Short Story Writers From The United States

"'All these people,' Bergmann continued, 'will be dead. All of them. . . . No, there is one—' He pointed to a fat, inoffensive man sitting alone in a distant corner. 'He will survive. He is the kind that will do anything, anything to be allowed to live. He will invite the conquerors to his home, force his wife to cook for them and serve the dinner on his bended knees. He will denounce his mother. He will offer his sister to a common soldier. He will act as a spy in prisons. He will spit on the Sacrament. He will hold down his daughter while they rape her. And, as a reward for this, he will be given a job as boot-black in a public lavatory, and he will lick the dirt from people's shoes with his tongue...'"

"'Let me tell you something,' he began, as he dropped my manuscript casually into the waste-paper-basket. 'The Film is a symphony. Each movement is written in a certain key. There is a note which has to be chosen and struck immediately. It is characteristic of the whole. It commands the attention.' He started to describe the opening sequence. It was astounding. Everything came to life. The trees began to tremble in the evening breeze, the music was heard, the roundabouts were set in motion. And the people talked. Bergmann improvised their conversation, partly in German, partly in ridiculous English; and it was vivid and real. It was all so simple, so effective, so obvious. Why hadn't I thought of it myself?"

"'The whole beauty of the Film is that it has a certain fixed speed. The way you see it is mechanically conditioned. I mean, take a painting - you can just glance at it, or you can stare at the left hand top corner for half an hour. Same thing with a book. The author can't stop you from skimming it, or staring at the last chapter and reading backwards. The point is, you choose your approach. When you go into a cinema it's different. There's the film, and you have to look at it as the director wants you to look at it. He makes his points, one after another, and he allows you a certain number of seconds or minutes to grasp each one. If you miss anything he won't repeat himself, and he won't stop to explain. He can't. He's started something and he has to go through with it.'"

"I believe the Gita to be one of the major religious documents of the world. If its teachings did not seem to me to agree with those of the other gospels and scriptures, then my own system of values would be thrown into confusion, and I should feel completely bewildered. The Gita is not simply a sermon, but a philosophical treatise."

"The images which remained in the memory are not in themselves terrible or rigorous: they are of boot-lockers, wooden desks, lists on boards, name-tags in clothes — yes, the name pre-eminently; the name which in a sense makes you nameless, less individual rather than more so: Bradshaw-Isherwood, C.W. in its place on some alphabetical list; the cold daily, hourly reminder that you are not the unique, the loved, the household’s darling, but just one among many. I suppose that this loss of identity is really much of the painfulness which lies at the bottom of what is called Homesickness; it is not Home that one cries for but one’s home-self."

"At one campus where I was lecturing, I asked a friend, "How many of my colleagues know I'm gay?" He answered, "All of them." I wasn't surprised. But, just the same, it was kind of spooky, because not one of them had ever given me the faintest sign that he or she knew. If I had spoken about it myself, most of them would have felt it was in bad taste."

"It seems to me that the real clue to your sex orientation lies in your romantic feelings rather than in your sexual feelings. If you are really gay, you are able to fall in love with a man, not just enjoy having sex with him."

"Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying."

"If I fear anything, I fear the atmosphere of the war, the power which it gives to all the things I hate — the newspapers, the politicians, the puritans, the scoutmasters, the middle-aged merciless spinsters. I fear the way I might behave, if I were exposed to this atmosphere. I shrink from the duty of opposition. I am afraid I should be reduced to a chattering enraged monkey, screaming back hate at their hate."

"I am a camera with its shutter open, quite passive, recording, not thinking."

"He brings man's freedom in his hands, Not as a coin that may be spent or lost But as a living fire within the heart, Never quite quenched — because he brings to all, The thought, the wish, the dream of brotherhood, Never and never to be wholly lost, The water and the bread of the oppressed, The stay and succor of the resolute, The harness of the valiant and the brave, The new word that has changed the shaken world. And, though he die, his word shall grow like wheat And every time a child is born, In pain and love and freedom hardly won, Born and gone forth to help and aid mankind, There will be women with a right to say "Gloria, gloria in excelsis deo! A child is born!""

"We are the earth his word must sow like wheat And, if it finds no earth, it cannot grow. We are his earth, the mortal and the dying, Led by no star — the sullen and the slut, The thief, the selfish man, the barren woman, Who have betrayed him once and will betray him, Forget his words, be great a moment's space Under the strokes of chance, And then sink back into our small affairs. And yet, unless we go, his message fails."

"I see that I've said something you don't like, Something uncouth and bold and terrifying, And yet, I'll tell you this: It won't be till each one of us is willing, Not you, not me, but every one of us, To hang upon a cross for every man Who suffers, starves and dies, Fight his sore battles as they were our own, And help him from the darkness and the mire, That there will be no crosses and no tyrants, No Herods and no slaves."

