Gloria Estefan

"It taught me that I had a lot more discipline than I thought; a lot more patience. [I became] more expressive, not only personally with my family, but in my music and my way of communicating."

"It has always been my dream in life to help as many people as possible. That dream and many more have come true for me and my family, and I find my greatest rewards come from sharing what I have received with others. Emilio and I established this foundation to expand our charitable work in an effort to help those less fortunate. Our focus with the foundation has always been to help the many individuals whose challenges have fallen through the cracks of the traditional charitable organizations."

"I do also have a couple of surprises -- which I can't tell you, because then it wouldn't be a surprise. So, don't ask what the surprise is. I'm not going to tell you."

"Our focus with the [Gloria Estefan] foundation has always been to help the many individuals whose challenges have fallen through the cracks of the traditional charitable organizations."

"This is an opening gift that we are making in conjunction with Blue Cross and Blue Shield of half a million dollars."

"We established [The Gloria Estefan Foundation] in 1993, because I was getting so many pitches from charities that I thought the best way to maximize our charity dollars was to establish a foundation, where you can do so many things. [The royalties from] four of my songs go directly to my foundation, and I don't have to bother people for money. I have been funding it myself all these years, from different concerts that I do that pay right to my foundation. It's what I love to do. It's something that makes me very happy. . . [The foundation has helped] from small things to large things. Every time there has been a natural disaster, we, thought the American Red Cross, have helped. Not just here , but in Nicaragua and Honduras. Obviously, Miami is very close to my heart."

"Well, you know, in the first place I'm a pretty private person. But I can assure you that I'm no saint by any means of the imagination. You know, we go to parties and we drink like any other people. But I think the key word is balance. I've been married (to keyboardist Emilio Estefan) for 28 years; we've been together for 30 years. I had my son when I was very young and my priority has always been my family. My husband has been very supportive. We live a very normal life, something that may be boring to some people. But it's a great life! We travel a lot. My son is 26 and my daughter is 11. Family is the center of our lives. We try to stay out of the tabloids."

"A woman's exterior beauty is a reflection of her internal peace and happiness."

"My grandmother would shanghai pilots at the Havana airport so they'd bring me cartons of mango baby food -- the only kind I'd eat. I learned to eat peach later. And in every carton, she'd slip in a Cuban record."

"I had gone to Miami Children's [Hospital] to do a book reading for my "Noelle" book, and they [staff at The Brain Institute] introduced me to this project that they had. And it so beautifully coincides with my spinal cord research -- my Miami Project [to cure spinal paralysis] pet charity -- because, as you know, I was paralyzed and in a wheelchair. So, I want to be there for that cure. It makes me happy. I really feel privileged to be of service. From the day I can remember, you know -- as far back as I can remember in my memory --I wished to be of service in some way."

"We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've written - all new stuff . . . No relaxing for me . . . I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer . . . I've got to meet the director that I'm going to go hammer . . . I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy . . . I take her [12-year-old Emily] to games, take her to school, pick her up . . . We're women, we're used to [constantly juggling responsibilities]."

"Well, fortunately, I am bilingual and I have really two cultures. So when you have that to draw on, you are able to write from one extreme to the other, or anywhere in-between. If you look at my discography, you will notice that one of my favorite albums is "Gloria!", which is totally dance-oriented, with very sensual lyrics; and then there's "Mi Tierra which is totally roots-oriented and really promoted our culture worldwide through music, and that's important for me and also for people of Cuba to know that even though we were in exile and I grew up in the States, our culture and our music are very much a part of my life."

"Now my life is pretty much bliss. I have two healthy children and a great marriage (Emilio and I have been together for 28 years). I still have one ambition: to do a concert in Cuba. It's the beginning of the end for Castro and, well, I've performed for every audience of practically every nationality except my own. Performing there would be one of the highlights of my life."

"Music should always be a means of bridging gaps and uniting people. The beauty of music is that it can -- and should -- gather a wide variety of concepts in a way that's universal."

