Jews From France

"I can quite understand the effort he is making; it is a very good thing not to want to go on repeating oneself. But he has concentrated all his attention on line; the figures stand out against each other without any sort of relationship, and so the whole thing is meaningless. Renoir is no draughtman, and without the lovely colours he used to use so instinctively, he is incoherent."

"I have had a long talk with Renoir. He admitted that the whole crowd – Durand and his former admirers – were shouting at him, deploring his attempt to abandon his 'Romantic' period. He seems very sensitive to what we think of his exhibition. I told him that as far as we were concerned, the search for unity should be the aim of every intelligent artist. – that even in spite of serious faults, it was more intelligent and artistic than wallowing in romanticism."

"I hope that with the help of van Van Gogh and Durand we will be able to emerge from this situation [selling nothing]. It seems to me that I deserve no less, since I have worked conscientiously. I do not believe that anyone could devote - if not more talent - more care and good will to the service of his art; it takes me hours of reflection to decide on the slightest detail. Is this impatience?.. .I think not! For I do not wish to make a brush stroke when I do not feel complete mastery of my subject, there's the rub - that is the great difficulty; without sensation, nothing, absolutely nothing valid.. .I believe I have hit my stride. I have begun a series of things which will really be in my style."

"I work mostly in the studio; as I mentioned several times, the leaves are burgeoning and change so rapidly that I have been unable to prepare a single sketch. I am making little watercolors and pastels, I think they will come out all right; in the studio I am preparing five or six canvases, I work on one after another, I am getting used to working that way."

"I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack."

"I began to understand my sensations, to know what I wanted, at around the age of forty.. ..but only vaguely. At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to see the possibility of rendering it."

"What I dislike is that he [= Paul Gauguin ] copied these elements from the Japanese, the Byzantine painters and others. I criticize him for not applying his synthesis to our modern philosophy which is absolutely social, anti-authoritarian and anti-mystical. - There is where the problem becomes serious. This is a step backwards; Gauguin is not a seer, he is a schemer.. .The symbolists also take this line! What do you think? They must be fought like the pest!"

"Here I have been able to make some good spring studies in oils, and managed to finish my 'Cow-girl' and my 'seared Woman', and my 'London Park', Primrose Hill. I think these pictures have improved a great deal from the point of view of unity. How different from the studies! I am more than ever in favour of taking one's impression from memory; it is less the actual thing - vulgarity disappears, leaving only an aura of truth glimpsed, sensed. To think that this is not understood, so that my anxiety for the future continues as before, despite the success of the exhibition. – I have no news from Paris about my collectors."

"Work at the same time upon water, sky, branches, ground, keeping everything going on an equal basis and unceasingly rework until you have got it. Paint generously and unhesitatingly, for it is best not to lose the first impression."

"The day after your departure I started a new painting at Le Cours-la-Reine, in the afternoon in a glow of sun, and another in the morning by the water below St. Paul's Church. These two canvases are fairly well advanced, but I still need one session in fine weather without too much mist to give them a little firmness. Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog.. .Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog, another, same effect, from my window, the same motif in the rain, several sketches in oils, done on the quays near the boats; the next day it was impossible to go on, everything was confused, the motifs no longer existed ; one has to realize them in a single session."

"Don't be afraid of putting on color, refine the work little by little. Don't proceed according to rules and principles, but paint what you observe and feel.. .One must have only one master – nature; she is the one always be consulted."

"advice to a young painter, (1896); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, pp. 84-85, note 40."

"Decidedly, we are at cross-purposes. What's all this you tell [from England] about the modern movement, commercialism, etc, etc? It bears no relation to our concept of art, at any rate here.. .That is where the error lies. Trade serves those up to us as readily as anything else; so it is no use. Wouldn't it be better to steep ourselves in genuine nature again? I do not consider in the least that we are making a mistake, that we should turn to the steam-engine and follow the general public [ William Morris, the more traditional artist became very popular those days].. .No, a thousand times no! We are here to point the way.. ..the remedy is to be found in nature, more than ever. Let us follow what we consider to be the proper aim, we shall see who is right. After all, money is a fragile thing; let us earn some of it, since we must, but let us keep to our role."

"This Mr. Dewhurst has not understood the Impressionist movement in the very least. All he sees in it is a technical method.. .He also says that before going to London we knew nothing whatsoever about light; but we have studies that prove the contrary. He omits the influence of , Corot, all the 18th-century painters, Chardin most of all. But what he fails to realize is that while Turner and Constable were of service to us, they confirmed our suspicion that those painters had not understood 'The Analysis of Shadows', which in the case of Turner are always a deliberate effect, a plain dark patch. As to the division of tones, Turner confirmed us its value as a method, but not as a means of accuracy or truth to nature. In any case, the 18th century was our tradition. It seems to me that Turner too, had looked at Claude Lorrain. I am even inclined to think there is a picture by Turner, 'Sunset', hung side by side with a Claude."

