Poets From New Hampshire

"He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake."

"The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."

"Others taunt me with having knelt at well-curbs Always wrong to the light, so never seeing Deeper down in the well than where the water Gives me back in a shining surface picture Me myself in the summer heaven, godlike Looking out of a wreath of fern and cloud puffs. Once, when trying with chin against a well-curb, I discerned, as I thought, beyond the picture, Through the picture, a something white, uncertain, Something more of the depths – and then I lost it. Water came to rebuke the too clear water. One drop fell from a fern, and lo, a ripple Shook whatever it was lay there at bottom, Blurred it, blotted it out. What was that whiteness? Truth? A pebble of quartz? For once, then, something."

"Let me be the one To do what is done."

"I turned to speak to God About the world's despair But to make bad matters worse I found God wasn't there. God turned to speak to me (Don't anybody laugh) God found I wasn't there At least not over half."

"And be all plunderers curst. 'The best way to hate is the worst. 'Tis to find what the hated need, Never mind of what actual worth, And wipe that out of the earth. Let them die of unsatisfied greed, Of unsatisfied love of display, Of unsatisfied love of the high, Unvulgar, unsoiled, and ideal. Let their trappings be taken away. Let them suffer starvation and die Of being brought down to the real."

"Dust always blowing about the town, Except when sea-fog laid it down, And I was one of the children told Some of the blowing dust was gold."

"All the dust the wind blew high Appeared like god in the sunset sky, But I was one of the children told Some of the dust was really gold."

"Such was life in the Golden Gate: Gold dusted all we drank and ate, And I was one of the children told, 'We all must eat our peck of gold.'"

"You could not tell, and yet it looked as if The shore was lucky in being backed by cliff, The cliff in being backed by continent; It looked as if a night of dark intent Was coming, and not only a night, an age. Someone had better be prepared for rage. There would be more than ocean-water broken Before God's last Put out the Light was spoken."

"Tree at my window, window tree, My sash is lowered when night comes on; But let there never be curtain drawn Between you and me."

"That day she put our heads together, Fate had her imagination about her, Your head so much concerned with outer, Mine with inner, weather."

"One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night."

"If, as they say, some dust thrown in my eyes Will keep my talk from getting overwise, I'm not the one for putting off the proof. Let it be overwhelming, off a roof And round a corner, blizzard snow for dust, And blind me to a standstill if it must."

"It must be the brook Can trust itself to go by contraries The way I can with you — and you with me — Because we're — we're — I don't know What we are."

"Our life runs down in sending up the clock. The brook runs down in sending up our life. The sun runs down in sending up the brook. And there is something sending up the sun."

"The world has room to make a bear feel free; The universe seems cramped to you and me."

"Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct."

"Writing free verse is like playing tennis with the net down."

"Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes all the pressure off the second. My mouth is sealed for the duration of my stay here. I'm not even going to write letters around to explain to collectors my not having had any Christmas card this year. I'm not going to explain anything personal any more."

"When I see young men doing so wonderfully well in athletics, I don't feel angry at them. I feel jealous of them. I wish that some of my boys in writing would do the same thing. ... You must have form — performance. The thing itself is indescribable, but it is felt like athletic form. To have form, feel form in sports — and by analogy feel form in verse. One works and waits for form in both. As I said, the person who spends his time criticizing the play around him will never write poetry. He will write criticism — for the New Republic."

"You see the beauty of my proposal is It needn’t wait on general revolution. I bid you to a one-man revolution— The only revolution that is coming."

"Don't join too many gangs. Join few if any. Join the United States and join the family — But not much in between, unless a college."

"The sun was warm but the wind was chill. You know how it is with an April day When the sun is out and the wind is still, You´re one month on in the middle of May. But if you so much as dare to speak, A cloud comes over the sunlit arch, A wind comes off a frozen peak, And you´re two months back in the middle of March."

"But yield who will to their separation, My object in living is to unite My avocation and my vocation As my two eyes make one in sight. Only where love and need are one, And the work is play for mortal stakes, Is the deed ever really done For heaven and the future´s sakes."

