Camille Paglia

"In the real world, very smart people fail and mediocre people rise. Part of what makes people fail or succeed are skills that have nothing to do with IQ. Also, the idea that intelligence can be gauged by an IQ test is erroneous."

"I loathe Meryl Streep. She was good in Silkwood, but she began to take herself very seriously. I'm reacting to the horrendous overpraise she has received. She is a calculated actress, a victim of her own WASP culture. I find her totally unconvincing. She has no passion. She has no deep elemental vibration. Jodie Foster is overpraised, too. I thought she was good in The Silence of the Lambs, and The Accused, but she's getting on my nerves."

"I am reverential to great stars. I don't want sexual congress with them. The writer in me reveres the artist in them."

"He was a revealing symbol. He called himself passive-aggressive. There was self-pity, whining. There was a diminishment, a diminution. He was sitting there in his sweater, hunched over his guitar, looking like a little lost boy. Compare that with the great figures of my generation: Jimi Hendrix. Pete Townshend. Keith Richards."

"I like Liz Phair, but there were these stupid women reviewers who said she's surpassing the Stones. Dream on."

"I had crushes on women — actually I loved charismatic, extreme people, women or men. By high school I was saying I must be a lesbian, because if you are attracted to women, you're a lesbian. I was also attracted to men, but I didn't get along with men."

"From early on, my father talked to me like an adult. One of the earliest things he did was teach me the Latin names of the parts of the body. He was very analytic. We had no money, but intellectual curiosity was encouraged, and my parents constantly talked with each other. This develops the brain. I remember listening and thinking, listening to voices talking, talking, talking. … My father died of cancer but lived long enough to see me famous, though not long enough to read my book fully. If he were alive I wouldn't be quite so outrageous, speaking about my sex life, for instance. I don't believe in embarrassing my family."

"I think intellectuals should be fascinated by my rise, what it reveals about the time. My critics are irrelevant, though. It tells how much I'm getting to them by how vitriolic they are. They refuse to deal with the ideas. But reviews don't reflect anything; the books are selling. A friend told me, "The attacks make you.""

"I am popular with certain people, but I'm still blocked out of the establishment. I hate that incestuous world. It makes me sick. It's impossible for anything truly original to get done. Thinking is not allowed. It's all PC. It is so horrible because it is a fossilized, parasitic version of Sixties philosophy."

"Because of the nature of the penis, men have performance anxiety, whereas no woman ever has to prove herself in this way. So men's egos are totally involved in performance, in doing, achieving. An erection is a kind of achievement. So is peeing. As I've said, a boy has to learn to aim in order to no longer be infantile. So it's an accomplishment. The male orgasm is short-lived and transient — and that's the irony of men's sexuality. It's ironic that feminism looks at the penis as power and violence when in fact it is very weak."

"It took most of my life to realize that men are not tyrants or egomaniacs. I had an epiphany in a shopping mall recently that put it all in perspective. I was having a piece of pizza and I saw all these teenage boys running around in the mall. They were wild. I looked at them and saw this desperation. When I was their age I hated those kinds of boys because they were so obnoxious. They are so involved in their status, gaining it, afraid of losing it. I'm glad I don't have to be that age again. So they sat down near me and they didn't notice me. I didn't exist on their radar map. I was thinking, This is great. I was watching. They were full of energy and life. And I suddenly realized, My God, the reason they are so loud, the reason they are so uncontrolled, the reason I hated them at that age is that they bond with each other against women. It was the first time they were able to be away from the control of a woman — their mothers. They were on their own and for this period they're very dangerous. Women have to watch out when they go to fraternity parties, because the men are all trying to up their status among one another and there is all this testosterone. And then some girl will snag them. And that's it. It's over for them. They get married and they're under the control of their wives forever. You hear these women all the time, on, like, Ricki Lake, saying, "You know, I have two children, but actually I have three children" about the husband, and it's true: The husband becomes a child again. Even when men are doing their share, taking out the garbage, doing the mopping, whatever, women are still running the household. They are in control and the men become subordinate again. So that's what the feminists are so worried about? Men who are subordinated by their mothers and then by their wives? Men are looking for maternal solace in women, and that's the nature of heterosexuality. Now you tell me, who really has all the power?"

"Interest in and patience with long, complex books and poems have alarmingly diminished not only among college students but college faculty in the US. It is difficult to imagine American students today, even at elite universities, gathering impromptu at midnight for a passionate discussion of big, challenging literary works like Dostoyevsky's The Brothers Karamazov -- a scene I witnessed in a recreation room strewn with rock albums at my college dormitory in upstate New York in 1965."

