First Quote Added
April 10, 2026
Latest Quote Added
"This is a plural society and all of us have to work at it a little bit to get the full flavor of the society."
"I would much rather be respected by the Indian community through my writing than to have my books reviewed in the New York Times."
"if Indians are left out of every other class on the university campus, even where they are pertinent-for example, leaving Scott Momaday out of a class on twentieth-century American literature, something like that somewhere else there has to be a balance. There has to be someone somewhere else who is going to emphasize Scott Momaday to the exclusion of the ones who are emphasized in the other class. I hope that at some point that will become balanced. I hope that pretty soon an American literature class will just automatically include someone like Scott Momaday-and some of the other people: Charles Eastman, you know, the other writers in our history."
"the way I think of it-now I don't really know where the poems or where the art comes from, I don't know where the images come from-but however they come or wherever they come from is like communicating with a person. It's a whole person. That person shows you things and has a certain appearance but also tells you things. So as you receive images, they are either received through the ear or through the eye or through the tongue and that's just the way it feels."
"One way that they [Kachinas] can be thought of is if you think of the entire earth as being one being and we as small beings living on that large being like fleas on a cat."
"I think it's impossible to be governed with any sense of integrity when you don't recognize each other and have no obligation to each other."
"What a lot of people don't realize is there were a number of revolts against the Spanish mission by the Indians. But they don't tell you this in the museums. In fact, the museum right here in Oakland paints a ridiculous picture of the missions with the happy little natives making baskets in the shade of the adobe with the benevolent padres walking around rattling their rosaries. That just is not the way that the missions were."
"... as an adolescent ... from the world around me, I learned that must I hide all signs that I menstruated or face deep, crushing shame."
"Menstruation is a wild process that should captivate and delight. It offers up so many lessons in terms of how we understand bodily autonomy, sexual selection, even tissue engineering. It is strange, then, that instead of being something so fundamental to science education as Mendel's peas or dinosaur bones or the planets of our solar system, it gets at best a brief mention in health class."
"A study in Taiwan found that, despite education programs on menstruation at school, the boys in the sample had a significantly worse attitude toward menstruation than the girls. ... An older study from the United States showed that men tended to think the majority of menstrual symptoms occurred during the menstrual phase, whereas women reported that they occurred during the premenstrual phase. Men also tended to think periods were more emotionally debilitating but less physically bothersome than women. ..."
"The study of ovarian and endometrial functioning creates the opportunity to test questions regarding a trade-off that characterizes human pregnancy: close maternal-fetal contact to improve resource transmission, yet higher vulnerabilities to pathologies related to energetics and inflammation such as and choriodecidual inflammatory syndrome."
"I coined the term “Indigenous futurisms” in 2003 while editing Walking the Clouds: An Anthology of Indigenous Science Fiction. Much like Afrofuturism, Latinx futurism, and the like, Indigenous futurisms is a literary and artistic movement that expresses Native perspectives of the past, present, and future. These genres encompass the myriad communities too often overlooked within speculative and science fiction. Still, they can be limiting in their singularity."
"Hays, who is currently a candidate for Texas Agriculture Commissioner, said she remembers Weddington a constant advocate for others. “She…taught me that you always help somebody out and connect them or open the door for them,” Hays said. “That generosity of spirit is too rare these days.”"
"In law there are “magic words.” If one of them applies to what you are challenging, you have a good chance of getting it overturned. Linda and I used all the magic words that might possibly apply: The statutes were “vague” and uncertain on their face; they were “unconstitutionally broad” on their face in that they infringed upon plaintiff’s “right to safe and adequate medical advice” about the decision of whether to carry a pregnancy to term, upon the “fundamental” right of all women to choose whether to bear children, and upon plaintiff’s “right to privacy” in the physician-patient relationship; on their face they infringed upon plaintiff’s “right to life” in violation of the due-process clause of the Fourteenth Amendment; on their face they violated the “First Amendment” prohibition against laws respecting an establishment of religion; and on their face they denied plaintiffs the “equal protection of the laws.”"
"The vibrancy of change permeates the air around all of our nations, human and more-than-human."
"One of the few stories that captured my real feelings on the day we won, however, didn’t appear until a few weeks later, in the Milwaukee Journal: “Sarah Weddington looked uncomfortable as the women pressed close to her, offering their thanks. ‘If I hadn’t done it, someone else would have,’ she explained to them.” Indeed, I saw Roe as part of a much larger effort by many attorneys. I was the one who, through a series of quirks, stood before the Court to represent all of us. Had a different string of events occurred, another case might have been the one to make history."
"May we treasure our kinship system, which connects us not always via direct blood relations but through our social relations and roles, filling each"
"As a Research Coordinator and Curator of Exhibits and Special Programs at the Schomburg Center for Research in Black Culture, Miriam worked closely with SNCC activists Roberta “Bobbi” Yancy, professor Zita Nunes, and director Howard Dodson to produce dozens of widely celebrated international Africana exhibits (1987-1997)."
