Atheists

"You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler..."

"I usually never leave the house, but we went to Australia recently—the whole family was there—it was a ridiculous place. Located three quarters of a mile from the surface of the sun, people audibly crackling as they walk past you on the street. That's why they all barbecue, you don't need to cook somewhere like that, you just bring the shit out, fling it on a grill and it bursts into flames. It's not supposed to be inhabited, and when they're not doing that, frying themselves outside, they all fling themselves into the sea, which is inhabited almost exclusively by things designed to kill you; sharks, jellyfish, swimming knives, they're all in there."

"I got bored of the tedious conversations, talking to the dealer in a stairwell where you're not supposed to be, then going back to a depressing room and spending nine hours locked up going "eeerh", then going back to get more with what little money you have left."

"You learn very very quickly that it is mostly about swearing, actually. That's all you're doing, swearing, in a box with wheels."

"You had an empire once, Britain. Had a great empire! Impressively commandeered and sequestered from the rest of the world, with great style. You just marched in and said 'You, you and you—fuck off, we're having tiffin.'."

"America is like the really bad flatmate of the world: 'Oh sorry, did I break all your shit? I d'n't know it was yours. Yeah, I'll replace it sometime... with my stuff.'."

"They have sheets of ham so large that if you bite out the middle, you've saved yourself the price of a poncho."

"Then you get these articles about how unhealthy life is in the city. You know; mobile phone tumours - far more likely in the city; Well you know what, so is everything else! Including sex, coffee and conversation."

"NEVER try the local thing. You know why it's local? Because it's shit, that's why it's local. You eat it, you'll become one of them, you'll turn red and start spouting bigotry and eating tweed with lamb fat dribbling down your chin, don't go near any of that stuff."

"You're supposed to eat the cows. They're great big lumbering stupid things - they'd be everywhere if we didn't eat them."

"You’re never going to go. Why would you go? It’s a disgusting place. It’s always wet even when it’s dry. There’s nothing there. Farmers aren’t really people, you know this. They’re just necessary, we need somebody to kill cows."

"This stage, if it hasn't already, probably will see a production of the Vagina Monologues. Which I cannot wait to see, because it sounds so fabulously fucking stupid. Everybody knows that if female genitalia could speak, it would sound exactly like Enya."

"Bagpipes covered in hair"

"You're looking for a lump in a bag of lumps, that can take some time"

"And they say that after people make love there's a kind of melancholia that descends; la petite mort, you know, the little death. Well, I'm here to tell you, after a romantic night in with yourself, there's a very acute sensation of failed suicide. And I think a lot of that, if you're men is because of the quality of the gear you've got to work with. I mean it's horrible looking. Like a deep sea fish that ate its own arse after about an hour. What's going on down there?! Do something nice, like a kittens head... or something and you could just tickle its chin until it got sick... it would be alright..."

"And then I did a very male sort of reckoning, I did the calculation, I thought, ‘right. there’s three of you and there’s one of me’—I’m rubbish at maths, by the way—but, in record time, I worked out that it would take, at least, three of me to defend myself against a third of one of them even if he only attacked me with his ass. I’m not a fighter, you know, I’m a bleeder. The best I can hope for would be to drown somebody else with my own blood... if I don’t drown myself before."

"Death before dishonour." I always used to wonder, Hey, exactly how much dishonour are we talking about here? 'Cause I could handle quite a lot. I would, for instance, fellate a Smurf before I picked death. I'd cook him a little Smurf omelette as I was doing it, you know, I'd be perfectly happy doing that. Seasoning it with thyme, you know, listening to his happy satisfied Smurf lip smacks. But every man thinks about Smurfs. They don't say it, but they do. That's why I'm here—to be honest. Just once, you know, what would it be like? Nobody needs to know, you go away for the weekend. Just once, to have the blue salty bulb lolling on your tongue... if I don't say it, nobody else will."

"That's why the have the programmes presented by 45 guys; "Hi I'm Ted, I'm Bob, I'm Ralph, I'm Dick, I'm Dale, I'm Nick, I'm Will", and they keep changing all the angles of the camera. "I'm over here, I'm at this desk, I'm standing here" and Wendy comes up from under the desk with the financial weather."

"There's a guy, John Humphries, who does a lot of the interviews, and he sounds like he's been up since about midnight jogging on the spot to accuse people you've never heard of of lying. It's very aggressive right from the off. You turn it on and he goes: "DON'T LIE TO ME!! DON'T LIE TO ME! I'VE BEEN DOING THIS FOR 45 YEARS, WHAT DO YOU THINK I AM, A FUCKIN TURNIP?!" [...] "WHERE ARE THE BOMBS? WHERE ARE THEY?!?!....Get up so I can kick you again, you lying fuck!""