"Never paint except with the three primary colors [red, blue, and yellow] and their derivatives."

"Pisarro explained the Neo-Impressionist theories to his dealer Durand-Ruel in a letter written towards the end of 1886. He stressed the importance of Seurat's role as inventor of the theory, and described the new function of colour, which replaced the mechanical mixtures of pigments with optical mixtures, where colours partially fused in the spectator's eye. The component parts of each optical colour mixture were to be painted in separate touches so that they retained their colour purity. When colours were mixed on the palette, they could only be combined with close neighbors on the colour circle, so as to avoid excessive dulling of the hues. Pissaro noted that the great colour theorists who had influenced Seurat's thinking were Chevreul, the Scott Maxwell, and the American Ogden Rood. Optical colour mixtures, they argued, were more luminous than mixed pigments."

"Until the war, as you know, my life was a mess. I wasted it. It was only at l'Estaque, (1870-1871) when I thought things over, that I really understood Pissarro, a painter like myself.. .He was a determined man. I was overcome by a passion for work. It wasn't that I hadn't been working before, I was always working. But what I always missed, you know, was a comrade.."

"M. Camille Pissarro has painted a field bathed in sunlight, whose forms, colors and reflections are admirably synthesized. It is more field than any field we have ever seen. We cannot understand what interest the brutal paintings of M. Claude Monet and the simplicist works of M. Renoir can have. Both these artists have taken the wrong path."

"I started contemplating or doing my Yoga from the age of 4. There was a small chair for me on which I used to sit still, engrossed in my meditation. A very brilliant light would then descend over my head and produce some turmoil inside my brain. Of course I understood nothing, it was not the age for understanding. But gradually I began to feel, "I shall have to do some tremendously great work that nobody yet knows.""

"The first condition for living in Auroville is to be convinced of the essential unity of mankind and the will to collaborate in the material realisation of that unity. I believe in a progressive universal harmony and want to work for it."

"Yes, indeed, I do feel the weight of the world's miseries pressing upon me!"

"Auroville wants to be a universal town where men and women of all countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities. The purpose of Auroville is to realise human unity."

"In the days when Sri Aurobindo used to give Darshan, before he gave it there was always a concentration of certain forces or of a certain realisation which he wanted to give people. And so each Darshan marked a stage forward; each time something was added. But that was at a time when the number of visitors was very limited."

"The project of Auroville is to work for the advent of a progressive universal harmony."

"I took my little cat-it was really sweet -and put it on a table and called Sri Aurobindo. I told him, "Kiki has been stung by a scorpion, it must be cured." The cat stretched its neck and looked at Sri Aurobindo, its eyes already a little glassy. Sri Aurobindo sat before it and looked at it also. Then we saw this little cat gradually beginning to recover, to come round, and an hour later it jumped to its feet and went away completely healed."

"What Sri Aurobindos' represents in the worlds' history is not a teaching, not even a revelation; it is a decisive action direct from the Supreme."

"Every morning, at the balcony, after establishing a conscious contact with each of those who are present, I identify myself with the Supreme Lord and merge myself completely in Him. Then my body, completely passive, is nothing but a channel through which the Lord passes freely His forces and pours on all His Light, His Consciousness and His Joy, according to each one's receptivity."

"It is a rather unpleasant sensation to feel yourself pulled by the strings and made to do things whether you want to or not — that is quite irrelevant — but to be compelled to act because something pulls you by the strings, something which you do not even see — that is exasperating. … I knew nobody who could help me and I did not have the chance that you have, someone who can tell you: "This is what you have to do!" There was nobody to tell me that. I had to find it out all by myself. And I found it. I started at five."

"… after a month's yoga I looked exactly eighteen. And someone who had seen me before, who had lived with me in Japan and came here, found it difficult to recognize me. He asked me, "But really, is it you?" I said, "Of course!""

"The Best way to express one's gratitude to the Divine is to feel simply happy."

"Forward, for ever forward! at the end of the tunnel is the light … at the end of the flight is the victory."

"Not once do you have the feeling that you are in contact with something other than a marvellously organised mental-physical domain."

"Japan possesses the vitality and concentrated energies of a nation which has not yet reached its zenith. That energy is one of the most striking features of Japan. It is visible everywhere, in everyone; the old and the young, the workmen, the women, the children, the students, all … display in their daily life the most wonderful storage of concentrated energy."

"I was lying in an easy-chair, in front of a garden. I saw that the spiritual power was still active in me: I could go on with occult experiments in spite of the illness. I used to concentrate on things and persons and circumstances and wanted to see if the power worked. It worked very well on the mental and vital planes. Then I broadened the field of activity. I could go on doing my work in various parts of France and America and other places. I could clearly see the faces of the persons worked upon. They could be made to do what they by themselves could not. These were controlled experiments … I could see that nothing could stop the work: even without my body the work could go on … Wherever the call was, I could attend."

