People From Pennsylvania

"This strip refers to the "War on Christmas," the rabble-rousing myth Fox News perpetuates every year, condemning those who dare to wish someone "Happy Holidays" instead of "Merry Christmas." Interpreting a small effort to be inclusive of, say, Jews celebrating Hanukkah as a declaration of war on Christianity is simply the height of chutzpah."

"overzealous worship of the 'magic of the market' becomes a religious belief system"

"People are suckers for plausible narratives that confirm stereotypes, no matter how untrue they may be."

"I'm ethically conflicted about eating something smarter than my dog"

"It must be nice to live in a world where the truth is whatever you want it to be. In addition to the former oil lobbyist's edits shown in the first panel, the Bush administration also watered down a 2005 G8 statement on global warming. One of the changes was the deletion of the opening statement, "Our world is warming." Global warming is a perfect example of something often treated as a "liberal" issue, one side of a two-sided argument. But it's not, unless you're pro-drowning the people of Tuvalu."

"Once upon a time, the U.S. government was distinct from the private sector. It seems almost quaint now, but elected officials actually tried to protect the public good and maintain a degree of ethics in the marketplace. Now, corruption is de riguer for even well-meaning politicians. If you ask me, the only way out of our current system of legalized bribery is with 100% publicly-financed elections. Compared to the Iraq War, this reform would cost nothing. And it might help us avoid such wars in the future."

"Not too long after the Iraq War began, I read an article that quoted a Hummer "patriotic." I guess that's what counts as sacrifice for the war effort these days: driving an overpriced, gas-sucking monstrosity that resembles a military vehicle. I'm sure the troops appreciated this show of solidarity."

"one of my biggest pet peeves is the term "political correctness," a destructive, right-wing phrase that is parroted even by many socially-conscious types. It is a label loaded with bias, frequently applied with a broad brush to anything progressives stand for. In reality, right-wingers are masters of "political correctness": ridiculous euphemisms and denunciations of anyone who does not parrot their insane ideas. I find this political correctness, with its insistence on blind patriotism, to be far more pernicious."

"It's appalling how the puritanically correct in this country fixate on homosexuality to the exclusion of grave moral issues like the suffering of innocents in Iraq."

"I'm not sure how Bush's "ownership society"-that fun-sounding euphemism for paying for everything from your healthcare to your retirement out of your own savings-is supposed to work if people don't earn enough to own anything."

"Many cartoons in this book are not overtly political. One can only write so many strips about torture before one needs to lighten up with a riff on Gucci flipflops. Lots of people seem to think we cartoonists will be struggling for material when Bush leaves office, but I will personally be relieved to get off this spiraling Swift Boat to hell."

"I, for one, think good political cartoons retain their value for decades. You can learn a lot from those old "Doonesbury" books. I might add that we cartoonists who lambasted the Bush administration from the beginning have been proven more accurate than most of the highly-paid gasbags you see on television. Historians and television producers, please take note."

"I'm also tired of being called a "radical," a word that even many otherwise-astute progressives apply to themselves. Since when is it radical to not want mercury in my tuna salad? Or to have an aversion to killing tens of thousands of innocent civilians unnecessarily? I'm the normal person here. The people running the country are the off-the-meter nutballs."

"I would like to propose a moratorium on the terms "values voters" and "moral issues." These are nothing more than Big, Fat Right-wing Euphemisms, and the media seem perfectly happy to deploy them uncritically. Such language falsely implies that progressives don't have values and don't care about morality, and that morality itself is pretty much limited to the circumstances under which people can bump nasties. As opposed to, say, dooming thousands of people to premature death every month from air pollution."

"[Editing has] been a real learning experience. I think it makes you a better writer. Suddenly viewing things from that editor’s perspective it makes you aware of so much. I guess I like it. I feel like years of doing comic strips and constantly having to simplify them to fit everything into four little panels has given me tools to look at a piece and cut out excessive verbiage and to get things as concise as possible. It has been really interesting suddenly wearing the editor’s hat and realizing how involved an editor’s job is and how many details they have to keep track of. It’s certainly made me more sympathetic to editors. We cartoonists like to complain about them, but it is a tough job."

