Short Story Writers From England

"The little blonde at the PBX cocked a shell-like ear and smiled a small fluffy smile. She looked playful and eager, but not quite sure of herself, like a new kitten in a house where they don't care much about kittens."

"When I left, Merle was wearing a bungalow apron and rolling pie-crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty until her mother came into the space with a broad homely smile on her face to watch me drive away. I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again."

"'Okay, thees Hench no good, but poor guy, drunk, no job. Pay no rent, but I got lotsa money. So I say, Look, Hench, you make the confess. You sick man. Two three weeks sick. You go into court. I have a lawyer for you. You say to hell with the confess. I was drunk. The damn coppers are stuck. The judge he turn you loose and you come back to me and I take care of you. Okay? So Hench say okay, make the confess. That's all.' I said: 'And after two or three weeks the bad brother is a long way from here and the trail is cold and the cops will likely just write the Phillips killing off as unsolved. Is that it?' 'Si.' He smiled again. A brilliant warm smile, like the kiss of death."

"A check girl in peach-bloom Chinese pajamas came over to take my hat and disapprove of my clothes. She had eyes like strange sins."

"He didn't curl his lip because it had been curled when he came in."

"She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak, and large moist eyes with the sympathetic expression of wet stones."

"I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room."

"...crazy as two waltzing mice."

"They say money don't stink," he said. "I sometimes wonder."

"“Who is this Hemingway person at all?” “A guy that keeps saying the same thing over and over until you begin to believe it must be good.” “That must take a hell of a long time,” the big man said."

"Dress however you please. Call yourself whatever you like. Sleep with any consenting adult who’ll have you. Live your best life in peace and security. But force women out of their jobs for stating that sex is real? #IStandWithMaya #ThisIsNotADrill"

"If I try harder I might be reincarnated as a lonely virgin hiding behind a cartoon frog."

"I don't think I've ever wanted magic more."

"I had a bunch of racists telling me that because Hermione 'turned white' – that is, lost colour from her face after a shock – that she must be a white woman, which I have a great deal of difficulty with. But I decided not to get too agitated about it and simply state quite firmly that Hermione can be a black woman with my absolute blessing and enthusiasm."

"How horrible. Voldemort was nowhere near as bad."

"The Internet doesn’t just offer opportunities for misogynistic abuse, you know. Penis enlargers can also be bought discreetly."

"The world is full of wonderful things you haven’t seen yet. Don’t ever give up on the chance of seeing them."

"No story lives unless someone wants to listen. The stories we love best do live in us forever. So, whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home."

"I think most of us if you were asked to name a very evil regime would think of Nazi Germany. … I wanted Harry to leave our world and find exactly the same problems in the Wizarding world. So you have to the intent to impose a hierarchy, you have bigotry, and this notion of purity, which is a great fallacy, but it crops up all over the world. People like to think themselves superior and that if they can pride themselves on nothing else, they can pride themselves on perceived purity. … The Potter books in general are a prolonged argument for tolerance, a prolonged plea for an end to bigotry, and I think it's one of the reasons that some people don't like the books, but I think that it's a very healthy message to pass on to younger people that you should question authority and you should not assume that the establishment or the press tells you all of the truth."

"We do not need magic to transform our world. We carry all the power we need inside ourselves already. We have the power to imagine better."

"One of the many things I learned at the end of that Classics corridor down which I ventured at the age of 18, in search of something I could not then define, was this, written by the Greek author Plutarch: "What we achieve inwardly will change outer reality." That is an astonishing statement and yet proven a thousand times every day of our lives. It expresses, in part, our inescapable connection with the outside world, the fact that we touch other people’s lives simply by existing."

"Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places. Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathise. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know. I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces leads to a form of mental agoraphobia, and that brings its own terrors. I think the wilfully unimaginative see more monsters. They are often more afraid. What is more, those who choose not to empathize enable real monsters; for without ever committing an act of outright evil ourselves, we collude with it, through our own apathy."

"Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathise with humans whose experiences we have never shared."

"It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default."

"Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea then how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality. So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life."