"My favorite process is writing, from day one. The songs I have written throughout the years were a real great opportunity for me to communicate, because I think that's my prime objective on this planet."

"It would be difficult for me to go back [permanently] to Cuba because Miami is my city. . . That's where we have made our life. That's were I feel at home . . . But I would love to be, you know, whatever help I can be [post-Castro] to the people who will be leading themselves. I do think Cuba does have to find its leadership from within. They have a very different society from what we are used to. They are going to need certain things that a democracy might not provide right away. And I don't think it's going to be as quick a change. I think [Castro's] death will bring change, needless to say. But I think his brother [Raul] will try to save the specter of the revolution for quite a while. And maybe start doing some opening [to improve U.S.-Cuba relations]. That is what I feel will happen."

"We went back [to Cuba] once, in 1979, when President Jimmy Carter gave the opportunity for people with family members to go. We went to help get Emilio's only brother and his two kids [one of whom, Lili, is la Flaca from Univision's El Gordo y la Flaca] out. We got them a visa through Costa Rica, but when Emilio's brother announced that he was leaving, [the government] starting taking repressive measures against him, so he went into hiding for two months until they were able to leave. While we were there, Emilio and I bought them things they didn't even know existed, like apples and olives, from the diplotiendas [stores open only to tourists]. To this day, Lili has an olive fetish."

"My dream is to perform in a big, celebratory concert in a free Cuba, but I don't think they'd even let me into the country. And if they did, I'd have to speak against what is going on, which the government fears. I don't know how much change toward democracy we'll see as long as one of the Castro brothers is around, but I do believe there is a future with a new leader someday. But this leader will also love Cuba and really want to take her forward. When that day comes, Emilio and I will be there in any way that we can be of service."

"He makes me laugh like crazy. We're still kids inside. We're mature and responsible when it comes to business, but we know how to have fun."

"Being a mom is my number one job. My son [Nayib, 27] lives in Los Angeles and he has his own company where he works on music and film projects, but he calls me every day. Emily [who is 12] is very athletic; she plays tennis and basketball. I love going to her games. If she needs help with her home work, I'll sit with her. She also is very musical -- she writes poetry and plays the guitar. I always tell both my kids, "Find what makes you happy. The money will come regardless of what you do, and more or less of it is not going to be what makes you happy. Spending hours at something you enjoy will.""

"I make the best pancakes you'll ever have! And I claim that title gladly. On Saturdays I make them for everybody."

"I like them in their natural state. They're like nuclear lemonades!"

"It's a dream for any artist to have a catalogue of music that would be considered his greatest hits. For me, as a singer and songwriter, to release a collection of music that spans over two decades of my life and career is especially meaningful. Those songs represent a life in progress. As it is with any life, people and experiences become a part of one's creations and helped give birth to twenty-four albums. I would like to dedicate this body of work -- especially "Nayib's Song" and "Along Came You" -- to my two beautiful children who inspired those songs and who inspire me on a daily basis, and whom I consider my best works to date. I owe a great deal of gratitude to all of my fans who have ridden this incredible rollercoaster of life with me and who are the reason I have tried to remain true to the gift I have been granted: that of making music. And although it's very difficult to decide what is truly essential, you can be sure that what is in this collection is what you -- the fans across the world -- made into hits. And for that, I will be eternally thankful."

"Because they were idiots!"

"What happened is the music listener has become much more of a connoisseur and a king of his own destiny. You can no longer shove an album down their throats and say, 'Here's 15 songs, four of them are good, you know. Spend 20 dollars on this CD.' It's not going to happen. That's what has taken the music industry down."

"I've got a producer [for bio pic on singer Connie Francis' life] . . . . We're almost there."

"[My husband Emilio] found the last remaining virgin in the '70s -- and that was me."

"The secret of a long marriage is shaving your legs every day . . . because it shows you still care."

"I do [like being a redhead] . . . I do . . . because lighter is better as you get older . . . It's nice . . . I can't be a blonde. I'm definitely not a blonde . . . So, that doesn't leave too many other colors available."

