Humanists

"Time is liquid. One moment is no more important than any other and all moments quickly run away."

"Fish! Fish! Fish!"

"Why so many of us a million years ago purposely knocked out major chunks of our brains with alcohol from time to time remains an interesting mystery. It may be we were trying to give evolution a shove in the right direction — in the direction of smaller brains."

"That, in my opinion, was the most diabolical aspect of those old-time brains: They would tell their owners, in effect, "Here's a crazy thing we could actually do, probably, but would never do it, of course. It's just fun to think about." And then, as though in trances, the people would really do it — have slaves fight each other to death in the Colosseum, or burn people alive in the public square for holding opinions which were locally unpopular, or build factories whose only purpose was to kill people in industrial quantities, or to blow up whole cities, and on and on."

"Mere opinions, in fact, were as likely to govern people's actions as hard evidence, and were subject to sudden reversals as hard evidence could never be. So the Galapagos Islands could be hell in one moment and heaven in the next, and Julius Caesar could be a statesman in one moment and a butcher in the next, and Ecuadorian paper money could be traded for food, shelter, and clothing in one moment and line the bottom of a birdcage in the next, and the universe could be created by God Almighty in one moment and by a big explosion in the next — and on and on."

"You want to know something? We are still in the Dark Ages. The Dark Ages — they haven't ended yet."

"My wife has been killed by a machine which should never have come into the hands of any human being. It is called a firearm. It makes the blackest of all human wishes come true at once, at a distance: that something die. There is evil for you. We cannot get rid of mankind's fleetingly evil wishes. We can get rid of the machines that make them come true. I give you a holy word: DISARM."

"I hadn't aimed at anything. If I had thought of the bullet's hitting anything, I don't remember now. I was the great marksman, anyway. If I aimed at nothing, then nothing is what I would hit. The bullet was a symbol, and nobody was ever hurt by a symbol. It was a farewell to my childhood and a confirmation of my manhood. Why didn't I use a blank cartridge? What kind of a symbol would that have been?"

"Many people found our house spooky, and the attic in fact as full of evil when I was born. It housed a collection of more than three hundred antique and modern firearms. Father had bought them during his and Mother's six-month honeymoon in Europe in 1922. Father thought them beautiful, but they might as well have been copperheads and rattlesnakes. They were murder."

"This is my principal objection to life, I think: It is too easy, when alive, to make perfectly horrible mistakes."

"To the as-yet-unborn, to all innocent wisps of undifferentiated nothingness: Watch out for life. I have caught life. I have come down with life. I was a wisp of undifferentiated nothingness, and then a little peephole opened quite suddenly. Light and sound poured in. Voices began to describe me and my surroundings. Nothing they said could be appealed."

"And I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle."

"As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split."

"Jokes can be noble. Laughs are exactly as honorable as tears. Laughter and tears are both responses to frustration and exhaustion, to the futility of thinking and striving anymore. I myself prefer to laugh, since there is less cleaning up to do afterward — and since I can start thinking and striving again that much sooner."

"[Gay Talese's Thy Neighbor's Wife] is for me a secretly deep history of a generation of middle-class American males, my own, which was taught by parents and athletic coaches and scoutmasters and military chaplains and quack doctors and so on to be deeply ashamed of masturbation and wet dreams. And the hidden plea in the book is one which first appeared in my eyes when I was fourteen, say, and which has not vanished entirely to this day. It is part of the mystery of me. The plea is addressed by old-fashioned males forever full of jism to any pretty human female, on the street, in a magazine, in a movie — anywhere. The plea is this: "Please, pretty lady, don't make me play with my private parts again.""

"I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak."

"What we will be seeking … for the rest of our lives will be large, stable communities of like-minded people, which is to say relatives. They no longer exist. The lack of them is not only the main cause, but probably the only cause of our shapeless discontent in the midst of such prosperity."

"That was the strength of the Nazis," she said. "They understood God better than anyone. They knew how to make him stay away."