"People who get implants, it's so depressing, you know… People— I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move you eyes down to where you nipples used to be, put you breasts up on your head, EVERYBODY will pay attention!"

"Well, you know what they say about John, anyway?"

"Chocolate bread! That's how they start the day. It's only going to escalate from there. By lunchtime you're fucking everybody you know. I was in Paris recently—they are very good at pleasure. I was walking by a bakery—a boulangerie, which is fun to go into and to say, even—and I went in, a childish desire to get a cake—"Give me one of those chocolate guys," I said—and I was talking to someone on the street, took a bite... I had to tell them to go away! This thing! I wanted to book a room with it! "Where are you from, what kind of music are you into? Come on!" Proper, serious pleasure. Because they know they're gonna die. Nobody goes to church. You think, we're gonna die, make a fucking nice cake."

"The weak, sensual, pleasure-loving French. You know, not going to war because they’re all still in bed at two in the afternoon, with the sheets coiled about their knees, lying, there scratching themselves, smoking a Gauloise inside a Gitane, sweating Nice sancerre. Before one of them sloughs off the sheets to pad around the kitchen naked. No, not naked, naked from the waist down. To emphasise their nakedity. Picking up yesterday's croissant crumbs with their sweaty feet. Slashing yesterday's paintings."

"What dya mean theres no fackin chips, I come ere on a plane, you cunt! I've got children ere, what am I spose to do with this fackin tomato fiasco."

"I'm kinda looking forward to being old, you know really really old, so that I can lean over in a restaurant with my son or daughter and say: "You know what I just did? I just pissed myself, you deal with it, then carry on telling me about you job or divorce or whatever the fuck it is, I’m not really listening to you to be honest, which one are you Siobhan or Simon? I can never tell.""

"Or when people break up, they always use a bunch of lines on each other, you know, terrible rubbish lies, like "It’s not you, it’s me, it’s me." It’s NEVER you, it’s always them! You should level with these people! Tell them! "You know that strange sound you used to hear when you were going to sleep? That was me CHEWING the bed, out of sheer boredom! OOOOHH, How I HATE you, I hate you so much it gives me energy! I have to get up early in the morning to hate you because there isn’t time enough in the day. Please, GO AWAY!" Or that other BULLSHIT: "I need more space!" People never quantify exactly how much space they really need.. do they? But strangely enough, it always seems to be the exact same height, depth and breadth as you."

"You cannot over estimate how infantile men are about sex! Men are people that have sex BECAUSE they have a headache... or are on fire, or have been shot in the head, or whatever it is!"

"All male arguments are very early '70s, Soviet-made, uni-directional trundling behemoths that say the same thing again and again and again: "I told you I would be late on Tuesday, I told you I would be late, I said it, I heard my own voice, I did say it... I told yoouuuu." Whereas women seem to have these amazing, slinky stealth bombers designed by Jaguar! With a lovely cream leather interior and infinite torque! That's why they can respond by saying "Yes, maybe, alright, but why is the fridge door open?" "I don't understand, I don't understand...""

"When you're born, you have a finger up your nose, the other hand on your dick, and you get taller. And that is really it."

"I asked a women I was with once, simple question, I asked her 'Have you ever eaten pheasant?' See, it's direct, isn't it?! It's enclosed, it contains everything that needs to be said! And she said a wonderful thing. She said "Erm..."—she thought about it—and she said "Er, not really." What does that mean? On any level? I mean, did you suck it and throw it away? Did someone drop it in your drink? What happened? Was it a speeding car, one lick? WHAT, WHAT?!?!"

"I don't want to make any huge generalisations about women, I'm not here to do that, it's — it's vulgar. But all I'll say is that they have no feelings. Because it's actually men, you'll find, who are the far more romantic. Men are the people you will hear say, "I've found somebody. She's amazing. If I don't get to be with this person, I'm fucked. I can't carry on, no, I mean it, she's totally transformed my life. I have a job, I have a flat, it means nothing. I can't stand it, I have to be with her. Because if I don't, I'm going to end up in some bedsit, I'll be alcoholic, I'll have itchy trousers. I can't — I can't walk the streets any more." That is how women feel about shoes."

"I don’t even see young people on the street anymore. I see youths. You know, how they’re described in police radio reports…. Slumped S-shapes in their hoods, beside their harrowed dogs and a bin full of burning grannies, all texting each other because they’ve given up on speech… plotting something terrible like how to make cider out of blood."

"- Get into the bath."

"You don't need to turn the light switch on and off, again! You have absolutely NAILED DOWN the principle finding of that experiment; when you turn the lights off, daddy can't see ANYTHING. He steps on your toys trying to find you and kill you... And breaks his foot!"

"You know, it's a sad day when your child looks at you and asks: "Daddy, is this organic?" "Organic? I grew up on Angel Delight! We didn't have anything in the house if it wasn't neon!""

