First Quote Added
April 10, 2026
Latest Quote Added
"Life seems but a quick succession of busy nothings."
"You could not shock her more than she shocks me; Beside her Joyce seems innocent as grass. It makes me most uncomfortable to see An English spinster of the middle class Describe the amorous effects of "brass," Reveal so frankly and with such sobriety The economic basis of society."
"As she grew up, the politics of the day occupied very little of her attention, but she probably shared the feeling of moderate Toryism which prevailed in her family. She was well acquainted with the old periodicals from the 'Spectator' downwards. Her knowledge of Richardson's works was such as no one is likely again to acquire, now that the multitude and the merits of our light literature have called off the attention of readers from that great master. Every circumstance narrated in Sir Charles Grandison, all that was ever said or done in the cedar parlour, was familiar to her; and the wedding days of Lady L. and Lady G. were as well remembered as if they had been living friends. Amongst her favourite writers, Johnson in prose, Crabbe in verse, and Cowper in both, stood high."
"I now desire to offer a few observations on them [the novels], and especially on one point, on which my age renders me a competent witness—the fidelity with which they represent the opinions and manners of the class of society in which the author lived early in this century. They do this the more faithfully on account of the very deficiency with which they have been sometimes charged—namely, that they make no attempt to raise the standard of human life, but merely represent it as it was. They certainly were not written to support any theory or inculcate any particular moral, except indeed the great moral which is to be equally gathered from an observation of the course of actual life—namely, the superiority of high over low principles, and of greatness over littleness of mind."
"Jane Austen? I feel that I am approaching dangerous ground. The reputation of Jane Austen is surrounded by cohorts of defenders who are ready to do murder for their sacred cause. They are nearly all fanatics. They will not listen. If anyone “went for” Jane, anything might happen to him. He would assuredly be called on to resign from his clubs...I do not even agree that Jane was a great novelist. She was a great little novelist. She is marvellous, intoxicating: she has unique wit, vast quantities of common sense, a most agreeable sense of proportion, much narrative skill. And she is always readable. But her world is a tiny world, and even of that tiny world she ignores, consciously or unconsciously, the fundamental factors. She did not know enough of the world to be a great novelist. She had not the ambition to be a great novelist. She knew her place; her present “fans” do not know her place, and their antics would without doubt have excited Jane's lethal irony."
"Jane Austen … provides, at scores of points, a commentary that corrects any naive over-identification that we are tempted to commit. … Many readers have resisted that corrective. … Critics have often objected, for example, to the presence of a persistent voice that could allow itself, at what conventionally should have been the moment of supreme passion, to undermine the conventional effects with the famous (or infamous) narrative intrusion. … Some readers have considered such passages to be dodges, signs of Austen's own sexual inhibitions or lack of novelistic skill. … I suggest instead that they are signs of a novelist who knows her double task: how to abide by the demands of a conventional form, while making the whole thing work for matters unconventional."
"[M]ost of us, male and female, are as children compared with this one glorious human being."
"[T]he power of the realized conventional form, the delicious happiness Austen makes us feel, must surely be counteracted by a kind of inquiry that is as courageous and sensitive and resistant as Austen's reading of her own predecessors. She knew better than to pretend that powerful fictions are not dangerous. She thus would welcome, I like to think, the probing questions that feminist critics have been teaching us to ask. Her kind of critical spirit, applied … to her kind of works, will not leave those works unmodified. But to me it is reassuring to discover that most of the modifications, most of what we learn by asking the questions raised by feminist critics, leave Jane Austen looking perhaps even greater than she did before."
"In all her novels, though in varying degrees, Jane Austen regards the characters, good and bad alike, with ironical amusement, because they never see the situation as it really is and as she sees it. This is the deeper source of our unbroken pleasure in reading her. We constantly share her point of view, and are aware of the amusing difference between the fact and its appearance to the actors. If you fail to perceive and enjoy this, you are not really reading Jane Austen. Some readers do not perceive it, and therefore fail to appreciate her. Others perceive it without enjoying it, and they think her cynical. She is never cynical, and not often merely satirical. A cynic or a mere satirist may be intellectually pleased by human absurdities and illusions, but he does not feel them to be good. But to Jane Austen, so far as they are not seriously harmful, they are altogether pleasant, because they are both ridiculous and right."
"Why do you like Miss Austen so very much? I am puzzled on that point. … I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a commonplace (everyday) face; carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of bright vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses."
"A very short trial convinced her that a curricle was the prettiest equipage in the world"
"What dreadful hot weather we have! It keeps one in a continual state of inelegance."
"Next week I shall begin my operations on my hat, on which you know my principal hopes of happiness depend."
"I am very much obliged to my dear little George for his message - for his love at least; his duty, I suppose, was only in consequence of some hint of my favorable intentions towards him from his father or mother. I am sincerely rejoiced, however, that I ever was born, since it has been the means of procuring him a dish of tea."
"I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal."
"You deserve a longer letter than this; but it is my unhappy fate seldom to treat people so well as they deserve."
"I had a very pleasant evening, however, though you will probably find out that there was no particular reason for it; but I do not think it worth while to wait for enjoyment until there is some real opportunity for it."
"She would tell you herself that she has a very dreadful cold in her head at present; but I have not much compassion for colds in the head without fever or sore throat."
"I am rather impatient to know the fate of my best gown."
"I cannot help thinking that it is more natural to have flowers grow out of the head than fruit."
"I can recollect nothing more to say at present; perhaps breakfast may assist my ideas. I was deceived — my breakfast supplied only two ideas — that the rolls were good and the butter bad."
