Guitarists From The United States

"You know, [his voice trembling, hoarse, no more than a whisper] I always thought I'd go first. I don't know why I thought that. It just seemed like I would. I mean, I didn't know him on a daily basis -- far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense. I remember when he got sick in Rome -- I didn't realize then that it was actually a suicide attempt -- I was in Seattle. I went out to grab something to eat and I saw the headlines. That he was in a coma. I just freaked out, man. I went home and made some phone calls, tried to find out what the fuck was going on. Then I started pacing the house and started to cry. I just kept saying, 'Don't go, man, just don't fuckin' go... just don't go.' I kept thinking, 'If he goes, I'm fucked.' You know, all these people man, all lining up to say that his death was so fucking inevitable... well, if it was inevitable for him, it's gonna be inevitable for me, too, if this continues. That's why this could be our last show in fuckin' forever as far as I'm concerned. Kurt's death has changed everything. I don't know if I can do it any more. See, people like him and me, we can't be real. It's a contradiction. We can't be these people who just write these real songs. We have to live up to the expectations of a million people. And we can't do that. And then there's a cynical fuckin' media on top of that. Fuck that, fuck 'em. All along the line, they question your fuckin' honesty. No matter what you say, no matter what you do, they think it's an angle. They think it's all a fuckin' game. Because that's all they're used to. That's what they think it is, a fuckin' game. They don't know what's real and what isn't. And when someone comes along who's trying to be real, they don't know the fuckin' difference. So if you say, 'No, I'm not playing your fuckin' game. I want out... I'm not doing this, I'm not doing that...,' they still think you're part of it. They just can't accept that you don't want to be part of it, that you were never part of it. They just think it's an angle. Some kind of fuckin' angle. And that makes it so hard for somebody who's just trying to be honest. So fuck it. And another thing, we never talked about this but it's like you were saying although we were very different people, there was probably a lot we had in common. We had similar backgrounds, yeah, things that happened with our families and shit... I think that's something that comes out in what we wrote in our songs, definitely. It is kinda similar sometimes. But what makes it more similar is the way people responded to what we wrote and sang about, the intense identification. And I think it was maybe a shock to both of us that so many people were going through the same things. I mean, they understood so completely what we were talking about. And this was shit we thought only he and I were ever gonna have to deal with. Because we kinda wrote these songs for ourselves really. Then all of a sudden, there's all these other people who connect with them and you're suddenly the spokesman for a fuckin' generation. Can you imagine that! A... spokesman... for a... generation."

"When I wrote about Hank Williams 'A hundred floors above me in the tower of song', it's not some kind of inverse modesty. I know where Hank Williams stands in the history of popular song. Your Cheatin' Heart, songs like that, are sublime, in his own tradition, and I feel myself a very minor writer."

"I became aware that in Hank's recorded songs were the archetype rules of poetic songwriting. The architectural forms are like marble pillars and they had to be there. Even his words - all of the syllables are divided up so they make perfect mathematical sense. You can learn a lot about the structure of songwriting by listening to his records."

"We'll put aside a little time to fix a flat or 2, my tires and tubes are doing fine but the air is showing through"

"You wore out a brand new trunk, packin' and unpackin your junk."

"No matter how I struggle and strive, I'll never get out of this world alive."

"A good song is a good song, and if I'm lucky enough to write it, well....! I get more kick out of writing than I do singing. I reckon I've written a thousand songs and had over 300 published."

"[The country singer] sings more sincere than most entertainers, because the hillbilly was raised tougher than most entertainers. The people who has been raised something like the way the hillbilly has, knows what he is singing about and appreciates it. For what he is singing, is the hopes, and prayers, and dreams and experiences of what some call the "common people." I call them the "best people," because they are the ones that the world is made up most of. They're really the ones who make things tick, wherever they are in this country, or in other country."

"Where, where, are you tonight? Why did you leave me here all alone? I searched the world over, And thought I found true love. You met another and Pfft! you were gone."

"You could make the case that Owens should have been inducted into the Rock & Roll Hall of Fame as an early influencer, considering he was a pioneer of the Bakersfield sound that many future country acts latched onto."

"I've got a tiger by the tail it's plain to see I won't be much when you've got through with me Well I'm losing weight and I'm turning mighty pale Looks like I've got a tiger by the tail."

"A pioneer of the electric guitar-based honky-tonk Bakersfield sound of the late 1950s, Buck Owens (1929-2006) boasted a phenomenal 21 number-one hits on the Billboard country music charts. He blasted a bright, loud and twangy Telecaster tone that stood in stark contrast to the syrupy strings and choruses of the Nashville sound, with nimble fretwork ably abetted by Buckaroos guitarist Don Rich."

"I Shall Sing No Song That Is Not A Country Song. I Shall Make No Record That Is Not A Country Record. I Refuse To be Known As Anything But A Country Singer. I Am Proud To be Associated With Country Music. Country Music And Country Music Fans Made Me What I Am Today. And I Shall Not Forget It."

"My favorite sport is Scrabble."

"If I could be a vegetable, I'd be a pumpkin. It's realistically the only vegetable you can use as a weapon, or in any manner of defense."

"The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band."

"We have a problem with any labels that people try to hang on us, because all it does is drag you down."

"To me, music was about being accepted and escaping from this crummy existence."

"People act like Nirvana invented grunge; they just took it and personified it."

