Singer Songwriters From The United States

"I was talking with Elvis' manager, and he said, ‘Come on up to my room, and you can meet him.’ I've had people up to my room when I've been on the road who have turned out to be boors, and I didn't want to do that to him. So I said, ‘No, but thank you.’ I figured since we also had the same promoter that I'd be bound to run into him — but then, of course, he died three or four months later so I never did get to meet him."

"A musician who also felt the power of Presley's Madison Square Garden shows was Paul Stanley, the rhythm guitarist and primary lead vocalist of the rock band Kiss who, as a struggling musician and part-time cab driver at night took numerous customers to, and from the Garden during the three days of Presley's NYC engagement. Hearing about and feeling the excitement directly from those who shared his numerous rides made him think very seriously about his future career, promising himself to one day fill the Garden, something which he accomplished with his band in early February 1977, some 5 months before Presley's death."

"He was a lovely, lovely human being, gentle, kind, and I loved his music."

"In 1971, at a hotel, he treated me like a peer, just a great guy. So cool, great manners. I had seen him first in Phoenix in 1956, and we sat at the Grand Stand at the Fairgrounds, so girls are climbing on top of the fence. And then a car enters through the race track, stops, girls are going crazy, Then nothing, until the door pops open and he gets out and on to the stage, starts singing, man that was exciting., What a great way to come in a show. I was country, but seeing this, I turned into rock, because Elvis was the one who defined and made it huge."

"He's one of the three greatest of all-time along with Frank Sinatra and Elvis Presley."

"I remember him working on the next stage, always with an entourage of about 15 guys. And I also recall that everybody was doing fast draw – that was the gimmick then. Who was the fastest gun? I was particularly good at it and I can remember taking on Elvis. He was a good guy. And we knew each other and, at that time, we both felt were on the brink of really going somewhere. I get a kick out of my wife, who is quite a few years younger. She’ll say, ‘Did you know Elvis Presley?’ I’ll say, ‘Sure’ She’ll look at some old picture of me and say, ‘What a babe!’ (Laughs) We were all hanging around at the same time, in the 1950s. We were all here in town, and all struggling in various things. I was doing Rawhide. There was a camaraderie among the younger group."

"i) When I first heard Elvis' voice, I just knew that I wasn't going to work for anybody; and nobody was going to be my boss. Hearing him for the first time was like busting out of jail. ii) Atlantic Records co-founder Ahmet Ertegun didn't think much of my songs. He produced some great records, no question about it, like Ray Charles, Ray Brown, just to name a few. But Sam Phillips, he recorded Elvis and Jerry Lee, Carl Perkins and Johnny Cash. Radical eyes that shook the very essence of humanity. Revolution in style and scope. Heavy shape and color. Radical to the bone. Songs that cut you to the bone. Renegades in all degrees, doing songs that would never decay, and still resound to this day. Oh, yeah, I'd rather have Sam Phillips' blessing any day. iii) You feel like an impostor, when someone says something you know you're not, like you're a prophet, or a saviour. Elvis, yes, I could easily want to become him. iv) I went over my whole life. I went over my whole childhood. I didn't talk to anyone for a week after Elvis died. If it wasn't for Elvis and Hank Williams, I couldn't be doing what I do today. v) When I first heard Elvis's voice I just knew that I wasn't going to work for anybody and nobody was going to be my boss. He is the deity supreme of rock and roll religion as it exists in today's form. Hearing him for the first time was like busting out of jail. I think for a long time that freedom to me was Elvis singing 'Blue Moon of Kentucky.' I thank God for Elvis. vi) I liked Elvis Presley. Elvis Presley recorded a song of mine. That's the one recording I treasure the most ... it was called "Tomorrow Is a Long Time." I wrote it but never recorded it."

"Well, you might have known trouble was coming if you were here in 1957. That was the year Elvis Presley paid us a visit. I think we might have made him famous, too.""

"Kim Jong-il was obsessed with Elvis Presley, his mansion crammed with his idol's records and his collection of 20,000 Hollywood movies included Presley's titles. He even copied the King's Vegas-era look of giant shades, jumpsuits and bouffant hairstyle."

"Elvis wore a halo. Otis Redding did, too. You knew you were playing with a star when you played with them."