"Influenced by the Civil Rights, Black Power and Nuyorican movements, Miriam often asserted, “African Americans have always been in the vanguard. Everything that’s worthwhile in this country has come about because African Americans have pushed it. We all benefit everyday, white people as well as people of color, from the struggles of African Americans.”"
"The problem I see for younger activists is that today it’s harder to get a good job. It’s harder to make the money you need. I mean, we lived so simply. I watch my students and the tuition is so much higher and they’re working two or three jobs trying to support themselves. I think it is harder for people to have the time to be able to do the kinds of work we did, just because we didn’t have as many other demands on us as people who are of college age and a little bit older do."
"She was an influential pioneering architect of the Afro-Latinx Studies movement."
"She received all of her formal education in public schools and universities during the early years of ethnic studies, saying, “I owe my less formal but likely strongest intellectual, professional and personal development to the African diasporic community of scholars and activists,” whose worked inspired her for a lifetime."
"Prior to graduating high school, Miriam wrote, “Each new mask is put on, tested, and finally disposed of…Just who am I?” adding, “It should not matter who your parents were. The product is what is of importance. It should not matter!” This introspection and insightfulness would serve her well in future endeavors."
"Jiménez Román and Flores write: "Afro-Latin@ is at the personal level a unique and distinctive experience and identity because of its range among and between Latin@, Black, and United States American dimensions of lived reality. In their quest for a full and appropriate sense of social identity Afro-Latin@s are thus typically pulled in three directions at once and share a complex, multidimensional optic on contemporary society." Taking a cue from W.E.B. Du Bois, we might name this three-pronged web of affiliations "triple-consciousness." To paraphrase those unforgettable lines from The Souls of Black Folk (1903) in studying the historical and contemporary experience of United States Afro-Latin@, one ever feels his three-ness, -a Latin@, a Negro, an American; three souls, three thoughts, three unreconciled strivings; three warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. Du Bois's reference to strength and resilience bears emphasis: the multiple experiences and perspectives including the contradictions, pain, and outrage-does not necessarily translate into pathological confusion. As many of the contributions to this volume suggest, embracing and celebrating all the dimensions of one's self has not only been possible but has also resulted in significant innovations at the personal and collective level."
"Ultimately we want to share knowledge, not in a way that's stolen and appropriated and misused, but in a way that is a sharing and exchange of ideas that will actually help us get to a point where we don't have to worry about, you know, needing to head off to another planet in order to live."
"In their introduction to the Afro-Latin@ Reader, the first major academic effort about Latin@s of African descent in the United States, editors Miriam Jiménez Román and Juan Flores struggle to define the term Afro-Latin@, asking within a North American context, "What's an Afro-Latin@? Who is an Afro-Latin@? The term befuddles us because we are accustomed to thinking of 'Afro' and 'Latin@' as distinct from each other and mutually exclusive: one is either Black or Latin@""
"She authored dozens of seminal works that challenged racial democracy, Taíno revivalism, blanqueamiento, and the U.S. census"
"In an insightful study of the two memoirs, legal scholar Kevin McMunigal argues that Weddington did not adequately inform McCorvey that her chances of receiving an abortion as the Roe plaintiff were slim, thereby allowing the vulnerable McCorvey to believe that being the plaintiff in the case was her most likely ticket to a legal abortion. Doing so, McMunigal states, was a questionable ethical decision on Weddington’s part, as she treated McCorvey as a stand-in for pregnant women as a whole, not as a client with needs and interests of her own. Ultimately, McMunigal maintains that McCorvey should have been treated with comparable ethical standards as patients seeking out medical care or participating in medical research, namely, being provided with comprehensible information about the various strategies open to her from which she would then be able to choose."
"This kind of book should have been around when I was a kid because blackness was equated with being African-American. This limited view left me concerned about my blackness because I grew up as a Black Puerto Rican and I’m very conscious how race and ethnicity have both impacted my life."
"("Are there any countries working to acknowledge the historical and cultural impact of their African roots?") Every single country in Latin America and the Caribbean is doing that, including places you would never imagine like Chile and Uruguay and Paraguay, all have Black advocacy organizations. The only exception is El Salvador. And I think we can contribute some of the reluctance to organizing to El Salvador’s civil war. The political instability works against organizing."
"struggling for racial equality [in Latin America] is far behind the United States."
"Whether we look at race as a fixed notion or culturally constructed concept it is very real. Race itself is an invention, a creation. Many people feel race is something that’s fixed, rigid and doesn’t have variances. By looking at Afro-Latinos, you kind of get a better sense of how fluid race has been. People have constructed it in different ways depending on conditions and circumstances."
"In Latin America there is this general concept that because we are all racially mixed, somewhere back in everybody’s family tree there is an African or Indian then we are incapable of being racist because that would be being racist against ourselves. Since most of these countries became independent that has become the guiding line that we are all mixed and because we are all mixed we cannot be racist."
"we’re not in a post racial state. Race is still a very important part of how all of us – globally – live our lives. African-Americans and Latinos need to get together, create change that will benefit not just Latinos and African-Americans but all people of color."
