First Quote Added
April 10, 2026
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"Her [Helena's] light, mildly aseptic irony was wasted on Norine, who was unaware of irony and humorous vocal shadings; she listened only to the overt content of what was said and drew her own blunt inferences."
"Extend your antennae, girls."
"[Y]ou have to live without love, learn not to need it, in order to live with it."
"You mustn't force sex to do the work of love or love to do the work of sex."
"Thin women are more sensual; scientific fact — the nerve ends are closer to the surface."
"It was June, 1933, one week after Commencement, when Kay Leiland Strong, Vassar '33, the first of her class to run around the table at the Class Day dinner, was married to Harald Petersen, Reed '27, in the chapel of St. George's Church, P.E., Karl F. Reiland, Rector."
"If someone tells you he is going to make "a realistic decision," you immediately understand that he has resolved to do something bad."
"As subjects, we all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story."
"In violence, we forget who we are."
"[I]n science, all facts, no matter how trivial or banal, enjoy democratic equality."
"A wistful respect for the unorthodox is engrained in the Vassar mentality. The Vassar freshman still comes through Taylor Gate as I did, with the hope of being made over, redirected, vivified. The daughter of a conservative lawyer, doctor, banker, or businessman, she will have chosen Vassar in all probability with the idea of transcending her background. And if she does not have such ideas for herself, her teachers have them for her. […] This dynamic conception of education is Vassar's trademark."
"The essence of Vassar is mythic. Today, despite much competition, it still figures in the public mind as the archetypal woman's college. […] It signifies a certain je ne sais quoi; a whiff of luxury and the ineffable; plain thinking and high living. […] For different people, in fact, at different periods, Vassar can stand for whatever is felt to be wrong with the modern female: humanism, atheism, Communism, short skirts, cigarettes, psychiatry, votes for women, free love, intellectualism. Pre-eminently among American college women, the Vassar girl is thought of as carrying a banner. The inscription on it varies with the era or with the ideas of the beholder and in the final sense does not matter — the flushed cheek and tensed arm are what count."
"As an instrument of mass snobbery, this remarkable magazine [Flair], dedicated simply to the personal cult of its editress, to the fetishism of the flower (Fleur Cowles, Flair, a single rose), outdistances all its competitors in the audacity of its conception. It is a leap into the Orwellian future, a magazine without content or point of view beyond its proclamation of itself, one hundred and twenty pages of sheer presentation, a journalistic mirage. […] The articles, in fact, seem meant not to be read but inhaled like a whiff of scent from the mystic rose at the center (flair, through Old French, from fragrare, to emit an odor: an instinctive power of discriminating or discerning). Nobody, one imagines, has read them, not even their authors: grammatical sentences are arranged around a vanishing point of meaning."
"To allude negligently to Kafka, Yeats, Proust, Stendhal, or St. John of the Cross in a tone of of-course-you-know-them is canonical for Mademoiselle contributors, whatever the topic in hand."
"A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world."
"The theater is the only branch of art much cared for by people of wealth; like canasta, it does away with the bother of talk after dinner."
"[B]ureaucracy, the rule of no one, has become the modern form of despotism."
"[T]he labor of keeping house is labor in its most naked state, for labor is toil that never finishes, toil that has to be begun again the moment it is completed, toil that is destroyed and consumed by the life process."
"Our anti-Communism came to us neither as the fruit of a special wisdom nor as a humiliating awakening from a prolonged deception, but as a natural event, the product of chance and propinquity. One thing followed another, and the will had little to say about it. For my part, during that year, I realized, with a certain wistfulness, that it was too late for me to become any kind of Marxist. Marxism, I saw, from the learned young man I listened to at Committee meetings, was something you had to take up young, like ballet dancing."
"I could not, I saw, be a Communist because I was not "made that way." Hence, to be a Communist was to possess a sort of privilege. And this privilege, like all privileges, appeared to be a source of power. Any form of idiocy or aberration can confer this distinction on its owner, at least in our age, which aspires to a "total" experience."
"People sometimes say that they envied the Communists because they were so "sure." In my case this was not exactly it; I was sure, too, intellectually speaking, as far as I went. That is, I had a clear mind and was reasonably honest, while many of the Communists I knew were pathetically fogged up. In any case, my soul was not particularly hot for certainties."
"An unrectified case of injustice has a terrible way of lingering, restlessly, in the social atmosphere like an unfinished equation."
"For me, in fact, the mark of the historic is the nonchalance with which it picks up an individual and deposits him in a trend, like a house playfully moved in a tornado."
"Is it really so difficult to tell a good action from a bad one? I think one usually knows right away or a moment afterward, in a horrid flash of regret."
"Every age has a keyhole to which its eye is pasted."
"[T]he whole concept of transcendence […] was very close to my heart, the concept that man is more than his circumstances, more even than himself."
"People with bad consciences always fear the judgment of children."
"Liberty, as it is conceived by current opinion, has nothing inherent about it; it is a sort of gift or trust bestowed on the individual by the state pending good behavior."
