Left Libertarians

"My purpose here is to denounce an idea which seems to be dangerous and false. … Revolutionary trade unionists and orthodox communists are at one in considering everything that is purely theoretical as bourgeois. … The culture of a socialist society would be a synthesis of theory and practice; but to synthesize is not the same as to confuse together; it is only contraries that can be synthesized. … Marx’s principal glory is to have rescued the study of societies not only from Utopianism but also and at the same time from empiricism. … Humanity cannot progress by importing into theoretical study the processes of blind routine and haphazard experiment by which production has so long been dominated. … The true relation between theory and application only appears when theoretical research has been purged of all empiricism."

""Science affirms that ..." Science is voiceless; it is the scientists who talk."

"Respectable scientists like de Broglie himself accept wave mechanics because it confers coherence and unity upon the experimental findings of contemporary science, and in spite of the astonishing changes it implies in connection with ideas of causality, time, and space, but it is because of these changes that it wins favor with the public. The great popular success of Einstein was the same thing. The public drinks in and swallows eagerly everything that tends to dispossess the intelligence in favor of some technique; it can hardly wait to abdicate from intelligence and reason and from everything that makes man responsible for his destiny."

"Men … ask nothing better, it would seem, than to leave their destiny, their life, and all their thoughts in the hands of a few men with a gift for the exclusive manipulation of this or that technique."

"When, as a result of what was called Enlightenment in the eighteenth century, the priests had in fact almost entirely lost this function of guidance. Their place was taken by writers and scientists. In both cases it is equally absurd. Mathematics, physics, and biology are as remote from spiritual guidance as the art of arranging words. When that function is usurped by literature and science it proves there is no longer any spiritual life."

"Dadaism and surrealism … represented the intoxication of total license, the intoxication in which the mind wallows when it has made a clean sweep of value and surrendered to the immediate. The good is the pole towards which the human spirit is necessarily oriented, not only in action but in every effort, including the effort of pure intelligence. The surrealists have set up non-oriented thought as a model; they have chosen the total absence of value as their supreme value. Men have always been intoxicated by license, which is why, throughout history, towns have been sacked. But there has not always been a literary equivalent for the sacking of towns. Surrealism is such an equivalent."

"In a general way, the literature of the twentieth century is essentially psychological; and psychology consists of describing states of the soul by displaying them all on the same plane, without any discrimination of value, as though good and evil were external to them, as though the effort toward the good could be absent at any moment from the thought of any man."

"There is a certain kind of morality which is even more alien to good and evil than amorality is."

"There is no area in our minds reserved for superstition, such as the Greeks had in their mythology; and superstition, under cover of an abstract vocabulary, has revenged itself by invading the entire realm of thought. Our science is like a store filled with the most subtle intellectual devices for solving the most complex problems, and yet we are almost incapable of applying the elementary principles of rational thought. In every sphere, we seem to have lost the very elements of intelligence: the ideas of limit, measure, degree, proportion, relation, comparison, contingency, interdependence, interrelation of means and ends. To keep to the social level, our political universe is peopled exclusively by myths and monsters; all it contains is absolutes and abstract entities. This is illustrated by all the words of our political and social vocabulary: nation, security, capitalism, communism, fascism, order, authority, property, democracy. We never use them in phrases such as: There is democracy to the extent that... or: There is capitalism in so far as... The use of expressions like "to the extent that" is beyond our intellectual capacity. Each of these words seems to represent for us an absolute reality, unaffected by conditions, or an absolute objective, independent of methods of action, or an absolute evil; and at the same time we make all these words mean, successively or simultaneously, anything whatsoever. Our lives are lived, in actual fact, among changing, varying realities, subject to the casual play of external necessities, and modifying themselves according to specific conditions within specific limits; and yet we act and strive and sacrifice ourselves and others by reference to fixed and isolated abstractions which cannot possibly be related either to one another or to any concrete facts. In this so-called age of technicians, the only battles we know how to fight are battles against windmills."

"Weil’s critique of modern science consists of two parts, the first directed at classical (Newtonian) science, the latter at contemporary science, especially twentieth-century relativity and quantum mechanics. In each, Weil detects a species of thoughtlessness or failure of that prayerful attention that marks all genuine study and intellectual accomplishment."

