Bassists

"…There's no secret, no shortcut. Once you accept that being a writer or a creator is just really hard and takes a lot of hours of slogging through crappy first drafts, you just keep producing, and then you turn around and it's done. That's the magic."

"I want to have a beneficial effect on your physiology, but it’s not my business what happens after that…It’s my gift to you."

"There’s two sides of the coin: One where people don't expect you to do anything and won't let you do anything because they think you don't know how, and then the other side is when you're fucking up but they won't tell you because you're a girl. Then you don’t learn."

"Well, it sort of bothers me that if a man is doing it, then it's fine. Like, if a woman had Bob Dylan's voice, how far would she have gotten? Or Leonard Cohen? And men can get away with saying more things that are—I don't know, it's kind of like, everyone could sit around and pat each other on the back. And that's not very interesting."

"If people are listening, you can feel this intense concentration, and it builds a level of trust…I can be vulnerable in a way that I otherwise wouldn’t be able to be if I was just talking. There’s something about music and electricity and the free-flowing, less-contained aspect – it’s like being in the ocean. What’s the inside and what’s outside?"

"When I was growing up in the seventies, there were more open spaces. There weren't McMansions really. L.A. always had an interesting array of architecture in the houses. Like one would be a ranch house, another could be a Tudor house. It is fitting that there are all these different styles that almost were predetermined by L.A. being a place where different people moved."

"I never think of myself as famous anyway, like, if anything, it’s barely famous."

"I like a certain amount of tension in music…I like the kind of music that maybe makes you think about the status quo."

"It was the tip of the iceberg…There’s some unseen wall of faceless men that I have to climb over…as if on a mission."

"I don't wanna think that I'm influential or an icon or blah blah blah blah...Ultimately, I feel most confident when I'm just working. Thinking about ideas. That's how I'm most comfortable. Or performing in a group situation."

"The image a lot of people have of me as detached, impassive, or remote is a persona that comes from years of being teased for every feeling I ever expressed."

"Your life is hard to change. But at the same time, I've also always felt that I'm the same person now as I was at five, so I've been sort of reaching out to that too, in a way."

"I don’t, really. I mean, the one thing is more women playing music. That allows you to have different personalities, so it kind of cuts through the clichés about how women are perceived. But I don’t really think things in the mainstream have changed so much. In the underground, it seems like there’s a lot more women involved in the scene, which mostly comes out of male record collectors, so it was surprising in the late ’80s to start seeing more girls and women involved with experimental music as that scene grew. That’s pretty cool.”"

"A thought struck me: if my new album sounds this good on a walkman, what would sound like? A mere two years later I bought one and found out. However, on a train, a few years later still, I had negative eating a bacon sandwich and listening to a solo Ferry album, which turned me vegetarian."

"Todo es mentira en este mundo Todo es mentira la verdad Todo es mentira yo me digo Todo es mentira ¿Por qué será?"

"Mentira la que manda Mentira comanda"

"Solo voy con mi pena Sola va mi condena Correr es mi destino Para burlar la ley Perdido en el corazón De la grande Babylon Me dicen el clandestino Por no llevar papel Pa' una ciudad del norte Yo me fui a trabajar Mi vida la dejé Entre Ceuta y Gibraltar Soy una raya en el mar Fantasma en la ciudad Mi vida va prohibida Dice la autoridad"

"Me llaman el desaparecido Que cuando llega ya se ha ido Volando vengo, volando voy Deprisa, deprisa a rumbo perdido Cuando me buscan nunca estoy Cuando me encuentran yo no soy El que está enfrente porque ya Me fui corriendo más allá Me dicen el desaparecido Fantasma que nunca está Me dicen el desagradecido Pero esa no es la verdad Yo llevo en el cuerpo un dolor Que no me deja respirar Llevo en el cuerpo una condena Que siempre me echa a caminar"

"Diet for a New America let me in on the truth that I kind of knew but didn't want to think about—about how animals are processed for food for human consumption. … Some of the most disgusting things you'll see is when corporations feed people, because they're bottom-line-minded. In that situation I think that respect for life is forgotten. … Think for yourself, think about what you eat, and try a little compassion."

