People From Havana

"As a writer, I see myself more as a communicator. For me, writing is the best part of my career."

"When I wrote "Words Get in the Way" my husband and I had just had a horrendous argument . . . . [After it was an international hit] My husband said, "We have to have more arguments.""

"Dad joined the US Army by this point [1964], and initially he was stationed in Texas and then South Carolina. But the Vietnam war brought our normal life to an end. Once again, Dad was gone. Communications were very basic back then: Dad couldn't just pick up a cellphone and let us know he was okay. Months would go by without a letter or anything. Eventually he bought two tape recorders -- one he kept with him and one for our house. Dad used to talk into the recorder and send the tapes home. Then we would gather round our machine and tell Dad stories. And I would sing. I still have all the tapes, but I can't listen to them. It hurts too much. After Dad came back from Nam, he wasn't well. He'd been poisoned by Agent Orange and needed quite a lot of looking after. Mum was busy trying to get her Cuban qualifications revalidated by a US university, so I had to take care of Dad and my little sister [Becky]. It was tough. Toward the end, Dad was too far gone and he didn't really know what was happening around him. I joined Miami Sound Machine in 1975 and we were getting quite successful, but Dad didn't even know who I was. He had to be moved to the hospital. On my wedding day in 1978 [September 2] I went to visit him, still wearing my wedding dress. That was the last time that he said my name. Dad died in 1980, but he touches my life every day. On my last album [Unwrapped] I did a lot of writing while I was looking at a picture of him in his younger days -- so happy and in the prime of his life. I'm not sure if he sees me, but I can feel him all around me. I hope he knows that I am so very proud of him."

"If I had to take everything into consideration, [the truly essential song] would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possibility of "Mi Tierra" [Estefan's top-selling Spanish album] happening. Not only did it talk about a specific rhythm of my homeland [Cuba], it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land."

"When you are happy it is harder to write [songs]."

"I only used my whole life one perfume: and it's Cartier's Le Must."

"[After college] I was going to study at the Sorbon and become a diplomat. Being a diplomat comes in handy when you are dealing with record companies."

"I majored in Psychology in college. I was going to be a child psychologist."

"{Fame has] given me a lot of free love -- and that's the best thing fame can afford you. What has it taken away? My privacy."

""Noelle's Treasure Tale" [Estefan's second children's book] comes out October 10 [2006]"

"[My forthcoming book features] Noelle's experience as a loveable, yet very unconventional looking dog, who must find her way through life in her new adopted home, feeling different and confronting a bevy of clustered animal cliques whose ultimate reluctance to include Noelle in their world is soon offset by Noelle's true, albeit hidden, beauty. [I hope it has] special resonance with the immigrant communities in the United States (primarily of Hispanic heritage) who may, like Noelle, feel they culturally do not, and will not, fit in with a culture so foreign from their own."

"Now in addition to being applauded as a five-time Grammy-Award-winning artist, Gloria now has the distinction of being titled a two-time New York Times best-selling author!"

"Not even a bomb scare could keep Gloria Estefan from her fans."

"Careful! We don't want anybody getting squished."

"She [then nine-year-old daughter Emily] grew up with 'The Rhythm is Gonna Get You,' Well . . . It got her!"

"Excuse me, you have binoculars in the second row . . . and there're zoom . . . What exactly were you looking at there? . . . Very cute . . . Well, get your money's worth, honey."

"Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?"

"I bit down three nails rooting for the Heat."

"No fighting, Glorias! Gloria Estefan [the real one] to two female impersonators [Gloria #1 and Gloria #2]"

"I have a twenty-month-old baby [girl], [and] a sixteen-year-old boy— same maturity level."

"You know, I don't know about this "Diva thing," O.K. This "Diva thing" is getting a little out of hand, I think. I mean if anything, I'm a divette."

"[While her father was a political prisoner in Cuba] I was always singing and dancing and reciting poems -- that was how I used to do my crying over my father. There were a lot of negotiations between the US and Cuban governments over the next couple of years [1961 - 1963]. [Castro proposed an exchange of prisoners for food, medicine and building machinery], and eventually my dad was released. It was wonderful to have him home -- it was probably the happiest time in my life. For once, the whole family was together, living a normal life. That was when my sister, Becky, was born [1964], and it was also when I started guitar lessons. I would lock myself away in my room for days, learning how to play. Even then I was beginning to work out that music was a way to cut throught all the BS."

"I'd lock myself up in my room with my guitar. I wouldn't cry. I was afraid if I let go just a little bit, it would all go. I would sing for hours by myself . . . . It was my way of crying."

"I was 16 months old when I left Cuba, so I really don't remember anything [about Cuba]."

"When I first came to Miami [in 1959], you'd see signs like "No Children, No Pets, No Cubans." We were a major threat. We lived in a very small apartment behind the Orange Bowl, where all the Cubans lived. All the men (including my father, Jose Manuel Fajardo) were political prisoners in Cuba, and it was purely women and their kids. There was one car the whole community bought for $50, and the one lady that could drive would take everybody to the supermarket and the Laundromat."

"I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later."

