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April 10, 2026
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""Was there fighting after I was shot?" "Not much. The workers from the Nut turned on the Capitol soldiers. The rebels just sat by and watched," he says. "Actually, the whole country just sat by and watched." "Well, that’s what they do best," I say."
"I'm not their slave," the man mutters. "I am," I say. "That’s why I killed Cato … and he killed Thresh … and he killed Clove … and she tried to kill me. It just goes around and around, and who wins? Not us. Not the districts. Always the Capitol. But I'm tired of being a piece in their Games."
"You could save a lot of lives, Katniss."
""We didn't bomb the train tunnel, you know. Some of them will probably get out." "And then we'll shoot them when they show their faces?" I ask. "Only if we have to," he answers."
"Even in the Capitol, there’s nothing to match the magnificence of this old building. But there is no give to the surface—only my flesh yields, my warmth taken. Stone conquers people every time."
""I don't stand a chance if he doesn't get better. You'll never be able to let him go. You'll always feel wrong about being with me." "The way I always felt wrong kissing him because of you," I say."
"Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day."
"To hear Delly describe it, I had next to no friends because I intimidated people by being so exceptional. Not true. I had next to no friends because I wasn't friendly."
"Maybe everyone is just trying to protect me by lying to me. I don’t care. I’m sick of people lying to me for my own good. Because really it’s mostly for their own good. Lie to Katniss about the rebellion so she doesn’t do anything crazy."
""This is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's an alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it,"—Haymitch dumps the head shackle on the bed and whips out a tiny silver chip—"I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter."
"I want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors. [...] I want to tell people that if you think for one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know who they are and what they do. [...] This is what they do! And we must fight back! [...] President Snow says he's sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?" We're with the camera, tracking to the planes burning on the roof of the warehouse. Tight on the Capitol seal on a wing, which melts back into the image of my face, shouting at the president. "Fire is catching! And if we burn ... you burn with us!"
"“Katniss, she’s running this district. She can’t do it if it seems like she’s caving in to your will.” “You mean she can’t stand any dissent, even if it’s fair.”"
"My Name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in The Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead..."
"Katniss," Gale says softly. I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I instinctively raise my hand to block his words but he catches it and holds on tightly. "Don't," I whisper. But Gale is not one to keep secrets from me. "Katniss, there is no District Twelve."
"They can pump whatever they want into my arm, but it takes more than that to keep a person going once she's lost the will to live."
"He looks at my hand. “So it’s you and a syringe against the Capitol? See, this is why no one lets you make the plans.”"
"It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves."
"Oh," I say under my breath. "Tick, tock." My eyes sweep around the full circle of the arena and I know she's right. "Tick, tock. This is a clock."
"Poor Finnick. Is this the first time in your life you haven't looked pretty?" I say. "It must be. The sensation's completely new. How have you managed it all these years?"
"What's going on down there, Katniss? Have they all joined hands? Taken a vow of nonviolence? Tossed the weapons in the sea in defiance of the Capitol?" Finnick asks. "No," I say. "No," Finnick repeats. "Because whatever happened in the past is in the past. And no one in this arena was a victor by chance." He eyes Peeta for a moment. "Except maybe Peeta."
"I squint down at my feet and see that my metal plate is surrounded by blue waves that lap up over my boots. Slowly I raise my eyes and take in the water spreading out in every direction. I can only form one clear thought. This is no place for a girl on fire."
"I wish I could freeze this moment, right here, right now, and live in it forever."
""I guess this is a bad time to mention I hung a dummy and painted Seneca Crane's name on it," I say."
"Suddenly I remember how she volunteered to replace the young, hysterical woman in her district. It couldn't be because she thought she had any chance of winning. She did it to save the girl, just like I volunteered last year to save Prim. And I decide I want her on my team."
"“When you’re on the chariot this time, no waving, no smiling. I just want you to look straight ahead, as if the entire audience is beneath your notice.” “Finally something I’ll be good at,” I say."
