Film Directors From The United States

"The truth is nobody finances tiny movies anymore. I mean there are so many movies I like that I hope will get their money together. It's a different world than it was when I first started making independent movies. Something is really wrong right now. I was a part of it and things are so different now. You can't make a movie for three million dollars with a kind of known actor. It's impossible. I think in general it has to do with the financial state of the country. It's tough for everybody in every business, but the independent movies have really suffered I think…they would never have made Secretary. They never would have financed Secretary with an unknown actress and James Spader. There's just no way."

"When I first saw it the first time, when I first saw him I felt... I felt upset. He's so good in the movie. He's incredible in it. It's so difficult to talk about. It's not an easy thing to sum up. I think he's great. Being around someone, acting with someone like that, is really inspiring and fun. It's very difficult to talk about. This isn't really the place where you open your heart up."

"Although it takes place in Gotham City and fundamentally it is a movie about Batman, Chris wanted us to play everything for truth. The actors he chose for this movie are into realism."

"I'm not the youngest person at the table anymore. I'm not the young precocious one. I feel like I'm engaging with people in a different way now. I am a woman. I'm treated with respect, as an equal."

"He hit it in the entire performance [in Batman]. It's so difficult to do that in a huge movie like this and much easier to do in the tiny movies. That's why those are always the people who win Academy Awards. Heath was [amazing]; it's so unusual, and it happens really rarely even for the best actors, that you just hit this stride in a role and you're totally free."

"I feel it's OK if not everybody agrees with me or likes me. The weird thing was it turned into people thinking I said we deserved it. I didn't say that - but Americans do need to look at their behavior in the world. It's easy to say, "That was awful," and hard to ask, "Is there a way I can amend?""

"Just when things look darkest, they go black."

"When I realized I was going to have to be a whore, to put my face on the label, I decided that the only way I could do it was to give away all the money we make. Over the years, that ethical stance has given us a 30 per cent boost. One in three customers buys my products because all the profits go to good causes and the rest buy the stuff because it is good."

"I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything."

"This is not a celebrity issue. This is a political issue and the concept that a person who has a lot holds his hand out to someone who has less, or someone who isn't hurting holds his hand out to someone who is, is simply a human trait that has nothing to do with celebrity. I am confounded at the stinginess of some institutions and some people. I'm bewildered by it. You can only put away so much stuff in your closet. In 1987, the average CEO against someone who was working in his factory was 70 times. It's now 410 times. If you eliminate the middle class, which we are slowly doing, incidentally, Aristotle said the greatest government is the government that has the least number of people on each end. It makes sense. So, I don't think that there's anything exceptional or noble in being philanthropic. It's the other attitude that confuses me."

"To that extent that you can sustain and maintain that childlike part of your personality is probably the best part of acting."

"It's all been a bad joke that just ran out of control. I got into food for fun but the business got a mind of its own. Now — my good Lord — look where it has gotten me. My products are on supermarket shelves, in cinemas, in the theater. And they say show business is odd."

"Building weapons that we don’t need, don’t work, and aren’t necessary, and have no mission — that’s not bad politics, that’s robbery."

"I don't like to discuss my marriage, but I will tell you something which may sound corny but which happens to be true. I have steak at home. Why should I go out for hamburger?"

"I've been accused of being aloof. I'm not. I'm just wary."

"The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play — characters created by writers who have nothing to do with who I am."

"I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking."

"Acting is a question of absorbing other people's personalities and adding some of your own experiences."

"I was always a character actor. I just looked like Little Red Riding Hood."

"I had no natural gift to be anything — not an athlete, not an actor, not a writer, not a director, a painter of garden porches — not anything. So I've worked really hard, because nothing ever came easily to me."

"I wasn't driven to acting by any inner compulsion. I was running away from the sporting goods business."

"I'd like to be remembered as a guy who tried — tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being. Someone who isn't complacent, who doesn't cop out."