"Life is not lost by dying! Life is lost Minute by minute, day by dragging day, In all the thousand, small, uncaring ways, The smooth appeasing compromises of time, Which are King Herod and King Herod's men, Always and always. Life can be Lost without vision but not lost by death, Lost by not caring, willing, going on Beyond the ragged edge of fortitude To something more — something no man has ever seen. You who love money, you who love yourself, You who love bitterness, and I who loved and lost and thought I could not love again, And all the people of this little town, Rise up! The loves we had were not enough. Something is loosed to change the shaken world, And with it we must change!"

"God pity us indeed, for we are human, And do not always see The vision when it comes, the shining change, Or, if we see it, do not follow it, Because it is too hard, too strange, too new, Too unbelievable, too difficult, Warring too much with common, easy ways, And now I know this, standing in this light, Who have been half alive these many years, Brooding on my own sorrow, my own pain, Saying "I am a barren bough. Expect Nor fruit nor blossom from a barren bough.""

"Something begins, begins; Starlit and sunlit, something walks abroad In flesh and spirit and fire. Something is loosed to change the shaken world."

"I am not tired. I am expectant as a runner is Before a race, a child before a feast day, A woman at the gates of life and death, Expectant for us all, for all of us Who live and suffer on this little earth With such small brotherhood. Something begins. Something is full of change and sparkling stars. Something is loosed that changes all the world."

"I'm waiting. … For something new and strange, Something I've dreamt about in some deep sleep, Truer than any waking, Heard about, long ago, so long ago, In sunshine and the summer grass of childhood, When the sky seems so near. I do not know its shape, its will, its purpose And yet all day its will has been upon me, More real than any voice I ever heard, More real than yours or mine or our dead child's, More real than all the voices there upstairs, Brawling above their cups, more real than light. And there is light in it and fire and peace, Newness of heart and strangeness like a sword, And all my body trembles under it, And yet I do not know."

"Outcasts of war, misfits, rebellious souls, Seekers of some vague kingdom in the stars — They hide out in the hills and stir up trouble, Call themselves prophets, too, and prophesy That something new is coming to the world, The Lord knows what! Well, it's a long time coming, And, meanwhile, we're the wheat between the stones."

"He shall not come to conquest, The conquest of kings, But in the bare stable He shall judge all things."

"The time is — time. The place is anywhere. The voices speak to you across the air To say that once again a child is born. A child is born."

"I'm your narrator. It's my task to say Just where and how things happen in our play, Set the bare stage with words instead of props And keep on talking till the curtain drops. … It's an old task — old as the human heart, Old as those bygone players and their art Who, in old days when faith was nearer earth, Played out the mystery of Jesus' birth In hall or village green or market square For all who chose to come and see them there, And, if they knew that King Herod, in his crown, Was really Wat, the cobbler of the town, And Tom, the fool, played Abraham the Wise, They did not care. They saw with other eyes. The story was their own — not far away, As real as if it happened yesterday, Full of all awe and wonder yet so near, A marvelous thing that could have happened here In their own town — a star that could have blazed On their own shepherds, leaving them amazed, Frightened and questioning and following still To the bare stable — and the miracle."

"Our earth is but a small star in the great universe. Yet of it we can make, if we choose, a planet unvexed by war, untroubled by hunger or fear, undivided by senseless distinctions of race, color or theory. Grant us that courage and foreseeing to begin this task today that our children and our children's children may be proud of the name of man. The spirit of man has awakened and the soul of man has gone forth. Grant us the wisdom and the vision to comprehend the greatness of man's spirit, that suffers and endures so hugely for a goal beyond his own brief span. Grant us honor for our dead who died in the faith, honor for our living who work and strive for the faith, redemption and security for all captive lands and peoples. Grant us patience with the deluded and pity for the betrayed. And grant us the skill and valor that shall cleanse the world of oppression and the old base doctrine that the strong must eat the weak because they are strong. Yet most of all grant us brotherhood, not only for this day but for all our years — a brotherhood not of words but of acts and deeds. We are all of us children of earth — grant us that simple knowledge. If our brothers are oppressed, then we are oppressed. If they hunger, we hunger. If their freedom is taken away, our freedom is not secure. Grant us a common faith that man shall know bread and peace — that he shall know justice and righteousness, freedom and security, an equal opportunity and an equal chance to do his best, not only in our own lands, but throughout the world. And in that faith let us march toward the clean world our hands can make. Amen."

"God of the free, we pledge our hearts and lives today to the cause of all free mankind. Grant us victory over the tyrants who would enslave all free men and nations. Grant us faith and understanding to cherish all those who fight for freedom as if they were our brothers. Grant us brotherhood in hope and union, not only for the space of this bitter war, but for the days to come which shall and must unite all the children of earth."

