People From Richmond

"Eh, Manuel, and will you re-model the world?" "Who knows?" says Manuel, in the high pride of his youth. "At all events, I do not mean to leave it unaltered."

"You are now a famous champion, that has crowned with victory a righteous cause for which many stalwart knights and gallant gentlemen have made the supreme sacrifice, because they knew that in the end the right must conquer. Your success thus represents the working out of a great moral principle, and to explain the practical minutiae of these august processes is not always quite respectable."

"I am not so wonderful but that in the hour of my triumph I am frightened by my own littleness. Look you, Niafer, I had thought I would be changed when I had become a famous champion, but for all that I stand posturing here with this long sword, and am master of the hour and of the future, I remain the boy that last Thursday was tending pigs."

"I shall not ever return to you, my pigs, because, at worst, to die valorously is better than to sleep out one's youth in the sun. A man has but one life. It is his all. Therefore I now depart from you, my pigs, to win me a fine wife and much wealth and leisure wherein to discharge my geas. And when my geas is lifted I shall not come back to you, my pigs, but I shall travel everywhither, and into the last limits of earth, so that I may see the ends of this world and may judge them while my life endures. For after that, they say, I judge not, but am judged: and a man whose life has gone out of him, my pigs, is not even good bacon."

"Now I wonder what it is you find in that dark pool to keep you staring so?" the stranger asked, first of all. "I do not very certainly know," replied Manuel "but mistily I seem to see drowned there the loves and the desires and the adventures I had when I wore another body than this. For the water of Haranton, I must tell you, is not like the water of other fountains, and curious dreams engender in this pool."

"He had a quiet way with the girls, and with the men a way of solemn, blinking simplicity which caused the more hasty in judgment to consider him a fool. Then, too, young Manuel was very often detected smiling sleepily over nothing, and his gravest care in life appeared to be that figure which Manuel had made out of marsh clay from the pool of Haranton. This figure he was continually reshaping and realtering. The figure stood upon the margin of the pool; and near by were two stones overgrown with moss, and supporting a cross of old worm-eaten wood, which commemorated what had been done there."

"They of Poictesme narrate that in the old days when miracles were as common as fruit pies, young Manuel was a swineherd, living modestly in attendance upon the miller's pigs. They tell also that Manuel was content enough: he knew not of the fate which was reserved for him."

"I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them." I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy name of heroism."

"In Philistia to make literature and to make trouble for yourself are synonyms,... the tumblebug explained. — I know, for already we of Philistia have been pestered by three of these makers of literature. Yes, there was Edgar, whom I starved and hunted until I was tired of it: then I chased him up a back alley one night, and knocked out those annoying brains of his. And there was Walt, whom I chivvied and battered from place to place, and made a paralytic of him: and him, too, I labelled offensive and lewd and lascivious and indecent. Then later there was Mark, whom I frightened into disguising himself in a clown's suit, so that nobody might suspect him to be a maker of literature: indeed, I frightened him so that he hid away the greater part of what he had made until after he was dead, and I could not get at him. That was a disgusting trick to play on me, I consider. Still, these are the only three detected makers of literature that have ever infested Philistia, thanks be to goodness and my vigilance, but for both of which we might have been no more free from makers of literature than are the other countries...."

"The insect looked at Jurgen, and its pincers rose erect in horror. The bug cried to the three judges, — Now, by St. Anthony! this Jurgen must forthwith be relegated to limbo, for he is offensive and lewd and lascivious and indecent.... — And how can that be?... says Jurgen. — You are offensive,... the bug replied, — because this page has a sword which I chose to say is not a sword. You are lewd because that page has a lance which I prefer to think is not a lance. You are lascivious because yonder page has a staff which I elect to declare is not a staff. And finally, you are indecent for reasons of which a description would be objectionable to me, and which therefore I must decline to reveal to anybody...."

