playwrights-from-italy

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April 10, 2026

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April 10, 2026

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"The day of the Big Bang is not far off. Money, in its extreme essence, is the future, a representation of the future, a bet on the future, an inexhaustible relaunch of the future, a simulation of the future for use in the present. If the future is not eternal but has its own finitude, we, at the speed we are going thanks to money, are shortening it vertiginously. We are racing headlong towards our death as a species. If the future is infinite and unlimited, we have mortgaged it to temporal regions so far away as to render it virtually non-existent. The impression, in fact, is that no matter how fast we go, or rather precisely because of this, this orgiastic future constantly recedes before us. Or perhaps, in a circular motion, Nician, Einsteinian, typical of money, it is coming up behind us, laden with the immense debt we have burdened it with. If, as we believe, the future is a non-existent time, a figment of our imagination, as is money, then we have staked our existence on something that does not exist, on nothing, on Nothingness. In any case, this future, whether real or imaginary, expanded to monstrous and dreamlike dimensions by our imagination and our madness, will one day fall upon us as a dramatic present. On that day, money will no longer exist. Because we will no longer have a future, not even one to imagine. We will have devoured it."

- Massimo Fini

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"In September 1997, Emma Bonino, European Union Commissioner, requested to visit Afghanistan. The Taliban had no obligation to allow her entry, as the EU did not recognise their government. However, they granted her a visa and treated her with kindness and courtesy, as they had always done with guests, even during the dramatic period of the US aggression in October 2001, and as is the Afghan tradition. Emma was able to visit Afghanistan and see everything she wanted. On 28 September, followed by a retinue of 19 people, including EU delegates, journalists, photographers and cameramen, she entered a hospital in Kabul and headed straight for the women's ward, where the photographers began to take pictures and the cameramen began to film. This was extremely foolish behaviour because in Islamic culture the reproduction of the human figure is, in principle, forbidden. Just look at a Persian carpet; it is decorated with plants, animals and fish, but there are no human figures. And this was even more true in Taliban Afghanistan. After all, even in our country, you cannot photograph or film patients without their consent or the authorisation of the hospital management. The “Corps for the Promotion of Virtue and Punishment of Vice” arrived, grabbed Bonino and the others and took them to the nearest police station. For such an offence, the punishment was flogging with “sacred rods”. Bonino was explained how things worked in those parts and shortly afterwards she was released by the officials, who were perplexed and a little disgusted. They would have done better to flog her. With the “sacred rods”, of course. Perhaps she would have understood what, as a good Western radical, she has never understood: that the sensibilities and customs of others also deserve respect. Instead, she wanted to make an international case out of it and, back in Brussels, she got the EU to cut humanitarian funds for Afghanistan."

- Massimo Fini

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"Yet war has played a decisive role in human history. Both from a political and social point of view and, perhaps above all, from an existential point of view. It satisfies deep urges and needs that are generally sacrificed in times of peace. War allows us to legitimately release the natural and vital aggression that is in all of us. It is an escape from the frustrating daily grind, from boredom, from the sense of futility and emptiness that, especially in affluent societies, takes hold of us. It is adventure. War evokes and strengthens group and team solidarity. We feel, and are, less alone in war. War blurs the differences in class, social status and economic status, which lose their importance. We are all a little more equal in war. War, like military service, university and regulated games, has the quality of waiting time, of suspended time, the end of which does not depend on us, to which we surrender ourselves totally and which frees us from all personal responsibility. War brings everything, starting with feelings, back to the essential. It frees us from trappings, from the superfluous, from the useless. It makes us all, in every sense, leaner. War gives enormous value to life. For the simple reason that it is death that gives value to life. The real, close, imminent risk of death makes every moment of our existence, even the most trivial, intensely precious. Although it is painful to say, war is a unique and invaluable opportunity to learn to love and appreciate life."

- Massimo Fini

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"Moro is not the imaginary saint depicted in the self-serving official iconography. [...] Moro is the man who emerges from his letters, the letters he wrote while he was a prisoner of the Red Brigades, which are the most painful and humiliating words ever to come out of a prison. The “distinguished statesman” who, when push came to shove, renounced all the principles of the rule of law, seemed to consider the state and its institutions as his own private property, and invited his party friends and the leading representatives of the Republic to do the same. The man who asks for mercy for himself but, in ninety letters, has not a word for the men of his escort, killed for him, and indeed, the only mention he makes of them is coldly bureaucratic, describing them as “administratively inadequate”. He is a politician who confirms the tradition of the Italian ruling class, ready to demand everything, even life, from the humble, but never willing, on the rare occasions when it happens, to pay personally (think of Benito Mussolini fleeing under a German overcoat, or the way in which the king and Pietro Badoglio abandoned Rome). To say these things about a man who died as Moro did may seem, indeed it is, cruel. But it is the truth. And since I wrote these things when Moro was still alive (“Distinguished statesman or poor man?”. Il Lavoro, 4 April 1978), I have no qualms about repeating them now that he is dead and other pieces are coming together to complete the picture."

- Massimo Fini

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