"The Crucifixion and other historical precedents notwithstanding, many of us still believe that outstanding goodness is a kind of armor, that virtue, seen plain and bare, gives pause to criminality. But perhaps it is the other way around."
"The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof."
"I suppose everyone continues to be interested in the quest for the self, but what you feel when you’re older, I think, is that — how to express this — you really must make the self. It's absolutely useless to look for it, you won’t find it, but it’s possible in some sense to make it."
"Life for the European is a career; for the American, it is a hazard."
"The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air."
"We are a nation of twenty million bathrooms, with a humanist in every tub."
"The American, if he has a spark of national feeling, will be humiliated by the very prospect of a foreigner's visit to Congress — these, for the most part, illiterate hacks whose fancy vests are spotted with gravy, and whose speeches, hypocritical, unctuous and slovenly, are spotted also with the gravy of political patronage, these persons are a reflection on the democratic process rather than of it; they expose it in its underwear."
"Combativeness was, I suppose, the dominant trait in my grandmother’s nature. An aggressive churchgoer, she was quite without Christian feeling; the mercy of the Lord Jesus had never entered her heart. Her piety was an act of war against the Protestant ascendancy […] articles attacking birth control, divorce, mixed marriages, Darwin and secular education were her favourite reading. The teachings of the Church did not interest her, except as they were a rebuke to others […] The extermination of Protestantism, rather than spiritual perfection, was the boon she prayed for."
"I do not mind if I lose my soul for all eternity. If the kind of God exists Who would damn me for not working out a deal with Him, then that is unfortunate. I should not care to spend eternity in the company of such a person."
"To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics."
"From what I have seen, I am driven to the conclusion that religion is only good for good people, and I do not mean this as a paradox, but simply as an observable fact. Only good people can afford to be religious. For the others it is too great a temptation — a temptation to the deadly sins of pride and anger, chiefly, but one might also add sloth."
"When I go it will have to be by gondola because I have so much baggage. Some private Charon of the signora's will ferry me down to the station in his shabby funeral bark. That is how the Allies took Venice, arriving from the mainland, at the end of the second World War. There was a petrol shortage, and the Allied command, having made secret contact with the gondoliers' co-operative, officially 'captured' Venice with a fleet of gondolas. Even war in Venice evokes a disbelieving smile."
"Casanova had the true Venetian temperament: cool, ebullient, and licentious. […] This absence of passion no doubt contributes to the unreal character of Venetian life, which appears as a shimmering surface, like Venetian music. In the traditional Venetian serenades, played from cruising gondolas, the songs today are all Neapolitan. Foreigners cavil at this, but the Venetians point out that there are no love songs in the Venetian repertory — only witty exchanges between man and maiden."
"St Mary of Egypt […] has, by the way, two qualifications for being a Venetian saint — first, she was a courtesan, and, second, when she died, her remains were buried by a pious lion."
"The Venetians invented the income tax, statistical science, the floating of government stock, state censorship of books, anonymous denunciations (the Bocca del Leone), the gambling casino, and the Ghetto."
"The Florentines, who were incapable of ruling themselves, produced a great theorist of government: Machiavelli. The Venetians had no theorists and evolved a model Republic."
"Sophistication, that modern kind of sophistication that begs to differ, to be paradoxical, to invert, is not a possible attitude in Venice. In time, this becomes the beauty of the place. One gives up the struggle and submits to a classic experience. One accepts the fact that what one is about to feel or say has not only been said before by Goethe or Musset but is on the tip of the tongue of the tourist from Iowa who is alighting in the Piazzetta with his wife in her furpiece and jeweled pin. Those Others, the existential enemy, are here identical with oneself."
"Among Venice's spells is one of peculiar potency: the power to awaken the philistine dozing in the skeptic's breast. People of this kind — dry, prose people of superior intelligence — object to feeling what they are supposed to feel, in the presence of marvels. They wish to feel something else. The extreme of this position is to feel nothing."
"The rationalist mind has always had its doubts about Venice. The watery city receives a dry inspection, as though it were a myth for the credulous — poets and honeymooners."
"You act as if the human race had learned nothing, as if everything were possible, as if we could all start on a new phase every day. Or a new wife. It's all the same. You take up a doubting posture. But you don't really doubt. You just ask questions, like a machine." Her voice rose, in slight hysteria. Warren looked at her in consternation. "Forgive me," she put in. "But it's true. And the whole world is getting like you, like New Leeds. Everybody has to be shown. 'How do you know that?' every moron asks the philosopher when he is told that this is an apple and that is a pear. He pretends to doubt, to be curious. But nobody is really curious because nobody cares what the truth is. As soon as we think something, it occurs to us that the opposite or the contrary might just as well be true. And no one cares."
"She felt as though she were present, against her will, at an interminable discussion […] with captious voices pleading, "Explain to me, why not? Give me one reason why not." The medieval temptations, with all the allures of gluttony and concupiscence could not, Martha thought, have been half so trying as the sheer dentist-drill boredom of listening to the arguments of the devil as a modern quasi-intellectual."
"[P]ity was very unreliable, as a guide to conduct. It signified a conquered repugnance."