"In a survey taken in 1996, a sampling of Chinese people were asked to name three famous Westerners. They chose Jesus, Nixon and Elvis. The Chinese, the most closed society over the last half century knew about Elvis? Oh yes, they knew. In fact, that same year, a NYT reporter attending a Chinese US summit, spoke of the time when the Chinese leader , then visiting the Philippines, proceeded to do a duet, in perfect English, of "Love me tender" his partner being his host, President Fidel Ramos."

"I just love Elvis"

"I take offence at being accused of being Bono or Prince — I would have thought Elvis was more appropriate."

"Is music fandom a realm of spiritual practice? Do fans use their connections with heroes to adopt practices like veneration, sanctification or idolatry? While appearing to be magical and important social figures, stars are not necessarily deified. In the two decades since I started researching Elvis fandom, I have never met anyone who was “saved” or redeemed by Elvis Presley. On the other hand, I have met many fans that have been seduced, fascinated, empowered and inspired by his music. They all say that he has changed their lives for the better, but none expect heavenly rewards because of their fandom. Elvis loved gospel and used it to enter the mainstream. Despite his own intentions, he did not, however, practice “worship” music. His fans respected his values, some saying that Elvis used his music as a God-given gift, in part because the reading aligns Elvis’ values with his talents......."

"Radio Head, Harry Styles, and Elvis Presley— that is the wide range of genres likely responsible for my sound and style of writing."

"What he actually did was take 'black' and 'white' music and transform them into this third thing; (in the final analysis), no one sang so many different kinds of music – rock, gospel, country, standards –, as well as Presley sang them, at such a high level, and for such a long time."

"Elvis, what he had was this unique quality, remember I described the sensation of people in that geographic location of the United States at that particular time being a mixed culture artistically? They were playing country, gospel, jazz and the blues and you did not know whether they were black or white, or who's playing what, because you're not looking at a tube, all you're doing is listening to a radio, and they are so good at emulating each other's styles that you don't know what's happening. Elvis blotted up as close as any white man could, the black culture. And he was sensitive to the black culture. If he heard something that he fancied doing and it was white, he didn't make it sound black. If it was black, he didn't make it sound white. He kept it in its tradition. That was one of Elvis' unique facilities."

"When they celebrated the 10th anniversary of his death, it was more like a canonization, people lining up to visit Graceland, both women and men, with tears in their eyes..."

"And we do what we like to call “crockers”, whenever Elvis Presley dies or congressman so and so die, a statement of accomplishments, condolences, regrets, and whatnot. I did the one on Elvis Presley. Rex Granum said they were getting a lot of calls in the press office, and they wanted one, so I leaned heavily on his being a humble young man from obscure beginnings who nevertheless went off to serve his country without complaint at the very height of his fame and fortune, as a truck driver in the German motor pool. Anyway, that didn’t work as I had planned. Rex still insisted on doing a crocker so Rick Hertzburg finally did one."

"One day, I got a phone call and the guy said "Hey look what Elvis Presley has done, he's covered your masterpiece". I was all shook up, first because I was his fan, and also because I would do covers of his songs, albeit in my terrible English. Years later, I went to Graceland and saw the RIAA Award for "You don't have to say you love me" and naturally, I again felt so honoured."

"i) When I was playing at the Flamingo Hotel, in 1969, I went to his room and played for him. I remember him telling me, “You know, Fats, I’m opening up tomorrow but when I first came here I flopped!" But when he got back there it was all gold and every night it was sold out. Boy, he could sing. He could sing spirituals, country and western, everything he sang I liked. Elvis Presley did a lot before he passed. He made movies, he was traveling, everything. I don't see how he did it; you'd have to stay up day and night. ii) Elvis came to see me before he got a record deal. I liked him. I liked to hear him sing. He was just starting out, almost. He wasn't dressing up. Matter of fact, he had plain boots on. He wasn't wearing all those fancy clothes. He told me he flopped the first time he came to Las Vegas. I loved his music. He could sing anything. And he was a nice fellow, shy. His face was so pretty, so soft. I'm glad we took this picture."

"There is no denying that Elvis had a great talent. He possessed a pliant voice with extensive range and a soft and enveloping timbre. Plus, he was an extremely charismatic person. It’s curious that the two songs of his I sing the mosthave a long history behind them. In both cases, Elvis' versions are extraordinary and memorable. Yet I have the wishful thinking that I too had something to say, to add, artistically speaking, to the performance of these classics. The melody of "Love Me Tender" comes from a sentimental ballad from the time of the American Civil War. It’s a song with roots that go back to the 1800s. As for "Can't help falling in love" the melody is even older, being taken from a very famous Romanza composed at the end of the 18th century, Plaisir d'amour, a well-known French love song that was composed in 1784 by Jean-Paul-Égide Martini."

