what do you do? How do you get into the business?” My only answer is don’t be discouraged. … You have to commit your life to it, almost, and never give up. It’s a cliché, but it’s true."

""I wasn't surprised that Jamie got the award. But I knew that cameras would be stuffed up my face so I had my response ready. Anyone who says they don't practice is a liar." -on losing out on the Oscar to Jamie Foxx during the 2005 Academy Awards."

"I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to - until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life."

"I think it’s a real danger, as an actor, when you try to make some statement through your career about what the business should be doing or ultimately what your image should be or how you want to be perceived. I look at every project that comes along and say, “Is this something I can sink my teeth into and can do a good job on?” That’s really how I choose roles."

"As a little kid growing up in Hollywood, I was called 'a little crazy'. And now I guess I'm still that way."

"The challenge is to understand the psyche of somebody like that. There is no true genius or revolutionary ideas, I don’t think, without some element of compulsiveness or madness or obsession, and that’s certainly indicative of Howard Hughes. Understanding his obsessive-compulsive disorder was really the key for me for opening up who this man was."

"As an actor, you're constantly searching for that great character. Also, being a history buff and learning about people in our past and amazing things that they've done, I came across a book about Howard Hughes and he was set up as basically, the most multi-dimensional character I could ever come across. Often, people have tried to define him in biographies, but no one seems to be able to categorize him."

"Certainly after Titanic, where my face was put on every magazine cover around the world and the movie was such a phenomenon, I really had no control over that. So for the last couple of years, media-wise I've been trying to regain some control in what people say about me."

"The fact that Romeo is dopey, lovey-dovey, and it's a corny story. And I was afraid I'd look like a fuffy."

"My mom and I lived at Hollywood and Western, a drug-dealer and prostitute corner. It was pretty terrifying. I got beat up a lot. I saw people have sex in the alleys. I remember I was five years old, and this guy with a trench coat, needles and crack cornered me. Early on, seeing the devastation on my block, seeing heroin addicts, made me think twice about ever getting involved in drugs. It's evil. Once you take that step and experiment, drugs can take over your life. You are not yourself anymore. That's something I never wanted. I didn't have a lot of friends growing up. It was kind of just me and my parents. But because of them, the neighborhood did not have a bad effect on me. My dad introduced me to artists, and every few months we'd go to some hippie doo-dah parade as Mudmen in our underwear, carrying sticks and covered in mud. My mother did everything to get me into the best schools she could find."