Women Authors From The United States

"trouble me disturb me with all your cares and you worries trouble me on the days when you feel spent"

"hey Jack now for the tricky part when you were the brightest star who were the shadows? of the San Francisco beat boys you were the favorite now they sit and rattle their bones and think of their blood stoned days"

"hey Jack Kerouac I think of your mother and the tears she cried, she cried for none other than her little boy lost in our little world that hated and that dared to drag him down her little boy courageous who chose his words from mouths of babes got lost in the wood hip flask slinging madman, steaming cafe flirts they all spoke through you"

"talk, talk, talk about it you talk as if you care but when your talk is over tilt that bottle in the air tossing back more than your share"

"don't talk, I will listen don't talk, you keep your distance I'd rather hear some truth tonight than entertain your lies"

"what a cold and rainy day where on earth is the sun hid away?"

"the color of the sky as far as I can see is coal gray lift my head from the pillow and then fall again with a shiver in my bones just thinking about the weather a quiver in my lips as if I might cry"

"these sobering sights I've seen in the City of Angels have all been one rude awakening that was due to me in this city of fallen angels"

"where is the halo that should glow 'round your face and where are the wings that should grow from your shoulder blades?"

"see them walking, if you dare if you call that walking stumble, stagger, fall and drag themselves along the streets of heaven"

"heaven, is this heaven where we are?"

"threats like, "if you don't mind I will beat on your behind" "slap you, slap you silly" made me say, "o, what's the matter here?""

"I'm tired of the excuses everybody uses he's their kid I stay out of it, but who gave you the right to do this?"

"If I could calm or restrain you for the sake of pity save the pistol save the cynic's tongue save the cool white stare treat me to an honest face sometime"

"I think many people have been made curious about Henry Darger because of the song on my album Motherland. Henry Darger (1892-1973) was the author and illustrator of what could possibly be the longest unfinished fictional work of all time. His towering hand-bound manuscript of 17,000 pages was found in this obscure retired hospital janitor’s apartment after his death. Henry worked in obsessed isolation for six decades on his saga entitled, The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion."

"For the time being I am enjoying my chance to enjoy civilian life off the road. If I combined all the months that I have lived out of a van or tour bus it would amount to twelve solid years. That would be twelve years of driving or flying an average of 100 to 400 miles per day and sleeping in a different city every night. It was a very unique lifestyle that I adapted to and even enjoyed with it’s surreal pace. It’s also a lifestyle that can take a toll on the body and relationships with the people that you are constantly leaving behind."

"I don’t want to overdo discussing my experience of motherhood, its too private and profound to parade around. I will say that carrying a child, giving birth to a child and raising that child up has made me feel more engaged and connected to others. I have a greater understanding of people (living past & present). We all begin so pure, so innocent and so hungry for physical and emotional comfort. It’s so important that every baby be generously cherished, fed and comforted. I can see now how withholding these essentials can do irreparable damage. Now (post-baby) when I encounter a sad or aggressive character, I wonder what the first three years of his or her life were like. Imaging them alone, crying in their cribs has given me much more compassion."

"I don’t listen to anything on the radio but NPR and occasional oldies programs. I can’t comment on the content or format of most commercial radio but I have read the statistics about the step-by-step deregulation of FCC rules that has allowed monopolies like Clear Channel to buy up massive shares of the airwaves. This has damaged our business (music) and our culture (American). The internet is offering bold alternatives but a transistor radio is only $25.00 and not everyone is hooked up through a computer and high speed connection."

"After spending nearly 20 years contracted to a major label, I have mixed feelings about their demise. These companies have profited immensely from your insatiable desire for listening and helped musicians for several decades to reach you. They grew fat and excessive. They exploited and they monopolized. They edited and censured. They’ve been rapidly losing their means of production, distribution and promotion to the internet. They have been economizing by dropping artists, cutting staff and folding into one another but they can’t keep up with the pace of disintegration. You might not have ever heard my name if Elektra Records hadn’t made me one of their artists for hire. I’m both grateful and resentful and you probably are too."

"It’s pretty obvious to everyone that the revolution has happened. The People can now easily cut out a hoard of middlemen (record companies, radio stations, music press and retail shops). With a series of computer strokes they can find the music they want to hear, become informed about the musicians who make it, find other people who share their interest and ultimately either buy, trade or steal that coveted sound."

"My drug period was between the age of 17 and 18. That was a time when I was experimenting with a lot of things, I was experimenting with sleep deprivation, fasting. The longest fast I ever did was 12 days. You go that long without food and you hallucinate. I would take this powder made out of guarana seed, my friend Mary would bake it up like cocoa in muffins and leave them on my doorstep. My drinking period was when I was 13, 14. Drugs fascinated me for a short period of time but not any more. A glass of wine puts me in a weird enough state."

"I grew up as a TV baby, with my TV babysitter, up until I was about 10. Then my mother just ripped the thing out of the wall and put it in a closet, and we didn't watch it. I have that sort of ability to become addicted to it. And I'm just so fascinated by it once I turn it on, I'm not even that aware what's there. I'm just watching it. So I don't ever turn it on. I get my news from the newspaper. I don't want to watch the Hollywood news product on TV... There's no other piece of furniture in my home I'd stare at for three hours at a time, so I try not to do it to the TV."