"It was amazing when the assistant director knocks on the door of my dressing room trailer and he comes in, and right there, behind him in the doorway stands Elvis Presley. It was unbelievable. So Elvis gets into the trailer and he introduces himself first to my Mom, the gentleman that he was, and then he introduces himself to me and I'm telling you the man was totally gracious as can be and again that's pretty much the essence of Elvis, he was gracious, understated, humble genuine, he was a true gentleman from the old school, in fact so understated that he really listened to you. He was the genuine article. I tell you towards the end of the production, I had turned nine years old and they had a little surprise birthday for me on the set and Elvis was there. My nephew who was about the same age and was my stand was there also, so Elvis bought me gifts for my birthday and GAVE my nephew gifts too so that HE wouldn't feel left out. And I thought that was awesome..."

"I grаvitаted towаrd good old rock ‘n’ roll, аnd I still do to this dаy. Some of Elvis Presley’s songs chаnged my life аnd helped ne become the musiciаn I am now. Thаt wаs the kind of stuff thаt mаde me wаnt to sing"

"Oh God, help!!!! it has to be exquisite"

"Some people I cannot even imagine with a beard. Elvis Presley comes to mind. I thought Elvis with a beard would be very strange, then I did an Internet search and by golly there they were, a plethora of young Elvis Presley images in photographs with beards and mustaches. How does a child of the sixties like me not remember Elvis with a beard? Shoot, somedays I can't remember what I ate for breakfast. or my last bowel movement. As usual when I speak of Elvis Presley's physical appearance I throw out a kind of disclaimer. Look, I am a flaming heterosexual male but that Elvis was one handsome dude.."

"Reflecting on (Lebron James)'s impact of social media, former teammate and San Antonio Spurs champion Danny Green highlighted how the digital age has altered the reverence once associated with (sport) figures like Michael Jordan,Green observed, “That aura, I saw it a lot earlier on. When he was in Cleveland, he was a rockstar. By the time we got to L.A., when he was in Miami, they had so much access to him, people didn’t idolize him as much, and they criticize ( him).” This sentiment echoes beyond basketball, affecting modern-day pop stars and actors. Where legends like Michael Jackson and Elvis Presley once captivated with their mystery, today’s celebrities must navigate constant exposure."

"I fell in love with this song, mostly because of Elvis' superior voice, not really thinking about the true meaning behind the lyrics, but rather how the title relates to the music genre I play as DJ house music."

"I feel like I'm not the only rapper here, Elvis was like a rapper, wore fancy clothes, he drove a Cadillac!!""

"That ran its course and rock ’n roll came round, Elvis Presley happened and that changed the whole thing. So that was the advent of proper rock ’n roll..."

"Marilyn (Monroe) and Elvis each defined what it means to be a ‘Category of One,’"

"Tonight, I want to introduce the greatest entertainer of all time. Mr. Elvis Presley. He was Las Vegas and if it wasn't for him, so many performers like myself would not have the chance to do what we do in this town. He really was the king.”"

"He arrived on the scene when the young needed a romantic image. He filled the bill and on top of that, he can sing."

"I was 11 when he died and that's when I saw King Creoleǃǃ What a guyǃǃ The moment I got to school I spent the whole day imitating him. It was like a rocking pneumonia."

"Two uniquely American art forms spawned in the 20th century were comic books and rock n' roll. But before that, in the early 1940s, the Captain Marvel comics became so popular that he even outsold those of Superman for several years. So, the character's publisher decided to create a spin-off hero and one of the new Captain Marvel Jr. comics' most ardent fans was a young boy named Elvis Aaron Presley. So when did he exactly come across it? No one is sure but a copy of 1947's Captain Marvel Jr. #51 is placed on the desk in the recreation of his childhood room at Memphis' Lauderdale Courts housing complex. There are the other clues: Elvis' early haircut seems very much based on that of Freddie Freeman from his late '40s period. Elvis' signature "half capes" worn on stage also seem very inspired by those worn by the teenage hero. And the insignia for Elvis' core rhythm section, the TCB band? It's a very Shazam-esque lightning logo. These all point to direct homages to the superhero he grew up loving the most. And in turn, ever since it was revealed how much Elvis loved Captain Marvel Jr., the comics themselves have returned that inspiration. In the 2000s era Teen Titans series, Captain Marvel Jr. was described as a big Elvis fan. Another famous homage took place in DC's seminal graphic novel Kingdom Come, where we get a glimpse of a future version of Captain Marvel, Jr., whom artist Alex Ross specifically designed to look just like '70s-era Elvis. He even named the character "King Shazam," as a tribute to him. So, will Jack Dylan Grazer pay homage to Elvis in Shazamǃǃ, the movie? Unknown, but if it were to happen, it would sure be in keeping with tradition."

