Theatre Directors

"You know you've made it when you've been moulded in miniature plastic. But you know what children do with Barbie dolls - it's a bit scary, actually."

"For me, the roles are the secondary part of the whole process to me strangely. It's about who you're being directed by and who the other actors are. Whenever I read a script, I think, 'wow, that's a great story,' and invariably I want to play one of the other characters, and the process of working out how to play the character you're offered is to work out why you aren't playing the other characters in a way. Maybe that's why I play roles of various different sizes. The challenge is not necessarily always the lead role, but in this case [Blue Jasmine] it was all those things combined."

"In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects."

"I remember when I came out of drama school I'd seen a lot of actors, brilliant actors who didn't work very often. And when you're starting out, there's more rejection than there is acceptance, and I said to myself, “I’ll give it five years. I don’t think I have a strong enough mettle to deal with the rejections.""

"It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who'd had children and I think they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move."

"Of course one worries about getting older - we're all fearful of death, let's not kid ourselves. I'm simply not panicking as my laugh lines grow deeper. Who wants a face with no history, no sense of humor?"

"I've done a lot of talking over the past six years. My husband and I have been running the Sydney Theatre Company and it's been magic – my kids have been able to see so many of those transient moments between acting and real life behind the scenes. But now that I've given it up I'm looking forward to being a bit quieter. I'm very conscious of that. There have been times when I've heard myself in the past and thought: "Aw, just shut up.""

"It's been an enormous challenge and enormously gratifying. Andrew and I wanted to travel less and the opportunity of living and working in Sydney was irresistible, especially when it came to being able to give our children roots. I also felt drawn to the stimulating kind of environment that the theatre offers in a way that is completely different from film. To direct a company has its own challenges, and there's nothing like the terror and thrill that comes from performing live in front of an audience. So it's been a marvellous experience for both of us."

"I can be a real pessimist. You know that when you win an Oscar and you walk offstage and your first thought is: "Oh God, I've peaked.""

"I think marriage is all about timing. Getting married is insanity; I mean, it's a risk – who knows if you're going to be together forever? But you both say, 'We're going to take this chance, in the same spirit."

"Well, I'm a product of the Australian film industry which by its very nature is independent, sometimes for better sometimes for worse. I suppose the collaborative nature of being independent is what feels natural to me, and when people talk about working in Hollywood I don't quite know what that means. Being part of the Indiana Jones franchise and The Lord of the Rings, that felt more like a departure for me. But in the end, I think the whole notion of the independent spirit is not just about the way a film is financed but about the creative thinking behind it, and sometimes that can exist in the mainstream; those sensibilities can cross over and audiences are interested in, not a homogenous way of storytelling but a diverse way of receiving a narrative."

"As random and as subjective as this award is, it means a great deal in a year of extraordinary, yet again, extraordinary performances by women ... And perhaps those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences. They are not. Audiences want to see them, and in fact, they earn money. The world is round, people."

"Thank you of course to Miss Hepburn. The longevity of her career I think is inspiring to everyone. But most importantly and on behalf of everyone I know in The Aviator, thank you to Martin Scorsese. I hope my son will marry your daughter."

"If I had my way, if I was lucky enough, if I could be on the brink my entire life — that great sense of expectation and excitement without the disappointment — that would be the perfect state."

"He who possesses liberty otherwise than as an aspiration possesses it soulless, dead. One of the qualities of liberty is that, as long as it is being striven after, it goes on expanding. Therefore, the man who stands still in the midst of the struggle and says, "I have it," merely shows by so doing that he has just lost it. Now this very contentedness in the possession of a dead liberty is characteristic of the so-called State, and, as I have said, it is not a good characteristic. No doubt the franchise, self-taxation, etc., are benefits — but to whom? To the citizen, not to the individual. Now, reason does not imperatively demand that the individual should be a citizen. Far from it. The State is the curse of the individual. With what is Prussia's political strength bought? With the absorption of the individual in the political and geographical idea. The waiter is the best soldier. And on the other hand, take the Jewish people, the aristocracy of the human race — how is it they have kept their place apart, their poetical halo, amid surroundings of coarse cruelty? By having no State to burden them. Had they remained in Palestine, they would long ago have lost their individuality in the process of their State's construction, like all other nations. Away with the State! I will take part in that revolution. Undermine the whole conception of a State, declare free choice and spiritual kinship to be the only all-important conditions of any union, and you will have the commencement of a liberty that is worth something. Changes in forms of government are pettifogging affairs — a degree less or a degree more, mere foolishness. The State has its root in time, and will ripe and rot in time. Greater things than it will fall — religion, for example. Neither moral conceptions nor art-forms have an eternity before them. How much are we really in duty bound to pin our faith to? Who will guarantee me that on Jupiter two and two do not make five?"