"Let us extinguish this candle says Jurgen, "for I have seen so many flames to-day that my eyes are tired." So Florimel extinguished the candle, with a good-will that delighted Jurgen. And now they were in utter darkness, and in the dark nobody can see what is happening. But that Florimel now trusted Jurgen and his Noumarian claims was evinced by her very first remark. "I was in the beginning suspicious of your majesty," said Florimel, "because I had always heard that every emperor carried a magnificent sceptre, and you then displayed nothing of the sort. But now, somehow, I do not doubt you any longer. And of what is your majesty thinking?" "Why, I was reflecting, my dear," says Jurgen, "that my father imagines things very satisfactorily.""

"Jurgen returned again toward Barathum; and, whether or not it was a coincidence, Jurgen met precisely the vampire of whom he had inveigled his father into thinking. She was the most seductively beautiful creature that it would be possible for Jurgen's father or any other man to imagine: and her clothes were orange-colored, for a reason sufficiently well known in Hell, and were embroidered everywhere with green fig–leaves. "A good morning to you, madame," says Jurgen, "and whither are you going?" "Why, to no place at all, good youth. For this is my vacation, granted yearly by the Law of Kalki—" "And who is Kalki, madame?" "Nobody as yet: but he will come as a stallion. Meanwhile his Law precedes him, so that I am spending my vacation peacefully in Hell, with none of my ordinary annoyances to bother me." "And what, madame, can they be?" "Why, you must understand that it is little rest a vampire gets on earth, with so many fine young fellows like yourself going about everywhere eager to be destroyed.""

"Good and evil keep very exact accounts... and the face of every man is their ledger."

"James Branch Cabell made this book so that he who wills may read the story of mans eternally unsatisfied hunger in search of beauty. Ettarre stays inaccessible always and her lovliness is his to look on only in his dreams. All men she must evade at the last and many ar the ways of her elusion."

"If the Author will it, there may be appended to any comedy an afterpiece. Meanwhile, so far as I may judge, the life of Manuel ends here."

"It is true I have not told you everything. Why should I? No Author ever does.... With Felix Kennaston — or, if you prefer it so, with Horvendile, — rests safe this secret and peculiar knowledge as to how the life of Manuel may yet repair to its first home after some seven centuries of exile. Thus will the traveller return — by and by — to the place of his starting; the legend of the second coming of the Redeemer will be justified, in, at all events, my lesser world; and the tale to Manuel's life will have come again, as it did once beside the pool of Haranton, full circle."

"Whatever there is to know, That shall we know one day."

"The man was not merely very human; he was humanity. And I reflected that it is only by preserving faith in human dreams that we may, after all, perhaps some day make them come true."

"The Wardens of Earth sometimes unbar strange windows, I suspect — windows which face on other worlds than ours: and They permit this-or-that man to peer out fleetingly, perhaps, just for the joke's sake; since always They humorously contrive matters so this man shall never be able to convince his fellows of what he has seen or of the fact that he was granted any peep at all. The Wardens without fail arrange what we call — gravely, too — "some natural explanation.""

"I have been telling you, from alpha to omega, what is the one great thing the sigil taught me — that everything in life is miraculous. For the sigil taught me that it rests within the power of each of us to awaken at will from a dragging nightmare of life made up of unimportant tasks and tedious useless little habits, to see life as it really is, and to rejoice in its exquisite wonderfulness. If the sigil were proved to be the top of a tomato-can, it would not alter that big fact, nor my fixed faith. No Harrowby, the common names we call things by do not matter — except to show how very dull we are..."

"I quite fixedly believe the Wardens of Earth sometimes unbar strange windows, that face on other worlds than ours. And some of us, I think, once in a while get a peep through these windows. But we are not permitted to get a long peep, or an unobstructed peep, nor very certainly, are we permitted to see all there is — out yonder. The fatal fault, sir, of your theorizing is that it is too complete. It aims to throw light upon the universe, and therefore is self-evidently moonshine. The Wardens of Earth do not desire that we should understand the universe, Mr. Kennaston; it is part of Their appointed task to insure that we never do; and because of Their efficiency every notion that any man, dead, living, or unborn, might form as to the universe will necessarily prove wrong."

