Jews From The United States

"[I]nstitutions are strong; it turns out you don't need a lot of sensible or even sane leadership in the White House."

"Winners have standards."

"We're to blame for the "bad blood." Not Putin. The real meaning of America First is Blame America First."

"So WE are to blame for the "bad blood" with Russia. Not what Putin has done in Ukraine, in Syria, in the UK, at home, or with respect to our elections. Amazing."

"The noble simplicity of sentiment in McCain’s tweets is a world removed from Trump’s gaudy and boastful displays. And McCain’s demonstration of character and courage is a far more reliable guide to American greatness than the pronouncements of a president who speaks of it nonstop and embodies it not at all."

"[T]he Islamic world is a source of danger and destruction is all too conceivable. Indeed, it’s been on display, in plain sight, for years... The jihadist threat is real, and it must, obviously, be fought and defeated. But that raises another problem—not a problem with Islam, but a problem with the West. We have lost our nerve. In recent years, the attitude of Barack Obama has prevailed over the spirit of Charlie Hebdo. The claims of sensitivity have trumped the attachment to freedom. Appeasement of jihad has supplanted the war on terror. Most fundamentally—let’s be honest—fear has overwhelmed courage. And so the American president has been happy to proclaim, as he did at the United Nations in September 2012, “The future must not belong to those who slander the prophet of Islam.” He has been less willing to say that the future must not belong to those who kill in the name of the prophet of Islam... We face a crisis of Islam. We need to be clear-eyed about that. But we also face a crisis of the West. Only if we come to grips with that second crisis will this period of consequences turn out to be an occasion for renewal rather than another marker on the path to decadence."

"Donald Trump is an embarrassment. It would be better for the country if he were president for at most one term."

"The present moment is not one to be proud of. The normal vulgarity of democratic politics has become the shameless demagoguery of democratic decadence. The routine operation of party politics has given way to the mindless polarization of partisan fanatics. The characteristic limitations of popular leaders have yielded to an abdication of leadership itself. A public life with occasional cringeworthy moments has been replaced by one that is on the whole cringeworthy."

"The Obama years have been weighed in the balance and found wanting. Severely wanting. By the end of Obama's presidency, the U.S. standing in the world was weaker—clearly and appreciably weaker—than when he became president. The force of American power was diminished, and freedom was in retreat. By the end of Obama's presidency, was there a single part of the world where the United States was in a stronger position than when he took office? Was there an ally who was more confident or an adversary who was less so? By the end of Obama's presidency, were any important countries either friendlier or freer than they had been when he took over? The answer to all these questions: no."

"Barack Obama is not going to beat Hillary Clinton in a single democratic primary. I'll predict that right now."

"I think Rumsfeld was not a good Defense Secretary. I'm glad he's gone."

"It's not a serious document."

"Well, Foley is responsible for it, and the voters in Florida, I guess, who elected him. Maybe they should have known better."

"You have to use words as they are understood in your time and place."

"[I'm] Very positive about the internet, Napster. I think it's a tremendous tool for reaching many more people than we ever could without it. When you release music you want it to be heard by people... Nothing is going to do that better than Napster. I can't tell you how many kids have come up to me and said, "I downloaded a couple of tunes off Napster and I went out and bought the album."...I don't really make money off of record sales anyway."

"I had been taking Prevacid for about four years and my body built up a resistance to it, to the point where it wasn't doing anything anymore... I had a night of drinking in London followed by a full day and night of drinking on a day off in Dublin, because what else is there to do in Ireland but drink? That, coupled with a show where I had monitor problems, and I pretty much trashed my voice."

"I would like to thank a world that never understood or accepted me, family and friends that never believed in me, and a God with one hell of a sense of humor. You have all made me what I am today. Let that weigh heavily on your consciences."

"[on Phil Anselmo] I think that he's probably one of the more enigmatic frontman of our time. He's tremendously inspirational to vocalists throughout the genre including myself. I know that there's some weirdness regarding the "incident," but I certainly know that Phil would have never in his darkest thoughts ever have wanted any harm to befall Dime. You know the world is a very, very extreme place. When a fan gets so connected to a band that the demise of the band, however they want to interpret it, leads them to question their own lives and their existence... I mean it's weird. There are too many types of music that inspire that passion in people and thankfully metal is one of them. It's just unfortunate that this animal happened to take the demise of Pantera so seriously that he felt that it was justification for him to do what he did. He took the life of probably one of the greatest guitar players to walk the face of the Earth."

