Short Story Writers From Russia

"I think the first discovery I made for myself which I didn't necessarily share with my family or my friends, but came upon myself, was Russian literature. I've always felt very much enthralled to writers like Dostoevsky, especially, and Chekhov. In later years, modern Russian poets like Pasternak and Mandelstam and Akhmatova have meant a great deal to me. Poetry more than prose."

"Am I a gangster or a murderer? Of what crime do I stand Condemned? I made the whole world weep At the beauty of my land."

"The glass in the official picture was also being shattered by literary writers. Two Soviet accounts in particular captivated Western opinion. The poet Boris Pasternak wrote a novel, Doctor Zhivago, which was banned in Moscow but appeared abroad in translations from 1957. Its panoramic viewpoint on the civil war cast a shadow over the motives and practices of the early communists. This plunged Pasternak into political hot water and he had to refuse the Nobel Prize in 1958. His role as a leading critic of the Soviet regime was picked up by Alexander Solzhenitsyn, whose later works were published in the West from the end of the 1960s. His documentary account of the labour-camp system, The Gulag Archipelago, was a bestseller in 1974. It pulled no punches. Solzhenitsyn had talked to survivors of the camps and assembled such documentation as was available despite the censorship. The gruesome techniques of arrest, interrogation, ‘confession’ and forced labour were traced from the October Revolution. When he was deported from the USSR in 1974, Solzhenitsyn continued his campaign against the iniquities of communist repression. Every year, too, novels and poems by other writers were smuggled out of eastern Europe and China with searing messages about the behaviour of communist regimes."

"How wonderful to be alive," he thought. "But why does it always hurt?"

"If it is so painful to love and to be charged with this electric current, how much more painful must it be to a woman and to be the current, and to inspire love."

"I love you madly, irrationally, infinitely."

"All of us who are more or less heretical in our society are forced to live on its margin, grateful that we are able to speak (at the cost of abnormal exertions) to a small audience."

"The main misfortune, the root of all evil to come, was loss of the confidence in the value of one's own opinion. People imagined that it was out of date of follow their own moral sense, that they must all sing in chorus, and live by other people's notions, notions that were crammed down everybody's throat."

"Мое собственное сердце скрыло бы это от меня, потому что нелюбовь почти как убийство, и я никому не в силах была бы нанести этого удара."

"The great majority of us are required to live a life of constant duplicity. Your health is bound to be affected if, day after day, you say the opposite of what you feel, if you grovel before what you dislike, and rejoice at what brings you nothing but misfortune. Our nervous system isn't just a fiction, it's part of our physical body, and our souls exists in space and is inside us, like the teeth in the mouth. It can't forever be violated with impunity."

"Like a beast in a pen, I’m cut off From my friends, freedom, the Sun. But the hunters are gaining ground; I’ve nowhere else to run."

"Gregariousness is always the refuge of mediocrities, whether they swear by Solovyov or Kant or Marx. Only individuals seek the truth."

"That's metaphysics, my dear fellow. It's forbidden me by my doctor, my stomach won't take it."

"What is laid down, ordered, factual is never enough to embrace the whole truth: life always spills over the rim of every cup."

"It is no longer possible for lyric poetry to express the immensity of our experience. Life has grown too cumbersome, too complicated. We have acquired values which are best expressed in prose."

"Work is the order of the day, just as it was at one time, with our first starts and our best efforts. Do you remember? Therein lies its delight. It brings back the forgotten; one’s stores of energy, seemingly exhausted, come back to life."

"Poetry is a rich, full-bodied whistle, cracked ice crunching in pails, the night that numbs the leaf, the duel of two nightingales, the sweet pea that has run wild, Creation’s tears in shoulder blades."

"I think that if the beast who sleeps in man could be held down by threats — any kind of threat, whether of jail or of retribution after death — then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But don’t you see, this is just the point — what has for centuries raised man above the beast is not the cudgel but an inward music: the irresistible power of unarmed truth, the powerful attraction of its example. It has always been assumed that the most important things in the Gospels are the ethical maxims and commandments. But for me the most important thing is that Christ speaks in parables taken from life, that He explains the truth in terms of everyday reality. The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful."