"I can't swim. I can't drive, either. I was going to learn to drive but then I thought, well, what if I crash into a lake? Then I'm fucked!"

"Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics... and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what— there's a shortage, and... it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother... right about now... yeah... it's the, it's the funk soul brother... check it out. It's, er, well... it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the... well... it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited—maybe he was bringing cake, or something, they didn't say—but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying."

"I got my pecs, I got limos, I got bitches, and all my limo's powered by bitch juice, and my spare pecs are in the limo." … "I'm gonna fuck you up. I'm gonna dig up your dad, and shove him up your mum and drink your blood from a drinking cup, you fuck!"

"I have tried... believe me, I have tried to like rap music. It makes me feel so very, very old. I have tried to get home with the downies."

"I remember when singers were singers. Ugly people. Aretha Franklin needed a lot of room to eat her chicken wings. Janis Joplin used to come out in clothes woven from her own vomit. Nina Simone, amazing singer, could look at a railway track and buckle it. It didn’t matter; They were beautiful people because of what they could do."

"What's going on? What do we do now? "Don't fuck anybody or you die! Never mind, here comes MC Hammer.""

"So, what else is going on? Music? Fine, here is The Beatles, The Stones come here later this evening, there is The Velvet Underground, Janis Joplin has just gone to lunch. So, do you want something to do in between now and then, I'd grow my hair and fornicate if I were you."

"I can't relax here. These people have no pubic hair anywhere. We have pubic hair on the ceiling."

"This is our Smeg fridge, the whole house is made of Smeg. We're made of Smeg, aren't we, Roy?" "Yes, dear."

"My ideal body, you know, would be just probably something like, ahm... One eye, you probably only need one. A kind of sucker thing instead of teeth, because they just give you grief in the end, you know. And a long, long tube with my arse way over there so I don't have to deal with it. That would be ideal."

"Everybody does that now. We all take pics… you do the same with holiday photos. You record something to look back on it, even though you’re not really there when you’re taking the picture ‘cause you’re too busy recording it; so you retrospectively go to look back on where you weren’t and tell yourself you had a good time."

"You see, most modern technology doesn't work. It's supposed to free you, but it's a terrible trap, of course. Mobile phones for example: everybody has one now. I have one and they're awful. They've completely ruined, I mean, people ring you up and say "Hi, it's me, I'm in the bath!" and you go "Well, you're still an asshole, I hope you drown and hello." And they’ve completely dispensed with the whole drama of news, the simple idea of having something to relate, you know. When you could bound in from the garden and pick up the old Bakelite phone that weighted seven pounds and say “MIRIAM'S DEAD”. You can't do that anymore. You're probably there! [pantomiming being on phone] "Yes, her head's rolling back, spit's coming out, her eyes are going everywhere, here, I'll take a picture -click- you see what I mean? Sheeee's fucked!""

"But look at the people who use [their potential] — who do actually give it everything... The Beckhams or Roy Keanes of this world. People charging! Running up and down the field, swearing and shouting at each other. Are they happy? No! They're destroying themselves! Who's happy? You! The fat fucks watching them, with a beer can balanced on your ninth belly, roaring advice at the best athletes in the world. "YOU WANKER!""

"You should stay away from your potential. I mean, that is something you should leave absolutely alone! You’ll mess it up! It’s potential, leave it! And anyway, it’s like your bank balance, you know: you always have much less than you think.[...] Leave it as the locked door within yourself and then at least, in your mind, the interior will always be palatial. Wonderful gleaming marble floors, brocaded drapes. Mullioned windows, covered in mullions, whatever they are. Flamingos serving drinks. Pianos shooting out canapés into the mouths of elegant men and women who are exchanging witticisms... "Oh yes, this reminds me of the time I was in BudaPESHT with Binky... We were trying to steal a goose from the casino, muahahaha..." But it wont be like that[...] You don't want to find out that the most you could possibly achieve, if you gave it your all, if you harvested every screed of energy within you, and devoted yourself to improving yourself, that all you would get to, would be maybe eating less cheesy snacks."

"The cookery programmes that everybody watches are ridiculous, and so are the house programmes. You know you do not need a fish tank in the atrium you haven't got. And people now, feel under pressure to perform in their lives. Who has the time though? Who really has the time to skin the baby rabbit and dip it in the duck's tears and nail it to the garden roof and get to work with the blow torch so it has just the right texture to match the squash you made that morning using just your elbows. Who has the time? Nobody lives like this! We go around thinking that everybody else does, you know? Because what happens is you come in from work, and you think... maybe at most, if you're getting very adventurous, you will think "TONIGHT, we will eat something that has two colours in it!" BUT YOU DON'T! You end up sitting in front of the television, watching these programmes, eating bread from the bag, dipping it in anything runnier than bread, because there's isn't time for this horse shit!"