Philosophical Pessimism

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April 10, 2026

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April 10, 2026

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"But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom."

- Philosophical pessimism

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"There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes a twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and the mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false."

- Philosophical pessimism

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"Sakya Muni, a young, happy prince, from whom the existence of sickness, old age, and death had been hidden, went out to drive and saw a terrible old man, toothless and slobbering. The prince, from whom till then old age had been concealed, was amazed, and asked his driver what it was, and how that man had come to such a wretched and disgusting condition, and when he learnt that this was the common fate of all men, that the same thing inevitably awaited him - the young prince - he could not continue his drive, but gave orders to go home, that he might consider this fact. So he shut himself up alone and considered it. And he probably devised some consolation for himself, for he subsequently again went out to drive, feeling merry and happy. But this time he saw a sick man. He saw an emaciated, livid, trembling man with dim eyes. The prince, from whom sickness had been concealed, stopped and asked what this was. And when he learnt that this was sickness, to which all men are liable, and that he himself - a healthy and happy prince - might himself fall ill tomorrow, he again was in no mood to enjoy himself but gave orders to drive home, and again sought some solace, and probably found it, for he drove out a third time for pleasure. But this third time he saw another new sight: he saw men carrying something. 'What is that?' 'A dead man.' 'What does *dead* mean?' asked the prince. He was told that to become dead means to become like that man. The prince approached the corpse, uncovered it, and looked at it. 'What will happen to him now?' asked the prince. He was told that the corpse would be buried in the ground. 'Why?' 'Because he will certainly not return to life, and will only produce a stench and worms.' 'And is that the fate of all men? Will the same thing happen to me? Will they bury me, and shall I cause a stench and be eaten by worms?' 'Yes.' 'Home! I shall not drive out for pleasure, and never will so drive out again!' And Sakya Muni could find no consolation in life, and decided that life is the greatest of evils; and he devoted all the strength of his soul to free himself from it, and to free others; and to do this so that, even after death, life shall not be renewed any more but be completely destroyed at its very roots. So speaks all the wisdom of India."

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"The second way out is epicureanism. It consists, while knowing the hopelessness of life, in making use meanwhile of the advantages one has, disregarding the dragon and the mice, and licking the honey in the best way, especially if there is much of it within reach. Solomon expresses this way out thus: "Then I commended mirth, because a man hath no better thing under the sun, than to eat, and to drink, and to be merry: and that this should accompany him in his labour the days of his life, which God giveth him under the sun. "Therefore eat thy bread with joy and drink thy wine with a merry heart.... Live joyfully with the wife whom thou lovest all the days of the life of thy vanity...for this is thy portion in life and in thy labours which thou takest under the sun.... Whatsoever thy hand findeth to do, do it with thy might, for there is not work, nor device, nor knowledge, nor wisdom, in the grave, whither thou goest." That is the way in which the majority of people of our circle make life possible for themselves. Their circumstances furnish them with more of welfare than of hardship, and their moral dullness makes it possible for them to forget that the advantage of their position is accidental, and that not everyone can have a thousand wives and palaces like Solomon, that for everyone who has a thousand wives there are a thousand without a wife, and that for each palace there are a thousand people who have to build it in the sweat of their brows; and that the accident that has today made me a Solomon may tomorrow make me a Solomon's slave. The dullness of these people's imagination enables them to forget the things that gave Buddha no peace - the inevitability of sickness, old age, and death, which today or tomorrow will destroy all these pleasures. So think and feel the majority of people of our day and our manner of life. The fact that some of these people declare the dullness of their thoughts and imaginations to be a philosophy, which they call Positive, does not remove them, in my opinion, from the ranks of those who, to avoid seeing the question, lick the honey. I could not imitate these people; not having their dullness of imagination I could not artificially produce it in myself. I could not tear my eyes from the mice and the dragon, as no vital man can after he has once seen them."

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"The fourth way out is that of weakness. It consists in seeing the truth of the situation and yet clinging to life, knowing in advance that nothing can come of it. People of this kind know that death is better than life, but not having the strength to act rationally - to end the deception quickly and kill themselves - they seem to wait for something. This is the escape of weakness, for if I know what is best and it is within my power, why not yield to what is best? ... I found myself in that category. So people of my class evade the terrible contradiction in four ways. Strain my attention as I would, I saw no way except those four. One way was not to understand that life is senseless, vanity, and an evil, and that it is better not to live. I could not help knowing this, and when I once knew it could not shut my eyes to it. The second way was to use life such as it is without thinking of the future. And I could not do that. I, like Sakya Muni, could not ride out hunting when I knew that old age, suffering, and death exist. My imagination was too vivid. Nor could I rejoice in the momentary accidents that for an instant threw pleasure to my lot. The third way, having understood that life is evil and stupid, was to end it by killing oneself. I understood that, but somehow still did not kill myself. The fourth way was to live like Solomon and Schopenhauer - knowing that life is a stupid joke played upon us, and still to go on living, washing oneself, dressing, dining, talking, and even writing books. This was to me repulsive and tormenting, but I remained in that position."

