"To have never taken a solitary road trip across country? I mean everybody's got to take a road trip, at least once in their lives. Just you and some music."

"I don't know a lot about everything, but I do know a lot about the part of everything that I know, which is people."

"I'm going to miss your lips. And everything attached to them."

"Welcome to the annual meeting of people who annually meet, and we'll see ya'll next year."

"Most of the sex I've had in my life was not as personal as that kiss."

"Trust me. Everybody is less mysterious than they think they are."

"Sadness is easier because it's surrender. I say make time to dance alone with one hand waving free."

"I'm impossible to forget, but I'm hard to remember."

"Is this a courting or a donnybrook? Have the good manners not to hit the man until he's your husband and entitled to hit you back."

"Charles FitzSimons - Hugh Forbes"

"Arthur Shields - Rev. Cyril Playfair"

"Francis Ford - Dan Tobin"

"Now, I'll begin at the beginnin'. A fine soft day in the spring it was when the train pulled into Castletown three hours late as usual, and himself got off. He didn't have the look of an American tourist at all about him. Not a camera on him. And what was worse, not even a fishing rod."

"Mildred Natwick - The Widow Sarah Tillane"

"Ward Bond - Father Peter Lonergan"

"Victor McLaglen - Squire "Red" Will Danaher"

"Barry Fitzgerald - Michaleen Oge Flynn"

"Maureen O'Hara - Mary Kate Danaher"

"Ah, yes. I knew your people, Sean. Your grandfather, he died in Australia, in a penal colony. And your father, he was a good man too."

"John Wayne - Sean Thornton"

"We have a whole life to live together you fucker, but it can't start until you call."

"Fuck! Fuck you! Fuck me! Fuck old people! Fuck children! Fuck peace! Fuck peace..."

"Call me, if you ever feel too old to drive."

"If you really love me, let's make a vow — right here, together... right now."

"Miranda July's Me and You and Everyone We Know is a film that with quiet confidence creates a fragile magic. It's a comedy about falling in love when, for you, love requires someone who speaks your rare emotional language. Yours is a language of whimsy and daring, of playful mind games and bold challenges. Hardly anybody speaks that language, the movie suggests — only me, and you, and everyone we know, because otherwise we wouldn't bother knowing them. As a description of a movie, I suppose that sounds maddening. An example: A young woman walks into a department store, and in the shoe department, she sees a young man who fascinates her. His hand is bandaged. She approaches him and essentially offers the gift of herself. He is not interested; he's going through a divorce and is afraid of losing his children. She asks him how he hurt his hand. "I was trying to save my life," he says. … Now imagine these two characters, named Christine (Miranda July) and Richard (John Hawkes) as they walk down the street. She suggests that the block they are walking down is their lives. And so now they are halfway down the street and halfway through their lives, and before long they will be at the end. It is impossible to suggest how poetic this scene is; when it's over, you think, that was a perfect scene, and no other scene can ever be like it. … Miranda July is a performance artist; this is her first feature film (it won the Special Jury Prize at Sundance, and at Cannes won the Camera d'Or as best first film, and the Critics' Week grand prize). Performance art sometimes deals with the peculiarities of how we express ourselves, with how odd and wonderful it is to be alive. So does this film. As Richard slowly emerges from sadness and understands that Christine values him, and he must value her, for reasons only the two of them will ever understand, the movie holds its breath, waiting to see if their delicate connection will hold. Me and You and Everyone We Know is a balancing act, as July ventures into areas that are risky and transgressive, but uses a freshness that disarms them, a directness that accepts human nature and likes to watch it at work."

"Ask her if she likes baloney."

"Email wouldn't even exist if it weren't for AIDS."

"So, do you have anything new in the chest? You know, the hope chest."

"But this is better 'cause it won't matter if we mess up. And we'll be together."

"I would love to believe in a universe where you wake up and don't have to to go to work and you step outside and meet two beautiful 18-year-old sisters who are also girlfriends and are also very nice people."

"[after taking off the bandage from his hand] It needs air. It needs to do some living. Let's take my hand for a walk."

"We will never touch your foot with our hands. Now I'll tell you what I can do, I can press on the shoe to see if it fits. I can go like this. [presses the toe of the shoe]"

"You know some kids don't even have one home and now you get to have two. Think about that."

"I don't want to have to do this living. I just walk around. I want to be swept off my feet, you know? I want my children to have magical powers. I am prepared for amazing things to happen. I can handle it."

"Christina Ricci as Layla"

"I don't need anybody. Do you hear what I said? Do you hear what I said this time? Wanna know the truth? I coulda had any girl I wanted, in school. Any girl I wanted. You know why I didn't have a girlfriend? Huh? Because there was nobody that I liked. Nobody that I liked. That's the truth. I coulda had anybody. There was nobody that I liked because girls stink. They stink. They're evil, and they're all bad. All of them. They're all backstabbers, like you.""

"Vincent Gallo as Billy Brown"

"Is this a church meeting or is this a bar? Make some noise!"

"LeAnn Rimes - Herself"

"Melanie Lynskey - Gloria"

"Bridget Moynahan - Rachel"

"Tyra Banks - Zoe"

"Izabella Miko - Cammie"

"Maria Bello - Liliana "Lil" Lovell"

"John Goodman - Bill Sandford"

"Adam Garcia - Kevin O'Donnell"