"I've repeatedly said that for people as little in common as Joanne and myself, we have an uncommonly good marriage. We are actors, we make pictures — and that's about all we have in common. Maybe that's enough. Wives shouldn't feel obligated to accompany their husbands to a ball game, husbands do look a bit silly attending morning coffee breaks with the neighbourhood wives when most men are out at work. Husbands and wives should have separate interests, cultivate different sets of friends — and not impose one upon the other."

"I was terrorized by the emotional requirements of being an actor. Acting is like letting your pants down; you're exposed."

"I'm like a good cheese. I'm just getting mouldy enough to be interesting."

"Being on President Nixon's enemies list was the highest single honor I've ever received. Who knows who's listening to me now and what government list I'm on?"

"I make beats like surgeons resume To stitch up your wounds Inside the emergency room They must work urgently or you'll permanently be in a tomb You see in the clergy soon I enjoy physical intimacy with young men"

"I'll break down a lesson Step by step Like a booklet for you to sweat And try to apply To make yourself fly"

"Paul likes to test himself. That's what makes Paul run. He's got a lot of courage, a highly underrated element in people's lives these days."

"Twenty-five years ago I couldn't walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don't ask me about my movies and they don't ask me about my salad dressing because they don't know who I am. Am I happy about this? You bet."

"The embarrassing thing is that my salad dressing is out-grossing my films."

"A man with no enemies is a man with no character."

"He makes it look so easy, and he looks so wonderful, that everybody assumes he isn't acting."

"To be an actor, you have to be a child."

"Men experience many passions in a lifetime. One passion drives away the one before it."

"He is the most private man I've ever known. He has a moat and a drawbridge which he lets down only occasionally."

"Money won is twice as sweet as money earned."

"I started my career giving a clinic in bad acting in the film, "The Silver Chalice," and now I'm playing a crusty old man who's an animated automobile [in "Cars"]. That's a creative arc for you, isn't it?"

"You can't be as old as I am without waking up with a surprised look on your face every morning: "Holy Christ, whaddya know — I'm still around!" It's absolutely amazing that I survived all the booze and smoking and the cars and the career."

"Study your craft and know who you are and what's special about you. Find out what everyone does on a film set, ask questions and listen. Make sure you live life, which means don't do things where you court celebrity, and give something positive back to our society."

"It's like chasing a beautiful woman for 80 years. Finally, she relents and you say, "I am terribly sorry. I'm tired.""

"People stay married because they want to, not because the doors are locked."

"He has the attention span of a bolt of lightning."

"I never ask my wife about my flaws. Instead I try to get her to ignore them and concentrate on my sense of humor. You don't want any woman to look under the carpet because there's lots of flaws underneath. Joanne believes my character in a film we did together, "Mr. and Mrs. Bridge" comes closest to who I really am. I personally don't think there's one character who comes close... but I learned a long time ago not to disagree on things that I don't have a solid opinion about."

"He has a good character, and not many people do. I think he would rather not do anything wrong, whether on a moral or an artistic level. He is what you would call a man of conscience — not necessarily of judgment, but of conscience. I don't know any actors like that."

"She's not your typical cheesecake pinup girl. She's beautiful and talented and has the mouth of a truck driver when necessary."

"Being an actor is looked at like a prolonged game of dress-up. America puts movie stars on pedestals. In college, it's the flip side. I sometimes have to justify my job to my professors because they're focused on intellect and ideas."

"I definitely worry about that. I think about it all the time because that's the way Hollywood thinks. It's all about momentum and keeping your name out there, and college certainly takes you away from that. But, if I look at it in the longer term, it's so worthwhile."

"The way Miramax handled it was B.S. There were a lot of crossing political agendas going on, and the reasons in the press weren't entirely true. It was like 'Are we seeing the same movie here?' I've always thought it's better to get people talking about the issue of school violence as opposed to trying to pretend it didn't happen."

"Playing Paula in The Business of Strangers was extremely cathartic and wonderful for me because Patrick Stettner (the director) constantly encouraged me to be un-self aware. The character is very elusive and bold, but my experience of having people confuse bluntness with bitchiness has made me shy away from it, or it has made me too aware of the reactions I get from people. So Patrick undid all that by telling me to ignore what the response might be to Paula. It was almost like being a kid again, and it was a very empowering feeling."