- Philosophical pessimism

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"What is it all about?" Mitja (in Brothers Karamazov) felt that though his question may be absurd and senseless, yet he had to ask just that, and he had to ask it in just that way. Socrates claimed that an unexamined life is not worthy of man. And Aristotle saw Man's "proper" goal and "proper" limit in the right exercise of those faculties which are uniquely human. It is commonplace that men, unlike other living organisms, are not equipped with built-in mechanisms for automatic maintenance of their existence. Man would perish immediately if he were to respond to his environment exclusively in terms of unlearned biologically inherited forms of behaviour. In order to survive at all, the human being must discover how various things around him and in him operate. And the place he occupies in the present scheme of organic creation is the consequence of having learned how to exploit his intellectual capacities for such discoveries. Hence, more human than any other human endeavour is the attempt at a total view of Man's function— or malfunction—in the Universe, his possible place and importance in the widest conceivable cosmic scheme. In other words it is the attempt to answer, or at least articulate whatever questions are entailed in the dying groan of ontological despair: what is it all about? This may well prove biologically harmful or even fatal to Man. Intellectual honesty and Man's high spiritual demands for order and meaning, may drive Man to the deepest antipathy to life and necessitate, as one existentialist chooses to express it: "a no to this wild, banal, grotesque and loathsome carnival in the world’s graveyard."

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"During the Finnish-Russian War of 1939, the Finns caught a Russian spy behind their own lines. It was an obvious case. The spy confessed and was to be immediately executed. He knew that he would be shot at dawn, knew it as well as anything can be known. Therefore, he appeared stoically in court. He knew the outcome. There was not the shadow of a doubt. The court scene was a theatre, a bureaucratic performance, demanded in every community founded on the rule of law, but ridiculously superfluous in his case. And still the stage does not leave him entirely untouched. Against his own will he gradually gets involved in the proceedings. When finally the death sentence is pronounced, he collapses completely. What on earth had happened? He knew the outcome with absolute certainty. We should want to say the spy knows about his imminent death now, in a new and terrifying way. He has suddenly obtained an insight, a knowledge which penetrates him, goes through bones and marrow and violently shakes up the total personality structure into its deepest and darkest labyrinths. This difference, this change in the attitude of the accused is what according to a heart-philosophical suggestion for language, may be described as "an increased integration of the spy's knowledge of his imminent death." By the same token we should probably all answer the heart-philosopher's demand for facing up to our fate by saying: “Sure I know I am going to die! All men are mortal you know," and all that. When confronted with a questionnaire asking: Are you going to die?—we should, most likely without exceptions, all cross the box for “yes," and not for a moment consider “no," “I don't know,” or “refuse to answer.” But this question remains: Do we know about our death the way the spy knew it before or after the death sentence was pronounced. Unfortunately this "integration” (or "interiorizing," "internalization,” “empathizing”) of knowledge cannot be taught in any ordinary sense of teaching. The educator should have to resort to poetry and drama in order to break through the barrier of everyday prose, platitudinal small-talk and superficial chatter. And only if this is didactically possible shall I ever see myself as I am."

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"Were (say) Frankl to attempt to cure (say) Zapffe from his "existential frustration," "ontological despair" or "metaphysic-melancholic clairvoyance," the chances are that Zapffe (rather than "cured") would be baffled by Frankl’s sophomoric philosophizing. "You may be psychologically healthier than I," Zapffe would gladly admit, "but I must insist that I am a better philosopher. A lifelong search for a meaning of life in general, and of my life in particular, has led me— reluctantly, but with cataclysmic consistency and sleepwalker’s certainty—to realize that it’s all fantasy and delusions, divinely subsidized to put us at peace with our ‘situation.’ You are certainly right that psycho-pathological explanations of my biosophical pessimism would be totally irrelevant; but I also fail to see what you can possibly accomplish with your naive, maladroit metaphysics, behind which—if you will permit me to speak your language for once—I see but the profoundest, most fundamental trauma, and that great universal repression which prevents all fatal insight into man and his ‘cosmic conditions,’ the mysterious, grotesquely absurd origin and genesis of body and mind, their inalienable interests, and their final and complete obliteration, the return of the synthesis to the absolute zero.” The biosophist is fully aware of the many marvellous metaphysics offering "peace in heart," "reconciliation with the world" and "atonement with the almighty," or the like, to anyone who is willing to join this or that suificating sect, and replace intellectually honest experience with fictitious world views. The spiritual vacuum is often so painful that if the fiction is sufficiently permanent, it does not seem to matter much if it should turn out not to be so terribly pleasant."

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