"Не спи, не спи, художник, Не предавайся сну. Ты – вечности заложник У времени в плену."

"A candle burned on the table, a candle burned ... he whispered to himself — the beginning of something confused, formless; he hoped that it would take shape of itself. But nothing more came to him."

"They don’t ask much of you. They only want you to hate the things you love and to love the things you despise."

"Snow, snow over the whole land across all boundaries. The candle burned on the table, the candle burned."

"И вот оказалось, что только жизнь, похожая на жизнь окружающих и среди нее бесследно тонущая, есть жизнь настоящая, что счастье обособленное не есть счастье..."

"В поэзии Пушкина метонимия и перифраза являются основным элементом стиля... В этом отношении Пушкин продолжает традицию поэтов XVIII в. ... Тема о Пушкине как завершителе русского классицизма давно уже стоит на очереди, но требуются многочисленные предварительные работы по русскому языку XVIII в., которые до сих пор не сделаны. С другой стороны, возникает вопрос о «наследии Пушкина» в XIX в. Поэты XIX в. не были учениками Пушкина; после его смерти возобладала романтическая традиция, восходящая к Жуковскому и воспитанная под немецким влиянием."

"Pushkin grew with the years. Every other writer claimed descent from him. Inexplicably, the whole of Russian literature proceeded from his genius. Poetry, novels, short stories, history, theater, criticism—he had opened up the whole gamut of literary endeavor to his countrymen. He was first in time, and first in quality. He was the source. Neither Gogol nor Tolstoy could have existed without him, for he made the Russian language; he prepared the ground for the growth of every genre."

"One often hears: that is good but it belongs to yesterday. But I say: yesterday has not yet been born. It has not yet really existed. I want Ovid, Pushkin, and Catullus to live once more, and I am not satisfied with the historical Ovid, Pushkin, and Catullus."

"In the tiny gardens-sunflowers, rezedas, poppies,/blonde braids, beribboned cockades, Pushkin and Nadson."

"I brought with me to Siberia books by Pushkin, Lermontov and Nekrasov. Ilyich arranged them near his bed, alongside Hegel, and read them over and over again in the evenings. Pushkin was his favourite."

"Homeland, tenderer than first caresses,/you have taught me to protect and guard/golden language in all Pushkin's treasures,/Gogol's magic, captivating word."

"Солнце нашей поэзии закатилось! Пушкин скончался, скончался во цвете лет, в средине своего великого поприща!.. Более говорить о сем не имеем силы, да и не нужно; всякое русское сердце знает всю цену этой невозвратимой потери, и всякое русское сердце будет растерзано."

"Tormented by spiritual thirst, I dragged myself through a somber desert. And a six-winged seraph Appeared to meet me at the crossing of the ways. He touched my eyes With fingers as light as a dream: And my prophetic eyes opened Like those of a frightened eagle. He touched my ears And they were filled with noise and ringing: And I heard the shuddering of the heavens, And the flight of the angels in the heights, And the movement of the beasts of the sea under the waters, And the sound of the vine growing in the valley. He bent down to my mouth And tore out my tongue, Sinful, decitful, and given to idle talk; with the right hand steeped in blood He inserted the tongue of a wise serpent, Into my benumbed mouth. He clove my breast with a sword, And plucked out my quivering heart, And thrust a coal of live fire Into my gaping breast. Like a corpse I lay in the desert. And the voice of God called out to me: 'Arise, O prophet, see and hear, Be filled with my will, Go forth over land and sea, And set the hearts of men on fire with your Word.'"