"We had a rock to defend, and we defended it. And the name of that rock is Liberty, and in that name I speak. For Liberty can be lost by the practical men whose hearts are too shrunken to contain it. Liberty can be bartered away by the greedy minds who cannot see beyond their own day. Liberty can be stolen away by the robber and the brute. But Liberty grows like grass in the hearts of the common people, from the blood of their martyrs. And the tyrants rage and are gone, but the dream and the deed endure — and I endure. It is I who command men and win battles. I have called them forth in the past, I am calling them forth today. I call the brave to the battle-line, I call the sane to the council — I call the free millions of earth to the century ahead — the century of the common man, established by you, the people. For this world cannot endure, half slave and half free! My name is FREEDOM and my command today is ... Unite!"

"It is better the truth should come little by little. I have learned that, being a priest. Perhaps, in the old days, they ate knowledge too fast. Nevertheless, we make a beginning. it is not for the metal alone we go to the Dead Places now — there are the books and the writings. They are hard to learn. And the magic tools are broken — but we can look at them and wonder. At least, we make a beginning. And, when I am chief priest we shall go beyond the great river. We shall go to the Place of the Gods — the place newyork — not one man but a company. We shall look for the images of the gods and find the god ASHING and the others — the gods Lincoln and Biltmore and Moses. But they were men who built the city, not gods or demons. They were men. I remember the dead man's face. They were men who were here before us. We must build again."

"I have been in the Place of the Gods and seen it! Now slay me, if it is the law — but still I know they were men."

"I knew then that they had been men, neither gods nor demons. It is a great knowledge, hard to tell and believe. They were men — they went a dark road, but they were men."

"When gods war with gods, they use weapons we do not know. It was fire falling out of the sky and a mist that poisoned. It was the time of the Great Burning and the Destruction. They ran about like ants in the streets of their city — poor gods, poor gods!"

"Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line. Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods. It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive."

"I went north — I did not try to hide myself. When a god or a demon saw me, then I would die, but meanwhile I was no longer afraid. My hunger for knowledge burned in me — there was so much that I could not understand."

"How shall I tell what I saw? The towers are not all broken — here and there one still stands, like a great tree in a forest, and the birds nest high. But the towers themselves look blind, for the gods are gone. I saw a fishhawk, catching fish in the river. I saw a little dance of white butterflies over a great heap of broken stones and columns. I went there and looked about me — there was a carved stone with cut — letters, broken in half. I can read letters but I could not understand these. They said UBTREAS. There was also the shattered image of a man or a god. It had been made of white stone and he wore his hair tied back like a woman's. His name was ASHING, as I read on the cracked half of a stone. I thought it wise to pray to ASHING, though I do not know that god."

"Never have I been so much alone — I tried to think of my knowledge, but it was a squirrel's heap of winter nuts. There was no strength in my knowledge any more and I felt small and naked as a new-hatched bird — alone upon the great river, the servant of the gods."

"My people are the Hill People. They are the men. I go into the Dead Places but I am not slain. I take the metal from the Dead Places but I am not blasted. I travel upon the god-roads and am not afraid."

"I went fasting, as is the law. My body hurt but not my heart. When the dawn came, I was out of sight of the village. I prayed and purified myself, waiting for a sign. The sign was an eagle. It flew east. Sometimes signs are sent by bad spirits. I waited again on the flat rock, fasting, taking no food. I was very still — I could feel the sky above me and the earth beneath. I waited till the sun was beginning to sink. Then three deer passed in the valley going east — they did not mind me or see me. There was a white fawn with them — a very great sign."

"If the hunters think we do all things by chants and spells, they may believe so — it does not hurt them. I was taught how to read in the old books and how to make the old writings — that was hard and took a long time. My knowledge made me happy — it was like a fire in my heart. Most of all, I liked to hear of the Old Days and the stories of the gods."

"The north and the west and the south are good hunting ground, but it is forbidden to go east. It is forbidden to go to any of the Dead Places except to search for metal and then he who touches the metal must be a priest or the son of a priest. Afterwards, both the man and the metal must be purified. These are the rules and the laws; they are well made. It is forbidden to cross the great river and look upon the place that was the Place of the Gods — this is most strictly forbidden. We do not even say its name though we know its name. It is there that spirits live, and demons — it is there that there are the ashes of the Great Burning. These things are forbidden — they have been forbidden since the beginning of time."

"You will have money and all that money can buy."

"A soul. A soul is nothing. Can you see it, smell it, touch it? No."

"He knew that once you bested anybody like Mr. Scratch in fair fight, his power on you was gone. And he could see that Mr. Scratch knew it too."

"Perhaps 'tis not strictly in accordance with the evidence … but even the damned may salute the eloquence of Mr. Webster."