"We're lucky to call Miami and the United States home. What other city can claim to have its own foreign policy? Miami is many things, but it is never boring."

"How can we expect something positive to come from all the negative that we put into this world?"

"When [my mother] saw we were not going to be able to go back [to Cuba] it became increasingly important for her to make our culture very prevalent and very important in our lives -- and in our household. We spoke only Spanish. I didn't learn English until I went to school in first grade. And the [Cuban] music and the food was very much a part of our life. I'm glad for that, because it is as well for my children."

""Noelle's Treasure Tale" is based on the historical fact that three Spanish galleons full of treasure sunk off Florida's treasure coast and have never been recovered. I have a beach house on the Treasure Coast, and I'm out there with my snorkel looking for the treasure."

"[To beginning readers (ages 4 to 8) at a reading of "Noelle's Treasure Tale"]: If you discover a word in my book that you don't understand, ask your parents so they can look it up in the dictionary for you."

"I thought it would be lovely to use [pet bulldog] Noelle as an example to teach the importance of being who you are. For me it's important to inspire children in a positive way, and at times they understand more messages through entertainment than when one is talking to them directly."

"[As of November 17, 2006] 'Noelle's Treasure Tale' has remained at No. 3 on the New York Times children's best seller list since its October 10 release."

"I had always thought about a lullaby album. But when Noelle came along, my little Colombian bulldog, she really gave me a plethora of ideas. I remembered when I was little in Texas and I was the only Hispanic in my class. Because the first book was about feelings, how Noelle's weaknesses turned into her strengths. That you have to keep your identity."

"The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting . . . You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage."

"What do you expect for your $12,000?"

"Everything's funny for God's sake. Everything."

"A lot of the people who live here [Miami] are island people -- from Cuba, Haiti. People are very vibrant, and color is important living here. You're inspired every day by the sun, the sky, the landscape, the lushness. [Artist Romero Britto's] painting and artwork reflect that."

"[I] grew up in this city [Miami], and my music is a blend of two cultures. In the beginning it was heavily Cuban. At this point it's [from] all over . . ."

"Neither. I did not bring my crown, and the last thing I would want to do is get into politics."

"[Cuban coffee is] very powerful, very sweet, and a little dangerous —- just like the people who drink it."

"I left Cuba when I was two years old. They took away my country, they stole the most intimate thing a human being can have. How could I forget that Fidel Castro was the person who did me so much harm?"

"My grandfather . . . was a commander in the Cuban army -- not just a Batista [General Fulgencio Batista y Zalduvar was Cuba's 19th president from October, 1938 until January, 1959)] -- but he was a career general there. And he had been through a few of the different presidents of Cuba . . . My father became a motorcycle officer. He was a good-looking guy, so he was chosen to be the first lady's [Mrs. Batista's] escort. So they were very close to the government when Batista came in power. And then immediately after [Castro seized power on January 1, 1959] [my father] joined the Bay of Pigs invasion to try to liberate Cuba . . . and he was a political prisoner for two years there [in Cuba]."

"My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro.] One night, Dad disappeared. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Initially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretense that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet."

"For fourteen years [1966 to 1980] [my father] suffered a debilitating disease [multiple sclerosis]. I took care of him for most of that time, until he was no longer able to be taken care of at home . . . So, in essence, I was caring for [my father] and my younger sister [Becky], six years younger than I. It was difficult for me. It was a tough time. Music was my escape -- my catharsis. My way of just getting my emotions out. Music has always been a beautiful force in my life."

"I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later."

"When I first came to Miami [in 1959], you'd see signs like "No Children, No Pets, No Cubans." We were a major threat. We lived in a very small apartment behind the Orange Bowl, where all the Cubans lived. All the men (including my father, Jose Manuel Fajardo) were political prisoners in Cuba, and it was purely women and their kids. There was one car the whole community bought for $50, and the one lady that could drive would take everybody to the supermarket and the Laundromat."