Painters From Ireland

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April 10, 2026

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April 10, 2026

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"I read Æ’s poems when I was a child in Australia. Later I came to England to see my relatives. But before I did that, I sent a poem to Æ, who was then editing The Irish Statesman, and with all the arrogance of youth I didn’t put any letter with it explaining myself or saying that I was Irish or anything. I just sent it with a stamped addressed envelope. And sure enough, the stamped envelope came back. But in it was a check for two guineas and a letter that said, “I’m accepting your poem, which is a very good one, and I think it could not have been written by anyone who wasn’t Irish. If you’re ever coming to Ireland, be sure to come and see me.” Since I was going to Ireland, I did go to see him and was greatly welcomed and more poems were taken. I felt immediate mutuality with him, this great elderly man bothering about me. But he bothered about all young poets. They were always welcome. After our visit he said to me, “On your way back through Dublin you come and see me again.” I said, “Of course, I will.” But when the time arrived and I was back in Dublin, an awful timidity came upon me. I thought he was a great man and I shouldn’t take up his time; he was doing this for politesse. And so I refrained from going to see him and went back to England. Sometime later when I opened the door, there was Æ. He said to me, “You’re a faithless girl. You promised to see me on your way back through Dublin and you didn’t.” And he added, “I meant to give you my books then and, as you weren’t there, I brought them.” And there were all his books."

- George William Russell

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"There are heaps of things I would like to do, but there is no time to do them. The most gorgeous ideas float before the imagination, but time, money, and alas! inspiration to complete them do not arrive, and for any work to be really valuable we must have time to brood and dream a little over it, or else it is bloodless and does not draw forth the God light in those who read. I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible. I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good. So you see, from my slow habit of mind and limited time it is all I can do to place monthly, my copy in the hands of my editor when he comes with a pathetic face to me."

- George William Russell

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