"The way ideology is constructed in Latin America –if you claim Blackness or talk about race, it’s because you have some kind of complex; you just can’t seem to deal with the world the way it is. It’s a good way of silencing any kind of protest against discrimination because people think you’re saying because you have a problem, it’s your personal problem not collective discrimination."
"As soon as Sarah Weddington had my name on the affidavit, I had served my purpose...If she told me how and where to get an abortion (or introduced me to people who knew, since, as a lawyer, she might have to cover herself), she wouldn’t have a plaintiff. And without a plaintiff, somebody else might get their case before the Supreme Court first."
"We keep denying the importance of race because white people are becoming the minority."
"In the process of putting the book together, we discovered a whole series of people who were identified as being African-American because they appeared—Black. There was no real attention to their [Latino] ethnicity even if they spoke Spanish; they served as bridges. Afro-Latinos function in two worlds: African [Black] and Latino."
"As the Red Nation’s The Red Deal: Indigenous Action to Save Our Earth puts it, over and over again, we have a choice to make: decolonization or extinction."
"Afro-Latinos serve as bridges. The most obvious example would be Arturo Alfonso Schomburg. The Schomburg Center for Black Culture [Harlem, New York, USA] is probably the premiere institution for any type of serious scholarship and research on Africans and their descendants. Schomburg was a Black Puerto Rican who came to the United States from Puerto Rico in 1891 at 17. He became an integral part of the Black community – African American and Caribbean; most definitely he served as a bridge. Most of his writings were about Black Latinos, whether in Spain, the Caribbean or South America."
"Climate change is as much about humanity as it is about industry, and it is creative efforts that will ultimately move hearts and minds to address the problem."
"The myths about idealizing settlers and settler nations at the time of contact are a huge misunderstanding that are still promoted today."
"In terms of the future, my Anishinaabemowin language has a word, kobade—a very small word, but in reality an extremely sophisticated concept. The idea is that everything that’s in the past and the future is also in the now, but it’s not as simplistic as that. It’s more like there exists a spiral of intergenerational connections, so that even if you are in the present you have spirit persons at your side; they can be ancient spirits, considered to be from the past or from the future. Kobade is the recognition of all persons, not just human persons, and of all the intergenerational connections that we have, which are never linear, but spiral. In my language some people may describe it as a chain, wherein we’re connected to each other, so that the future is always containing the past and the present; I don’t use the word “chain” because I work in Black Studies and it just feels heavy and inappropriate. I use the image of a spiral. This is very different from the former science fiction model, what was called “extrapolative fiction.” This word came directly from Robert A. Heinlein, who took the idea from mathematical equations, where you pull something out of the past or the present and draw this imagined plausible future from one dot to another. That’s an extremely linear concept, too simplistic to allow other forms of thinking. For example, we just don’t arbitrarily choose a certain point in the past when writing and developing characters; there can be all kinds of remnants of pasts, presents, and futures."
"Walking the Clouds returns us to ourselves by encouraging Native writers to write about Native conditions in Native-centered worlds liberated by the imagination."
"May you find balance too. Mino bimaatisiiwin!"
"Indigenous Futurism is a growing movement in—but not limited to—Indian Country, where Native peoples dare to reimagine societal tropes, alternative histories and futures through the exploration of science fiction and its sub-genres. This comes in a variety of mediums consisting of comics, fine arts, literature, games and other forms of media. The concept was coined by Anishinaabe scholar Grace L. Dillon in her anthology of Indigenous writers from across the globe entitled “Walking the Clouds: An Anthology of Indigenous Science Fiction.” In the book’s introduction, she writes, “All forms of Indigenous futurisms are narratives of biskaabiiyang, an Anishinaabemowin word connoting the process of ‘returning to ourselves,’ which involves discovering how personally one is affected by colonization, discarding the emotional and psychological baggage carried from its impact, and recovering ancestral traditions in order to adapt in our post-Native Apocalypse world.”"
"What better terrain than the field of sf to "engage colonial power in the spirit of a struggle for survival," the warrior ethic that Taiaiake Alfred (Kanien'kehaka) urges Natives to embrace as "thinkers, teachers, writers, and artists"? What better mindscape from which to "look at traditions in a critical way, not trying to take them down, but to test them and to make sure they're still strong"?"
"Native slipstream thinking, which has been around for millennia, anticipated recent cutting-edge physics, ironically suggesting that Natives have had things right all along. The closest approximation in quantum mechanics is the concept of the "multiverse," which posits that reality consists of a number of simultaneously existing alternate worlds and/or parallel worlds. Interested readers will enjoy John Gribbin's In Search of the Multiverse: Parallel Worlds, Hidden Dimensions, and the Quest for the Frontiers of Reality (2010) and David Deutsch's seminal The Fabric of Reality: The Science of Parallel Universes and Its Implications (1998)."
"Methods that do not resemble western science are not de facto "primitive.""
"Walking the Clouds opens up sf to reveal Native presence. It suggests that Indigenous sf is not so new-just overlooked, although largely accompanied by an emerging movement-and advocates that Indigenous authors should write more of it."