Screenwriters From The United States

"In all my public statements, I was not at all in favor of anything he [G.W. Bush] did. He was a disaster for the country in his reaction to 9/11...Worst president we've ever had... To say that Trump is similar is ridiculous because it trivializes the situation.... He's got enough nutcases around him between Bolton and Pompeo that I would worry very, very much... You've got to look back at George Bush... and understand what a mess he put us into. We have not gotten out of Iraq. We have not gotten out of Afghanistan. We have not gotten out of the War on Terror... which is the greatest fiction since the Cold War back in 1945."

"The most shocking part [about the assassination of JFK] is...the sequence of the shooting, the timing,... the wounds and the autopsy. It’s all quite shocking when you...think seriously about it. It doesn’t make any sense the way they described it. That’s the most shocking part of the case. When you start to investigate Oswald, of course there are a thousand interesting things that come up. The files on Oswald were much more closely supervised by the CIA then we knew at the time and were omitted by the Warren Commission. They treated it like a routine investigation, but it was hardly so. We draw a line between the cover-up and the assassination. The cover-up is filled with another cast of characters. That is to say, the Warren Commission itself, who is in charge of the investigation; and the main man, Alan Dulles, the ex-chief of the CIA and one of the most powerful figures in government. He was fired by Kennedy, as were all his top officials, two years earlier. He was put in charge of the investigation and buried certain information. That’s part of the cover-up."

"Strong mind, no sun, friends who visit, work to be done, one documentary coming out from Alex Gibney that is not expected to be kind."

"Another film from Dreamworks which is also going to be unfriendly … I don't think most people in the US realise how important WikiLeaks is and why Julian's case needs support."

"Julian Assange did much for free speech and is now being victimised by the abusers of that concept."

"In January 2018, the experts at the Bulletin of the Atomic Scientists moved the hands of the Doomsday Clock to two minutes before midnight, where it had stood during the darkest days of the Cold War, from 1953 to 1960. The latest move of the hands was precipitated by the recklessness in Trump’s nuclear thinking and the deepening crisis over Korea. Trump wondered aloud about the point of having nuclear weapons if he couldn’t use them."

"My father was a Republican and he hated Roosevelt. And that's sort of been the battle of my life, I think. You have to understand I grew up a Republican conservative. I hated Castro. And I put my money where my mouth was because I went to war, but I understood pretty quickly that this was another place, another culture and we would never fit in there."

"[In comparison with the Vietnam war] It's the same story in Afghanistan, Iraq and South America. It's white people meeting people who they think they are better than. And I feel that this war is the war of my life. I've seen it over and over again and if I can do one thing with what's left of my remaining years, it's just to cry it out and say it, I hope, with enough entertainment that people will want see it."

"Since that day, the media has chanted the mantra that Oswald did it alone. But the American public... has never accepted it. They smell a rat."

"We have an obligation to those who died ... to remember"

"A sad occasion in that Julian could not follow me out the door. He lives in a tiny room with great modesty and discipline."

"Acting like a hegemon, the United States, starting in 1999, took advantage of Russian weakness and broke its promise not to expand NATO, eventually adding 13 countries, the last of which was Montenegro, in 2017. When Bush announced plans to incorporate Georgia and Ukraine, Putin drew the line. Following the US-backed Ukrainian coup, he took back Crimea and made clear that there are limits to his toleration of NATO expansion..."

"There was a civil war in this country... Kennedy provoked such hostility and hatred. His death was cheered in the South because of his support for Martin Luther King. He was moving to change things on all fronts. He was starting to end the Cold War. He made a deal with Khruschev and Russia in 1962 to end the missile crisis, and he furthered the... Nuclear Test Ban Treaty in 1963. He... described the Soviets for the first time in American history as mortals, like us, who care about their children. He seemed to have an expanding vision of the world, much like Gorbachev did in Russia in the '80s."

"Thalberg wanted commercial hits. I wanted art."

"According to director Lindsay Anderson, one day while filming The Whales of August he said to Lillian Gish, "Miss Gish, you have just given me a perfect close-up." Bette Davis remarked: "She should. She invented 'em.""

"I'm so glad I didn't ruin a man's life by marrying him."

"Lillian Gish is not only the best actress in her profession, but has the best mind of any woman I have ever met."

"If you're caught acting, nobody believes you."

"When I was in films, we pretended to kiss but we didn't. It was considered unsanitary. Now they swallow each others' tonsils. It's disgusting."

"For Lillian Gish, My Favorite Actress. On the occasion of her 1st visit to New York of which this book is a practical guide. From Her Chattel, F. Scott Fitzgerald"

"I never chose money, I always chose people. I wanted to be around people who knew more than I did. I think that’s why I never fell in love with an actor. They never seemed to know any more than I did. I wanted to be with writers… My idea of a dream man was Thornton Wilder."

"You know, when I first went into the movies Lionel Barrymore played my grandfather. Later he played my father, and finally he played my husband. If he had lived I'm sure I would have played his mother. That's the way it is in Hollywood. The men get younger and the women get older."

"I don't feel I'm old. I just feel I'm me. And I've always been a happy person. I love the human race. I love my work. I love the world—I've been around it four times, you know. And I'm a believing person. I believe in God, even though I can't see him. You can't see the air in this room, right? But take it away and you're dead. And I believe there's something for us after we die. The world isn't wasteful. It keeps going on and I think we do too."