"I’ve grown up with animals in the house, I have 3 brothers and 3 sisters, and all of us had cats, dogs, mice, chickens, frogs, tortoises, so they’ve always been a big part of my life. My dog, Scamp, was my best friend when I was growing up, and he was just as much a brother to me as my human brothers. Someone threw acid on him, and he almost died, but my parents spent their life savings having him treated. It appalled me that people could be so cruel, and ever since I have stuck up for animals. It is something I can be active in, unlike trying to figure out the appalling things humans do to each other."

"Ronnie was so enthusiastic, and he could play instruments which Ozzy couldn't play, so it was easy to communicate with him, and for him to communicate musically with us. That enthusiasm gives us all a kick up the bum."

"I went vegetarian when I was about… 8 years old. One day I cut this piece of meat open and blood came out of it, and I realized, I asked my mother, “Where did this come from?,” and she said, “From animals,” and that was it."

"In the hard rock and heavy metal world, Butler is a downright god. Known for his early use of the wah-wah pedal and down-tuning his instrument (which would become a favorite technique among grunge guitarists and bass players), Butler is one of the most celebrated bassists within the genre. Butler, who was also the primary lyricist in Black Sabbath, has been claimed by such greats as Steve Harris, Billy Sheehan, and Jason Newstead when it comes to posing as an influential figure. Butler’s performance on the Sabbath classic "Paranoid" holds the whole song together."

"Around 16 or 17 years old, I started finding out about some of the animal cruelty things, and ethically it just didn't make sense to me to keep eating meat, so eventually I stopped. … I was watching an HBO special about eating habits and different cultures, and they actually showed in China how people eat cats, and I'm really fond of cats, and I just happened to be sitting on the couch with my cat, and once I saw that, it just put everything in perspective. If I wouldn't eat my cat what's the difference between eating a cat or a cow? If certain animals are considered lesser than, so are certain people and that's not really fair. And the root of that is to consider life on equal terms across the board."

"I got tired of the Ramones around the time I quit and I really got into rap. I thought it was the new punk rock."

"I hope no one thinks we really sniff glue. I stopped when I was eight."

"A corporation is a group of people, and if you want to come together for profit or nonprofit, that's your business—whatever you want to do."

"Well, I think it just goes back to the values that I grew up with in the punk rock world because it was this decentralised world, and so we just made our own way—like we'd be antigovernment or, you know—but we really didn't complain a lot; we were more action-oriented, like, people were publishing fanzines, we were setting up shows, we were getting in vans and touring around, and we were associating with other people, so…y'know, I just like that idea."

"I don't think that corporations are these big bogeymen that a lot of people paint them to be."

"Did you know that the biggest—you know, the biggest star in the univer—in the whole galaxy/universe is as big as an atom is small? Did you know that? Isn't that wild? That's more pothead philosophy."

"People standing on escalators! And that is a testimony to human laziness! I mean, the guy who invented the escalator is just, probably, kicking himself in the ass. Do you think the guy made the escalator so people—and they're made like stairs—just so people stand on it so you go up and down? You're supposed to walk on 'em so you get there faster. You know? And then people stand on there. So every time Im on an escalator, I'm just like, "Excuse me, pardon me, excuse me, pardon me…." You know? That's my pet peeve, right there. And I'm gonna do something about it, and I'm urging you to do something about it! Write your congressman, get a group together, get together, and—I think we can do something about this."

"I do feel like, kinda like a misfit; usually I feel, inside, I'm a misfit. Like, I don't really watch sports, or a lot of…"

"I voted last week, and everything I voted for was defeated. I voted for less police station money and against adding more courtrooms. The guy I voted for, a congressman, lost big time because he's totally anti-military. He wanted to cut the CIA budget! He's really cool. But he lost."