"It seems to me that I am being born into a new life and that all the methods and habits of the past can no longer be of any use. It seems to me that what was once a result is now only a preparation … It is as if I was stripped of all my past, of my errors as well as my conquests, as if all that had disappeared to give place to one new-born whose whole existence has yet to take shape … An immense gratitude rises from my heart. I seem to have at last arrived at the threshold which I have long sought."

"He (Sri Aurobindo) did not keep me, what could I do? I had to go. But I left my psychic being with him, and in France I was once on the point of death: the doctors had given me Up."

"They know how to remain silent; and though they are possessed of the most acute sensitiveness, they are, among the people I have met, those who express it least. A friend here can give his life with the greatest simplicity to save yours, though he never told you before that he loved you in such a profound and unselfish way."

"O Lord, this earth groans and suffers; chaos has made this world its abode. The darkness is so great that Thou alone canst dispel it. Come, manifest Thyself, that Thy work may be accomplished. Solitude, a harsh, intense solitude, and always this strong impression of having been flung headlong into an inferno of darkness! … Sometimes … I cannot prevent my total sub-mission from taking a hue of melancholy, and the calm and mute converse with the Master within is transformed for a moment into an invocation almost suppliant, O Lord, what have I done that Thou throwest me thus into the sombre night?"

"The Gita was an important scripture which elucidated an important Truth, and yet one thing was missing in it: the idea of the transformation of the outer nature of man, which is one main object of Sri Aurobindo's Integral Yoga."

"For four years, from an artistic point of view, I lived from wonder to wonder."

"I don't feel that you are sincere, neither you nor your flock. You all went there to fulfill a social duty and social custom, but not at all because you really wanted to enter into communion with God."

"Listen, even before your religion was born not even two thousand years ago the Chinese had a very high philosophy and knew a path leading them to the Divine; and when they think of Westerners, they think of them as barbarians. And you are going there to convert those who know more about it than you? What are you going to teach them? To be insincere, to perform hollow ceremonies instead of following a profound philosophy and a detachment from life which lead them to a more spiritual consciousness?"

"Between the age of eighteen and twenty I had attained a conscious and constant union with the divine Presence and … I had done it all alone, with absolutely nobody to help me, not even books, you understand! When I found one — I had in my hands a little later Vivekananda's Raja Yoga — it seemed to me so wonderful a thing, you see, that someone could explain something to me! This made me gain in a few months what would have perhaps taken me years to do."

"At the end of the second day as I was lying all alone, I saw clearly a being, with a part of the head cut off, in a military uniform (or the remains of a military uniform) approaching me and suddenly flinging himself upon my chest, with that half a head to suck my force. I took a good look, then realised that I was about to die. He was drawing all my life out … I was completely nailed to the bed, without movement, in a deep trance. I could no longer stir and he was pulling. I thought: now it is the end. Then I called on my occult power, I gave a big fight and I succeeded in turning him back so that he could not stay there any longer. And I woke up … I know how much knowledge and force were necessary for me to resist. It was irresistible."

"It matters little that there are thousands of beings plunged in the densest ignorance; He whom we saw yesterday is on earth; his presence is enough to prove that a day will come when darkness shall be transformed into light, and Thy reign shall actually be established upon earth."

"The life we lead here is as far from ascetic abstinence as from an enervating comfort; simplicity is the rule here, but a simplicity full of variety, a variety of occupations, of activities, tasks, tendencies, natures; each one is free to organise his life as he pleases, the discipline is reduced to a minimum that is indispensable to organize the existence of 110 to 120 people and to avoid the movements which would be detrimental to the achievement of our yogic aim."

"With my inner consciousness I understood immediately; a few hours later the creation was gone … and from that moment we started anew on other bases."

"Suddenly, immediately, things took a certain shape a very brilliant creation was worked out in extraordinary detail, with marvellous experiences, contact with divine beings, and all kinds of manifestations which are considered miraculous; … One day, I went as usual to relate to Sri Aurobindo what had been happening — we had come to something really very interesting, and perhaps I showed a little enthusiasm in my account of what had taken place — then Sri Aurobindo looked at me. ..and said: 'Yes, this is an Overmind creation. It is very interesting, very well done. You will perform miracles which will make you famous throughout the world, you will be able to turn events on earth topsy-turvy, indeed, … ' and then he smiled and said: 'It will be a great success. But it is an Overmind creation. And it is not success that we want; we want to establish the Supermind on earth. One must know how to renounce immediate success in order to create the new world, the supramental world in its integrality."

"Consciousness, to be sure, is more effective than packets of medicine."

"They do not feel bound by the customary rules of conduct and have not yet found an inner law that would replace them."