Publishers From The United States

"And let’s not forget “Dane-Geld”: It is always a temptation to a rich and lazy nation, To puff and look important and to say: “Though we know we should defeat you, we have not the time to meet you. We will therefore pay you cash to go away.” And that is called paying the Dane-geld; But we’ve proved it again and again, That if once you have paid him the Dane-geld You never get rid of the Dane."

"We - the industrialized, technologized world - have never been richer. And yet to an extraordinary extent we in the West continue to inhabit a moral and cultural universe shaped by the hedonistic imperatives and radical ideals of the Sixties. Culturally, morally the world we inhabit is increasingly a trash world: addicted to sensation, besieged everywhere by the cacophonous, mind-numbing din of rock music, saturated with pornography, in thrall to the lowest common denominator wherever questions of taste, manners or intellectual delicacy are concerned. Marwick was right: 'The cultural revolution, in short, had continuous, uninterrupted, and lasting consequences'."

""History,” Bagehot wrote, “is strewn with the wrecks of nations which have gained a little progressiveness at the cost of a great deal of hard manliness, and have thus prepared themselves for destruction as soon as the movements of the world gave a chance for it.”"

"The notion that some works are better and more important than others; that some works exert a special claim on our attention; that "being educated" requires a thoughtful acquaintance with these works and an ability to discriminate between greater and lesser-all this is anathema to the forces arrayed against the traditional understanding of the humanities. The very idea that the works of Shakespeare (for example) might be indisputably greater than the collected cartoons of Bugs Bunny is often rejected as "antidemocratic" and "elitist," an imposition on the freedom and political interests of various groups."

"[M]eaningful politics must recognize other important values in human life. Indeed, politics makes no sense when it stands by itself. If the question who wields political power is not broadened to take account of what that power is to be used for - that is, what human values it will serve - then it reduces to a matter of who manages to subdue whom."

"The institutionalization of the radical ethos in the academy has brought with it not only an increasing politicization of the humanities, but also an increasing ignorance of the humanistic legacy. Instead of reading the great works of the past, students watch movies, pronounce on the depredations of patriarchal society, or peruse second- or third-rate works dear to their ideological cohort; instead of reading widely among primary texts, they absorb abstruse commentaries on commentaries, resorting to primary texts only to furnish illustrations for their pet critical "theory." Since many older professors have themselves been the beneficiaries of the kind of traditional education they have rejected and are denying their students, it is the students who are the real losers in this fiasco."

"The very concept of "ethnocentrism," which is used like a sledge-hammer to disparage the West, is a Western invention."

"[B]ehind the many pseudo-sciences that have recently dominated literary criticism . . . you will find the same suspicion of literature, a desire to sever our relation to it by denuding it of meaning. The "methods" proposed are laughable caricatures of science; and the results delivered are useful to no one. But that was not the point. The methods of the new literary theorist are really weapons of subversion: an attempt to destroy humane education from within, to rupture the chain of sympathy that binds us to our culture. That is why the new schools of criticism have acquired a following: they promise to release us from the burden of study by showing that there is nothing after all to learn."

"Ginsberg, Burroughs, and Kerouac were all on the side of the savage. That their penny-ante gnosticism was not only perpetuated but mythologized and spread abroad as a gospel of emancipation is something for which we have the Sixties to thank - or to blame."

"The Beats inaugurated the long march through the moral territory of American culture. Who knows how many lives were blighted along the way as a result of their proselytizing on behalf of drugs and promiscuous sex?"

"In short order, the unconventional became the established convention; the perverse was embraced as normal; the unspeakable was broadcast everywhere; the outrageous was met with enthusiastic applause."

"The Beats, like their successors in the Sixties, have often been described as 'idealists'. But fantasies of total gratification are not the product of idealism. They arise from a narcissism that, finding the world unequal to its desires, retreats into a realm of heedless self-absorption. Modesty, convention, and self-restraint then appear as the enemies rather than as the allies of humanity. In this sense, the Beat generation marks a step away from civilization."