""Ace has won!" cried Hermann, showing his card. "Your queen has lost," said Chekalinsky, politely. Hermann started; instead of an ace, there lay before him the queen of spades! He could not believe his eyes, nor could he understand how he had made such a mistake. At that moment it seemed to him that the queen of spades smiled ironically and winked her eye at him. He was struck by her remarkable resemblance... "The old Countess!" he exclaimed, seized with terror."

"Hermann went out of his mind, and is now confined in room Number 17 of the Obukhov Hospital. He never answers any questions, but he constantly mutters with unusual rapidity: "Three, seven, ace!" "Three, seven, queen!""

"Two fixed ideas can no more exist together in the moral world than two bodies can occupy one and the same place in the physical world."

"А Пушкин — наше всё: Пушкин — представитель всего нашего душевного, особенного, такого, что остается нашим душевным, особенным после всех столкновений с чужим, с другими мирами. Пушкин — пока единственный полный очерк нашей народной личности, самородок, принимавший в себя, при всевозможных столкновениях с другими особенностями и организмами, все то, что принять следует, отбрасывавший все, что отбросить следует ... сочувствия старой русской жизни и стремления новой, — все вошло в его полную натуру в той стройной мере, в какой бытие послепотопное является сравнительно с бытием допотопным, в той мере, которая определяется русскою душою."

"What stirs ye? Is it that this nation"

""The bread of the stranger is bitter," says Dante, "and his staircase hard to climb." But who can know what the bitterness of dependence is so well as the poor companion of an old lady of quality?"

".. you mark the fate"

"Несмотря на всю свою славу, Пушкин при жизни не был достаточно глубоко оценен даже наиболее проницательными из своих современников. ... В той или иной степени это непонимание продолжалось около полустолетия. ... Лишь после знаменитой речи Достоевского Пушкин открылся не только как «солнце нашей поэзии», но и как пророческое явление. ... Нисколько не удивительно, что, прослушав ее, люди обнимались и плакали: в ту минуту им дано было новое, необычайно возвышенное и гордое понятие не только о Пушкине, но и обо всей России, и о них самих в том числе."

"Why rave ye, babblers, so -- ye lords of popular wonder?"

"And shall Slavonic streams meet in a Russian ocean --"

"Mosalsky: Good folk! Maria Godunov and her son Feodor have poisoned themselves. We have seen their dead bodies. [The People are silent with horror.] Why are ye silent? Cry, Long live the Tsar Dimitry Ivanovich! [The People are speechless.]"

"I have come to you against my wish," she said in a firm voice: "but I have been ordered to grant your request. Three, seven, ace, will win for you if played in succession, but only on these conditions: that you do not play more than one card in twenty-four hours, and that you never play again during the rest of your life. I forgive you my death, on condition that you marry my companion, Lizaveta Ivanovna."

"Москва… как много в этом звуке Для сердца русского слилось! Как много в нем отозвалось!"

"Что наши лучшие желанья, Что наши свежие мечтанья Истлели быстрой чередой, Как листья осенью гнилой."

"The clock of doom had struck as fated; the poet, without a sound, let fall his pistol on the ground."

"Pimen [writing in front of a sacred lamp]: One more, the final record, and my annals Are ended, and fulfilled the duty laid By God on me a sinner. Not in vain Hath God appointed me for many years A witness, teaching me the art of letters; A day will come when some laborious monk Will bring to light my zealous, nameless toil, Kindle, as I, his lamp, and from the parchment Shaking the dust of ages will transcribe My true narrations."

"Send me, Almighty, I petition, In porticoes or at a ball No bonneted academician, No seminarist in a yellow shawl! No more than in red lips unsmiling Can I find anything beguiling In grammar-perfect Russian speech. What purist magazines beseech, A novel breed of belles may heed it, And bend us (for my life of sin) To strict grammatic discipline, Prescribing meter, too, where needed; But I - what is all this to me? I like things as they used to be"

"Like some magistrate grown gray in office, Calmly he contemplates alike the just And unjust, with indifference he notes Evil and good, and knows not wrath nor pity."

"Привычка свыше нам дана: Замена счастию она."