"The real pioneers in ideas, in art and in literature have remained aliens to their time, misunderstood and repudiated. And if, as in the case of Zola, Ibsen and Tolstoy, they compelled their time to accept them, it was due to their extraordinary genius and even more so to the awakening and seeking of a small minority for new truths, to whom these men were the inspiration and intellectual support. Yet even to this day Ibsen is unpopular, while Poe, Whitman and Strindberg have never "arrived.""

"When we dead awaken. … We see that we have never lived."

"People who don't know how to keep themselves healthy ought to have the decency to get themselves buried, and not waste time about it."

"Luftslotte,—de er så nemme at ty ind i, de. Og nemme at bygge også."

"A forest bird never wants a cage."

"The younger generation will come knocking at my door."

"Men, gud sig forbarme,—sligt noget gír man da ikke!"

"Everything I touch seems destined to turn into something mean and farcical."

"Mrs. Elvsted: You have some hidden motive in this, Hedda! Hedda: Yes, I have. I want for once in my life to have power to mold a human destiny. Mrs. Elvsted: Have you not the power? Hedda: I have not—and never had it. Mrs. Elvsted: Not your husband's? Hedda: Do you think it's worth the trouble? Oh, if only you could understand how poor I am. And fate has made you so rich!"

"Back he'll come...With vine leaves in his hair. Flushed and confident."

"Oh courage...oh yes! If only one had that...Then life might be livable, in spite of everything."

"Our common lust for life."

"Tar De livsløgnen fra et gennemsnitsmenneske, så tar De lykken fra ham med det samme."

"Forget that foreign word "ideals." We have that good old native word: "lies.""

"A marriage based on full confidence, based on complete and unqualified frankness on both sides; they are not keeping anything back; there's no deception underneath it all. If I might so put it, it's an agreement for the mutual forgiveness of sin."

"Always do that, wild ducks do. They shoot to the bottom as deep as they can get, sir — and bite themselves fast in the tangle and seaweed — and all the devil's own mess that grows down there. And they never come up again."

"Sagen er den, ser I, at den stærkeste mand i verden, det er han, som står mest alene."

"En skulde aldrig ha’ sine bedste buxer på, når en er ude og strider for frihed og sandhed."

"The common people are nothing more than the raw material of which a People is made."

"There are three Empires. First there is the Empire which was founded on the tree of knowledge. Then there is the Empire founded on the tree of the Cross. The third is still a secret Empire which will be founded on the tree of knowledge and the tree of the Cross — brought together."

"That power which circumstances placed in my hands, and which is an emanation of divinity, I am conscious of having used to the best of my skill. I have never wittingly wronged any one. For this campaign there were good and sufficient reasons; and if some should think that I have not fulfilled all expectations, they ought in justice to reflect that there is a mysterious power without us, which in a great measure governs the issue of human undertakings."

"Erring soul of man — if thou wast indeed forced to err, it shall surely be accounted to thee for good on that great day when the Mighty One shall descend in the clouds to judge the living dead and the dead who are yet alive!"

"At leve er — krig med trolde i hjertets og hjernens hvælv. At digte, — det er at holde dommedag over sig selv."

"The great secret of power is never to will to do more than you can accomplish. The great secret of action and victory is to be capable of living your life without ideals. Such is the sum of the whole world's wisdom."

"I hold that man is in the right who is most closely in league with the future."

"The great task of our time is to blow up all existing institutions — to destroy."

"It is inexcusable for scientists to torture animals; let them make their experiments on journalists and politicians."

"Tvert imot!"

"I thank God that in the bath of Pain He purged my love. What strong compulsion drew Me on I knew not, till I saw in you The treasure I had blindly sought in vain. I praise Him, who our love has lifted thus To noble rank by sorrow, — licensed us To a triumphal progress, bade us sweep Thro' fen and forest to our castle-keep, A noble pair, astride on Pegasus!"

"I feel myself like God's lost prodigal; I left Him for the world's delusive charms. With mild reproof He wooed me to his arms; And when I come, He lights the vaulted hall, Prepares a banquet for the son restored, And makes His noblest creature my reward. From this time forth I'll never leave that Light, — But stand its armed defender in the fight; Nothing shall part us, and our life shall prove A song of glory to triumphant love!"

"Tho' Doubt's beleaguering forces hem us in, Yet Truth upon the Serpent's head shall trample. The cause of Love shall win —"

"Yes, Love shall win!"

"An unromantic poem I mean to make Of one who only lives for duty's sake."

"I go to scale the Future's possibilities! Farewell! God bless thee, bride of my life's dawn, Where'er I be, to nobler deed thou'lt wake me."

"Ikke tusend ord sig prenter, som én gernings spor."