"For fourteen years [1966 to 1980] [my father] suffered a debilitating disease [multiple sclerosis]. I took care of him for most of that time, until he was no longer able to be taken care of at home . . . So, in essence, I was caring for [my father] and my younger sister [Becky], six years younger than I. It was difficult for me. It was a tough time. Music was my escape -- my catharsis. My way of just getting my emotions out. Music has always been a beautiful force in my life."

"My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro.] One night, Dad disappeared. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Initially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretense that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet."

"My grandfather . . . was a commander in the Cuban army -- not just a Batista [General Fulgencio Batista y Zalduvar was Cuba's 19th president from October, 1938 until January, 1959)] -- but he was a career general there. And he had been through a few of the different presidents of Cuba . . . My father became a motorcycle officer. He was a good-looking guy, so he was chosen to be the first lady's [Mrs. Batista's] escort. So they were very close to the government when Batista came in power. And then immediately after [Castro seized power on January 1, 1959] [my father] joined the Bay of Pigs invasion to try to liberate Cuba . . . and he was a political prisoner for two years there [in Cuba]."

"Having experience paralysis firsthand -- sixteen years ago -- I feel especially fortunate to have had a positive outcome despite a very negative prognosis. I vowed that I would do whatever was in my power to assist those already on their way to finding a cure. I urge anyone in a position to help to join us in taking on this challenge, knowing that we are closer than ever to a cure and to helping those that live in wheelchairs to "get on their feet.""

"It is always hard to hear people say such nice things about us, because quite honestly I feel very privileged and honored to be of service in any way I can. I think that is my mission here on earth in some way -- whether it is entertaining people or trying to help in whatever way I can. So [the attention and acclaim] is pretty embarrassing to me."

"There are singers who can captivate a community. There are vocalists whose sound can penetrate deeply into your soul. There are entertainers who can mesmerize, enlighten and entertain, all in one breath. [And there is] Gloria Estefan -- who does it all, effortlessly."

"Once again [with the CD "Unwrapped"], Gloria's mission is accomplished. As an entertainer, a vocalist and a writer, she has invited the world into her heart. The result is nothing short of incomparable."

"Gloria Estefan is going to be here. She writes these books about her dog, Noelle . . . and she also dances and sings well, too."

"Of course in Miami, not denouncing Fidel Castro at every turn is almost as bad as saying Gloria Estefan can't sing."

"I had the greatest pleasure of listening to Gloria Estefan's lecture on "Life, Art and Spirituality" at the Graham Center of Florida International University today. It was a great experience. She is such a wonderful, amazing woman, and a great inspiration. I believe that everyone who attended her lecture today was blown away by her sincerity, kind words and her sense of humor . . . yes, because even in the darkest days of her life, there was a little room for humor. She spoke of the power of prayer, and how different this world would be if we were to stop the violence, and the hating, and the wars between us."

"There are certain people in our business that are known as ladies, that are known to be classy and intelligent . . . I found out that [Gloria is] all of the above."

"It is always so, I guess, validating when you meet somebody that you esteem -- and then they turn out to be everything [you thought] and more."

"Darling, you look like a religious icon there [in her high school graduation picture]."

"I love Gloria Estefan, though -- she is cool. It's always just been about the music with her and they've been really good fun pop songs and really great ballads. And she's still going strong. She's quite classy and true to her Latin roots."

"Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist."

"The United States stands tall, representing a parade of nations, 300 million strong. That number will grow during today's citizenship ceremony, featuring the national anthem performed by pop star Gloria Estefan. She captures the essence of what makes this country so great: Ms. Estefan arrived from Cuba as a 2-year-old and would eventually chase her ambitions of becoming a singer. She would incorporate salsa into mainstream American music, reflecting the true meaning of this country as a melting pot."

"You've got a new Spanish-language album out now ["90 Millas," released in September of 2007], and the single ["No Llores"] is #1 on the Billboard Latin chart."

"Getting this caliber of musicians together [for "90 Millas" CD in September of 2007] is almost impossible to do again."

"[The hardest thing about '90 Millas' was the concept of] combining the old and the new without losing the authenticity. The simple solution, of course, would have been to record covers. [But] emotionally it wouldn't have been the same We left Cuba as children: Gloria was 1, I was 14. So, there ia a part that does exist in nostalgia, but a the same [time] there is another part that is contemporary music that we've made all over the world."

"I left Cuba when I was two years old. They took away my country, they stole the most intimate thing a human being can have. How could I forget that Fidel Castro was the person who did me so much harm?"

"[Cuban coffee is] very powerful, very sweet, and a little dangerous —- just like the people who drink it."

"Neither. I did not bring my crown, and the last thing I would want to do is get into politics."

"[I] grew up in this city [Miami], and my music is a blend of two cultures. In the beginning it was heavily Cuban. At this point it's [from] all over . . ."

"A lot of the people who live here [Miami] are island people -- from Cuba, Haiti. People are very vibrant, and color is important living here. You're inspired every day by the sun, the sky, the landscape, the lushness. [Artist Romero Britto's] painting and artwork reflect that."