Screenwriters From The United States

"There is never a rational reason for a man to rejoice that a certain pretty girl exists and that he has found her. The experience, however, is universal."

"You always avoid direct eye contact, you know that? Are you afraid of something? Are you afraid that I might see the real you? Huh? Answer me. Come on, answer me."

"I know that it's painful at times, but we're not making this up. The depths of degradation in cartoons, movies, and television shows, the misrepresentation of a people - it's an American legacy. Not just in television or movies, but in all media."

"My film is supposed to reflect that; it is an indictment of the people who write and accept those shows, because we know that they exist today. It also has to do with the $1 million question: What is black? It is a never-ending quest for who we are, and some people are still in search of that."

"Everybody's a teacher. People can teach you two things, what to do and what not to do."

"You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know niggas better than you. And don't go getting offended by my use of the quote-unquote N-word. I have a black wife and two biracial kids, so I feel I have a right. I don't give a God damn what that prick Spike Lee says. Tarantino was right. Nigger is just a word. If Ol' Dirty Bastard can use it every other word, why can't I?"

"In life, there are times to be quiet, and there are times to shut the fuck up. This is one of those times."

"Let me tell you the story of right hand-left hand. It's a tale of good and evil. Hate: it was with this hand that Cain iced his brother. Love: these five fingers, they go straight to the soul of man. The right hand: the hand of love. The story of life is this: static. One hand is always fighting the other hand, and the left hand is kicking much ass. I mean, it looks like the right hand—Love—is finished. But hold on, stop the presses; the right hand is coming back. Yeah, he got the left hand on the ropes now, that's right. Ooh, it's a devastating right and Hate is hurt. He's down. Left-Hand Hate KO-ed by Love."

"I may have been born yesterday, but I stayed up all night."

"Here's the thing. I grew up in Fort Greene. I grew up here in New York. It's changed. And why does it take an influx of white New Yorkers in the south Bronx, in Harlem, in Bed-Stuy, in Crown Heights for the facilities to get better?"

"With Bamboozled, Lee takes a look at one of film and television's rarest breeds-the black television executive. His satire is based on the current lack of diversity in Hollywood, where 75 percent of television writers are white. And in most cases, the minority writers at networks are all working on the same show (in 1999, it was found that ABC employed nine black writers-all assigned to the same sitcom). In order to succeed in his position as a black television executive, then, Lee's main character delves back into the history of blacks on screen to revive one of the most popular forms of early entertainment: the Minstrel. And with the Minstrel, of course, comes Blackface-perhaps the most dreaded image in the history of American media."

"I like Donald Trump a lot and am extremely proud he is the American President. And I’m sorry if that offends you."

"I hope my work is more interesting and more intelligent than I am."

"Tolerance is tolerance is tolerance.Period, you assholes. Today’s intolerant, young, liberal California/ New Yorkers are only comfortable within their own shared consensus. Friends must think alike and believe the same things now. They must vote the same and defend the same ideology like zombies. Anyone who disagrees can only be evil, stupid, and wrong."

"The common purpose of pornography is to enhance sexual pleasure or sexual fantasy. It is meant to be free of things like guilt, insecurity, anger or responsibility. It can also be detached from the struggles of intimacy. I chose to use imagery common in pornography but placed these images in the emotional context which included intense guilt, anger, regret, anguish, and confusion. In this context, it is difficult for the images to enhance sexual pleasure or sexual fantasy. Instead, the graphic images work better to enhance the discomfort of intimacy."

"Listening to nasty remarks about me or my work doesn’t feel good. I don’t enjoy being unpopular, however in order to think freely, I must be willing to risk being unpopular. To think, I must risk being offensive. Anyway, most people are not listening but instead projecting."

"Feminism should be a fight for fairness. Instead the fight is only to control outcome. And when feminists don’t like outcome, they assume something’s unfair. Like fools. Most of the left is the same way."

"I never wanted to be an actor. I never want to be an actor. I want to be a movie star. The whole idea of having to act is too gruesome. It's too ambitious for me."

"The reasons why I do things are difficult for me to understand and difficult for me to explain."

"Most people want to be actors because they want unconditional love and power and money and to be able to act out a character fantasy that involves themselves. So if one is truly honest about themselves in that way, then you're on the right path. If not, the process becomes convoluted. You have to go out grab it, and demand it."

"I'm not a career filmmaker and by that I'm not tearing down people who are, but I'm not Wes Anderson who can rent out a floor at the Chateau Marmont for a month to write my new screenplay--I have a life outside of filmmaking and after Buffalo '66, I genuinely thought I was done with making movies. But they pulled me back in. This Brown Bunny, it had something in it for me that I just had to say. I had to express it, it was in me and it ate its way out of me. I wished that it didn't, but it did and I was surprised to find myself shooting again."

"The best articles about Vincent Gallo were written by Vincent Gallo, the best acting performance of Vincent Gallo was directed and edited by Vincent Gallo from a screenplay written by Vincent Gallo, even the best photographs of Vincent Gallo were taken by Vincent Gallo."

"I’m clearly a small-minded person, with my own petty grievances. Hopefully, my work transcends my own petty grievances and small-minded nature. It’s best for me to remain small-minded on an emotional level and broad-minded on a conceptual level. It doesn’t matter whatever it is that makes me do my work. Neurosis, obsession, wanting people to like me, wanting my parents to feel bad for underrating me, making a lot of money, power, social status, wanting girls to like me or just to meet one girl on a job. All of this doesn’t matter as long as the work that I do to achieve these small-minded needs is a lot more interesting than me and my reasons for making it"

"I'm not really a collage artist like Quentin Tarantino or Wes Anderson. I'm not like those other guys, Spike Jonze, too, guys who watch things and take notes. I'm trapped in my own stubborn world over-and-over, looking for a similar insight, a similar aesthetic, a similar point of view."

