Feminists From The United States

"The Women's National Liberal Union was a short-lived, self-styled "radical woman's society" that came into existence in 1890 under the direction of Matilda Joslyn Gage, a suffragist and friend of Elizabeth Cady Stanton. Gage believed that "existing woman suffrage societies have ceased to be progressive," since they chose to concentrate narrowly on winning the vote, ignoring other issues that she considered crucial to the achievement of sexual equality. The purpose of the Women's National Liberal Union was to provide a feminist forum to consider the issues of marriage and divorce reform, show sensitivity to the plight of working-class women, and counter the influence of religion on women. (Gage believed that the churches, both Protestant and Catholic, were the primary oppressors of women.)...Unfortunately, the Women's National Liberal Union did not long outlast its first convention; Gage was unable to muster sufficient support from within the mainstream feminist movement...From the mid-seventies onward, organized feminism had become increasingly decorous. Matilda Joslyn Gage, after all, was forced to go outside the organized movement to find a platform for her anticlerical views, and the venerable but always irreverent Elizabeth Cady Stanton found herself out-flanked and outvoted by her more conventional sisters."

"An examination of history proves that in Christian Russia as in Christian England the husband could release himself from the marriage bond by killing his wife, over whom under Christian law he had power of life and death. Her children, as to-day in Christian England and America, are not under her control; she is to bear children but not to educate them, for as under Catholic and Protestant Christianity, women are looked upon as a lower order of beings, of an unclean nature."

"The careful student of history will discover that Christianity has been of very little value in advancing civilization, but has done a great deal toward retarding it."

"Anxiety was a philosophical concept before it taken up by psychology and psychiatry. The Danish philosopher Kierkegaard (1813-1855) argued that anxiety is part of human nature. Anxiety arises where possibility and actuality come into contact and the present touches the future. Anxiety is a product of having the freedom to make choices and act, and by doing so make a commitment to one’s identity, ways of being in the world, and standing in relation to other people. For Kierkegaard, anxiety can be an avenue to stand in relation to God. This is why he wrote, “Whoever has learned to be anxious in the right way has learned the ultimate.” One can bracket out the God dimensions and still learn something valuable from Kierkegaard, namely that anxiety can cause inaction, which is, in its most basic sense, a loss of freedom. What is possible may never actualize and one may lose the present by tending to an imagined future. One becomes immobilized and unable to meet needs and realize goals and aspirations."

"I know I will almost certainly forget it all again, but I hope next time, I will be able to recall quickly. For this moment to become a movement, we have to keep trying to remember."

"Understanding the total impact of the patriarchy on the female experience is endlessly elusive. ... It is a constant process, perpetually blurred by the ebb and flow of so many epiphanies clouded by self-doubt."

"Amid an extended, international discussion of and female confession, it has occurred to me that sometimes it can be difficult for women to understand one another’s pain. We are often told that experiences of oppression are actually the result of the supposedly overwrought emotional set point of womanhood, a pressure that compels us to keep our stories to ourselves — or, in the worst of cases, to look upon each other’s stories with excessive scrutiny, behavior prescribed by the poison of internalized misogyny."

"For many of us, living under the Trump administration has cast everything into sharper relief: It’s as if we’ve all been given fancy polarized sunglasses with which to more clearly see the fault lines of the patriarchy. It’s no longer possible to ignore what was there all along."

"It occurred to me how very tired I sometimes feel as an outspoken feminist. ... Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching ’s new film, Lady Bird. ... Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. ... Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying."

"For this manifestation to be as forceful as it possibly can, we have to work to find solidarity in each other’s stories, as differing as their inciting perspectives may be. The patriarchy sands out the edges of our rightful infuriation, making it harder to see in any light but our own. This blindness is part of what denies us community-forming solidarity and part of what has allowed widespread and harassment to continue for so long. The sinister idea that there is a limit to the total number of accusations of "sexism" that society will bear has made us trend toward the egotistical in our understanding of oppression, but it is happening to all of us, and it is happening all of the time."