"There is one tradition in America I am proud to inherit. It is our first freedom and the truest expression of our Americanism: the ability to dissent without fear. It is our right to utter the words, "I disagree." We must feel at liberty to speak those words to our neighbors, our clergy, our educators, our news media, our lawmakers and, above all, to the one among us we elect President."

"Uh – this is your Captain again You know, I've got a funny feeling I've seen this all before Why? Cause, I'm a caveman Why? Cause, I've got eyes in the back of my head Why? It's the heat. Standby This is the time. And this is the record of the time"

"Good evening. This is your Captain We are about to attempt a crash landing... Place your tray tables in their upright, locked position Your Captain says: Put your head on your knees Your Captain says: Put your head in your hands... We are going down We are all going down, together... Standby."

"And you know the reason I really love the stars is that we cannot hurt them. We can't burn them or melt them or make them overflow. We can't flood them or blow them up or turn them out. But we are reaching for them. We are reaching for them."

"And he said: Now, I'm the Soul Doctor, and you know, language is a virus from outer space, and hearing your name is better than seeing your face."

"Paradise Is exactly like Where you are right now Only much much Better."

"She said, it looks Don't you think it looks a lot like rain? He said, isn't it? Isn't it just, isn't it just like a woman? She said, it's hard It's just hard, it's just kind of hard to say"

"Let X equal X You know, it could be you It's a sky-blue sky The satellites are out tonight Let X equal X...You know, I could write a book And this book would be thick enough to stun an ox 'cause I can see the future, and it's a place... Thanks for all the presents... Thanks for introducing me to the Chief"

"Ha, ha, ha, ha, ha, ha, ha, ha... Hello? This is your mother, are you there? Are you coming home?...Hello? Is anybody home? Well, you don't know me, but I know you And I've got a message to give to you And I said: okay, who is this really? And the voice said: This is the hand, the hand that takes...Neither snow nor rain nor gloom of night Shall stay these couriers from the swift completion Of their appointed rounds"

"Golden cities. Golden towns And long cars, in long lines and great big signs And they all say: Hallelujah. Yodellayheehoo Every man for himself. Ooo coo coo Golden cities. Golden towns. Thanks for the ride Big Science. Hallelujah. Big Science. Yodellayheehoo"

"Mr. Hussein's dogged insistence on pursuing his nuclear ambitions, along with what defectors described in interviews as Iraq's push to improve and expand Baghdad's chemical and biological arsenals, have brought Iraq and the United States to the brink of war."

"I was Betty Bacall always. And Lauren was Howard Hawks... he felt that Lauren Bacall was better sounding than Betty Bacall. He had a vision of his own. He was a Svengali. He wanted to mold me. He wanted to control me. And he did until Mr. Bogart got involved."

"It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences."

"[I]t was her modelling career that took off before the acting one when she was introduced to the Harper's Bazaar columnist Diana Vreeland by none other than Baron Nicolas de Gunzburg — not just an editor at the magazine but also a former actor who had played the leading role in Carl Dreyer's classic Vampyr (1932)."

"People said Bacall was 'tough.' She's a pussycat with a heart of gold."

"Her life speaks for itself … She lived a wonderful life, a magical life."

"It's not an old movie if you haven't seen it."

"He was... a womanizer, he wanted to be in the sack with everybody."

"That's absolutely one of my most favorite movies, for so many reasons. I fought for that part; I wanted it badly. I took a lower salary, I did everything. Grace Kelly said, "I'll never forgive you for playing that part. It was written for me". She [Kelly] got the prince [Rainier], I got the part."

"[B]adly, playing the Missouri Waltz, or something."

"I went to a sneak preview... I was sort of stunned by it, because you don't realize what you've done. I never knew what was going to happen, but they knew. Warners knew, and Howard knew."

"A planned life is a dead life."

"I love Nicole. Nicole and I happen to be very great friends. Besides that, the press never get it straight. They do not print what you say... We were in Venice for Birth at the Venice Film Festival. And you know when you have a day when you go from one room to another with the roundtables with about five journalists sitting around at each table throwing questions at you all the time. So in one of these rooms, I'm sitting there. And one of the journalists said, you're an icon and Nicole Kidman's an icon and what do you think about that? And I said, why do you have to burden her with the category? She's a young woman. She's got her whole career ahead of her. Why does she have to be pegged as an icon or as anything? Let her enjoy her time. Don't, you know, suddenly put her in a slot. And that was all I said. The word "legend" never came up. It was "icon.""

"Well, his attention span was not long, shall we say."

"Losing Bogey was horrible, obviously. Because he was young. And because he gave me my life. I wouldn't have had a — I don't know what would have happened to me if I hadn't met him — I would have had a completely different kind of life. He changed me, he gave me everything. And he was an extraordinary man."

"Bacall: I'm a total Democrat. I'm anti-Republican. And it's only fair that you know it. Even though..."

"The people I've known I must say are extraordinary. When I think about some of them, I can't believe that I knew them all. And I think the reason I knew most of them at the beginning was because they were of Bogie's generation, 25 years my senior, not mine. But they were the most talented people of all."

"Imagination is the highest kite that can fly."