"Ten years ago today, the artificial intelligence designed to protect us detonated a nuclear warhead in Los Angeles. This is a fight for our existence."

"To be free."

"When the war started, they protected me. Took better care of me than the humans would."

"You know, Neanderthal's got a bad rap. I mean, people talk about them like they were dumb, but... you know, turns out they made tools. They made clothes. They made medicine out of plants. They even made art. Little flower necklaces to bury their dead in. The only problem was there was a species that was smarter and meaner than them. Us. And we raped and murdered them out of existence."

"Then we're the same, we can't go to heaven. Because you're not good, and I'm not a person."

"My name is not Bot. My name's Alphie. Remember?"

"[Written on the mirror] My best friends are software"

"Do you have any idea of what that thing is? She looks like a little girl now, but she's growing."

"I'll do anything to keep her safe."

"They've come for me. I have to help."

"You got to be a good person to go to heaven."

"They're not people, Maya. They're just programming."

"[Arguing with Joshua] Whose side are you on, huh?"

"Trust me, I'm getting you out of this."

"[Heard through speech translator] Go make love to yourself. Go make love to your mother."

"Aleks Paunovic - Winter"

"Judy Greer - Cornelia"

"Amiah Miller - Nova"

"Gabriel Chavarria - Preacher"

"Andy Serkis – Caesar"

"Woody Harrelson – Colonel J. Wesley McCullough"

"Steve Zahn – Bad Ape"

"Karin Konoval - Maurice"

"Opening Text: Fifteen years ago, a scientific experiment gone wrong gave RISE to a species of intelligent apes... and destroyed most of humanity with a virus that became known as the Simian Flu. With the DAWN of a new ape civilization led by Caesar, the surviving humans struggled to coexist... but fighting finally broke out when a rebel ape, Koba, led a vengeful attack against the humans. The humans sent a distress call to a military base in the North where all that remained of the U.S. Army was gathered. A ruthless Special Forces Colonel and his hardened battalion were dispatched to exterminate the apes. Evading capture for the last two years, Caesar is now rumored to be marshaling the fight from a hidden command base in the woods... as the WAR rages on..."

"Red Ape: I don't fear you. You must fear! How long you think woods can protect you? Humans destroy you. Their Colonel has all power. For them, he more than just human. He everything. He say: "First Caesar die... then all of you die.""

"Koba: Ape not kill ape."

"[From a deleted scene, where an infected Colonel confronts Caesar] Least you can take comfort... Your struggle ends. Ours goes on. Nature still has the power to wipe us off this planet at any moment. Killed the dinosaurs with a single meteor. You apes... are so strong. I wonder... what kinda world you would've built... on our graves."

"Oh no! Why so small?"

"99, target acquired. 99, target acquired. Repeat: King Kong is dead!"

"[often repeated line] Oh no!"

"The Colonel: All of human history has lead to this moment. The irony is we created you. And nature has been punishing us ever since. This is our last stand. And if we lose... it will be a Planet of Apes."

"It was a mistake bringing you all. This is my fight. I will finish this alone."

"My son... my wife.... are dead."

"LEAVE HIM!"

"What did the Colonel promise you? You really think he'll let you live after we're gone? You let them call you "donkey". You are ape."

"There were only two of you, but we are many. Apes, together, strong."

"Tell your Colonel you have seen me now. And I have a message for him: Leave us the woods, and the killing can stop."

"Maurice was right. I am... like Koba. He could not escape his hate. And I still cannot escape mine."

"Terry Notary - Rocket"

"Human get sick. Ape get smart. Then human kill ape. But not me. I run."

"Rocket: Feeling better? Good. Then we can talk about... Escape. Apes together strong!"

"Jeunet and Caro split up their filmmaking chores--Jeunet directs the actors, Caro is more responsible for design and effects--and perhaps that's why there's such a satisfying density to "Delicatessen." The film itself is playful, weird, unpredictable and a bit tasteless. It has all the prerequisites of a true cult movie, which, in France, it already is. This is one foreign film that probably won't languish in the usual art-house ghetto; "Delicatessen" (Times-rated: Mature, for sensuality and violence) outshocks and outplays the American horror comedies at their own game. It's a feast of fools, a banquet of frissons : a nasty, childlike, murderously funny show."

"The butcher (Dreyfus) who owns the block has developed a system to support his tenants by hiring odd-job men whom he fattens up, then turns into tasty meats that usefully supplement the lentils that have taken over as hard currency in the starving city. The only people who remain untouched by this meat eater's corruption are the butcher's saintly daughter (Clapet), a wistful but myopic cellist, and the old man in the cellar who has turned his home into a watery swamp to support the two apparent essentials of French cuisine, frogs and snails."

"Dominique Pinon as Louison"

""Delicatessen" (Fine Arts) is a nightmare comedy with a childlike center of gravity. Set in a truly bleak future--a post-Apocalypse French city where meat-eaters prey on each other and vegetarians are underground insurgents hiding out in the sewers--it adopts a bizarre, playful tone. The macabre imagery and horrific shocks and jolts--the decaying hotel rooms and acts of insane violence--are recorded with a wistful, wackily innocent eye. Created by two young French filmmakers--Jean-Pierre Jeunet and Marc Caro--"Delicatessen" is a fearsomely intense movie that mixes moods with formidable assurance. A Grand Prize winner at the Chicago Film Festival, it's loaded with horrific images and macabre jolts that keep resonating eerily in your mind's eye."