"Plainly, the most powerful exception to the notion of a voluntary exchange in a market economy is the labor market. The existence of a market for labor is one of the distinguishing features of a market economy: workers compete to sell their labor at the most favorable price—meaning, in practice, the highest possible wage. At the same time, however, it is clear that the market for labor is qualitatively different from the market for goods, because workers need to sell their labor to survive."

"The world has so much suffering in it already—choosing to be vegetarian is one thing you can do to reduce the suffering on a daily basis."

"I believe we should extend our care and concern to all living creatures with whom we share this planet. ... [Animals] give me a window into a world that is different from our own, but every bit as meaningful. ... I can’t imagine what life would be like without animals. They bring me happiness and a sense of calm and peace."

"(Whose writing today most inspires you?) Rebecca Solnit is a clarion voice of reason."

"I think of voting as a chess move, not a valentine."

"L.A. Kauffman: I am curious to hear what things are making you most hopeful right now, what things in the landscape you are really fixing on as signs of hope. Rebecca Solnit: Two things that always come up for me: one is that half the people under 18 in this country are not white. And you see how awesome, like, the Parkland students are, and that this rising generation kind of gets the connections between economics and race and gender. They are not nearly as homophobic as anyone who ever came before them, and a lot of them actually think very fluidly about their own gender and who they are attracted to. So, and that is coupled with the fact—and this is something I have written about, because it does not feel widely enough understood—the Republicans could not have won any of the last many national elections except through massive voter suppression."

"As Rebecca Solnit vividly documents in her 2009 book, A Paradise Built in Hell, it is precisely when humanitarian crises hit that these other, neglected values leap to the fore, whether it's the incredible displays of international generosity after a massive earthquake or tsunami, or the way New Yorkers gathered to spontaneously meet and comfort one another after the 9/11 attacks."

"(Which writers—novelists, playwrights, critics, journalists, poets—working today do you admire most?) Jia Tolentino, Roxane Gay, Ocean Vuong, Louise Erdrich, Gary Snyder, Wendell Berry, Barry Lopez, Elena Ferrante, Ariel Dorfman, Bill McKibben, Jamaica Kincaid, Maria Popova, Annie Dillard, Arundhati Roy, Leslie Marmon Silko, Alicia Garza, Fanny Howe, Nick Flynn, Lidia Yuknavitch, Greg Sarris, Elizabeth Kolbert, Jane Mayer, Jelani Cobb, Ronan Farrow, Valeria Luiselli, Eyal Press, Gustavo Esteva, Robert Hass, Mike Davis, Rob Macfarlane, Richard Holmes, Masha Gessen, Zeynep Tufekci, Rebecca Traister, Dahlia Lithwick, Soraya Chemaly, David Corn, Garance Burke, A. C. Thompson."

"(What moves you most in a work of literature?) To recognize a pattern and a meaning and an order in the world you didn't quite see before is exhilarating, and sometimes even exalting, and there is a moral beauty in the actions people perform out of generosity and courage that stirs and fortifies me—it's why I read and write about political activism and public life."

"I also read poetry—from Pablo Neruda to Warsan Shire—fairly regularly, and it keeps my sense of what words can do wide open and my sense of beauty awake."

"Language can erase, distort, point in the wrong direction, throw out decoys and distractions. It can bury the bodies or uncover them."

"Climate change is global-scale violence, against places and living species as well as against human beings. Once we call it by its true name, we can start having a real conversation about our priorities and values. Because the revolt against brutality begins with a revolt against the language that hides that brutality."

"This is why I pair privilege with obliviousness; obliviousness is privilege’s form of deprivation."

"The books I write often feel like the books I wanted to read, but they didn't exist, so I brought them into being."