"You couldn't help that you were born without a heart. At least you tried to believe what the people with hearts believed — so you were a good man just the same."

"Congressman Nixon had asked me why, as the son of immigrants who had been treated so well by Americans, as a man who had been treated like a son and been sent to Harvard by an American capitalist, I had been so ungrateful to the American economic system. The answer I gave him was not original. Nothing about me has ever been original. I repeated what my one-time hero, Kenneth Whistler, had said in reply to the same general sort of question long, long ago. Whistler had been a witness at a trial of strikers accused of violence. The judge had become curious about him, had asked him why such a well-educated man from such a good family would so immerse himself in the working class. My stolen answer to Nixon was this: "Why? The Sermon on the Mount, sir.""

"What is flirtatiousness but an argument that life must go on and on and on?"

"I still believe that peace and plenty and happiness can be worked out some way. I am a fool."

"Labor history was pornography of a sort in those days, and even more so in these days. In public schools and in the homes of nice people it was and remains pretty much taboo to tell tales of labor's sufferings and derring-do."

"Sally In The Garden: Sally in the garden, Siftin' cinders, Lifted up her leg, And farted like a man, The bursting of her bloomers broke sixteen winders, The cheeks of her ass went (blam, blam, blam)"

"If you can do no good, at least do no harm."

"History is merely a list of surprises. … It can only prepare us to be surprised yet again. Please write that down."

"Why don't you take a flying fuck at a rolling doughnut. Why don't you take a flying fuck at the mooooooooooooon!"

"Eliza and I composed a precocious critique of the Constitution of the United States of America … We argued that is was as good a scheme for misery as any, since its success in keeping the common people reasonably happy and proud depended on the strength of the people themselves — and yet it prescribed no practical machinery which would tend to make the people, as opposed to their elected representatives, strong. We said it was possible that the framers of the Constitution were blind to the beauty of persons who were without great wealth or powerful friends or public office, but who were nonetheless genuinely strong. We thought it was more likely, though, that their framers had not noticed that it was natural, and therefore almost inevitable, that human beings in extraordinary and enduring situations should think of themselves of composing new families. Eliza and I pointed out that this happened no less in democracies than in tyrannies, since human beings were the same the wide world over, and civilized only yesterday. Elected representatives, hence, could be expected to become members of the famous and powerful family of elected representatives — which would, perfectly naturally, make them wary and squeamish and stingy with respect to all the other sorts of families which, again, perfectly naturally, subdivided mankind. Eliza and I … proposed that the Constitution be amended so as to guarantee that every citizen, no matter how humble, or crazy or incompetent or deformed, somehow be given membership in some family as covertly xenophobic and crafty as the one their public servants formed."

"I wish that people who are conventionally supposed to love each other would say to each other, when they fight, "Please — a little less love, and a little more common decency.""

"Love is where you find it. I think it is foolish to go looking for it, and I think it can often be poisonous."

"A great swindle of our time is the assumption that science has made religion obsolete. All science has damaged is the story of Adam and Eve and the story of Jonah and the Whale. Everything else holds up pretty well, particularly lessons about fairness and gentleness. People who find those lessons irrelevant in the twentieth century are simply using science as an excuse for greed and harshness. Science has nothing to do with it, friends."

"The arts put man at the center of the universe, whether he belongs there or not. Military science, on the other hand, treats man as garbage — and his children, and his cities, too. Military science is probably right about the contemptibility of man in the vastness of the universe. Still — I deny that contemptibility, and I beg you to deny it, through the creation of appreciation of art."

"Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on."

"About astrology and palmistry: They are good because they make people feel vivid and full of possibilities. They are communism at its best. Everybody has a birthday and almost everybody has a palm."

"I know that millions of dollars have been spent to produce this splendid graduating class, and that the main hope of your teachers was, once they got through with you, that you would no longer be superstitious. I'm sorry — I have to undo that now. I beg you to believe in the most ridiculous superstition of all: that humanity is at the center of the universe, the fulfiller or the frustrator of the grandest dreams of God Almighty. If you can believe that, and make others believe it, then there might be hope for us. Human beings might stop treating each other like garbage, might begin to treasure and protect each other instead. Then it might be all right to have babies again."