"I went to the British Book Awards that evening. I bumped into a woman I hadn't seen for nearly three years. The first thing she said to me? "You've lost a lot of weight since the last time I saw you!" "Well," I said, slightly nonplussed, "the last time you saw me I'd just had a baby." What I felt like saying was, "I've produced my third child and my sixth novel since I last saw you. Aren't either of those things more important, more interesting, than my size?" But no — my waist looked smaller! Forget the kid and the book: finally, something to celebrate!"

"He [Harry] is very much in puberty [...] I just think it is a very confusing time. Yes, he's very confused in a boy way. He doesn’t understand how girls' minds work. [...] Harry, for the first time, does have a relationship of sorts. The emphasis is very much on 'of sorts' . . . That was really fun to write actually. I think you will find it painful. You should find it painful. It is painful but it was such fun to write. Poor Harry! What I put him through."

"[Before her success] I totally felt a waste of space. I was lousy. Yes I did, yes. And now I feel that, it turns out there was one thing I was good at, and I'd always expected I could tell a story, and I suppose it's rather sad that I needed confirmation by being published."

"The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. I imagined being a famous writer would be like being like Jane Austen. Being able to sit at home in the parsonage and your books would be very famous and occasionally you would correspond with the Prince of Wales's secretary."

"I've given you more than I've given anyone else which I probably shouldn't probably say on — on screen, or they'll kidnap and torture him, and we need him."

"If you need to tell your readers something … there are only two characters that you can put it convincingly into their dialogue. One is Hermione, the other is Dumbledore. In both cases you accept, it's plausible that they have, well Dumbledore knows pretty much everything anyway, but that Hermione has read it somewhere. So, she's handy."

"I've never set out to teach anyone anything. It's been more of an expression of my views and feelings than sitting down and deciding "What is today's message?" And I do think that, although I never, again, sat down consciously and thought about this, I do think judging, even for my own daughter, that children respond to that than to "thought for the day.""

"During the day I was writing in cafés as everyone famously knows, but could I just say for the record once and for all 'cause it's really irritating me: I did not write in cafés to escape my unheated flat, because I am not stupid enough to rent an unheated flat in Edinburgh in midwinter. It had heating. I went out and wrote in café because the way to make Jessica fall asleep was to keep her moving -- in the pushchair. So I used to take her out, tie her out, put her in the pushchair, walk her along -- the moment she fall asleep, into the nearest café and write."

"Depression is the most unpleasant thing I have ever experienced. [...] It is that absence of being able to envisage that you will ever be cheerful again. The absence of hope. That very deadened feeling, which is so very different from feeling sad. Sad hurts but it's a healthy feeling. It's a necessary thing to feel. Depression is very different."

"[On her first marriage] I married on October 16, 1992. I left on November 17, 1993. So that was the duration of what I considered to be the marriage. ... [O]bviously you do not leave a marriage after that very short period of time unless there are serious problems. I'm not the kind of person who bales out without there being serious problems. My relationship before that lasted seven years. I'm a long-term girl. And I had a baby with this man. But it didn't work. And it was clear to me that it was time to go and so I went. I never regretted it."

"I have met thousands of children now, and not even one time has a child come up to me and said, "Ms. Rowling, I'm so glad I've read these books because now I want to be a witch." They see it for what it is [...] It is a fantasy world and they understand that completely. I don't believe in magic, either."

"I absolutely did not start writing these books to encourage any child into witchcraft. [...] I'm laughing slightly because to me, the idea is absurd."

"Hermione was very easy to create because she is based almost entirely on myself at the age of 11. She is really a caricature of me. I wasn't as clever as she is, nor do I think I was quite such a know-it-all, though former classmates might disagree. Like Hermione, I was obsessed with achieving academically, but this masked a huge insecurity."

"When the American deal came through, that meant security. It means that I can buy a flat. It means not worrying. The constant mind-blowing worry of wondering if you are going to be able to last the week without buying another pack of nappies. That is how it was and it is a horrible, horrible way to live."

"The wizards represent all that the true "muggle" most fears: They are plainly outcasts and comfortable with being so. Nothing is more unnerving to the truly conventional than the unashamed misfit!"

