Short Story Writers From England

"To love, to be beloved again, and know A gulf between us:—aye, 'tis misery! This agony of passion, this wild faith, Whose constancy is fruitless, yet is kept Inviolate:—to feel that all life's hope, And light, and treasure, clings to one from whom Our wayward doom divides us. Better far To weep o'er treachery or broken vows,— For time may teach their worthlessness:—or pine With unrequited love;—there is a pride In the fond sacrifice—the cheek may lose Its summer crimson; but at least the rose Has withered secretly—at least, the heart That has been victim to its tenderness, Has sighed unechoed by some one as true, As wretched as itself."

"And this is woman's fate: All her affections are called into life By winning flatteries, and then thrown back Upon themselves to perish; and her heart, Her trusting heart, filled with weak tenderness, Is left to bleed or break!"

"I deeply swore No lip should sigh where mine before Had sealed its vow, no heart should rest Upon the bosom mine had prest. Life had no ill I would not brave To claim him, even in the grave!"

"I heard them hymn his name--his power,-- I heard them, and I smiled; How could they say the earth was ruled By but a sleeping child?"

"They built a temple for the God, 'Twas in a myrtle grove, Where the bee and the butterfly Vied for each blossom's love."

"It was his last, his only field: They brought him back upon his shield, But victory was won. I cannot weep when I recall Thy land has cause to bless thy fall."

"But there are natural temples still for those Eternal though dethroned Deities, Where from green altars flowers send up their incense: This fount is one of them. —"

"But these days Of visible poetry have long been past!— No fear that the young hunter may profane The haunt of some immortal;"

"A small clear fountain, with green willow trees; Girdling it round, there is one single spot Where you may sit and rest, its only bank;"

"One of the loveliest daughters of that land, Divinest Greece ! that taught the painter's hand To give eternity to loveliness ; One of those dark-eyed maids, to whom belong The glory and the beauty of each Song Thy poets breathed, for it was theirs to bless With life the pencil and the lyre's dreams, Giving reality to visioned gleams Of bright divinities."

"[Alvine] 'Tis one of those bright fictions that have made The name of Greece only another word For love and poetry ; with a green earth— Groves of the graceful myrtle — summer skies, Whose stars are mirror'd in ten thousand streams— Winds that move but in perfume and in music, And, more than all, the gift of woman's beauty. What marvel that the earth, the sky, the sea, Were filled with all those fine imaginings That love creates, and that the lyre preserves !"

"[Alvine] Oh, that sweet ring of graceful figures ! one Flings her white arms on high, and gaily strikes Her golden cymbals — I can almost deem I hear their beatings; one with glancing feet Follows her music, while her crimson cheek Is flushed with exercise, till the red grape 'Mid the dark tresses of a sister nymph Is scarcely brighter ; there another stands, A darker spirit yet, with joyous brow, And holding a rich goblet ;"

"She leant upon her harp, and thousands looked On her in love and wonder—thousands knelt And worshipp'd in her presence—burning tears, And words that died in utterance, and a pause Of breathless, agitated eagerness, First gave the full heart's homage: then came forth A shout that rose to heaven; and the hills, The distant valleys, all rang with the name Of the Æolian Sappho—every heart Found in itself some echo to her song."

"Weep not for the dead with a fruitless recalling, Their soul on the wings of the morning hath fled; Mourn rather for those whom yet life is enthralling, Ah! weep for the living—weep not for the dead."

"Oh, weary day that seemed so long! Oh, hours that dragged their weight along!"

"Take that singing bird away! It has too glad a lay For an ear so lorn as mine! And its wings are all too light, And its feathers all too bright, To rest in a bosom like mine!"

"Night came—the deep and purple time Of summer in a southern clime."

"The field is fought—who walketh there?— The shadow victory casts—Despair!"

"He took his lute—his voice was low, So lapsing waters softly flow Amid the drooping flowers around, As if they turned their sighs to sound. Ah, magic! of a voice that seems To haunt the soul with hopes and dreams;"

"The twilight, when our earth seems blending Its human passion with the skies; And rosy clouds, above ascending, Wear mortal colours while they rise, Till, purified, they disappear Amid the high pale atmosphere."

"She gazed, although she knew not why, Where ocean seemed another sky. The moon looked down upon the deep, Till in that deep it seemed to be; Scarce might the eye the image keep Of which was sky, and which was sea."

"How life effaces as it goes The keenest pang of earlier woes. How careless and how cold we grow, Dry as the dust we tread below;"

"But who e'er turned from beauty's ray For fear of future shade; Or who e'er flung a rose away Because that rose might fade."

"Love's gifts are like the vein of gold That intersects earth's darker mould; The gold is gained, the coin is wrought; But how much trouble has it brought?"