"Understanding Comics author Scott McCloud says we identify with stylized characters like Charlie Brown more than with photorealistic ones. I agree, especially when it comes to CGI animation and video games. Give me Mario and Luigi in the chunky, two-dimensional mushroom kingdom any day."

"I’ve always been interested in politics, but when I first got out of college I just wanted to have fun and do non-political work. What happened was the Bush vs Gore election and the Supreme Court [decision]. That was the event that really shocked me into starting to do political cartoons. It was just so outrageous at the time. Then 9/11 and the Iraq War. I prefer doing a mix of straightforward political cartoons and more cultural cartoons about trends and facial hair and things like that. Now I feel silly doing a strip about beards. [laughs] Maybe things will calm down and I can go back to doing cartoons about facial hair. As time went on and politics became more and more dire, that’s what really sent me down that path. Also I started picking up more and more clients that are explicitly political, like dailkos and The Progressive Magazine and once in a while The Nation will run a cartoon. That pushed me in a more political direction as well."

"Very Serious Thinkers are still churning out hacky columns using this dumb binary of "big" vs. "small" government. I saw an ad for The Economist bemoaning the unfortunate necessity of "big government" during the coronavirus crisis. As though the specifics of context and what that government is doing and who it benefits is secondary to some abstract notion of "size. The more relevant divide is "good government vs. bad," or "smart vs. stupid/sadistic.""

"I’m doing a lot of worrying about humanity destroying itself these days. I think it is an important role of a political cartoonist. I think sometimes it’s probably more acute than others. It’s something that’s hard to deal with sometimes. Right now I find that these aren’t really funny times. There are ludicrous characters and you can make fun of Trump and these ridiculous nominees, but at the same time I don’t want to normalize him. I find myself not even wanting to draw him. I mean, I do and I will, but I don’t want to treat him like any other President. I’ve been struggling with that. How to be humorous at a time when things are just very serious. I guess what I wind up doing is somewhat darker humor, darker cartoons, and more informative cartoons that say, this is what’s happening, can you believe it? With the Bush administration things were terrible and there were definitely some dark times, but I felt like you could make fun of Bush for being a buffoon and the implications just weren’t quite as grave. It’s a different time now."

"When I first started out I wasn’t even really political. I just wanted to do surreal R. Crumb-ish comics. In the early days, I wanted to be as weird as possible. In the late nineties, in alt-weeklies, it seemed like we lived in times that allowed for absurdist humor. That would feel a little more frivolous now. Over time I feel like I have a greater sense of urgency to make a point and to tell the truth. Hopefully in an amusing way. I’m not trying to be as weird as I possibly can. I think I’m trying to make things a little simpler now, and more accessible."

"Trump (and Bannon and other right-wing authoritarian leaders around the world) is often referred to as a "populist" because he displays faux concern for the working class and a resentment of science and education, but his policies are in fact grotesquely elitist. If by "populist" we mean whipping up resentment against immigrants and people of color, then we should say that. Otherwise, "populism" is just a lazy euphemism for racism."

"This basic misconception is at the root of so many problems with our political discourse. I can't tell you how many times I've heard from people who think I'm an "America hater" because I criticize the Bush administration. These same people, I'm sure, hardly perceived criticism of Bill Clinton's presidency as an attack on the country itself. I guess mocking the guv'ment is acceptable only when Democrats are in the White House."

"I know there have been some encouraging signs. I think people have come a long way even since I started cartooning-I mean, gay marriage wasn't legal when I started. I think our collective vocabulary for social justice issues has improved over time. So on a cultural level, we've made some progress. That keeps me going. I've had people tell me that I've radicalized their teenage daughters. But a lot of what I'm doing shouldn't even be considered radical."

"With all this talk of immigrants assimilating (or not assimilating) into "our culture," it's often implied that said culture is white and Christian. But if you consider that America is, in fact, a highly diverse nation of immigrants, the true outliers seem to be those who view the nation as a monolithic body resembling themselves. If anything, it is these folks who have not fully integrated, and who reject American values."