"As a classroom teacher for over thirty years, I have become increasingly concerned about evidence of, if not cultural decline, then cultural dissipation since the 1960s, a decade that seemed to hold such heady promise of artistic and intellectual innovation. Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space. The new generation, raised on TV and the personal computer but deprived of a solid primary education, has become unmoored from the mother ship of culture. Technology, like Kubrick's rogue computer, Hal, is the companionable servant turned ruthless master. The ironically self-referential or overtly politicized and jargon-ridden paradigms of higher education, far from helping the young to cope or develop, have worsened their vertigo and free fall. Today's students require not subversion of rationalist assumptions -- the childhood legacy of intellectuals born in Europe between the two World Wars -- but the most basic introduction to structure and chronology. With out that, they are riding the tail of a comet in a media starscape of explosive but evanescent images."

"The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young."

"In a media age where books are no longer the primary medium for information storage and exchange, language must be reclaimed from the hucksters and the pedants and imaginatively reinforced. To save literature, educators must take command of the pre-rational world of images. The only antidote to the magic of images is the magic of words."

"How dare Palin not embrace abortion as the ultimate civilized ideal of modern culture? How tacky that she speaks in a vivacious regional accent indistinguishable from that of Western Canada! How risible that she graduated from the University of Idaho and not one of those plush, pampered commodes of received opinion whose graduates, in their rush to believe the worst about her, have demonstrated that, when it comes to sifting evidence, they don't know their asses from their elbows."

"Liberal Democrats are going to wake up from their sadomasochistic, anti-Palin orgy with a very big hangover. The evil genie released during this sorry episode will not so easily go back into its bottle. A shocking level of irrational emotionalism and at times infantile rage was exposed at the heart of current Democratic ideology — contradicting Democratic core principles of compassion, tolerance and independent thought. One would have to look back to the Eisenhower 1950s for parallels to this grotesque lock-step parade of bourgeois provincialism, shallow groupthink and blind prejudice."

"I like Sarah Palin, and I’ve heartily enjoyed her arrival on the national stage. As a career classroom teacher, I can see how smart she is — and quite frankly, I think the people who don’t see it are the stupid ones, wrapped in the fuzzy mummy-gauze of their own worn-out partisan dogma. So she doesn’t speak the King’s English — big whoop! There is a powerful clarity of consciousness in her eyes. She uses language with the jumps, breaks and rippling momentum of a be-bop saxophonist. I stand on what I said (as a staunch pro-choice advocate) in my last two columns — that Palin as a pro-life wife, mother and ambitious professional represents the next big shift in feminism. Pro-life women will save feminism by expanding it, particularly into the more traditional Third World."

"How is it possible that today's academic Left has supported rather than protested campus speech codes as well as the grotesque surveillance and over-regulation of student life? American colleges have abandoned their educational mission and become government colonies, ruled by officious bureaucrats enforcing federal dictates. This despotic imperialism has no place in a modern democracy."

"I don't want special protection for gays or transgender. I'm saying there should be protections for all dissident behavior and speech. Dissidents of every kind."

"For me, I don't believe in God, yet I believe in all Gods. I believe that the great religions of the world are these repositories of spiritual experience. And each one of the great world religions contains insights about the nature of the universe."

"The idea that these post-structuralists and postmodernists are heirs of the 1960s revolution is an absolute crock. [...] This was an elistist form from the start. It was not progressive. It was not revolutionary. It was reactionary. It was a desperate attempt to hold on to what had happened before the 1960s sensory revolution. But this postmodernist thing, this trashing of the text, this encouragement of a superior and destructive attitude toward the work of art. We're going through it, primly with red pen in hand, finding all the evidence of sexism check, racism check, homophobia check. That is not the empathic emotional sensory-based revolution of the 1960s. I am sick and tired of these people claiming any kind of mantle from the 1960s. They're frauds! What happened in the 1970s was a collapse of the job market in academia. All of a sudden jobs were scarce and this thing was there, the new and improved and shiny thing, to be a theorist. And people seized on it. It was institutionalized. And it is an enormous betrayal of the 1960s."

"I'm an atheist, but I see the great world religions as enormous works of art. As the best way to understand the universe and man's place in it."

"Authentic leftism is populist. It is based in working-class style, working-class language, working-class direct emotion, in an openness and brusqueness of speech. Not this fancy, contorted jargon of the pseudo-leftist of academe, who are frauds. These people who manage to rise to the top at Berkeley, at Harvard, at Princeton, how many of these people are radical? They are career people. They are corporate types [...] They love the institutional context. They know how to manipulate the bureaucracy which has totally invaded and usurped academe everywhere. [...] They love to sit on endless committees. They love bureaucratic regulation. Not one "leftist" in American academe raised his or her voice against obscene growth of tuition costs, which have bankrupted a whole generation of young people."

"Three years ago Camille Paglia told me that she had "single-handedly turned the ocean liner of feminism" around, a wonderfully appropriate metaphor for a woman who, wherever she is, shouts like a foghorn in an Atlantic mist."