"In Paragon we met Mrs. Foley and Mrs. Dowdeswell with her yellow shawl airing out, and at the bottom of Kingsdown Hill we met a gentleman in a buggy, who, on minute examination, turned out to be Dr. Hall — and Dr. Hall in such very deep mourning that either his mother, his wife, or himself must be dead."
"Your abuse of our gowns amuses but does not discourage me; I shall take mine to be made up next week, and the more I look at it the better it pleases me. My cloak came on Tuesday, and, though I expected a good deal, the beauty of the lace astonished me. It is too handsome to be worn — almost too handsome to be looked at."
"I believe I drank too much wine last night at Hurstbourne; I know not how else to account for the shaking of my hand today. You will kindly make allowance therefore for any indistinctness of writing, by attributing it to this venial error."
"The General has got the gout, and Mrs. Maitland the jaundice. Miss Debary, Susan, and Sally, all in black, but without any stature, made their appearance, and I was as civil to them as their bad breath would allow me."
"We have been exceedingly busy ever since you went away. In the first place we have had to rejoice two or three times everyday at your having such very delightful weather for the whole of your journey..."
"I have now attained the true art of letter-writing, which we are always told, is to express on paper exactly what one would say to the same person by word of mouth."
"You are very kind in planning presents for me to make, and my mother has shown me exactly the same attention; but as I do not choose to have generosity dictated to me, I shall not resolve on giving my cabinet to Anna till the first thought of it has been my own."
"Another stupid party last night; perhaps if larger they might be less intolerable, but here there were only just enough to make one card-table, with six people to look on and talk nonsense to each other."
"Mrs. B. and two young women were of the same party, except when Mrs. B. thought herself obliged to leave them to run round the room after her drunken husband. His avoidance, and her pursuit, with the probable intoxication of both, was an amusing scene."
"I cannot anyhow continue to find people agreeable; I respect Mrs. Chamberlayne for doing her hair well, but cannot feel a more tender sentiment. Miss Langley is like any other short girl, with a broad nose and wide mouth, fashionable dress and exposed bosom. Adm. Stanhope is a gentleman-like man, but then his legs are too short and his tail too long."
"It would have amused you to see our progress. We went up by Sion Hill, and returned across the fields. In climbing a hill Mrs. Chamberlayne is very capital; I could with difficulty keep pace with her, yet would not flinch for the world. On plain ground I was quite her equal. And so we posted away under a fine hot sun, she without any parasol or any shade to her hat, stopping for nothing, and crossing the churchyard at Weston with as much expedition as if we were afraid of being buried alive."
"We are to have a tiny party here tonight. I hate tiny parties, they force one into constant exertion."
"You will have a great deal of unreserved discourse with Mrs. K., I dare say, upon this subject, as well as upon many other of our family matters. Abuse everybody but me."
"Our little visitor has just left us, and left us highly pleased with her; she is a nice, natural, open-hearted, affectionate girl, with all the ready civility which one sees in the best children in the present day; so unlike anything that I was myself at her age, that I am often all astonishment and shame."
"You know how interesting the purchase of a sponge-cake is to me."
"The pleasures of friendship, of unreserved conversation, of similarity of taste and opinions will make good amends for orange wine."
"We spent Friday evening with our friends at the boarding-house, and our curiosity was gratified by the sight of their fellow-inmates, Mrs. Drew and Miss Hook, Mr. Wynne and Mr. Fitzhugh; the latter is brother to Mrs. Lance, and very much the gentleman. He has lived in that house more than twenty years, and poor man, is so totally deaf that they say he could not hear a cannon, were it fired close to him; having no cannon at hand to make the experiment, I took it for granted, and talked to him a little with my fingers, which was funny enough."
"I am gratified by her having pleasure in what I write, but I wish the knowledge of my being exposed to her discerning criticism may not hurt my style, by inducing too great a solicitude. I begin already to weigh my words and sentences more than I did, and am looking about for a sentiment, an illustration, or a metaphor in every corner of the room. Could my ideas flow as fast as the rain in the store-closet it would be charming."
"I am sorry to tell you that I am getting very extravagant, and spending all my money, and, what is worse for you, I have been spending yours too."
"I give you joy of our new nephew, and hope if he ever comes to be hanged it will not be till we are too old to care about it."
"My head-dress was a bugle-band like the border to my gown, and a flower of Mrs Tilson's. I depended upon hearing something of the evening from Mr. W. K., and am very well satisfied with his notice of me — "A pleasing looking young woman" — that must do; one cannot pretend to anything better now; thankful to have it continued a few years longer!"
"How horrible it is to have so many people killed! And what a blessing that one cares for none of them!"
"I will not say that your mulberry-trees are dead, but I am afraid they are not alive."
"Mr. Digweed has used us basely. Handsome is as handsome does; he is therefore a very ill-looking man."
"Let me know when you begin the new tea, and the new white wine. My present elegancies have not yet made me indifferent to such matters. I am still a cat if I see a mouse."
"He seems a very harmless sort of young man, nothing to like or dislike in him — goes out shooting or hunting with the two others all the morning, and plays at whist and makes queer faces in the evening."
"By the bye, as I must leave off being young, I find many douceurs in being a sort of chaperon, for I am put on the sofa near the fire and can drink as much wine as I like."
"I cannot help hoping that many will feel themselves obliged to buy it. I shall not mind imagining it a disagreeable duty to them, so as they do it."
"Devereux Forester's being ruined by his vanity is extremely good, but I wish you would not let him plunge into a "vortex of dissipation." I do not object to the thing, but I cannot bear the expression; it is such thorough novel slang, and so old that I daresay Adam met with it in the first novel he opened."