"Print media started collapsing in the mid-2000s. When I first started out, it seemed like alternative news weeklies were the future of newspapers. It was a booming industry. It was a product of the nineties and that nineties mentality. At the time, I had a day job at the University of Virginia and I was sending my strip out and picked up one paper here and another paper there very gradually. I was building up a client list and then that fateful day where Village Voice Media dropped comics across the entire chain. I was actually spared the worst of that. I think I was just in the Village Voice at the time, but that was a big loss. Not that the pay was all that great, but it had been my goal to get into that paper. At the time I really wasn’t sure whether I would be able to continue, but then dailykos came along and picked up a bunch of alt weekly cartoonists and breathed some life into our industry online. They did really well on dailykos they were shared a lot and got good traffic and I think it set a precedent. Not that it was the first home for political cartoons online, but something about dailykos at that moment turned the tide a bit. A few more websites started running political cartoons – and paying fairly for them. People started realizing that they were highly shareable and that they could do well online. I’ll add that print has stabilized. At least it had stabilized under the second Obama administration. I actually added papers during that time. I wouldn’t say this is a growth industry. I think it would be very hard to break into now, but I did get the sense that print media had stabilized and some papers were doing okay. For me it’s really a hybrid now between print and digital. Certainly the digital side of things has grown the most in the past few years."

"Cartoons are a great medium for demonstrating just how absurd something is, without ever having to say it directly."

"My goal with 'Slowpoke' is to present a solidly-written piece of humor that usually entails some form of social or political commentary exposing distinctly ludicrous aspects of American life."

"Anyone who thinks there's no difference between Democrats and Republicans is a dingdong, Lots of people generalize that they're the same because they both pander to corporate interests. It's true: we live in a plutocracy condoned by a totally ignorant public...I'm not saying Democrats are perfect, but I think there are a lot of good, well-meaning people trapped in the system"

"A lot of my comics are informed by my background in cultural anthropology. That's what I majored in during college. I thought I was going to go to grad school and become a professor. There's a fair amount of overlap between cultural anthropology and cartooning, in that both are about observing culture and deconstructing all these things that we think are normal and set in stone. I've always found it fascinating to look at how we live and question why we do what we do. In college I started reading underground comics by Robert Crumb and Peter Bagge, and I was exposed to Matt Groening's Life in Hell and Roz Chast and Tom Tomorrow for the first time. I actually wrote my senior thesis about a womens' underground comics collective called the Twisted Sisters. One of my favorite cartoonists from this group was the awesomely funky Leslie Sternbergh, who I had the pleasure of befriending years later. Eventually, I got tired of writing papers and burned out on academia. I started to think that maybe I wasn't going to go to grad school, I was just going to draw cartoons."

"At first, my strip wasn't very political. But after the 2000 election and then 9/11, the news was so intense that it felt weird to not talk about it. That's when my comic started taking a more political turn. I wish I could do more cultural strips just commenting on everyday life, like facial hair and clothing. But nowadays, with everything so apocalyptic, I feel like I'm being frivolous when I do observational humor, although I still try to slip it in now and then. Politics for me is not so much about individual political figures. It is about these larger cultural phenomena. I feel conflicted about using Trump in cartoons. At first, I didn't even want to draw him. I don't want to normalize him. But then I developed this Trump caricature that people really seem to like... But I think he's more of a symptom of a larger process. I don't want to isolate him as the problem because he's just the tip of the iceberg."

"We cartoonists have a term for the instances when multiple cartoonists inadvertently draw the same thing: a Yahtzee."

"When the most privileged and powerful members of society can escape the hassles and declines in service the rest of us must put up with, there's that much less impetus for change. Some might say, "They're paying for it. Get over it." While I understand that reasoning, it seems limited in scope, failing to question the larger system that created the neo-aristocracy in the first place."

"The presidential primaries are not for the thinking person. All the nonstop chatter about the candidates' temperaments makes me wonder why I even bother to learn about things like, you know, issues...In this precarious time of war, global warming, a health care crisis, and economic woes, this is how we decide the leader of the most powerful nation on earth?"

