"We were good friends. The news of his recent death hit me hard. I still feel the pain of his loss. And of course I remember how I responded to his early writing. When I was very young Gli Indifferenti was of crucial importance as I formed my first views about writing. I’d have to say that for me Moravia’s earlier work was also his strongest. I love the work up to and including Roman Stories. I think he thought they were perhaps too popular, too much in the mode of a sort of national narrative. Whereas for me the stories in this collection are extraordinary. He managed in that book to depersonalize himself in a masterful way...by that I mean that he recreated himself in the form of many different characters in such a convincing way. His gift for getting inside the personality of characters so totally different from himself was truly remarkable. This was a gift comparable to that of Maupassant, a writer who managed to get inside many diverse characters at a time, so as to paint a complete fresco of the France of his period, of the life of the peasants, of the servants, of the city and of the provinces. He was a really great writer who is absolutely forgotten now. I would like somehow to bring him back. (PG: Is his work translated into Italian?) NG: Yes, but now it is totally ignored. There is a work of his which I particularly love, a novel called A Life, which I’m in the process of translating now."
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Novelists from ItalyEssayists from ItalyScreenwritersPlaywrights from ItalyShort story writers from Italy
Original Language: English
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Natalia Ginzburg Interview (1992)
https://en.wikiquote.org/wiki/Alberto_Moravia
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Alberto Moravia
Alberto Moravia (November 28, 1907 – September 26, 1990), born Alberto Pincherle, was an Italian fiction-writer, screenwriter and essayist. His novels were initially attacked by the Fascist government and placed on the Index by the Catholic church, but later won great critical and popular success.
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