"Then he turned to Jabez Stone and showed him as he was — an ordinary man who'd had hard luck and wanted to change it. And, because he'd wanted to change it, now he was going to be punished for all eternity. And yet there was good in Jabez Stone, and he showed that good. He was hard and mean, in some ways, but he was a man. There was sadness in being a man, but it was a proud thing too. And he showed what the pride of it was till you couldn't help feeling it. Yes, even in hell, if a man was a man, you'd know it. And he wasn't pleading for any one person any more, though his voice rang like an organ. He was telling the story and the failures and the endless journey of mankind. They got tricked and trapped and bamboozled, but it was a great journey. And no demon that was ever foaled could know the inwardness of it — it took a man to do that. The fire began to die on the hearth and the wind before morning to blow. The light was getting gray in the room when Dan'l Webster finished. And his words came back at the end to New Hampshire ground, and the one spot of land that each man loves and clings to. He painted a picture of that, and to each one of that jury he spoke of things long forgotten. For his voice could search the heart, and that was his gift and his strength. And to one, his voice was like the forest and its secrecy, and to another like the sea and the storms of the sea; and one heard the cry of his lost nation in it, and another saw a little harmless scene he hadn't remembered for years. But each saw something. And when Dan'l Webster finished he didn't know whether or not he'd saved Jabez Stone. But he knew he'd done a miracle. For the glitter was gone from the eyes of the judge and jury, and, for the moment, they were men again, and knew they were men."

"He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man. And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors."

"Finally, it was time for him to get up on his feet, and he did so, all ready to bust out with lightning and denunciations. But before he started he looked over the judge and jury for a moment, such being his custom. And he noticed the glitter in their eyes was twice as strong as before, and they all leaned forward. Like hounds just before they get the fox, they thickened as he watched them. Then he saw what he'd been about to do, and he wiped his forehead, as a man might who's just escaped falling into a pit in the dark. For it was him they'd come for, not only Jabez Stone. He read it in the glitter of their eyes and in the way the stranger hid his mouth with one hand. And if he fought them with their own weapons, he'd fall into their power; he knew that, though he couldn't have told you how. It was his own anger and horror that burned in their eyes; and he'd have to wipe that out or the case was lost. He stood there for a moment, his black eyes burning like anthracite. And then he began to speak."

"When the first wrong was done to the first Indian, I was there. When the first slaver put out for the Congo, I stood on her deck. Am I not in your books and stories and beliefs, from the first settlements on? Am I not spoken of, still, in every church in New England? 'Tis true the North claims me for a Southerner and the South for a Northerner, but I am neither. I am merely an honest American like yourself — and of the best descent — for, to tell the truth, Mr. Webster, though I don't like to boast of it, my name is older in this country than yours."

"If two New Hampshiremen aren't a match for the devil, we might as well give the country back to the Indians."

"A man with a mouth like a mastiff, a brow like a mountain and eyes like burning anthracite — that was Dan'l Webster in his prime. And the biggest case he argued never got written down in the books, for he argued it against the devil, nip and tuck and no holds barred. And this is the way I used to hear it told."

"It's a story they tell in the border country, where Massachusetts joins Vermont and New Hampshire. Yes, Dan'l Webster's dead — or, at least, they buried him. But every time there's a thunderstorm around Marshfield, they say you can hear his rolling voice in the hollows of the sky. And they say that if you go to his grave and speak loud and clear, "Dan'l Webster — Dan'l Webster!" the ground'll begin to shiver and the trees begin to shake. And after a while you'll hear a deep voice saying, "Neighbor, how stands the Union?" Then you better answer the Union stands as she stood, rock-bottomed and copper-sheathed, one and indivisible, or he's liable to rear right out of the ground. At least, that's what I was told when I was a youngster."

"We thought we were done with these things but we were wrong. We thought, because we had power, we had wisdom. We thought the long train would run to the end of Time. We thought the light would increase. Now the long train stands derailed and the bandits loot it. Now the boar and the asp have power in our time. Now the night rolls back on the West and the night is solid. Our fathers and ourselves sowed dragon's teeth. Our children know and suffer the armed men."

"For the man crucified on the crossed machine guns Without name, without resurrection, without stars, His dark head heavy with death and his flesh long sour With the smell of his many prisons — John Smith, John Doe, John Nobody — oh, crack your mind for his name! Faceless as water, naked as the dust, Dishonored as the earth the gas-shells poison And barbarous with portent. This is he. This is the man they ate at the green table Putting their gloves on ere they touched the meat. This is the fruit of war, the fruit of peace, The ripeness of invention, the new lamb, The answer to the wisdom of the wise. And still he hangs, and still he will not die And still, on the steel city of our years The light falls and the terrible blood streams down."