"That is going to be my Elvis dress, Catherine"

"I went down to Vegas, had never met him, I was awed, amazing live performer, electric, and halfway through the show he introduced me and it was like, worshiping a God, and then that God says, hey stand up, take a bow, so I stood up and the audience started to cheer, and some telling me to get on the stage with him. Over the years, I thought of it, but I am glad I didn't, it wouldn't have been a good idea. He was warm, very generous to me and I think it was best left at that."

"I have never made no secret of my affinity for Elvis Presley. My favorite song is "Suspicious Minds. I first got into Elvis after discovering a longtime associate provost, who was an avid Elvis collector, was retiring. So, one night I dressed up as Elvis and sang at her retirement party. Here's the interesting thing: I put on the Elvis outfit and parents flock to me and want to take a picture, but their kids didn't recognized me"

"I started watching a lot of videos of Elvis Presley. The way he held the crowd in the palm of his hand. He also said in one of his interviews that the crowd is like sheep. They will go as directed. You have to actually own that moment so I imagined myself being Elvis Presley the next time he was on stage and it worked."

"When in 1955 Chuck Berry arrived in New York for the Alan Freed Big Rock and Roll Show, he checked into the Alvin Hotel and soon after, went over to Manhattan to meet Freed. It was from Freed that Berry heard some gossip about Elvis, but Barry told Freed that he was already aware of him. Not only had Elvis played St Louis, his hometown, but he had heard about him all over the South. The crossover popularity of Berry's music was further demonstrated when ̊"Maybelline" was covered by white jazz artists and established orchestra leaders looking to rock music for new material. Berry was surprised at the number of jazz and big band artists that liked his song. He had realized during those shows that his music and that of Elvis were in fact creating a new sound..."

"David Karns and John Grabish, since a very early age, were influenced by three kings: Jesus Christ, Elvis Presley and King Coal. They grew up, as Elvis fans, in two small Schuylkill County towns shaped by King Coal and graduated from Nativity BVM Catholic High School in the 1960s. As priests at Catholic parishes in Berks, Lehigh and Schuylkill counties, they devoted their adult lives to preaching the word of Christ the King. But Father Grabish is a solo act now. Father Karns, who last served as pastor of St. Stephen's in Port Carbon, Schuylkill County, died a year ago of cancer at age 69. Not surprisingly, he left his collection of Elvis memorabilia to Father Grabish, pastor of St. Paul and St. Joseph parishes in Reading. On Nov. 10, 2018 from 7 to 11 p.m., Father Karns' Elvis collection and other 1950s and '60s memorabilia will be auctioned during a gala in the Inn at Reading, Wyomissing whose proceeds will go to the St. Paul and St. Joseph maintenance funds. In his homily at Father Karns' funeral at St. Ambrose Church on Oct. 12, 2017, Father Grabish recalled their visits to Normandy Beach on Memorial Day in 1994, the 50th anniversary of D-Day. and, of course, to Graceland, the Sun Studio and the Rock and Roll Hall of Fame. Both priests had been celebrants in the annual Mass in observance of Elvis' death, which is held on Aug. 16 at St. Paul the Apostle Catholic Church in Memphis. Though his homily quoted the Book of Job and the Gospel of John, Grabish's most poignant tribute to his friend came as he quoted Elvis : "Memories, pressed between the pages of my mind. Memories, sweetened through the ages just like wine"."

