Actors From France

"Le communisme, c'est une des seules maladies graves qu'on n'a pas expérimenté d'abord sur des animaux."

"Les psychiatres sont très efficaces. Avant, je pissais au lit et j'avais honte. J'ai été voir un psychiatre et ça va mieux. Maintenant, je pisse au lit mais je suis fier."

"Le capitalisme, c'est l'exploitation de l'homme par l'homme. Le communisme, c'est le contraire !"

"Si la Gestapo avait les moyens de vous faire parler, les politiciens d’aujourd’hui ont les moyens de vous faire taire."

"Tu sais ce que c'est qu'un sandwich polonais ? c'est deux ticket de pain avec un ticket de jambon au milieu."

"Written poetry is worth reading once, and then should be destroyed. Let the dead poets make way for others. Then we might even come to see that it is our veneration for what has already been created, however beautiful and valid it may be, that petrifies us."

"Theater of Cruelty means a theater difficult and cruel for myself first of all. And, on the level of performance, it is not the cruelty we can exercise upon each other by hacking at each other’s bodies, carving up our personal anatomies, or, like Assyrian emperors, sending parcels of human ears, noses, or neatly detached nostrils through the mail, but the much more terrible and necessary cruelty which things can exercise against us. We are not free. And the sky can still fall on our heads. And the theater has been created to teach us that first of all."

"The theater, which is in no thing, but makes use of everything—gestures, sounds, words, screams, light, darkness—rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre."

"When we speak the word “life,” it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach."

"You are outside life, you are above life, you have miseries which the ordinary man does not know, you exceed the normal level, and it is for this that men refuse to forgive you, you poison their peace of mind, you undermine their stability. You have irrepressible pains whose essence is to be inadaptable to any known state, indescribable in words. You have repeated and shifting pains, incurable pains, pains beyond imagining, pains which are neither of the body nor of the soul, but which partake of both. And I share your suffering, and I ask you: who dares to ration our relief?... We are not going to kill ourselves just yet. In the meantime, leave us the hell alone."

"Ah! How neatly tied, in these people, is the umbilical cord of morality! Since they left their mothers they have never sinned, have they? They are apostles, they are the descendants of priests; one can only wonder from what source they draw their indignation, and above all how much they have pocketed to do this, and in any case what it has done for them."

"Suicidez-vous, désespérés, et vous, torturés du corps et de l'âme, perdez tout espoir. Il n'y a plus pour vous de soulagement en ce monde. Le monde vit de vos charniers."

"Hell is of this world and there are men who are unhappy escapees from hell, escapees destined eternally to reenact their escape."

"All true language is incomprehensible, Like the chatter of a beggar’s teeth."

"So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair."

"There are souls that are incurable and lost to the rest of society. Deprive them of one means of folly, they will invent ten thousand others. They will create subtler, wilder methods, methods that are absolutely desperate. Nature herself is fundamentally antisocial, it is only by a usurpation of powers that the organized body of society opposes the natural inclination of humanity."

"Tragedy on the stage is no longer enough for me, I shall bring it into my own life."

"With society and its public, there is no longer any other language than that of bombs, barricades, and all that follows."

"The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid."

"The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it. The fault lies with your mouldy systems, your logic of 2 + 2 = 4. The fault lies with you, Chancellors, caught in the net of syllogisms. You manufacture engineers, magistrates, doctors, who know nothing of the true mysteries of the body or the cosmic laws of existence. False scholars blind outside this world, philosophers who pretend to reconstruct the mind. The least act of spontaneous creation is a more complex and revealing world than any metaphysics."

"Never tire yourself more than necessary, even if you have to found a culture on the fatigue of your bones."

"However fiercely opposed one may be to the present order, an old respect for the idea of order itself often prevents people from distinguishing between order and those who stand for order, and leads them in practise to respect individuals under the pretext of respecting order itself."

"It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present."

"Where there is a stink of shit there is a smell of being."

"If I commit suicide, it will not be to destroy myself but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will."