"I never cease to wonder at my luck in having for my sister the woman who, more than any other woman in America, possesses all the qualities of true greatness."

"The Cobweb was just plain weird, but I got to know and admire Miss Lillian Gish."

"Button-cute, rapier-keen, wafer-thin and pauper-poor is S.J. Perelman, whose tall, stooping figure is better known to the twilit half-world of five continents than to Publishers' Row. That he possesses the power to become invisible to finance companies; that his laboratory is tooled up to manufacture Frankenstein-type monsters on an incredible scale; and that he owns one of the rare mouths in which butter has never melted are legends treasured by every schoolboy."

"From the moment I picked up your book until I laid it down, I was convulsed with laughter. Someday I intend reading it."

"The main obligation is to amuse yourself."

"[The waiters'] eyes sparkled and their pencils flew as she proceeded to eviscerate my wallet – paté, Whitstable oysters, a sole, and a favorite salad of the Nizam of Hyderabad made of shredded five-pound notes."

"Fate was dealing from the bottom of the deck."

"Only the scenario writers are exempt. These are tied between the tails of two spirited Caucasian ponies, which are then driven off in opposite directions. This custom is called "a conference"."

"I guess I’m just an old mad scientist at bottom. Give me an underground laboratory, half a dozen atom-smashers, and a beautiful girl in a diaphanous veil waiting to be turned into a chimpanzee, and I care not who writes the nation’s laws."

"The worst disgrace that can befall a producer is an unkind notice from a New York reviewer. When this happens, the producer becomes a pariah in Hollywood. He is shunned by his friends, thrown into bankruptcy, and like a Japanese electing hara-kiri, he commits suttee."

"In pulp fiction it is a rigid convention that the hero’s shoulders and the heroine’s balcon constantly threaten to burst their bonds, a possibility which keeps the audience in a state of tense expectancy. Unfortunately for the fans, however, recent tests reveal that the wisp of chiffon which stands between the publisher and the postal laws has the tensile strength of drop-forged steel."

"I have Bright's disease and he has mine."

""Great-grandfather died under strange circumstances. He opened a vein in his bath." "I never knew baths had veins," protested Gabrilowitsch." "I never knew his great-grandfather had a ba—" began Falcovsky derisively."

"Under a forehead roughly comparable to that of the Javanese or the Piltdown man are visible a pair of tiny pig eyes, lit up alternately by greed and concupiscence. His nose, broken in childhood by a self-inflicted blow with a hockey stick, has a prehensile tip, ever quick to smell out an insult; at the least suspicion of an affront, Perelman, who has the pride of a Spanish grandee, has been known to whip out his sword-cane and hide in the nearest closet."

"Oh, son, I wish you hadn’t become a scenario writer!" she sniffled. "Aw, now, Moms," I comforted her, "it’s no worse than playing the piano in a call house."

"Before they made S J Perelman they broke the mold."

"Once in one's life, for one mortal moment, one must make a grab for immortality; if not, one has not lived"

"Remember the mind is your best muscle ...BIG ARMS can move rocks, but BIG WORDS can move mountains... Ride the brain train for success...."

"The films are realistic fantasies. Bullets are easy. You can buy them. Emotions are not. They're priceless."

"It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences. As the younger, more left-leaning "New Hollywood" generation swept into the industry in the late '60s and '70s, this older group of Hollywood conservatives faded away, never to be replaced. Except for a brief period in the '80s when the Reagan Presidency led to a conservative reengagement with film—with popular stars like Clint Eastwood, Sylvester Stallone, and Arnold Schwarzenegger making macho, patriotic action films—conservatives appeared to abandon popular culture altogether. In the wake of this retreat, conservative failure to engage with Hollywood now appears to have been recast by today's East Coast conservative establishment into a generalized opposition toward film and popular culture itself. In the early '90s, conservative film critic Michael Medved codified this oppositional feeling toward Hollywood in his best-selling book Hollywood vs. America."

"It would be ridiculous for me to say anything negative regarding blacks having an equal opportunity on TV. After all, I was number one in the ratings four times last year and twice this season. What could be more damn equal than that? If they get any more equal, I don't want it."

"With those eyes and his intellect, I see no real limit to his potential."

"We were peers, I think. Leo's an incredibly intelligent guy who's been through a great amount of life experience over the course of the last few years. He's very dedicated and I think he had a very good idea of what he wanted to do and how he wanted to do it."

"He reminds me of that excitement when De Niro and I stumbled upon a way of working together - a similar kind of energy to the actors in the 1970s. It’s very rare for me to find that kind of connection again. Leo will give me the emotion where I least expect it and could only hope for it about three or four scenes. And he can do it take after take.""

"As an Academy member, you're not allowed to endorse somebody else when they're up for an Academy Award and if you do, there's a good chance you'll lose your membership. But I have to tell you Leo DiCaprio is so amazing in The Revenant"

"You know, I worked with Leonardo when he was 18 [on The Quick and the Dead]. He was a virgin, and he would talk about that constantly. So I'm hoping we have some time so he can fill in what's happened in between. Maybe show some photos. Because I'm sure life's different now."

"People always like to make up stories. I am not planning on getting married. Then again, I might wake up tomorrow and decide to get married!"