Playwrights From Austria

"Art and order, the relative that refuse to relate."

"After all, people with a herd instinct hold mediocrity in high esteem. They praise it as having great value. They believe they are strong because they are the majority. The middling level has no terrors, no anxieties. They huddle together, indulging in the illusion of warmth. If you’re alone with nothing, and certainly not yourself. And how content they are with that state of affairs!"

"For the first thing a proprietor learns, and painfully at that, is: Trust is fine, but control is better."

"Every child instinctively heads toward dirt and filth unless you pull it back."

"Der Sensible muß verbrennen, dieser zarte Nachtfalter."

"Pain itself is merely a consequence of the desire for pleasure, the desire t destroy, to annihilate; in its supreme form, pain is a variety of pleasure."

"Sometimes, of course, art creates the suffering in the first place."

"The artist is lonesome and admits his solitude."

"First the masters died, now their music is dying, because people only want to listen to pop, rock, and punk."

"Death the Laveller annihilates all distinctions."

"Every man would like to possess all the women in the world, but a woman only wants the man she loves and to whom she is faithful."

"Rainer [protagonist in the novel], who is reading The Outsider by Camus, says he would like to put the hostility of the world behind him. Once your hope for something better is taken from you, then at last you have the present all in your hand. Then you yourself are reality. Others are extras. When Rainer contemplated san evening he says that evening is melancholy ceasefire where all life has come to and end."

"Proud of my near-madness, as if I had attained a goal."

"I was angry at her for not being what I wanted."

"The main thing:... not to let myself be defined by history, not to take it as an excuse—despise it in those who hide their personal insignificance behind it—and yet know it, in order to understand people and above all to see through them (my hatred of history as a refuge for be-nothings)."

"Tense, unnerved, and close to madness before writing—and when I read what I’ve written it looks so calm."

"Ich hörte auf, oberflächlich zu sein — ich dachte nichts mehr"

"A fine thing: suddenly to forget about one’s history, one’s past, to stop feeling that one’s present happiness is endangered by what one used to be."

"My way of thinking is often so wrong, so untenable, because I think as if I were talking to someone else."

"In their field they [mathematicians] do what we ought to be doing in ours. Therein lies the significant lesson … of their existence. They are an analogy for the intellectual of the future."

"At home these men’s works [Kant, Schiller, Goethe] were kept in the bookcase with the green glass panes in Papa’s study, and Törless knew this bookcase was never opened except to display its contents to a visitor. It was like the shrine of some divinity to which one does not readily draw nigh and which one venerates only because one is glad that thanks to its existence there are certain things one need no longer bother about."

"Believe me, what makes the human being truly free, and what takes away his freedom, what gives him true bliss and what destroys it, isn't subject to 'progress'--it is something every genuinely alive person knows perfectly well in his own heart, if he will just listen to it!"

"If someone were to discover, for instance, that under hitherto unobserved circumstances stones were able to speak, it would take only a few pages to describe and explain so earth-shattering a phenomenon. On the other hand, one can always write yet another book about positive thinking, and this is far from being of only academic interest, since it involves a method that makes it impossible ever to arrive at a clear resolution of life's most important questions. Human activities might be graded by the quantity of words required: the more words, the worse their character. All the knowledge that has led our species from wearing animal skins to people flying, complete with proofs, would fill a handful of reference books, but a bookcase the size of the earth would not suffice to hold all the rest, quite apart from the vast discussions that are conducted not with the pen but with the sword and chains. The thought suggests itself that we carry on our human business in a most irrational manner when we do not use those methods by which the exact sciences have forged ahead in such exemplary fashion."

"Questions and answers click into each other like cogs of a machine. Each person has nothing but quite definite tasks. The various professions are concentrated at definite places. One eats while in motion. Amusements are concentrated in other parts of the city. And elsewhere again are the towers to which one returns and finds wife, family, gramophone, and soul. Tension and relaxation, activity and love are meticulously kept separate in time and are weighed out according to formulae arrived at in extensive laboratory work. If during any of these activities one runs up against a difficulty, one simply drops the whole thing; for one will find another thing or perhaps, later on, a better way, or someone else will find the way that one has missed. It does not matter in the least, but nothing wastes so much communal energy as the presumption that one is called upon not to let go of a definite personal aim. In a community with energies constantly flowing through it, every road leads to a good goal, if one does not spend too much time hesitating and thinking it over. The targets are set up at a short distance, but life is short too, and in this way one gets a maximum of achievement out of it. And man needs no more for his happiness; for what one achieves is what moulds the spirit, whereas what one wants, without fulfillment, only warps it. So far as happiness is concerned it matters very little what one wants; the main thing is that one should get it. Besides, zoology makes it clear that a sum of reduced individuals may very well form a totality of genius."

"For what do we do on the Last Day, when the works of humankind are weighted, with three treatises on formic acid, or even thirty? On the other hand, what do we know about the Last Day, if we don't even know what can be done with formic acid between now and then?"

"Wir haben nicht zuviel Verstand und zu wenig Seele, sondern wir haben zu wenig Verstand in den Fragen der Seele."

"[T]he restricting of intellectual and spiritual needs to the mania of progress..."

"If there is a sense of reality, there must also be a sense of possibility. To pass freely through open doors, it is necessary to respect the fact that they have solid frames. This principle, by which the old professor had lived, is simply a requisite of the sense of reality. But if there is a sense of reality, and no one will doubt that it has its justifications for existing, then there must also be something we can call a sense of possibility. Whoever has it does not say, for instance: Here this or that has happened, will happen, must happen; but he invents: Here this or that might, could, or ought to happen. If he is told that something is the way it is, he will think: Well, it could probably just as well be otherwise. So the sense of possibility could be defined outright as the ability to conceive of everything there might be just as well, and to attach no more importance to what is than to what is not."