"Artaud sought to remove aesthetic distance, bringing the audience into direct contact with the dangers of life. By turning theatre into a place where the spectator is exposed rather than protected, Artaud was committing an act of cruelty upon them."

"[Nietzsche’s] definition of cruelty informs Artaud’s own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience … Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis …"

"And what is an authentic madman? It is a man who preferred to become mad, in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor. So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses. For a madman is also a man whom society did not want to hear and whom it wanted to prevent from uttering certain intolerable truths."

"But how is one to make a scientist understand that there is something unalterably deranged about differential calculus, quantum theory, or the obscene and so inanely liturgical ordeals of the precession of the equinoxes."

"No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell."

"I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat."

"It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable tentacular oppression of a kind of civic magic which will soon be seen appearing openly in social behavior."

"It is almost impossible to be a doctor and an honest man, but it is obscenely impossible to be a psychiatrist without at the same time bearing the stamp of the most incontestable madness: that of being unable to resist that old atavistic reflex of the mass of humanity, which makes any man of science who is absorbed by this mass a kind of natural and inborn enemy of all genius."

"It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh’s stay upon earth, maintain the same gravitation."

"There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him."

"If you are in front of a wall that you cannot get past, would you just keep banging your head into the wall?... No, you would find a new wall."

"At the physical end, Parkour is getting over all the obstacles in your path as you would in an emergency situation. You want to move in such a way, with any movement, that will help you gain the most ground on someone/something as if escaping from someone/something or chasing toward someone/something. Also, wherever you go, you must be able to get back. If you go from A to B, you need to be able to get back from B to A. You don't need to do the same "move," but just get back.""

"It's about what you can do at that particular moment. If someone is stuck in a fire and you say, "Well, two years ago I could have done something that would have saved you" then you are useless. Parkour is not what you could have done for whatever excuse. If you aren't able to help someone, what use are you?"

"My thing from the beginning is to have it be useful, and be able to help others. It's about being efficient and getting there as fast as you can. If people want to do it more artistically or in a freestyle way, I have absolutely no problem with it — that's the way it's going to evolve. It's not my style, but if it's other people's [style], that's perfect."

"All these people here, they come and they want me to do big things, expect me to do big drops so they can sell pictures, put it on their websites, whatever. But what is my motivation then? I could do this jump once and maybe get hurt, but even if I don't get hurt what is the point right here, right now? To make these people happy? If my family was over there and needed me, I wouldn't even hesitate. I would do it for them and that's who I train and do these things for. I'm not a monkey, I can't be treated like one. I don't understand how people want to put themselves into great risk for money. I've trained so long and hard for myself, to save people, to protect my family... People get into Parkour now just train in order to do risks for media, I just can't understand why they would do so. That was never the goal of Parkour. Money changes people, but that money cannot change my goal, my motivation or why I do this. I'm on tour now for you, I'm here talking to you so you can help others and that's how things work, never think it's the other way around. I'm doing this for you guys, to inspire you, that's it."

"Parkour belongs to the ones who live it, not the ones who want to live thanks to it."

"Our aim is to take our art to the world and make people understand what it is to move."

"Understand that this art has been created by few soldiers in Vietnam to escape or reach: and this is the spirit I'd like parkour to keep. You have to make the difference between what is useful and what is not in emergency situations. Then you'll know what is parkour and what is not. So if you do acrobatics things on the street with no other goal than showing off, please don't say it's parkour. Acrobatics existed long time ago before parkour."

"Bare feet are the best shoes!"

"If someone puts you in front of a 30m high wall, tells you to get over it, and then comes back two years later and you're still there, you've made no progress. You should find another wall."

"A little backflip (backflips), but it's not part of Parkour, but I like doing this since I did gym."

"Obstacles are found everywhere, and in overcoming them we nourish ourselves."

"Down there we know, the streets we know, but up here? Nobody's been here."

"First, do it. Second, do it well. Third, do it well and fast — that means you're a professional."

"If you have a great passion it seems that the logical thing is to see the fruit of it, and the fruit are children."