"Like the medieval heretics that Norm Cohn wrote about in The Pursuit of the Millennium, the Beats cultivated an extreme narcissism that bordered on self-deification and that 'liberated them from all restraints' and allowed them to experience every impulse as a 'divine command'. What Norman Podhoretz observed of Ginsberg was also true of the Beats generally: they 'conjured up a world of complete freedom from the limits imposed by [bourgeois] responsibilities'. Podhoretz added, 'It was a world that promised endless erotic possibility together with the excitements of an expanded consciousness constantly open to new dimensions of being: more adventure, more sex, more intensity, more life'. Alas, the promise was illusory. Instead of an 'expanded consciousness', the Beats purchased madness, ruination, and, for many, an early death. Their attack on bourgeois responsibility led not to greater freedom but to greater chaos. The erotic paradise they envisioned turned out to be rife with misery."

"The institutionalization of the Beat ethic has been a moral, aesthetic, and intellectual disaster of the first order. (It has also been a disaster for fashion and manners, but that is a separate subject.) We owe to the 1960s the ultimate institutionalization of immoralist radicalism: the institutionalization of drugs, pseudo-spirituality, promiscuous sex, virulent anti-Americanism, naive anti-capitalism, and the precipitous decline of artistic and intellectual standards. But the1960s and 1970s only codified and extended into the middle class the radical spirit of the Beats, who, in more normal times, would have remained what they were in the beginning; members of a fringe movement that provided stand-up comics with material."

"You cannot step a foot into the literature about the 1960s without being told how 'creative', 'idealistic', and 'loving' it was, especially in comparison to the 1950s. In fact, the counterculture of the Sixties represented the triumph of what the art critic Harold Rosenberg famously called the 'herd of the independent minds'. Its so-called creativity consisted in continually recirculating a small number of radical cliches; its idealism was little more than irresponsible utopianism; and its crusading for 'love' was largely a blind for hedonistic self-indulgence."

"The Beats are crucial to an understanding of America's cultural revolution not least because in their lives, their proclamations, and (for lack of a more accurate term) their 'work' they anticipated so many of the pathologies of the Sixties and Seventies. Their programmatic anti-Americanism, their avid celebration of drug abuse, their squalid, promiscuous sex lives, their pseudo-spirituality, their attack on rationality and their degradation of intellectual standards, their aggressive narcissism and juvenile political posturing: in all this and more, the Beats were every bit as 'advanced' as any Sixties radical."

"As with most revolutions, the counterculture's call for total freedom quickly turned into a demand for total control. The phenomenon of 'political correctness', with its speech codes and other efforts to enforce ideological conformity, was one predictable result of this transformation. What began at the University of California at Berkeley with the Free Speech Movement (called by some the 'Filthy Speech Movement'} soon degenerated into an effort to abridge freedom by dictating what could and could not be said about any number of politically sensitive issues."

"Ginsberg turned out to be depressingly prescient when, after a heated argument with Norman Podhoretz in 1958, he yelled, 'We'll get you through your children!' For countless American families, that turned out to be only too true."

"What is not possible is to combine the pursuit of pleasure and the enjoyment of comfort with the characteristic pleasures of a strong mind. If you wish for luxury, you must not nourish the inquisitive instinct."

"The true democrat wishes to share the great works of culture with all who are able to appreciate them; the egalitarian, recognizing that genuine excellence is rare, declares greatness a fraud and sets about obliterating distinctions."

"If the politicization of art and education represents one large part of the counterculture's legacy, the coarsening of feeling and sensibility is another. No phenomenon has done more to advance this coarsening than rock music. It is impossible to exaggerate the importance of rock music to the agenda of the cultural revolution. It is also impossible to overstate its soul-deadening destructiveness. The most reviled part of Allan Bloom's book The Closing of the American Mind was his chapter criticizing the effects of rock. But Bloom was right in insisting that rock music is a potent weapon in the arsenal of emotional anarchy. The triumph of rock was not only an aesthetic disaster of giant proportions: it was also a moral disaster whose effects are nearly impossible to calculate precisely because they are so pervasive."