"Oh! sweet and sudden fire that springs With but a look to light its wings; How false to say thou needest time The bright ascent of hope to climb; A star thou art, that may not be Reckoned by dull astronomy!"

"Of all the fowls that sweep the air None with the Peacock may compare; Not only for its loveliness, Though queens in vain might ask such dress, But o'er those painted plumes are cast So many shadows from the past,—"

"Many a head that down had lain, Impatient with its twelve hours' pain, And wishing that the bed it prest, Were, as the grave's, a long last rest, Has sprung again at morning's call, Forgiving, or forgetting all; Lighting the weary weight of thought With colours from the day-break brought, Reading new promise in the sky, And hearing Hope, the lark on high."

"The lark is with triumphant song Singing the rose-touched clouds among: 'Tis there that lighted song has birth, What hath such hymn to do with earth?"

"Ah, minstrel song hath many wings! From foreign lands its wealth it brings."

"There is a city, that for slaves Has kings, and nations, winds, and waves: St. Mark is conscious of her power, His winged lion marks her tower."

"Ah! love and song are but a dream, A flower's faint shade on life's dark stream."

"Youth is too eager, forth it flings Itself upon exulting wings, Which seek the heaven they ask too near— One wild flight ends the bright career; With broken wing and darkened eye, Earth claims again its own to die."

"The past is the poet's,—that world is his own; Thence hath his music its truth and its tone. He calls up the shadows of ages long fled, And light, as life lovely, illumines the dead."

"Remembrance makes the poet; 'tis the past Lingering within him, with a keener sense Than is upon the thoughts of common men Of what has been, that fills the actual world With unreal likenesses of lovely shapes, That were and are not; and the fairer they, The more their contrast with existing things, The more his power, the greater is his grief."

"Oh! world of sweet phantoms, how precious thou art! The past is perpetual youth to the heart."

"The past! ah, we owe it a tenderer debt, Heaven's own sweetest mercy is not to forget; Its influence softens the present, and flings A grace, like the ivy, wherever it clings."

"The present! it sinketh with sorrow and care, That but for the future, it never could bear; We dwell in its shadow, we see by its light, And to-day trusts to-morrow, it then will be bright."

"The future! ah, there hath the spirit its home, In its distance is written the glorious to come."

"The present—the actual—were they our all— Too heavy our burthen, too hopeless our thrall; But heaven, that spreadeth o'er all its blue cope, Hath given us memory,—hath given us hope!"

"THE present! it is but a drop from the sea In the mighty depths of eternity. I love it not—it taketh its birth Too near to the dull and the common earth."

"Great Heaven ! what vain beliefs Have stirred the pulse and led the hopes of man ! As if that honour could be bought by blood, And that the fierce right hand was better worth Than the fine mind, and high and generous heart !—"

"Up climb'd the sweet pea, The butterfly of flowers:—I love it not, Though every hue—and it has many tints— Are dyed as if the sunset evening clouds Had fallen to the earth in sudden rain, And left their colours : purple, delicate pink, And snowy white, are on thy wing-like leaves; But thou art all too forward in thy bloom ; Thy blossoms are the sun's, and cling to all That can support them into open day: And then they die, leaving no root behind, The hope and promise of another spring; And no perfume, whose lingering gratitude Remains round what upheld its summer's life."

"And here they met:—where should Love's meeting be — Love passionate, and spiritual, and deep— Where, but in such a haunted solitude— A green and natural temple—fitting shrine For vows the stars remember ?"

"O beauty of the midnight skies! O mystery of each distant star ! O dreaming hours, whose magic lies In rest and calm, with Day afar! Thanks for the higher moods that wake Our thoughtful and immortal part !— Out on our life, could we not make A spiritual temple of the heart ?"

"They say that, hung in ancient halls, At midnight from the silent lute A melancholy music falls From chords which were by daylight mute. And so the human heart by night Is touched by some inspired tone, Harmonious in the deep delight, By day it knew not was its own."

"Another soft and scented page, Fill'd with more honied words ! What motives to a pilgrimage A shrine like mine affords ! I know, before I break the seal, The words that I shall find:—"

"The wretch who on the scaffold stands Has some brief time allow'd For parting grasp of kindly hands, For farewell to the crowd :"

"The bride was young and beautiful, the bridegroom stern and old,— But the silken rein was hung with pearls, the housings bright with gold."

"She leant her head upon her hand : “I know not which to choose— Alas ! whichever choice I make, the other I must lose.”"

"Unveil'd, unmask'd ! not so, not so ! Ah ! thine are closer worn Than those which, in light mockery, One evening thou hast borne. The mask and veil which thou dost wear Are of thyself a part; No mask can ever hide thy face As that conceals thy heart."