"The reader of her work finds himself confronted by a difficult, violent and complex personality; and the assistance of those who have the advantage of long discussions or correspondence with her, especially those who are under the peculiar conditions of the last five years her life, will be a permanent value in the future. … After reading Waiting on God and the present volume I saw that I must try to understand the personality of the author and that the reading and re-reading of all her work was necessary for this slow process of understanding. In trying to understand her, we must not be distracted … by considering how far, and at what points we agree or disagree. We must simply expose ourselves to the personality of a woman of genius, of a kind of genius akin to that of the saints. … I cannot conceive of anybody's agreeing with all of her views, or of not disagreeing violently with some of them. But agreement and rejection are secondary: what matters is to make contact with a great soul. Simone Weil was one who might have become a saint. Like some who have achieved this state, she had greater obstacles to overcome, as well as greater strength for overcoming them, then the rest of us. A potential saint can be a very difficult person. I suspect that Simone Weil could be at times insupportable. One is struck, here and there, by contrast between an almost superhuman humility and what appears to be an almost outrageous arrogance."

"In her political thinking she appears as a strong critic of both Right and Left; at the same time or truly a lover of order and hierarchy than even most of those who call themselves Conservative, and more truly a lover of the people than most of those who call themselves Socialist."

"Her life is almost a perfect blending of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have ever written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny. Well Simone Weil's is the most comical life I have ever read about, and the most truly tragic and terrible."

"By saying Simone Weil's life was both comic and terrible I am not trying to reduce it, but mean to be paying her the highest tribute I can, short of calling her a saint, which I don't believe she was. Possibly I have a higher opinion of the comic and terrible than you do. To my way of thinking it includes her great courage and to call her anything less would be to see here as merely ordinary. Of course, I can only say, as you point out, this is what I see, not, this is what she is — which only God knows."

"[By 1939] Simone Weil had developed a social and political awareness which it took the war and the German occupation to awaken in many French intellectuals and beyond which many of them, including Sartre, have never progressed."

"Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night."

"What a country calls its vital economic interests are not the things which enable its citizens to live, but the things which enable it to make war; petrol is much more likely than wheat to be a cause of international conflict. Thus when war is waged it is for the purpose of safeguarding or increasing one's capacity to make war. International politics are wholly involved in this vicious cycle. What is called national prestige consists in behaving always in such a way as to demoralize other nations by giving them the impression that, if it comes to war, one would certainly defeat them. What is called national security is an imaginary state of affairs in which one would retain the capacity to make war while depriving all other countries of it. It amounts to this, that a self-respecting nation is ready for anything, including war, except for a renunciation of its option to make war. But why is it so essential to be able to make war? No one knows, any more than the Trojans knew why it was necessary for them to keep Helen. That is why the good intentions of peace-loving statesman are so ineffectual. If the countries were divided by a real opposition of interests, it would be possible to arrive at a satisfactory compromise. But when economic and political interests have no meaning apart from war, how can they be peacefully reconciled?"

"An imaginary perfection is automatically at the same level as I who imagine it — neither higher nor lower."

"Truth is sought not because it is truth but because it is good."

"I also am other than what I imagine myself to be. To know this is forgiveness."

"We can know only one thing about God — that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him."

"Whenever one tries to suppress doubt, there is tyranny."

"Moreover, nothing is so rare as to see misfortune fairly portrayed; the tendency is either to treat the unfortunate person as though catastrophe were his natural vocation, or to ignore the effects of misfortune on the soul, to assume, that is, that the soul can suffer and remain unmarked by it, can fail, in fact, to be recast in misfortune's image."

"The recognition of human wretchedness is difficult for whoever is rich and powerful because he is almost invincibly led to believe that he is something. It is equally difficult for the man in miserable circumstances because he is almost invincibly led to believe that the rich and powerful man is something."

"It is not in a person's nature to desire what he already has. Desire is a tendency, the start of a movement toward something, toward a point from which one is absent. If, at the very outset, this movement doubles back on itself toward its point of departure, a person turns round and round like a squirrel in a cage or a prisoner in a condemned cell. Constant turning soon produces revulsion. All workers, especially though not exclusively those who work under inhumane conditions, are easily the victims of revulsion, exhaustion and disgust and the strongest are often the worst affected."

"Attention consists of suspending our thought, leaving it detached, empty, and ready to be penetrated by the object; it means holding in our minds, within reach of this thought, but on a lower level and not in contact with it, the diverse knowledge we have acquired which we are forced to make use of."