"Let them go, I tell myself. Say good-bye and forget them. I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return."
"If you think back, my comments were very open to interpretation. And you happen to be easily misled. As for the queen, who is difficult to lead anywhere... I have always been and intend to be entirely straightforward."
"So, what brings the Children's Crusade into the Firelands? I don't flatter myself you were looking for me." "We got lost on a picnic."
"I thought I detected in you a sense of fair play. Most dangerous in the Underland, boy."
"You know, where I come from, we don't think much of someone who sneaks up and stabs a person in their sleep."
"Luxa and I do not serve food, we are royalty." "Yeah, well, I'm the warrior and Boots is a princess. And you two are going to get pretty hungry if you're waiting for me to serve you." "Tell him, boy. Tell him your country fought a war so you wouldn't have to answer to kings and queens."
"BEWARE UNDERLANDERS, TIME HANGS BY A THREAD, THE HUNTERS ARE HUNTED, WHITE WATER RUNS RED. THE GNAWERS WILL STRIKE TO EXTINGUISH THE REST. THE HOPE OF THE HOPELESS RESIDES IN A QUEST."
"“In our world, I rank music somewhere between hair ribbons and rainbows in terms of usefulness.”"
"The Hunger Games is a reality television program. An extreme one, but that's what it is. And while I think some of those shows can succeed on different levels, there's also the voyeuristic thrill, watching people being humiliated or brought to tears or suffering physically. And that's what I find very disturbing. There's this potential for desensitizing the audience so that when they see real tragedy playing out on the news, it doesn't have the impact it should. It all just blurs into one program. And I think it's very important not just for young people, but for adults to make sure they're making the distinction. Because the young soldier's dying in the war in Iraq, it's not going to end at the commercial break. It's not something fabricated, it's not a game. It's your life."
"No wonder I won the games. No decent person ever does."
"Because sometimes things happen to people and they're not equipped to deal with them. Like me, for instance. Right now."
"Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem."
"Whatever problems anyone may have with the Capitol, believe me when I say that if it released its grip on the districts for even a short time, the entire system would collapse." [...] "It must be very fragile, if a handful of berries can bring it down."
"I think we'll make this whole situation a lot simpler by agreeing not to lie to each other," he says. "What do you think?" I think my tongue has frozen and speech will be impossible, so I surprise myself by answering back in a steady voice, "Yes, I think that would save time."
"A shiver goes through me when I think of the proximity of my mother and sister to this man who despises me. Will always despise me. Because I outsmarted his sadistic Hunger Games, made the Capitol look foolish, and consequently undermined his control. All I was doing was trying to keep myself and Peeta alive. Any act of rebellion was purely coincidental. But when the Capitol decrees that only one tribute can live and you have the audacity to challenge it, I guess that’s a rebellion in itself."
"You've got to go through it to get to the end of it."
"I read The Hunger Games and didn't feel an urge to go on. It's not unlike [my novel] The Running Man, which is about a game where people are actually killed and people are watching: a satire on reality TV."
"Hendrix says one of the most important things Battle Royale and The Hunger Games share is the idea of teenagers trapped in a ruined society, coerced by grownups into doing horrible things."
"Just like Battle Royale, it's supposed to communicate war's horrors to young teenagers."
"Hendrix has read the interviews where Collins has flatly denied knowing about Battle Royale before she wrote The Hunger Games. But Hendrix says the plots are eerily similar: school kids chosen by lottery, given a variety of weapons and survival packs and taken to a remote, restricted area to take part in a televised death match."
""One more time? For the audience?" he says. His voice wasn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me. I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I finally have to let go."
"It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch? And now I know. It's because you have no choice."
""You're not leaving me here alone," I say. Because if he dies, I'll never go home, not really. I'll spend the rest of my life in this arena trying to think my way out."
"Then for the next eleven years, I tried to work up the nerve to talk to you.". "Without success," I add. "Without success."
"And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread."