Journalists From New York State

"Destiny and history are untidy."

"The Seal, she lounges like a bride, Much too docile, there's no doubt; Madame Récamier, on side, (if such she has), and bottom out."

"If Helen of Troy could have been seen eating peppermints out of a paper bag, it is highly probable that her admirers would have been an entirely different class. It is the thing you are found doing while the horde looks on that you shall be loved for — or ignored."

"We are adhering to life now with our last muscle — the heart."

"New York is the meeting place of the peoples, the only city where you can hardly find a typical American."

"There is always more surface to a shattered object than a whole."

"After all, it is not where one washes one’s neck that counts but where one moistens one’s throat."

"A man is whole only when he takes into account his shadow as well as himself — and what is a man's shadow but his upright astonishment?"

"I stand here before you in absolute awe of the fact that Congressman Ryan, Patricia's father, gave his life in an attempt to rescue victims from another dangerous cult. Looking at the politicians who serve in our Congress today, should make everyone realize what a rare man Leo Ryan was. I greatly admire him. ––Richard Behar, 1992 Conference, (OLD) Cult Awareness Network"

"For the TIME story, at least 10 attorneys and six private detectives were unleashed by Scientology and its followers in an effort to threaten, harass and discredit me. Last Oct. 12, not long after I began this assignment, I planned to lunch with Eugene Ingram, the church's leading private eye and a former cop. Ingram, who was tossed off the Los Angeles police force In 1981 for alleged ties to prostitutes and drug dealers, had told me that he might be able to arrange a meeting with church boss David Miscavige. Just hours before the lunch, the church's "national trial counsel," Earle Cooley, called to inform me that I would be eating alone. Alone, perhaps, but not forgotten. By day's end, I later learned, a copy of my personal credit report -- with detailed information about my bank accounts, home mortgage, credit-card payments, home address and Social Security number -- had been illegally retrieved from a national credit bureau called Trans Union. The sham company that received it, "Educational Funding Services" of Los Angeles, gave as its address a mail drop a few blocks from Scientology's headquarters. The owner of the mail drop is a private eye named Fred Wolfson, who admits that an Ingram associate retained him to retrieve credit reports on several individuals. Wolfson says he was told that Scientology's attorneys "had judgments against these people and were trying to collect on them." He says now, "These are vicious people. These are vipers." Ingram, through a lawyer, denies any involvement in the scam. ––Richard Behar, The Thriving Cults of Greed and Power, Time Magazine, May 6, 1991, sidebar: "The Scientologists and Me"."

"What happens when bosses ignore memos from subordinates? The country is now learning the answer to that question in a most painful way. On July 10, 2001, an FBI agent in Phoenix [Arizona] wrote a memo raising serious concerns about Middle Eastern men attending U.S. flight schools. The memo never made its way up the chain of command, and no action was taken. ––Richard Behar, introd. to "FBI's 'Phoenix' memo Unmasked", Fortune [date?], [date accessed?]. (See (incomplete) list of Behar's Fortune articles in his section of his Publications [some defunct links].)"

"Feminism, coveting social power, is blind to women’s cosmic sexual power."

"My position on date rape is partly based on my study of The Faerie Queen, as detailed in a full chapter in Sexual Personae: in 1590, the poet Edmund Spencer already sees that passive, drippy, naive women constantly get themselves into rape scenarios, while talented, intelligent, alert women, his warrior heroines, spot trouble coming and boldly trounce their male assailants. My feminism stresses courage, independence, self-reliance, and pride."

"Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women."

"If you want to see what’s wrong with Ivy League education, look at The Beauty Myth, that book by Naomi Wolf. This is a woman who graduated from Yale magna cum laude, is a Rhodes scholar, and she cannot write a coherent paragraph. This is a woman who cannot do historical analysis, and she is a Rhodes scholar? If you want to see the damage done to intelligent women today in the Ivy League, look at that book. It's a scandal. Naomi Wolf is an intelligent woman. She has been ill-served by her education. But if you read Lacan, this is the result. Your brain turns to pudding. She has a case to make. She cannot make it. She’s full of paranoid fantasies about the world. Her education was completely removed from reality."

"What troubles me about the “hostile workplace” category of sexual harassment policy is that women are being returned to their old status of delicate flowers who must be protected from assault by male lechers. It is anti-feminist to ask for special treatment for women."

"I think it is one of the greatest pictures ever taken of a woman."

"A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and is confirmed only by other men. Feminist fantasies about the ideal “sensitive” male have failed. Manhood coerced into sensitivity is no manhood at all."

"[W]omen will never be taken seriously until they accept full responsibility for their sexuality."

"A male student makes vulgar remarks about your breasts? Don't slink off to whimper with the campus shrinking violets. Deal with it. On the spot. Say, "Shut up, you jerk! And crawl back to the barnyard where you belong!" In general, women who project this take-charge attitude towards life get harassed less often. I see too many dopey, immature, self-pitying young women walking around like melting sticks of butter."

"Minerva save us from the cloying syrup of coercive compassion! What feminism does not need, it seems to me, is an endless recycling of Doris Day Fifties clichés about noble womanhood."

"Feminism was always wrong to pretend that women could “have it all.” It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother’s attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of “having it all.”"

"The idea that feminism is the first group that has ever denounced rape is a gross libel to men. Throughout history, rape has been condemned by honorable men. Honorable men do not murder; honorable men do not steal; honorable men do not rape. It goes all the way back through history. Tarquin’s rape of Lucretia caused the fall of the tyrants and the beginning of the Roman Republic. The idea that somehow suddenly feminism miraculously found out that women were being exploited and raped throughout history is ridiculous."

"[T]here’s a lot to be said for celibacy, for the concentration of your mental and physical energy."

"Rape is an outrage that cannot be tolerated in a civilized society. Yet feminism, which has waged a crusade for rape to be taken more seriously, has put young women in danger by hiding the truth about sex from them."

"For a decade, feminists have drilled their disciples to say, “Rape is a crime of violence but not of sex.” This sugar-coated Shirley Temple nonsense has exposed young women to disaster. Misled by feminism, they do not expect rape from the nice boys from good homes who sit next to them in class."

"When women cut themselves off from men, they sink backward into psychological and spiritual stagnancy."

"Contemporary feminists, who are generally poor or narrowly trained scholars, insist on viewing history as a weepy scenario of male oppression and female victimization. But it is more accurate to see men, driven by sexual anxiety away from their mothers, forming group alliances by male bonding to create complex structures of society, art, science and technology."

"In insisting, for political purposes, on a sharp division between gay and straight, gay activism, like much of feminism, has become as rigid and repressive as the old order it sought to replace."

"Meryl Streep, in her Protestant way, is stuck on words; she flashes clever accents as a mask for her deeper failures. (And she cannot deliver a Jewish line; she destroyed Nora Ephron’s snappy dialogue in Heartburn.) Streep’s work doesn’t travel. Try dubbing her for movie houses in India: there’d be nothing left, just that bony, earnest horse face moving its lips. Imagine, on the other hand, lesser technicians like Hedy Lammarr, Rita Hayworth, Lana Turner: these women have an international and universal appeal, crossing the centuries. They would have been beautiful in Egypt, Greece, Rome, medieval Burgundy, or eighteenth-century Paris. Susan Hayward played Bathsheba. Try to picture Streep in a Bible epic! Streep is incapable of playing the great legendary or mythological roles. She has no elemental power, no smouldering sensuality."

"Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women."

"Gay and straight men have much more in common than do gay men with lesbians or straight men with straight women. Every man must define his identity against his mother. If he does not, he he just falls back into her and is swallowed up. This is the agonizing myth-pattern in the comic, matricidal Psycho (1960), one of the hauntingly emblematic films of our time."

"When feminism and gay activism set themselves against organized religion, they have the obligation to put something better in its place."

"Madonna won my undying loyalty by reviving and re-creating the hard glamour of the studio-era Hollywood movie queens, figures of mythological grandeur. Contemporary feminism cut itself off from history and bankrupted itself when it spun its paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex. Woman’s sexual glamour has bewitched and destroyed men since Delilah and Helen of Troy."

"When in doubt, I read Oscar Wilde."

"Incompetent amateurs have given prostitution a bad name."

"We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end."

"Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy."

"Academic Marxists, with their elitist sense of superiority to popular taste, are the biggest snobs in America."

"For me, the Profumo affair symbolizes the evanescence of male government compared to women’s cosmic power."

"The saints, many of them women, warred with themselves as well as God. The body has its own animal urges, just as there are attractions and repulsions in sex that modern liberalism cannot face."

"Beware of the manipulativeness of rich students who were neglected by their parents. They love to turn the campus into hysterical psychodramas of sexual transgression, followed by assertions of parental authority and concern. And don’t look for sexual enlightenment from academe, which spews out mountains of books but never looks at life directly."

"Richard Chase declares, "No great poet has written so much bad verse as Emily Dickinson." He blames the Victorian cult of little women for the fact that "two thirds of her work" is seriously flawed: "Her coy and oddly childish poems of nature and female friendship are products of a time when one of the careers open to women was perpetual childhood." Dickinson's sentimental feminine poems remain neglected by embarrassed scholars. I would maintain, however, that her poetry is a closed system of sexual reference and that the mawkish poems are designed to dovetail with those of violence and suffering."

"Emily Dickinson is the female Sade, and her poems are the prison dreams of a self-incarcerated, sadomasochistic imaginist. When she is rescued from American Studies departments and juxtaposed with Dante and Baudelaire, her barbarities and diabolical acts of will become glaringly apparent. Dickinson inherits through Blake the rape cycle of The Faerie Queene. Blake and Spenser are her allies in helping pagan Coleridge defeat Protestant Wordsworth."

"Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. [...] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species."

"[Henry] James’s repressions and evasions are many, varied and exhausting. Why more people are not seen rushing shrieking from libraries, shredding James novels in their hands, I cannot say. I used to wonder whether enthusiasm for him was based on identification, since his passive, tentative heroes resemble many academics. Perhaps what is intolerable is his enshrinement in a soporific criticism. So much must be overlooked to crown him with laurel."

"The reason Wilde did his best work after turning homosexual is that women simply reinforced his own feminine sentimentality. … Heterosexuality inhibited his imagination because woman is physically and psychologically internal."

"Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility."

"It is no coincidence that while some major female artists have married, very few have borne children. The issue is not conservation of energy but imaginative integrity. Art is its own self-swelling, proof that the mind is greater than the body."

"Gautier says, “Baudelaire abhorred philanthropy, progressivists, utilitarians, humanitarians and utopianists.” In other words, Baudelaire condemned Rousseausism in all its forms. Today, Rousseausism has so triumphed that the arts and the avant-garde are synonymous with liberalism, an error enforced by literature teachers, with their humanist bias. I follow the Decadents in trying to drive Rousseauist benevolence out of the discourse in art and literature. The Decadents satirized the liberal faith in progress with sizzling prophecies of catastrophe and cultural collapse."