"It seems like our politics is so old, like, it almost seems like turning on the t.v. and there's ABC and CBS and NBC, and, y'know, there's like one newspaper in town, and so they're all pushing things on us, and that's all going away."

"I own guns. I think they're a good tool to have out in the country, and I should be able to protect my home and my family."

"I like my guns. Yeah, because it just makes me more comfortable."

"I don't really like his [Ted Nugent's] reactionary politics. He's a lot like the people on the left, you know what I mean?"

"We weren't really interested in those bands; we were—because we came out of this subterranean scene. And then Nirvana breaks big, and it's just diametrically opposite: we have, like, facial hair, and just, kind of, logger shirts, but we're all, like, "sensitive" and "feminine"—you know what I mean?"

"Yeah, I was a Democrat for about four or five years—active Democrat—and I thought I could reform the party; maybe I wasn't going about it right, maybe somebody can and somebody will, y'know? But I don't see it. It's just a top-down structure, it's a soft-money conduit, and, y'know, and like Nancy Pelosi, she's gonna lose the election again, and it's just like, what's the definition of insanity? Doing the same thing—wrong, wrong thing—over and over again. Republicans, they have a real big demographic problem, because they're the party of old white people, and they're not reaching out to folks."

"Well, it was just—it seemed like it was violence, and, like, 'cause I went by some of the stores that, like, I don't really eat at McDonald's, y'know, but a lot of people do, and so there are these people who want, y'know, they're-they're socialists but they hate people, y'know, so they go trash the McDonald's, and I just think it was just reckless violence, and they weren't tryin'a accomplish anything, and they said—he was writing something on the wall, some kind of graffiti that was just stupid and cliché, and I said, "Hey, how would you like if someone did that to your house?" and he yelled back, "Fuck you!" and these other people started yelling "Fuck you!" at me; I'm, like, "Oh," like "I'm in trouble.""

"Globalisation is a great thing, and the genie's out of the bottle; it's called the Information Revolution. It has a promise to bring opportunity and information to all corners of the world. It's a wonderful thing."

"Nick Gillespie: So, um, how do you self-describe politically? Krist Novoselic: I'm a, what, an anarcho-capitalist socialist…I don't know…I'm kinda a moderate, I think I'm moderate. Nick Gillespie: So you're an anarcho-capitalist socialist moderate. Krist Novoselic: I mean I'm a gun-owning pacifist, so there you go. I'm an anarcho-socialist—you know what I mean? Nick Gillespie: Anarcho-socialist— Krist Novoselic: —capitalist— Nick Gillespie: —capitalist, gun-toting… Krist Novoselic: Yeah, it's just like I, y'know, I just tryin'a, tryin'a make it work in this world and...basically I'm just a small-D democrat."

"America is a fucking police state."

"If you hear a song you like, start dancing. That's what I do, I'll just start dancing, and that's it. That's all there is to it."

"I do sometimes write songs that don’t seem right for Frankie so they get filed away. But don’t worry - anything good will be used. I’m not that gifted that I can afford to throw away any good stuff."

"I got great voice training in St. Mary’s Church, Wavertree, in Liverpool, when I was a lad. Dressing up in cassocks was all part of the fun. I used to earn sixpence a week and although I don’t go to church very much any more, 'Once In Royal David’s City' is still my favourite hymn."

"I’m very lucky. I have terrific parents, but some kids have a really rotten time growing up and we should do all that we can to make their lives happier and more secure."

"[I was] a little boy with a patch over one eye, who sang and danced along the street. I had what’s called a lazy eye, so I had to wear the patch. You tend to be a prodded kind of kid when you look like that, but it makes you much stronger in the end."

"I was in Big In Japan between '77 and '78. Then I went solo, releasing a couple of singles. Then I joined the Dancing Girls who turned into the Sons Of Egypt who were then whittled down into Frankie Goes To Hollywood."

"You used to get people writing in to the Liverpool Echo saying, ‘Who is this Martian walking round town?’ I used to get battered. Going out for lunch was like running the gauntlet."