"Some people regard the astonishing collapse of manners and civility in our society as a superficial event. They are wrong. The fate of decorum expresses the fate of a culture’s dignity, its attitude toward its animating values."

"The Beats were tremendously significant, but chiefly in the way that they provided a preview in the 1950s of the cultural, intellectual, and moral disasters that would fully flower in the late 1960s. The ideas of the Beats, their sensibility, contained in ovo all the characteristics we think of as defining the cultural revolution of the Sixties and Seventies. The adolescent longing for liberation from conventional manners and intellectual standards; the polymorphous sexuality; the narcissism; the destructive absorption in drugs; the undercurrent of criminality; the irrationalism; the naive political radicalism and reflexive anti-Americanism; the adulation of pop music as a kind of spiritual weapon; the Romantic elevation of art as an alternative to rather than as an illumination of normal reality; the pseudo-spirituality, especially the spurious infatuation with Eastern religions: in all this and more the Beats provided a vivid glimpse of what was to come."

"Incidentally, why is it that drug abuse is always described as an 'experiment', as if some important scientific enterprise were at stake instead of hedonistic self-indulgence?"

"“Always has been my guiding principle for forty years to say ‘Never trust a Christian.’ Not once has ever Christian given me reason to change.”"

"I asked, “Is it so easy to change a cultural vision.” “The relevant measures are not ease and difficulty. The relevant measures are readiness and unreadiness. If the time isn’t right for a new idea, no power on earth can make it catch on, but if the time is right, it will sweep the world like wildfire."

"I closed my eyes and found the interior rooms of my head quite thoroughly deserted."

"“It doesn’t matter that everyone ‘knows’ the human race is three million years older than the cities of Mesopotamia. Every molecule of thought in our culture bears the impress of the idea that we needn’t look beyond the Mesopotamian horizon in order to understand our history.”"

"Programs are initiated in order to counter or defeat vision."

"I left, and because it seemed like a good time to start being a little less incredibly trusting, I didn’t turn my back on him till I was outside with the door shut between us."

"They’re sure that there must be all sorts of things wrong with ever tribal way of life, and of course they’re correct—if you mean by “wrong” something you don’t like."

"All paths lie together like a web endlessly woven, and yours and mine are no greater or less than the beetle’s or the mouse’s. All are held together."

"These caves aren’t art galleries or shamanistic temples, they’re schools of the hunting arts—the equivalent of one of our museums of science and industry."

"I am at what seminarians used to call “the Company Farm,” which is where you go when you “need a little rest”—or a little vacation from booze—or the whispers about you and the altar boys are beginning to get a bit noisy. All the big orders have them, of course, some of them have several, thoughtfully specialized. Naturally they are not called penitentiaries anymore; nowadays they are called retreat centers."

"Anyone who thinks the Church is open to new ideas is living in a dreamworld."

"Modern humans have been around for two hundred thousand years, but according to to our beliefs, God had not a word to say to any of them until we came along."

"“And you actually authorized his assassination?” The man shrugged. “You said it very well, Jared: These days are still those days. Nothing’s changed in the last five hundred years—or the last thousand—except that heretics cannot longer be executed in public. I take all this as seriously as Pope Innocent the Third, who ordered up a crusade against the Albigenses. I take it all as seriously as Pius the Fifth, who, when he was the grand inquisitor, personally instigated the massacre of thousands of Protestants in southern Italy. I take it all as seriously as Thomas Aquinas, who said, ’if ordinary criminals may be justly put to death, then how much more may heretics be justly slain.’ For Thomas well knew that the murderer just shortens his neighbors’ temporal life, whereas the heretic deprives them of eternal life. If you no longer understand the difference—or if it no longer matters to you—then I assume you’ve lost your faith.”"

"“The question is, can you do would B did?” “What exactly do you have in mind?” “You took in their insights, but do you have any of your own? Are you a thinker and a teacher or just a reciter of Holy Writ? If all you can do is chant the Scriptures, then you’re no more B than I am. You’re just an altar boy who has all the responses down pat.”"