"[about the name Disturbed] It had been a name I have been contemplating for a band for years. It just seems to symbolize everything we were feeling at the time. The level of conformity that people are forced into was disturbing to us and we were just trying to push the envelope and the name just sorta made sense."

"This is not rocket science. Instead of spending all this money litigating against kids who are the people they're trying to sell things to in the first place, they have to learn how to effectively use the Internet. For the artists, my ass... I didn't ask them to protect me, and I don't want their protection."

"Nonsense. I think that the problem isn't with them downloading the song, the problem is when they buy the record and when they burn a million discs off their computer for all their friends. That's the reason why every single band, no matter who you are, your sales are chopped by fifty to sixty percent after your first week out. It's a huge problem, but instead of giving people more reasons to buy the product, they don't worry about that. I think you have to enhance the value of the product. Like when KISS was putting out records, their 'Alive' record sold so well because it made you feel like you were part of the concert experience. There was also an actual program in the thing, all these pictures, the KISS Army stuff… There's so much stuff that added to the value of that package. There wasn't a KISS fan out there who didn't want the whole thing, because everything that came along with the music was so worthwhile to them. It's not rocket-science, this stuff."

"I think that labels are foolish in not using the Internet, instead of being afraid of it. I think that if AOL Time Warner were smart enough, they'd enter into a contract agreement with their own company — AOL — and agree on one thing: They have the ability to track anywhere that a message comes from, no matter what service you're signed up with, via an IP address. You just make sure that whenever a song is downloaded by somebody utilizing your server, whether it's AOL, or Mindspring, or anybody else, you access a minimal charge for these downloads. It could be 75 cents or a dollar, a dollar-fifty… This way, at least you're making money off it. At least this way the people who are supposed to be making money off the product still can, as well. It still gives people the opportunity to go ahead and download as much as they want. It's a standard fee for doing a service, or for having a service available to them. They'll do it, and at the end of the month, they'll have their AOL statement, or their Mindspring statement, and it will have their download tax added onto the bill. And it will keep on going. The labels don't think of this. It seems like I've been talking about this to deaf ears on this topic for the last five years. Before we even got signed, I was talking about this. It's just preposterous to me that labels, for the most part, are the reasons for their own demise. They're just so stuck in this old way of thinking, and unfortunately, the good elements of their old way of thinking have all gone away. They don't spend enough time developing artists, they throw a whole bunch of shit against the wall and wait for something to stick, and when it doesn't, they let it fall off."

"What I saw generically on the pro-biotech side was the attitude that the technology was good and that it was almost immoral to say that it wasn't good because it was going to solve the problems of the human race and feed the hungry and clothe the naked. And there was a lot of money that had been invested in this, and if you're against it, you're Luddites, you're stupid. There was rhetoric like that even here in this department. You felt like you were almost an alien, disloyal, by trying to present an open-minded view on some of the issues being raised. So I pretty much spouted the rhetoric that everybody else around here spouted; it was written into my speeches."

"Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. ... Forget that they were painters, they remain great sculptors; forget that they were sculptors, and still they remain architects, poets, and even men of science."

"Can any mortal portray himself with words, as perhaps he can with chalk or paint? ... A gifted verbal artist may convey some coherent idea of a person he attempts to portray, but not likely an objective one."

"Consistency requires you to be as ignorant today as you were a year ago."

"My tattered Oscar Williams 1943 anthology, with the beautiful faces of Rukeyser, Schwartz"

"That inescapable animal walks with me, Has followed me since the black womb held, Moves where I move, distorting my gesture, A caricature, a swollen shadow, A stupid clown of the spirit's motive, Perplexes and affronts with his own darkness, The secret life of belly and bone."

"Regard the child, regard the animal, Welcome strangers, but study daily things, Knowing that heaven and hell surround us, But this, this which we say before we're sorry, This which we live behind our unseen faces, Is neither dream, nor childhood, neither Myth, nor landscape, final, nor finished, For we are incomplete and know no future, And we are howling or dancing out our souls In beating syllables before the curtain: We are Shakespearean, we are strangers."