"With its claims to profundity, boldness and originality, thinking still limits itself provisionally to the exclusively rational and scientific. … As soon as it lays hold of the feelings, it becomes spirit."

"Mathematics is the bold luxury of pure reason, one of the few that remain today."

"There is nothing more deplorable than those skeptics and reformers, liberal priests and humanistically-oriented scholars, who moan about “soullessness,” “barren materialism,” what is “unsatisfying in mere science,” and the “cold play of atoms,” and renounce intellectual precision, which is for them only a slight temptation. Then, with the help of some alleged “emotional knowledge” to satisfy the feelings, and with the “necessary” harmony and rounding-out of the world picture, all they invent is some universal spirit: a world-soul, or a God, who is nothing more than the world of the academic petite bourgeoisie which gives rise to him; at best, an oversoul who reads the newspaper and demonstrates a certain appreciation of social questions."

"His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like: He always knows what to do. He knows how to gaze into a woman's eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect — why quibble, suppose we grant him all those qualities — yet he has none of them! They have made him what he is, they have set his course for him, and yet they don't belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He'll always see a good side to every bad action. What he thinks of anything will always depend on some possible context — nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only 'how' it is — some extraneous seasoning that somehow goes along with it, that's what interests him."

"There's an inherent limit to the stress that any material can bear. Water has its boiling point, metals their melting points. The elements of the spirit behave the same way. Happiness can reach a pitch so great that any further happiness can't be felt. Pain, despair, humiliation, disgust, and fear are no different. Once the vessel is full, the world can't add to it."

"You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either."

"Nothing makes you madder than wanting to defend yourself against something you can't even get hold of, something the human race is doing to you, but still there's nobody you can grab by the throat."

"The vast power of money, mighty when you have it and even mightier when you don't, with its divine gift of freedom and the demonic fury it unleashes on those forced to do without it — they felt this as never before and were filled with bitter rage when, in the dark of the early morning, they saw the brightly lit windows and knew that those glowing gold curtains gave shelter and freedom to hundreds of thousands of people, men with women they desired, while they themselves were homeless, plodding blindly through the streets, through the rain; it was cruel as only the sea could be cruel — the sea in which a person can die of thirst."

"Something indefinite is always worse than something definite, a strong fear that doesn't last very long is easier than one that's nebulous but doesn't go away."

"I don't have a trace of moral scruple, when it comes to the state I feel completely free. It's committed such terrible crimes against us all, against our generation, that we have a right to anything. I'm not worried about doing it damage, we'll just be recovering some damages for our entire battered generation. Who taught me how to steal, who made me do it, if not the state? Commandeering, that's the word they used during the war, or expropriating — Versailles called it reclamation. Who taught us how to cheat if not the state — how else would we know what money saved up by three generations could become worthless in a mere two weeks, that families could be swindled out of pastures, houses, and fields that had been theirs for a hundred years? Even if I kill someone, who trained me to do it? Six months on the drill field and then years at the front! We have an excellent case against the state, by God, we'll win in every court. It can never pay off its terrible debt, never give back what it took from us. Once there might have been a reason to have some qualms, back when the state was a good custodian, thrifty, decent, proper. Now that it's behaved like a hoodlum, we have the right to be hoodlums too."

"The only respect in which man is superior to animals is that he can die when he wants to, not just when he has to. Maybe it's the one freedom you can always count on — the freedom to throw your life away."

"No one would ever believe how hard it is to be really alone in a city of millions when you don't have money."

"Ever since the war he's had a low opinion of people and of nations, they're selfish, all of them, without the imagination to see the injustices they're perpetrating. The idealism of his youth, a belief in the moral mission of mankind and the enlightened spirit of the white race that he took from the lectures of John Stuart Mill and his followers, was buried once and for all in the bloody mire of Ypres and the chalk quarry at Soissons where his son met his death. Politics disgusts him, the cool conviviality of the club and the showy self-congratulation of the public banquet repel him; since the death of his son he's avoided making new acquaintances. His own generation's sour unwillingness to recognize the truth and its inability to adapt to the postwar era anger him, as does the younger generation's smart-alecky thoughtlessness. But with this girl he's regained belief, a vague devout gratitude for the mere existence of youth; in her presence he sees that one generation's painfully acquired mistrust of life is fortunately neither understood nor credited by the next, and that each new wave of youth is a new beginning."

"Fear is a distorting mirror in which anything can appear as a caricature of itself, stretched to terrible proportions; once inflamed, the imagination pursues the craziest and most unlikely possibilities. What is most absurd suddenly seems the most probable."

"There is nothing more vindictive, nothing more underhanded, than a little world that would like to be a big one."

"The subject of a rumor is always the last to hear it."

"Memory is so corrupt that you remember only what you want to; if you want to forget about something, slowly but surely you do."

"Someone who's on top of the world isn't much of an observer: happy people are poor psychologists. But someone who's troubled about something is on the alert. The perceived threat sharpens his senses - he takes in more than he usually does."

"Confidences are always risky: a secret entrusted to a stranger make him less of one. You've given away something of yourself, given him the advantage."

"Hairdressers are professional gossips; when only the hands are busy, the tongue is seldom still."

"He looked at her again, now with the vague abject shyness that older men often have with young women, as though asking their indulgence for no longer being young."

"The soul is made of stuff so mysteriously elastic that a single event can make it big enough to contain the infinite."