"The purblind majority quite honestly believed that literature was meant to mimic human life, and that it did so. And in consequence, their love-affairs, their maxims, their so-called natural ties and instincts, and above all, their wickedness, became just so many bungling plagiarisms from something they had read, in a novel or a Bible or a poem or a newspaper. People progressed from the kindergarten to the cemetery assuming that their emotion at every crisis was what books taught them was the appropriate emotion, and without noticing that it was in reality something quite different. Human life was a distorting tarnished mirror held up to literature: this much at least of Wilde's old paradox — that life mimicked art — was indisputable. Human life, very clumsily, tried to reproduce the printed word."

"The transfiguring touch was to come, it seemed from a girl's lips; but it had not; he kissed, and life remained uncharmed. ...at the bottom of his heart, he was still expecting the transfiguring touch to come, some day, from something he was to obtain or do, perhaps to-morrow.... Then he had by accident found out the sigil's power..."

"Kennaston could find in the past — even he, who was privileged to view the past in its actuality, rather than through the distorting media of books and national pride — no suggestion as to what, if anything, he was expected to do while his physical life lasted, or to what, if anything, this life was a prelude. Yet that to-day was only a dull overture to to-morrow seemed in mankind an instinctive belief. All life everywhere, as all people spent it, was in preparation for something that was to happen to-morrow."

"To-day alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now — and it was in the insignificance of this moment, precisely, that religious persons must believe. So ran the teachings of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind's abhorrence of actualities; and man's quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised."

"Religion, of course, assured him that the answer to his query was, in various books, explicitly written, in very dissimilar forms. But Kennaston could find little to attract him in any theory of the universe based upon direct revelations from heaven. Conceding that divinity had actually stated so-and-so, from Sinai or Delphi or Mecca, and had been reported without miscomprehension or error, there was no particular reason for presuming that divinity had spoken veraciously: and, indeed all a available analogues went to show that nothing in nature dealt with its inferiors candidly."

""Why is a Kennaston?" he asked himself — thus whimisically voicing a real desire to know if human beings were intended for any especial purpose. Most of us find it more comfortable, upon the whole, to stave off such queries — with a jest, a shrug, or a Scriptural quotation, as best suits personal taste; but Kennaston was "queer" enough to face the situation quite gravely."

"Here was the astounding fact: the race did go forward; the race did achieve; and in every way the race grew better. Progress through irrational and astounding blunders, whose outrageousness bedwarfed the wildest cliches of romance, was what Kennaston found everywhere. All this, then, also was foreplanned, just as all happenings at Storisende had been, in his puny romance; and the puppets, here to, moved as they thought of their own volition, but really in order to serve a denouement in which many of them had not any personal part or interest...."

"With the passage of time, whatever a man had done, whether for good or evil, with the man's bodily organs, left the man's parish unaffected: only a man's thoughts and dreams could outlive him, in any serious sense, and these might survive with perhaps augmenting influence: so that Kennaston had come to think artistic creation in words — since marble and canvas inevitably perished — was the one, possibly, worth-while employment of human life. But here was a crude corporal deed which bluntly destroyed thoughts, and annihilated dreams by wholesale. To Kennaston this seemed the one real tragedy that could be staged on earth...."

"It was not his to choose from what volume or on which page thereof he would read; accident, as it seemed, decided that; but the chance-opened page lay unblurred before him, and he saw it with a clarity denied to other men of his generation."

"Dreaming a dream to prize, Is wishing ghosts to rise; And, if I had the spell To call the buried — well, Which one would I?"

"Whatever pretended pessimists in search of notoriety may say, most people are naturally kind, at heart."

"There are many of our so-called captains on industry who, if the truth were told, and a shorter and uglier word were not unpermissible, are little better than malefactors of great wealth."