"When Harry Potter author J. K. Rowling published the piece "TERF (trans exclusionary radical feminist) Wars" on her blog in the summer of 2020, she specifically mentioned her fear that many transgender men are actually Autistic girls who weren't conventionally feminine, and have been influenced by transactivists on the internet into identifying out of womanhood. In presenting herself as defending disabled "girls," she argued for restricting young trans Autistic people's ability to self-identify, and access necessary services and health care. Rowling's perspective (which she shares with many gender critical folks) is deeply dehumanizing to both the trans and Autistic communities. We're fully fledged, complex people, who are entitled to the same body autonomy and self-determination as anyone else."

"[N]othing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people "in danger," as has been claimed, nor is she denying their right to exist."

"This campaign against Rowling is as dangerous as it is absurd. The brutal stabbing of Salman Rushdie last summer is a forceful reminder of what can happen when writers are demonized. And in Rowling’s case, the characterization of her as a transphobe doesn’t square with her actual views."

"I didn't feel she ripped me off, as some people did, though she could have been more gracious about her predecessors. My incredulity was at the critics who found the first book wonderfully original. She has many virtues, but originality isn't one of them."

"J.K. Rowling, thinking of a name of white character: Albus Dumbeldore, Hermione Granger, Minerva McGonagall. J.K. Rowling, thinking of nonwhite character: Cho Chang"

"Last year, initially The Scotsman newspaper — being Scottish and J. K. Rowling being Scottish [sic] — and because of the English tendency to try and tear down their idols, they kept trying to build stories which said J. K. Rowling ripped off Neil Gaiman. They kept getting in touch with me and I kept declining to play because I thought it was silly. And then The Daily Mirror in England ran an article about that mad woman who was trying to sue J. K. Rowling over having stolen muggles from her. And they finished off with a line saying [something like]: And Neil Gaiman has accused her of stealing. Luckily I found this online and I found it the night it came out by pure coincidence and the reporter's e-mail address was at the bottom of the thing so I fired off an e-mail saying: This is not true, I never said this. You are making this up. I got an apologetic e-mail back, but by the time I'd gotten the apologetic e-mail back it was already in The Daily Mail the following morning and it was very obvious that The Daily Mails research consisted of reading The Daily Mirror. And you're going: journalists are so lazy."

"We did not intend to suggest that JK Rowling was transphobic or that she should be boycotted. We accept that our comparisons of JK Rowling to people such as Picasso, who celebrated sexual violence, and Wagner, who was praised by the Nazis for his antisemitic and racist views, were clumsy, offensive and wrong. Debate about a complex issue where there is a range of legitimate views should have been handled with much more sensitivity and more obvious recognition of the difference between fact and opinion. We unreservedly apologise to JK Rowling for the offence caused, are happy to retract these false allegations and to set the record straight. We shall be making a financial contribution to a charity of JK Rowling’s choice."

"Auden and Tolkien wrote about the skills of inventing secondary worlds. Ms. Rowling's world is a secondary secondary world, made up of intelligently patchworked derivative motifs from all sorts of children's literature."

"In psychoanalytic terms, having projected his childish rage onto the caricature Dursleys, and retained his innocent goodness, Harry now experiences that rage as capable of spilling outward, imperiling his friends. But does this mean Harry is growing up? Not really. The perspective is still child's-eye. There are no insights that reflect someone on the verge of adulthood. Harry's first date with a female wizard is unbelievably limp, filled with an 8-year-old's conversational maneuvers."

"The ultimate model for Harry Potter is Tom Brown's School Days by Thomas Hughes, published in 1857. The book depicts the Rugby School presided over by the formidable Thomas Arnold, remembered now primarily as the father of Matthew Arnold, the Victorian critic-poet. But Hughes' book, still quite readable, was realism, not fantasy. Rowling has taken Tom Brown's School Days and re-seen it in the magical mirror of Tolkein. The resultant blend of a schoolboy ethos with a liberation from the constraints of reality-testing may read oddly to me, but is exactly what millions of children and their parents desire and welcome at this time."