"Nineties rock guitar began with a tug-of-war between shred and grunge, but Billy Corgan found a unique solution to the conflict. The hulking Smashing Pumpkins frontman and chief songwriter dabbled in both styles, and then some. Corgan created guitar armadas, placing up to 40 guitar overdubs on a single track. These stuck out in an alternative scene that was competing to make the most lo-fi album. The Pumpkins’ defiantly massive orchestrations were inspired by the shoegaze scene and unfashionable pomp rockers like Queen and Boston. He fully harnessed the Big Muff fuzz’s potential to create a wall of noise, and like his heroes Cheap Trick, created a sound that was equal parts rock fury and pop magic. When metal was a dirty word, Corgan embraced Sabbath and Van Halen, revealing an artist always unafraid to be himself."

"‘What happened when alternative music came out was authentic. It was a reflection of what was happening at the time and it had to do with authenticity. This is the reflection of the authenticity now. We’re in the reflection of it."

"The simplest way that I can understand therapy is that we're born a certain way, we're taught to be something different, and we spend our whole lives trying to unravel it and ultimately align ourselves with who we really are. Life, experiences, traumas -- whatever -- they all add up to make you some altered version of what you are. So there's this battle that goes on between what you are and what you become, and it's been very important for me to unravel what I was taught to be or what I became. and to draw a direct parallel to music -- the closer I get back to being who I really am, the stronger the music gets, because I think what talent I do have is connected to that person, it's not a manipulative process, it's intuitive. You can learn about chords and guitars, but there's a piece of you that makes it individual, and it's been a slow process for me to become whatever it is that I'm supposed to be."

"I’m trying to figure out how to take the instrument and have it still sound like a guitar, but put you in a different universe."

"I think the original, 'They're the next Jane's Addiction' things that people said about us in the beginning have been pretty much wiped out."

"Music is 99% of my life. But I know I need a break. Besides, if you give people too much, they start to not want it. We need to restrain ourselves."

"For a 6-foot-3 guy with no hair and a whiny voice, I've done all right."

"I have a hard time thinking of men trying to sing my songs, because I think my perspective is very much feminine... For me the idea of having a feminine perspective is a willingness to be vulnerable. It's very easy to cock-rock and posture. I can't help but wear my heart on my sleeve—I'm like nervous endings. That's just the way that I am and, to me, that's very female because it's not a male thing to do. A male thing to do would be to fuckin' posture."

"Life is everything and nothing all at once."

"One of the other reasons that we quit having journalists come here is because they would kind of hang out for several days, and they'd see me around at the clubs, and the story would get written and it would be me and my 'disciples' or my 'acolytes.' The word acolyte - that's like fuck you. These are my friends, but because they're not Billy Corgan or Helena Christensen, they become my 'posse' or my 'followers,' and it's like, fuck you for insulting my friends like that. That's so fucking incredible to me."

"This is not a reaction against a negative world. It's a response to a negative world."

"Actually, I was having dinner with Michael (Stipe, of R.E.M.) when our second album went platinum, which up until that point was the highest success we'd ever had. And he turned to me during dinner and said, 'Welcome to the deep waters, kid.' I'll never forget that."

"I don't necessarily believe that the sting of failure is a bad thing. It gives you a certain amount of freedom to just say fuck it!"

"We're like a really nice drink. We help people get through the day--we make life a little sunnier. I don't think we have any profound effect. If anybody has had a profound effect, it's The Beatles, and their effect is still minimal. There are things in the world way more important than music. Family is 50 times more important than music."

"...What people miss about (Marilyn) Manson is that he is just reflecting, he's an artist, people want to focus that energy on him, but it's not really him, it's really about you. So for every guy sitting there with a beer and a .45 in his belt, Manson is just speaking to that end of society. He's speaking as an artist. He's not speaking as himself, and that's where people get really lost with Manson."

"The closer I get back to being who I really am, the stronger the music gets."

"My mother came to a Smashing Pumpkins gig once, and I was wearing a dress. She was very upset. She said, 'Everyone's gonna think you're a fag.' I said,'Well, they already think I'm an asshole.'"

"There's a really a cold, cold side to my personality that I'm not really comfortable with. I'm constantly dealing with that side of my personality versus my overly sentimental side… There's just a side that's a real motherfucker side; it's nothing I want to admit or even look at. It's where a lot of my strength lies. It's been the part of me that's been able to steel my spine against situations that probably would have broken a lot of people, or caused them to jump off the loop."

"About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful."

"...Instead of taking the 'I'm cool, I hope you adore me' path (with my music), I chose the path of how to connect. I think that's the reason a lot of people feel a deeper connection with our band than other bands, and I also feel that's why people polarize on us. If you don't get it, it seems preposterous; if you do get it, it's really heavy -- it has a weight to it."

"The Pumpkins love rock-and-roll, we absolutely love it, but we also think it's a flatulent, ego-serving kiddie playground. You can have your cake and eat it too."

"I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins."

"I'm Irish and I was born on St. Patrick's Day. I'm lucky sevens."

"It's about the girlfriend who left me last year. I tried to put all my anger in those words, even though I'm just as much to blame for the break-up. 'Soma' is based on the idea that a love relationship is almost the same as opium: it slowly puts you to sleep, it soothes you, and gives you the illusion of sureness and security. Very deceivable."

"People always called The Cure gloomy, but listening to The Cure made me happy. There was something about the gloominess that gave me comfort, and I think we're the same way."

"When you move artistically, the natural inclination is to denounce everything that's gone before."

"My earliest memory is of feeling different. My parents told me that I wasn't like other children."

"As far as spiritually - the message we as a band want to convey more than anything is simple - God is Love."

"We'll just drink and go on."

"She's not that attractive. I mean, she was hard to look at at first, but I figured, rough around the edges, but she can sing good."

"It's weird when you open up Billboard because you see your name next to 50 Cent and Madonna. I mean, 50 Cent who I grew up on for the last month."