"Simone Weil, je le sais encore maintenant, est le seul grand esprit de notre temps et je souhaite que ceux qui le reconnaissent en reçoivent assez de modestie pour ne pas essayer d’annexer ce témoignage bouleversant. Pour moi, je serais comblé si l’on pouvait dire qu’à ma place, et avec les faibles moyens don’t je dispose, j’ai servi à faire connaitre et à répandre son oeuvre dont on n’a pas encore mesuré tout le retentissement."

"In the last years of her life she worried that all beliefs, even religious ones, risk idolatry. Her insistence upon "a convention ratified by God" is another example of the thoroughly personal knowledge of God that she sought, and one gathers, believed herself to have attained. She seemed persuaded that under the auspices of the Church such personal knowledge simply does not come about; on the contrary, parishioners turn idolatrous and mistake a ritual, a habit, and alas, a social custom (to go to church on Sunday, say) for such a convention."

"Love is not consolation, it is light."

"The human soul has need of truth and of freedom of expression. The need for truth requires that intellectual culture should be universally accessible, and that it should be able to be acquired in an environment neither physically remote nor psychologically alien."

"The proportions of good and evil in any society depend partly upon the proportion of consent to that of refusal and partly upon the distribution of power between those who consent and those who refuse. If any power of any kind is in the hands of a man who has not given total, sincere, and enlightened consent to this obligation such power is misplaced. If a man has willfully refused to consent, then it is in itself a criminal activity for him to exercise any function, major or minor, public or private, which gives him control over people's lives. All those who, with knowledge of his mind, have acquiesced in his exercise of the function are accessories to the crime. Any State whose whole official doctrine constitutes an incitement to this crime is itself wholly criminal. It can retain no trace of legitimacy. Any State whose official doctrine is not primarily directed against this crime in all its forms is lacking in full legitimacy. Any legal system which contains no provisions against this crime is without the essence of legality. Any legal system which provides against some forms of this crime but not others is without the full character of legality. Any government whose members commit this crime, or authorize it in their subordinates, has betrayed its function."

"The respect inspired by the link between man and the reality alien to this world can make itself evident to that part of man which belongs to the reality of this world. The reality of this world is necessity. The part of man which is in this world is the part which is in bondage to necessity and subject to the misery of need. The one possibility of indirect expression of respect for the human being is offered by men's needs, the needs of the soul and of the body, in this world."

"I define my approach to each day I am given as, "What is the most excellent thing I can do today?" – from the book "Far and Near: On Days Like These""

"Among the people whose thinking I like is Ayn Rand, but there are a whole lot of others. It's a kind of disciple mentality that people are applying to me that they think I applied to her and it's all wrong. I'm nobody's disciple and you know 'No god, no government' none of that, so I don't like it applied to me any more than to them."

"Name another drummer in the rock-pop-prog-fusion idiom who thoroughly composed his parts for every song, never deviating live or otherwise, applied his vision to a 30+ piece electric/acoustic 360 degree orchestral rock kit, and somehow managed to make every part musical, seamless, and iconic. He also wrote the lyrics almost every Rush song. I don't care if you don't like Rush, Neil is undeniable."

"The secret to life is, you get up in the morning, and you go to work - from the book Travelling Music"

"Genius is the fire that lights itself. -Commenting on Buddy Rich."

"I can't play to that! - on Rock Band"

"Rush is another impressive array of three otherworldly musicians. The technicality and precision is jaw dropping. I was quite busy on drums early on in the Pixies because of him. Quite a formative band for me when I was younger and learning drums."

"Quick to judge -- Quick to anger -- Slow to understand Ignorance and prejudice and fear walk hand in hand -- Witch Hunt (Part III of 'Fear') (1981)"

"No one gets to their heaven without a fight -- Armor and Sword (2007)"

"When we are young Wandering the face of the Earth Wondering what our dreams might be worth Learning that we're only immortal For a limited time -- Dreamline (1991)"

"How can anybody be enlightened? Truth is after all so poorly lit -- Turn The Page (1987)"

"Adventures suck when you're having them. -- Roadshow (2006)"

"Life is like an aimless river The time is now again -- Ceiling Unlimited (2002)"

"Unstable condition A symptom of life In mental and environmental change Atmospheric disturbance The feverish flux Of human interface and interchange -- Vital Signs (1981)"

"A few guys with guns can spoil everything. -- The Masked Rider (1996)"

"All the busy little creatures chasing out their destinies. Living in their pools they soon forget about the sea... -- Natural Science (1980)"

"Everything in moderation, with occasional excess -- Ghost Rider (2002)"

"Life is just a candle, and a dream must give it flame... -- The Fountain of Lamneth (1975)"