"Elvis Presley is ready to help pedestrians rock'n'roll across the street in the German town of Friedberg near Frankfurt. Three traffic lights featuring his image have been placed around the town's Elvis Presley Square to commemorate the singer. While people are waiting to cross, he appears in the red light striking a pose at a microphone. When the lights go green he is shown swinging his hips in a famous dance move. Transforming traffic lights has become something of a trend in Germany, with the most famous being the Ampelmännchen in East Berlin now installed throughout the united city followed by the Kasperl character in a pointed hat in the city of Ausberg, the Mainzelmännchen in Mainz, the Beethoven traffic lights in Bonn and even the Karl Marx figures in Trier."

"A 262-year-old rare artifact stolen in 1952 from the Dearborn Historical Museum was returned Tuesday — just in time for the city's 90th birthday. The artifact, a powder horn on loan from the Detroit Historical Society which originally went missing just before the opening of an exhibit entitled "Saga of a Settler.", was recovered by the FBI's Art Crime Division team in Philadelphia, from an auction in Pennsylvania. That Division, created in 2004, has recovered since more than 14,850 items valued at more than $165 million in art-related investigations worldwide, diving into cases such as the theft of Elvis Presley's memorabilia to pre-Colombian South American artifacts."

"Once the vaccine is available to the early majority, it is important to employ word-of-mouth “seeding” techniques. That means enlisting mega-influencers—celebrities, prominent clergy, and social leaders—and everyday people who serve as micro-influencers to endorse the vaccine and encourage people to seek it. In the 1950s, when polio was rampant, Elvis Presley extolled the benefits of his own widely publicized vaccination, generating buzz about the shot."

"It’s a song about being a Jesus for somebody else, someone to give you hope and care. It’s about how Elvis was her man and her mentor and how often that happens in love relationships – how everybody’s heart is like a god in some way, and that’s not a very balanced view of someone, is it?”"

"In terms of being a groundbreaker, Elvis is at the forefront, breaking ground before groundbreaking was invented. What comes before groundbreaking, anyway? Whatever it is, that's Elvis. Elvis's career took off with the torque equivalent to that of ""Space Shuttle Atlantis[, and rarely slowed. Elvis had entered the building with an uncompromising style that began with black pants within which his famous hips tortured everyone from young women to fathers. Summing it up, slicked back, jet-black hair in a subtle pompadour with modest sideburns, black button-down shirt tucked into black straight-leg jeans with pair of slender, 50s-style Gucci boots will forever be a cool look..."

"Anyways, after his midnight show, I spent about fifteen minutes with him, in the hope to take him to bed, but there is a limit to what a woman can say to arouse a man, even for a French woman. I have yet to see, to this day, a more strikingly beautiful man.."

"The voice of Elvis Presley is perhaps the most contested acoustical phenomenon in modern culture. I can understand why some listeners may prefer the original versions (of R&B artists) to Presley's covers, but it is more difficult to claim that these were immoral or unethical. In terms of vocal style and instrumental arrangement, Presley actually borrows relatively little, his appropriations (being) more straightforward, taking from the materials already protected by copyright: lyrics and melody. So, unless he can be criticized for not imitating an original R&B artist's rendition, we have to reevaluate Elvis' transgressions."

"Sam Phillips originally drafted Elvis to replace an absent ballad singer but, after pairing him with ambitious guitarist Scotty Moore and his upright bass-playing friend Bill Black, the music quickly veered in another direction entirely; the SUN Sessions began as an impromptu jam, the absence of drums being purely incidental given it was a small studio, but the light echo the producer used to compensate, inadvertently had an effect on Presley's own voice which was far more interesting; Elvis himself was a raw talent, but his singing prowess was immediately apparent, with a vocal range of roughly three octaves, perfect control and ability to jump between bass, baritone and tenor with the greatest of ease; over fifty years after the fact, we can see that what teenagers saw in him, was a genuinely brilliant vocalist that could just as easily convey a soft ballad, as it could a wild rock song; as a rule, the importance of an album is completely separate from its actual quality but, invariably, albums this influential are influential because they're genuinely great recordings, and "The Sun Sessions", though not formally compiled until 1976, were certainly great, great classic recordings."

"He was wearing black and looked like ten Greek Gods as he tore through "Love me Tender, "Don't be cruel, and "Jailhouse Rock". He was sweating, in the flesh, alive, inhaling and exhaling. And there I was, breathing the same air, sitting with and , completely and entirely beside myself. Some sideburned greased monkey appeared after the show, asking Jimmy if he would like to meet Elvis. He said "No, thank you," and I never quite got over it...."