"The land may vary more; But wherever the truth may be — The water comes ashore, And the people look at the sea."

"Never ask of money spent Where the spender thinks it went. Nobody was ever meant To remember or invent What he did with every cent."

"Wind goes from farm to farm in wave on wave, But carries no cry of what is hoped to be. There may be little or much beyond the grave, But the strong are saying nothing until they see."

"Two such as you with such a master speed Cannot be parted nor be swept away From one another once you are agreed That life is only life forevermore Together wing to wing and oar to oar."

"No memory of having starred Atones for later disregard, Or keeps the end from being hard. Better to go down dignified With boughten friendship at your side Than none at all. Provide, provide!"

"The old dog barks backward without getting up; I can remember when he was a pup."

"Who said it mattered What monkeys did or didn't understand? They might not understand the burning-glass. They might not understand the sun itself. It's knowing what to do with things that counts."

"They cannot scare me with their empty spaces Between stars — on stars where no human race is. I have it in me so much nearer home To scare myself with my own desert places."

"I never dared be radical when young For fear it would make me conservative when old."

"It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life-not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion. It has denouement. It has an outcome that though unforeseen was predestined from the first image of the original mood-and indeed from the very mood. It is but a trick poem and no poem at all if the best of it was thought of first and saved for the last. It finds its own name as it goes and discovers the best waiting for it in some final phrase at once wise and sad-the happy-sad blend of the drinking song."

"No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight. We enjoy the straight crookedness of a good walking stick. Modern instruments of precision are being used to make things crooked as if by eye and hand in the old days."

"Originality and initiative are what I ask for my country. For myself the originality need be no more than the freshness of a poem run in the way I have described: from delight to wisdom. The figure is the same as for love. Like a piece of ice on a hot stove the poem must ride on its own melting. A poem may be worked over once it is in being, but may not be worried into being. Its most precious quality will remain its having run itself and carried away the poet with it. Read it a hundred times: it will forever keep its freshness as a petal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went."

"Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields."

"O Star (the fairest one in sight) We grant your loftiness the right To some obscurity of cloud — It will not do to say of night, Since dark is what brings out your light. Some mystery becomes the proud. But to be wholly taciturn In your reserve is not allowed. Say something to us that we can learn By heart and when alone repeat. Say something! And it says "I burn.""

"It asks a little of us here. It asks of us a certain height. So when at times the mob is swayed To carry praise or blame too far, We may take something like a star To stay our minds on and be staid."

"We disparage reason. But all the time it's what we're most concerned with. There's will as motor and there's will as brakes. Reason is, I suppose, the steering gear."

"Deliver us from committees."

"The world is full of willing people; some willing to work, the rest willing to let them."

"Courage is of the heart by derivation, And great it is. But fear is of the soul."

"The land was ours before we were the land's. She was our land more than a hundred years Before we were her people."

"Such as we were we gave ourselves outright (The deed of gift was many deeds of war) To the land vaguely realizing westward, But still unstoried, artless, unenhanced, Such as she was, such as she would become."

"'Twas Age imposed on poems Their gather-roses burden To warn against the danger That overtaken lovers From being overflooded With happiness should have it And yet not know they have it."

"She is as in a field a silken tent At midday when the sunny summer breeze Has dried the dew and all its ropes relent, So that in guys it gently sways at ease."

"It is only a moment here and a moment there that the greatest writer has. Some cognizance of the fact must be taken in your teaching."

"I own any form of humor shows fear and inferiority. Irony is simply a kind of guardedness. So is a twinkle. It keeps the reader from criticism. Whittier, when he shows any style at all is probably a greater person than Longfellow as he is lifted priestlike above consideration of the scornful. Belief is better than anything else, and it is best when rapt, above paying its respects to anybody's doubt whatsoever. At bottom the world isn't a joke. We only joke about it to avoid an issue with someone to let someone know that we know he's there with his questions: to disarm him by seeming to have heard and done justice to this side of the standing argument. Humor is the most engaging cowardice."