"I no more wrote than read that book which is The self I am, half hidden as it is From one and all who see within a kiss The lounging formless blackness of an abyss. How could I think the brief years were enough To prove the reality of endless love?"

"How the false truths of the years of youth have passed! Have passed at full speed like trains which never stopped There where I stood and waited, hardly aware, How little I knew, or which of them was the one To mount and ride to hope or where true hope arrives."

"Where the light is, and each thing clear, Separate from all others, standing in its place, I drink the time and touch whatever's near, And hope for day when the whole world has that face: For what assures her present every year? In dark accidents the mind's sufficient grace."

"Whence, if ever, shall come the actuality Of a voice speaking the mind's knowing, The sunlight bright on the green windowshade, And the self articulate, affectionate, and flowing, Ease, warmth, light, the utter showing, When in the white bed all things are made."

"A car coughed, starting. Morning softly Melting the air, lifted the half-covered chair From underseas, kindled the looking-glass, Distinguished the dresser and the white wall. The bird called tentatively, whistled, called, Bubbled and whistled, so! Perplexed, still wet With sleep, affectionate, hungry and cold. So, so, O son of man, the ignorant night, the travail Of early morning, the mystery of the beginning Again and again, while history is unforgiven."

"I am my father's father, You are your children's guilt. In history's pity and terror The child is Aeneas again; Troy is in the nursery, The rocking horse is on fire. Child labor! The child must carry His fathers on his back."

"Each minute bursts in the burning room, The great globe reels in the solar fire, Spinning the trivial and unique away. (How all things flash! How all things flare!) What am I now that I was then? May memory restore again and again The smallest color of the smallest day: This is the school in which we learn, Time is the fire in which we burn."

"Taste begins when appetite is satisfied."

"The greatest compliment one can pay a master is to compare him with Capablanca."

"Don't fiddle while Byrne roams!"

"I admit it worked fairly well but my first reaction was to get up and walk away from the job, but I couldn't. Once you've heard music like that with the picture, it makes your own scoring more difficult to arrive at, it clouds your thinking. Later, as an inside joke, I included a snippet of the Strauss in the score-and some critic pounced on me for stealing. You can´t win."

"Jerry Goldsmith is an artist who meets all the demands upon the composer in films. He communicates, integrates, subordinates, supports, and designs with discipline."

"Originally I was supposed to do Grand Prix, but I was under contract to 20th Century Fox at that time and Alex North was supposed to do Sand Pebbles, but he got sick, so Fox preempted me out of Grand Prix, and to my good fortune, I got to do Sand Pebbles. It was my first time working with Robert Wise and it was a great experience."

"It's nice to think about the Golden Age of Hollywood, with the big studios and their fabulous music departments and the hundreds of films coming out every year. But it's gone. In some ways the composer today is more fortunate, provided he can find a good film, because he can attempt more than he could two decades ago. Twelve-tone music was unheard of during Max Steiner's heyday, as were any other avant-garde techniques. Finally, the future of film music rests with the composers themselves. If they take their work seriously and turn out the best that is within them, then perhaps we can persuade not only the public, but the filmmakers that good music is valuable in films. The public is not stupid. If our music survives, which I have no doubt it will, then it will be because it is good."

"You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account"

"Working to timings and synchronizing your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, and a blueprint, and provided the film has been well put together, and well edited, it often suggests its rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us."

"The fact that certain composers have been able to create first-class music within the medium of film proves that film music can be as good as the composer is gifted."

"The game has a cleanness. If you do a good job, the numbers say so. You don't have to ask anyone or play politics. You don't have to wait for the reviews."

"The Dodgers had us back for Jackie Robinson Day, and before the game started, we're up in the press box, and Rachel Robinson is there, and Jackie's son and daughter. The Dodgers were playing the Reds, and Sandy Koufax walks up and says "Jerry, this is amazing. There's not one player on the Dodgers that is African-American." He said that it was sad that we're up there celebrating Jackie Robinson, but not much has changed."

"Too bad about Koufax's arm. He can't shave. Or brush his hair. All he can do is pitch."

"Getting a hit off Koufax is like trying to eat soup with a fork."