Poets From Germany

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April 10, 2026

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April 10, 2026

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"Contemporaneous with the awakening of the interest of the great masses of the German people in Parsifal, a flood of newspaper articles about Parsifal have begun, of which, most have no trace of a hint of the deep deep mystical meaning of the plot and the symbology of the play is lost. The great masses of the Parsifal-critics and Parsifal-commentators, who have not a trace of a hint of the deep mystical meaning of the secret of the graal, are not even the worst enemies of Wagner and the Idea of Parsifal. The real worst, by which I mean here, the dangerous enemies of Wagner's are those people — columnists, critics, interpreters etc. — who surely have no clue of deep mystical meaning of Parsifal — and the idea of the Graal, but go against the recognized meaning, or purposely change the true and only really deep meaning of the Parsifal idea into its exact opposite meaning. The worst of the last category are the sexual-ascetics. For they understand the meaning of the Parsifal-Symbology very well, but they reverse Wagners idea into its exact opposite. They are those, who on the basis of the plot of the play Parsifal and on the false understanding of its underlying mystery, proclaim sexual abstinence to the German people, far and wide as the gospel of renunciation, and they knowingly lay the foundation for the decline of the virulent German people. If it has not yet succeeded,it is high time to pull the carpet out from under the feet of these false prophets."

- Theodor Reuss

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"It is not the terrible occurrences that no one is spared, — a husband’s death, the moral ruin of a beloved child, long, torturing illness, or the shattering of a fondly nourished hope, — it is none of these that undermine the woman’s health and strength, but the little daily recurring, body and soul devouring care s. How many millions of good housewives have cooked and scrubbed their love of life away! How many have sacrificed their rosy checks and their dimples in domestic service, until they became wrinkled, withered, broken mummies. The everlasting question: ‘what shall I cook today,’ the ever recurring necessity of sweeping and dusting and scrubbing and dish-washing, is the steadily falling drop that slowly but surely wears out her body and mind. The cooking stove is the place where accounts are sadly balanced between income and expense, and where the most oppressing observations are made concerning the increased cost of living and the growing difficulty in making both ends meet. Upon the flaming altar where the pots are boiling, youth and freedom from care, beauty and light-heartedness are being sacrificed. In the old cook whose eyes are dim and whose back is bent with toil, no one would recognize the blushing bride of yore, beautiful, merry and modestly coquettish in the finery of her bridal garb. — To the ancients the hearth was sacred; beside the hearth they erected their lares and household-gods. Let us also hold the hearth sacred, where the conscientious German housewife slowly sacrifices her life, to keep the home comfortable, the table well supplied, and the family healthy.""

- Dagobert von Gerhardt

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"Meister Eckhart, Jacob Boehme and Angelus Silesius describe their spiritual vision of the sublime and ultimate reality of God, as well as their participation therein, by a dramatic use of the power of imagery of the German language which, although rooted in time and space, seems to be free from the constraints of these elements. Time and space alone are incapable of grasping eternity; only when struck by a shaft of eternal light can they reflect its splendor. Such a reflection of the eternal is present in the language of Meister Eckhart, Jacob Boehme and Angelus Silesius. It is, more-over, the light of eternity that makes it at all possible to see the teachings of these great metaphysicians and mystics as a unity, in spite of their having lived at different times and belonged to differing Christian confessions. The uniformity of their spiritual vision arises from the inner unity of Divine Reality itself. Human language becomes inadequate when confronted with this mystery of the inner unity of the Godhead; “the most beautiful statement about God of which man is capable is his silence in the face of his inner riches.”...Angelus Silesius summarized his spiritual vision in rhymes whose beauty is filled with an inner certainty that derives directly from the knowledge of the divine being. This direct knowledge of God is founded on the identity of essence between God and the soul, which occurs when the soul once more corresponds to its original state of being created in the image of God."

- Angelus Silesius

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