"You touch on a disheartening truth. People never want to be told anything they do not believe already."

"You embody all that I was ever able to conceive of beauty and fearlessness and strange purity. Therefore it is evident I do not see in you merely Count Emmerick's third sister, but, instead, that ageless lovable and loving woman long worshipped and sought everywhere in vain by all poets."

"Love, I take it, must look toward something not quite accessible, something not quite understood."

"I also begin where he began, and follow wither the dream led him. Meanwhile, I can but entreat you to remember it is only by preserving faith in human dreams that we may, after all, perhaps some day make them come true."

"You must permit that I begin it in my own way, with what may to you at first seem dream-stuff. For I commence at Storisende, in the world's youth, when the fourth Count Emmerick reigned in Poictesme, having not yet blundered into the disfavor of his papal cousin Adrian VII.... With such roundabout gambits alone can some of us approach — as one fancy begets another, if you will — to proud assurance that life is not blind and aimless business; not all a hopeless waste and confusion; and that we ourselves may (by and by) be strong and excellent and wise."

"Kennaston no longer thought of himself as a man of flesh-and-blood moving about a world of his compeers. Or, at least, that especial aspect of his existence was to him no longer a phase of any particular importance."

"This book did not get for me any general recognition. It got for me, instead, something in every way more valuable. For it was The Cream of the Jest which first made for me in the seventeenth year of my writing, a few warm friends who but a little later were to fight in my behalf very nobly, and with wholly heroic tenacity... If few writers have met with more smug, more prurient, or more disingenuous opponents, no writer whatever, I think has found more faithful allies."

"Before 1914 had well begun to make the world safe for hypocrisy, these stories had blended into one continuous and fairly long Comedy of Evasion, called then In the Flesh, but a little later rechristened The Cream of The Jest..."

"American literature was enriched with Men Who Loved Allison.... Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent."

"We are talking over telephones, as Shakespeare could not talk; We are riding out in motor-cars where Homer had to walk; And pictures Dante labored on of mediaeval Hell The nearest cinematograph paints quicker, and as well. But ye copy, copy always; — and ye marvel when ye find This new beauty, that new meaning, — while a model stands behind, Waiting, young and fair as ever, till some singer turn and trace Something of the deathless wonder of life lived in any place. Hey, my masters, turn from piddling to the turmoil and the strife! Cease from sonneting, my brothers; let us fashion songs from life."

"Hey, my masters, lords and brothers, ye that till the fields of rhyme, Are ye deaf ye will not hearken to the clamor of your time?"

"The Dream, as I now know, is not best served by making parodies of it, and it does not greatly matter after all whether a book be an epic or a directory. What really matters is that there is so much faith and love and kindliness which we can share with and provoke in others, and that by cleanly, simple, generous living we approach perfection in the highest and most lovely of all arts. . . . But you, I think, have always comprehended this."

"I was born, I think, with the desire to make beautiful books — brave books that would preserve the glories of the Dream untarnished, and would re-create them for battered people, and re-awaken joy and magnanimity."

"I have made at worst some neat, precise and joyous little tales which prevaricate tenderly about the universe and veil the pettiness of human nature with screens of verbal jewelwork. It is not the actual world they tell about, but a vastly superior place where the Dream is realized and everything which in youth we knew was possible comes true. It is a world we have all glimpsed, just once, and have not ever entered, and have not ever forgotten. So people like my little tales. . . . Do they induce delusions? Oh, well, you must give people what they want, and literature is a vast bazaar where customers come to purchase everything except mirrors.""

"Oh, do the Overlords of Life and Death always provide some obstacle to prevent what all of us have known in youth was possible from ever coming true?""

"Time changes all things and cultivates even in herself an appreciation of irony, — and, therefore, why shouldn't I have changed a trifle?"

"It spurred me to such action as I took, — but it has robbed me of sugared eloquence, it has left me chary of speech. It is necessary that I climb very high because of my love for you, and upon the heights there is silence."