"The schools are there to regulate the flow of young competitors into the job market."

"What appears to be kind and is meant to be kind can be the reverse of kind."

"The fundamental Taker delusion is that humanity itself was designed—and therefore destined—to become us. This is a twin of the idea that the entire universe was created in order to produce this planet. We would smile patronizingly if the Gebusi boasted that humanity was divinely destined to become Gebusi, but we are perfectly satisfied humanity was divinely destined to become us."

"The religions I just mentioned—the revealed religions—are fundamentally wed to our cultural vision, and I use the word wed advisedly. These religions are like a harem of sanctimonious wives married to a greedy, loutish sensualist of a husband."

"But when we look back beyond our agricultural revolution into the human past, we no longer understand what people had in mind. We don’t understand what they had in mind as they lived through tens of thousands of years without trade and commerce, without empires or kingdoms or even villages, without accomplishments of any kind."

"“Now, the way the Zeugen imagined it, the gods have a special knowledge that enables them to rule the world. The knowledge includes the knowledge of who should live and who should die, but it embraces much more than that.This is the general knowledge the gods employ in every choice they make. What the Zeugen perceived is this, that every choice the gods make is good for one creature but evil for another, and if you think about it, it really can’t be otherwise. If the quail goes out to hunt and the gods send it a grasshopper, then this is good for the quail but evil for the grasshopper. And if the fox goes out to hunt, and the gods send it a quail, then this is good for the fox but evil for the quail. And vice versa, of course.If the fox goes out to hunt, and the gods withhold the quail, then this is good for the quail but evil for the fox. Do you see what I mean?” “Of course.”"

"The God of revealed religions—and by this I mean religions like yours, Taker religions—is a profoundly inarticulate God. No matter how many times he tries, he can’t make himself clearly or completely understood. He speaks for centuries to the Jews but fails to make himself understood. At last he sends his only-begotten son, and his son can’t seem to do any better. Jesus might have sat himself down with a scribe and dictated the answers to every conceivable theological question in absolutely unequivocal terms, but he chose not to, leaving subsequent generations to settle what Jesus had in mind with pogroms, purges, persecutions, wars, the burning stake, and the rack. Having failed through Jesus, God next tried to make himself understood through Muhammad, with limited success, as always. After a thousand years of silence he tried again with Joseph Smith, with no better results. Averaging it out, all God has been able to tell us for sure is that we should do unto others as we’d have them do unto us. What’s that—a dozen words? Not much to show for five thousand years of work, and we probably could have figured out that much for ourselves anyway. To be honest, I’d be embarrassed to be associated with a god as incompetent as that."

"“To you, Christianity, Judaism, Islam, Buddhism, and Hinduism look very different, but to me they look the same. Many of you would say that something like Buddhism doesn’t even belong in this list, since it doesn’t link salvation to divine worship, but to me this is just a quibble. Christianity, Judaism, Islam, Buddhism, and Hinduism all perceive human beings as flawed, wounded creatures in need of salvation, and all rely fundamentally on revelations that spell out how salvation is to be attained, either by departing from this life or by rising above it.” “True.” “The adherents of these religions are mightily struck and obsessed by their differences—to the point of mayhem, murder, jihad, and genocide—but to me, as I say, you all look alike."

"Atterley’s message seemed difficult to summarize and was typically characterized as “mind-boggling” by those who were favorably impressed and as “incomprehensible” by those who weren’t."

"Any culture will become an obscenity when blown up into a universal world culture to which all must belong."

"It has happened that a species has tried to live in violation of the Law of Limited Competition. Or rather it has happened one time, in one human culture—ours. That’s what our agricultural revolution is all about. That’s the whole point of totalitarian agriculture: We hunt our competitors down, we destroy their food, and we deny them access to food. That’s what makes it totalitarian."

"“I guess this is what you mean when you say that if the world is saved, it will be saved by people with changed minds. People with unchanged minds will say, ‘Let’s minimize the effects of pushing the button.’ People with changed minds will say, ‘Let’s throw the box away!’”"