"When I was a boy I was always depressed and confused, now I think I'm not garbage. I don't try to prove to my parents that I am good at something anymore. But I am a failure with women. I can only be a one night lover."

"No woman could ever hurt me, because I don't permit myself to wish for something from people. So they can't disappoint me."

"Joey Ramone was clearly one of the most original singers of all time. And he was the sweetest guy. And his death is very sad."

"In the past they (pain and revenge) helped me a lot, but now I prefer love to inspire me. All that arises from fear and grudge can perhaps make me more interesting but it is not what I want."

"If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, separate. And if you have one point of view, one aesthetic, one sensibility throughout everything you do, and you don't let people sway you away from that, especially your cinematographer, then the film develops a soul."

"I don't trust or love anyone.Because people are all creepy. Creepy creepy creeps. Creeping around. Creeping here and creeping there. Creeping everywhere. Crippity crappity creepies."

"I like nice, honest, talented people."

"I'm the happiest the saddest guy in the world can be."

"I don't drink any coffee or take any drugs and I don't smoke cigarettes and I don't eat sugar and I don't take any medicine at all. I eat a lot of fish, vegetables, and I stay away from starches."

"I don't really get inspired by other peoples' movies. I get inspired by situations, by memory, by revenge."

"I sure do like the color brown. And pink. Pink and brown. If I had to choose, pink would lose."

"Jean-Michel Basquiat was one of the most talented, charming, charismatic, clever, bright, irresponsible, self-centered, self-indulgent, lying bastards that I've ever met."

"I've only had three idols in my life. Johnny Unitas, the quarterback for the Colts, Richard Nixon, and Chris Squire, the bass player for Yes-Squire being my number one. My love, fascination and devotion for Chris Squire is deep. The pain of my whole childhood was sedated by listening to Yes, King Crimson, and Genesis records. And now here I am, 25 years later, and my Yes obsession is the only thing I haven't outgrown."

"I feel very happy that Bush is our president. One way that you can tell we have a good president, is by how much the French dislike him. The more the French hate him, the better he must be. And they hate this one."

"One has to be slightly unpopular to have a profound vision."

"Let’s make decisions for the good of all. Let’s really think in a broader way. Let’s think a little past the obvious. And in that regard I’m always shot down, I’m always called a fascist, I’m always called a homophobe, and I’m always called a freak because I’m conservative politically. But how many phony liberals in Hollywood have danced at the Gaiety? I did. And part of me understands when I’m bashed in the media, for the things that I say, because I use loose language and crude descriptions."

"I’m not against celebrating the differences of individuals. What I’m against is the homogeny of mankind because that’s regressive. To celebrate the differences of people is fantastic, but to blend them all together… You know, the same homosexual community that I found such compassion from, I don’t feel that camaraderie from them anymore; I don’t feel it in the social scene; I don’t feel it in the arts. That’s weird to me. Because that was the group that I learned the most from, because they were certainly the most open-minded at that time. But if I say things about the mainstreaming of homosexuals, it’s because I don’t believe in mainstreaming or special interests legislating for themselves. What has happened with gays in America is that they pander so much to the heterosexual mainstream that they’ve taken on the complexes of the heterosexual mainstream."

"I constantly try to reinvent my sensibilities and my ideas. I enjoy some of the satisfaction that I get when I feel good about what I've done. But the process is quite lonely and quite painful."

"Say whatever you want, but try to be productive and positive and friendly. It's nice to be friendly. I was friendly once. It felt real good"

"I never apologized for anything in my life. The only thing I’m sorry about is putting a curse on Roger Ebert’s colon. If a fat pig like Roger Ebert doesn’t like my movie, then I’m sorry for him."

"I have no publicist, no agent, no manager, no lawyer, no assistant, no helper, no stylist, no intern, no maid, no gardener, nothing. Oh, I have a dentist. I had a shrink but he died 9 years ago, right when I needed him most."

"We choose our lovers for their flaws, you know," Mel said. "People would be bored shitless if they had to love only the good in someone they care about."

""Pat, did they get you for the embezzling?" Harmony asked."

"I'm always described as "cocksure" or "with a swagger," and that bears no resemblance to who I feel like inside. I feel plagued by insecurity."

"I asked Michael (Bay) why it was easier to train oil drillers to become astronauts than it was to train astronauts to become oil drillers. He told me to shut the fuck up, so that was the end of that talk. He said, 'You know, Ben, just shut up, okay? You know, this is a real plan.' I was like, 'You mean it's a real plan at NASA to train oil drillers?' And he was, 'Just shut your mouth.' See, here's where we demonstrate that, because Bruce (Willis) is going to tell the guys they did a bad job of building the drill tank. See, he's a salt-of-the-earth guy, and the NASA nerd-o-nauts don't understand his salt-of-the-earth way, his rough-and-tumble ways. Like somehow they can build rocket ships, but they don't understand what makes a good tranny. Like eight whole months, as if that's not long enough to learn to drill a hole. But in a week, we're gonna learn how to be astronauts. I mean, this a little bit of a stretch, let's face it. 'They don't know jack about drilling'? How hard can it be? Aim the drill at the ground and turn it on."

"A woman's love is like the morning dew. It's just as likely to settle on a horse turd as a rose."