"The ability to tell your own story, in words or images, is already a victory, already a revolt. (p71)"

"The ways creative work gets done are always unpredictable, demanding room to roam, refusing schedules and systems. They cannot be reduced to replicable formulas. (p91)"

"The worst criticism seeks to have the last word and leave the rest of us in silence; the best opens up an exchange that need never end. (p94)"

"Women’s liberation has often been portrayed as a movement intent on encroaching upon or taking power and privilege away from men, as though in some dismal zero-sum game, only one gender at a time could be free and powerful. (p35)"

"There’s no good reason (and many bad reasons) colleges spend more time telling women how to survive predators than telling the other half of their students not to be predators. (p30)"

"Kindness and gentleness never had a gender, and neither did empathy. (p34)"

"Like racism, misogyny can never be adequately addressed by its victims alone. (p153)"

"Think of how much more time and energy we would have to focus on other things that matter if we weren’t so busy surviving. (p35)"

"She had to say, "That's her book" three or four times before he finally took it in. And then, as if in a nineteenth-century novel, he went ashen. That I was indeed the author of the very important book it turned out he hadn't read, just read about in the New York Times Book Review a few months earlier, so confused the neat categories into which his world was sorted that he was stunned speechless—for a moment, before he began holding forth again. (p3)"

"Men explain things to me, still. And no man has ever apologized for explaining, wrongly, things that I know and they don't. (p7)"

"Most women fight wars on two fronts, one for whatever the putative topic is and one simply for the right to speak, to have ideas, to be acknowledged to be in possession of facts and truths, to have value, to be a human being. (p9)"

"For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go."

"We have an abundance of rape and violence against women in this country and on this Earth, though it's almost never treated as a civil rights or human rights issue, or a crisis, or even a pattern. Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender. (p21)"

"… It's hard to say whether it was pain or the past that was being extirpated or whether they were the same thing. The doctors who treated her were unlikely to have experienced such profound instability: disappearing mothers, the vast gap between the medieval Russian-Polish Pale and glittering amnesiac Los Angeles, the three or four languages she left behind and the English she never completely acquired, the annihilation of the world she came from and of the relatives she left behind. Post-traumatic stress disorder is an alternate diagnosis a therapist once proffered for her behavior, a condition that recognized all the kinds of war she survived and a world in which nothing was too far-fetched or terrible to be possible."

"what is sometimes regarded as an inconsistency in the contemporary right-wing platform—the desire to regulate women’s reproductive activity in particular, and sexuality in general, while deregulating everything else—is only inconsistent if you regard women as people. If you regard women as an undifferentiated part of nature, their bodies are just another place a man has every right to go."

"What lies ahead seems unlikely; when it becomes the past, it seems inevitable."

"The assumption that whatever we now believe is just common sense, or what we always knew, is a way to save face. It's also a way to forget the power of a story and of a storyteller, the power in the margins, and the potential for change."

"The word "lost" comes from the Old Norse los, meaning the disbanding of an army, and this origin suggests soldiers falling out of formation to go home, a truce with the wide world. I worry now that many people never disband their armies, never go beyond what they know. Advertising, alarmist news, technology, incessant busyness, and the design of public and private space conspire to make it so."

"You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center."

"You row forward looking back, and telling this history is part of helping people navigate toward the future. We need a litany, a rosary, a sutra, a mantra, a war chant of our victories. The past is set in daylight, and it can become a torch we can carry into the night that is the future."

"The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden—which is to say that revolution doesn't necessarily look like revolution."

"This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue."

"Violence is the power of the state; imagination and non-violence the power of civil society."

"when you face a politics that aspires to make you fearful, alienated and isolated, joy is a fine act of insurrection. ("False Hope and Easy Despair" in 2016 edition)"

"Your opponents would love you to believe that it's hopeless, that you have no power, that there's no reason to act, that you can't win. Hope is a gift you don't have to surrender, a power you don't have to throw away."

"Most of us would say, if asked, that we live in a capitalist society, but vast amounts of how we live our everyday lives - our interactions with and commitments to family lives, friendships, avocations, membership in social, spiritual and political organizations-are in essence noncapitalist or even anticapitalist, full of things we do for free, out of love, and on principle."