"The 1990s brought a widespread backlash against this rigid feminist orthodoxy [in American academia]. For many, it was personified by Camille Paglia, a professor at an obscure university in Philadelphia, who, in her 1990 book Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as well as in scores of essays and interviews, dismissed women’s contributions to Western culture (“There are no female Mozarts”) and mocked the “weepy, whiny, white middle-class ideology” of the “Stalinist” feminist movement under Gloria Steinem, which Paglia reviled for its intellectual vacuity, sexual puritanism, and hostility to men -- not to mention its obsessive victim mentality, which, in her view, only served to reinforce Victorian stereotypes. For Paglia, women, far from being the weaker sex, were gifted by nature with an innate power over men -- the power of sex. […] The feminist establishment, however, chose not to learn from but to vilify Paglia and company. And Women’s Studies, unable to answer them, all but ignored them."

"Camille, in terms of the achievement of Sexual Personae, belongs at a place like Yale or Harvard or Princeton or Chicago or Berkeley. But they will not have her. One of the many, many signs of the incredible decadence of our academic institutions is that someone as brilliant, as learned, as talented, and as ferociously burning an intellect as Camille Paglia is much less likely to win conferment at one of our major universities than any of these humdrum bureaucrats of resentment who are appointed by others in the network because they are politically correct."

"The person that made this newfound pursuit of intellectual engagement invigorating and sexy was Camille Paglia. Her book, Sexual Personae, made me realize how little I really had learned in college. Her articles and assorted writings began to open my mind to the fraud that is higher education in America."

"Paglia, a controversial professor... author of Sexual Personae: Art and Decadence... revealed that she never, not for a moment, felt like a woman. She had never felt like a man either, and she called this lifelong reality her radical gender dysphoria. I had never heard of such a thing. So here I was, once again, trying to process a news story that combined an issue of sexuality, controversy, and unclear boundaries. I looked up the meaning of her words and found another term for this: nonbinary."

"The literary critic Camille Paglia argues that sexuality is by nature aggressive. “My theory,” she says [on page 3 of Sexual Personae] “is that whenever sexual freedom is sought or achieved, sadomasochism will not be far behind.” She attacks feminists who believe that sex is all sugar and spice and that it is patriarchal society that makes sex violent. Sex, for Paglia, is about power; society is not the source of sexual violence; sex, the irrepressible natural force, is. If anything, society is the force that inhibits the natural violence of sex. Paglia is certainly more accurate than those who deny that perversion is rife with aggression. But in assuming that sex is fundamentally aggressive, and sadomasochistic, she doesn’t allow for the plasticity of human sexuality. Just because sex and aggression can unite in a plastic brain, and appear “natural,” doesn’t mean that that is their only possible expression."

"Examples [of censorship and intolerance from self-described 'liberals'] are well-known. When Camille Paglia was invited to speak at Brown, campus feminists were outraged, though their voices greatly outnumbered hers..."

"How can you take her seriously? She is an exhibitionist, and she takes the most extreme elements of the women's movement and tries to make the whole movement antisexual, antilife, antijoy. And neither I nor most of the women I know are that way."

"There is one area in which I think Paglia and I would agree that politically correct feminism has produced a noticeable inequity. Nowadays, when a woman behaves in a hysterical and disagreeable fashion, we say, 'Poor dear, it's probably PMS.' Whereas, if a man behaves in a hysterical and disagreeable fashion, we say, 'What an asshole.' Let me leap to correct this unfairness by saying of Paglia, Sheesh, what an asshole."

"[T]he most threatening thing about her, from the American viewpoint, is that she refuses to treat the arts as an instrument of civil rights. Without talent, no entitlement."

"When pro-choice social commentator Camille Paglia wrote that she sanctions "murder" when it is called "abortion," pro-lifers were horrified. They should have cheered. […] Almost every pro-abortion activist lives in a zone where they conceal what abortion really is -- though they know that the procedure involves killing a person each and every time. The difference between them and Paglia is that they don't come out and say it."

"When I mentioned to friends that I was heading to Philadelphia to meet Camille Paglia, I realized the degree of animosity she provokes. She was contemptuously dismissed, often by people who had never read her work. Others seemed torn by her … Some praised her as fresh and profound, but even more dismissed her as outrageous and repugnant. … Despite such opinions, in person and in context instead of in sound bites, Paglia is often reasonable, witty and likable … She is also correct in at least one of her assessments — that she, like such loudmouths as Rush Limbaugh, Howard Stern and Ross Perot, helps to encourage discourse and free speech in a country that needs all it can get."

"It is very rare these days to hear anyone praising masculinity. The dissident feminist writer Camille Paglia is a refreshing example. Her observations are effective antidotes to the surfeit of disparagements."

"Scholars who refuse to toe the feminist line are also ignored... The iconoclastic Camille Paglia appears [only] once [...], in Women’s Realities, Women’s Choices, and is described as someone who “assails feminists for what she regards as dull rhetoric.”"