"We would be a lot safer if the Government would take its money out of science and put it into astrology and the reading of palms. I used to think that science would save us, and science certainly tried. But we can't stand any more tremendous explosions, either for or against democracy."

"I thought scientists were going to find out exactly how everything worked, and then make it work better. I fully expected that by the time I was twenty-one, some scientist, maybe my brother, would have taken a color photograph of God Almighty — and sold it to Popular Mechanics magazine. Scientific truth was going to make us so happy and comfortable. What actually happened when I was twenty-one was that we dropped scientific truth on Hiroshima."

"I've often thought there ought to be a manual to hand to little kids, telling them what kind of planet they're on, why they don't fall off it, how much time they've probably got here, how to avoid poison ivy, and so on. I tried to write one once. It was called Welcome to Earth. But I got stuck on explaining why we don't fall off the planet. Gravity is just a word. It doesn't explain anything. If I could get past gravity, I'd tell them how we reproduce, how long we've been here, apparently, and a little bit about evolution. I didn't learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It's also a source of hope. It means we don't have to continue this way if we don't like it."

"It goes against the American storytelling grain to have someone in a situation he can't get out of, but I think this is very usual in life. There are people, particularly dumb people, who are in terrible trouble and never get out of it, because they're not intelligent enough. It strikes me as gruesome and comical that in our culture we have an expectation that man can always solve his problems. This is so untrue that it makes me want to cry — or laugh."

"I couldn't survive my own pessimism if I didn't have some kind of sunny little dream. … Human beings will be happier — not when they cure cancer or get to Mars or eliminate racial prejudice or flush Lake Erie — but when they find ways to inhabit primitive communities again. That's my utopia. That's what I want for me."

"You understand, of course, that everything I say is horseshit."

"This theory argues that artists are useful to society because they are so sensitive. They are supersensitive. They keel over like canaries in coal mines filled with poison gas, long before more robust types realize that any danger is there. The most useful thing I could do before this meeting is to keel over. On the other hand, artists are keeling over by the thousands every day and nobody seems to pay the least attention."

"Torture from the air was the only military scheme open to us, I suppose, since the extermination or capture of the North Vietnamese people would have started World War III. In which case, we would have been tortured from the air. I am sorry we tried torture, I am sorry we tried anything. I hope we will never try torture again. It doesn't work. Human beings are stubborn and brave animals everywhere. They can endure amazing amounts of pain, if they have to. The North Vietnamese and the Vietcong have had to. Good show."

"'One sacred memory from childhood is perhaps the best education,' said Fyodor Dostoevsky. I believe that, and I hope that many Earthling children will respond to the first human footprint on the moon as a sacred thing. We need sacred things. The footprint could mean, if we let it, that Earthlings have done an unbelievably difficult and beautiful thing which the Creator, for Its own reasons, wanted Earthlings to do.Footprint."

"The two real political parties in America are the Winners and the Losers. The people don't acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead."

"I have been a soreheaded occupant of a file drawer labeled "Science Fiction" … and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal."

"Dear Reader: The title of this book is composed of three words from my novel Cat's Cradle. A wampeter is an object around which the lives of many otherwise unrelated people may revolve. The Holy Grail would be a case in point. Foma are harmless untruths, intended to comfort simple souls. An example: "Prosperity is just around the corner." A granfalloon is a proud and meaningless association of human beings. Taken together, the words form as good an umbrella as any for this collection of some of the reviews and essays I've written, a few of the speeches I made."

"Here was what Kilgore Trout cried out to me in my father's voice: "Make me young, make me young, make me young!""

"You are pooped and demoralized. Why wouldn't you be? Of course it is exhausting, having to reason all the time in a universe which wasn't meant to be reasonable."

"I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end. As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books. Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales. And so on. Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead. It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done."