"There have been exceptions, but most of the time the effort to reclaim a regressive epithet fails as a political strategy. Among the worst is "tree hugger." Not wanting climatic catastrophe has little to do with the quasi-spiritual groping of conifers, yet that is how those of us concerned about the environment have been stereotyped. I mean, I like trees as much as anyone, but the term "tree hugger" is dripping with connotations of hippie-dippy hysteria. Using it ironically to reclaim it from the anti-science crowd may make us chuckle, but it's still letting them define us on their terms."

"The GOP spends a lot of time trying to paint progressives as out-of-touch, ivory tower elites. But if anything, that distinction goes to the so-called "neocon intellectuals" like Norman Podhoretz, the inspiration for Dr. Plonk. In a 2007 Wall Street Journal editorial, Podhoretz said he prays "with all his heart" that we will bomb Iran, making the usual facile comparisons to World War II"

"Democrats remain consistently cowed by the threat of Republicans calling them "weak on terror." They're going to be smeared no matter what, so they may as well go on the offensive."

"The Bush administration flatly denies plans for "permanent military bases," which according to the Opposite Rule that applies to everything the Bushies say, means we are building permanent military bases."

"Jesus Christ founded one Catholic Church with fundamental truths and sacraments. He did not detail the way that should be experienced. History and geography have provided the alternate expressions. With a unified Catholic Church, our differences can be ways of understanding those truths and celebrating the sacraments while protecting their integrity."

"Going to trade school, that’s a good honest job, working as a machinist or at a steel plant. It seems like we forgot about that. People get massively indebted going to liberals arts schools and this is how we can deal with our student debt problem too."

"Draw from your imagination and read whatever gets you excited."

"The world is haunted by Calvarys. Yet, by God’s grace and in God’s plan, Calvary isn’t the end of the story. While the cross of Calvary repulses us and shames us, confronting us with death and humiliation, with the injustice and betrayal of which we are all capable, the same cross – transformed by God’s power and grace – is also the means through which we achieve life and rebirth."

"Prayer is a relationship with God, probably the most personal and intimate aspect of our lives. My ministry as a bishop has expanded my vision of prayer, and even though prayer has always been a part of my life, I would say one thing that has grown is my intercessory prayer. There are so many individuals and things to pray for. With the mission of bishop, and as a shepherd to the faithful, I first and foremost want to reach out to everyone, and there’s no better way to do that than through prayer. I have a deeper consciousness of inner prayer, and bringing to the heart of Christ the intercession that has been entrusted to me."

"A person without hope is doomed to failure, and one of the great gifts God has given us is the gift of faith, which tells us about his love for us and our love for him. Because of that faith, there is this great hope. Jesus validated this by his resurrection. No matter how difficult life can be, there is the ultimate hope for salvation and peace in the Resurrection."

"Despite this deplorable situation of landing in enemy territory without a rifle, I still wasn't scared. Don't ask me why. Fear paralyzes the mind but I needed to be able to think clearly, especially when men's lives were at stake. Though I had been apprehensive whether or not I would measure up, the long months of training now kicked in. Before jumping, I'd though of cutting the top of my chute off and using the silk as a raincoat, both protection against the cold and for camouflage. But now, the only thing on my mind was to get the hell away from those machine guns and that town. Just as I started off, trench knife in hand, another paratrooper landed close by. I helped cut him free from his chute, then grabbed one of his grenades, and said, "let's go search for my equipment." He was hesitant of taking the lead even with his tommy gun, so I said, "Follow me!""

"Even though Easy Company was still widely scattered, the small portion that fought at Brecourt had demonstrated the remarkable ability of the airborne trooper to fight, albeit outnumbered, and win. This sort of combat typified the independent action that characterized the American airborne divisions that jumped in Normandy. Once the battle began, discipline and training overcame our individual and collective fears."

"I was extremely blessed to have been the commander of Easy Company. No single individual "deserved" the privilege of leading such a remarkable group of warriors into battle. And to this day, I am humbled by that experience."

"Never, ever give up regardless of the adversity. If you are a leader, a fellow who other fellows look to, you have to keep going. How will you know if you have succeeded? True satisfaction comes from getting the job done. The key to successful leadership is to earn respect- not because of rank or position, but because you are a leader of character. In the military, the president of the United States may nominate you as a commissioned officer, but he cannot command for you the loyalty and confidence of your soldiers. Those you must earn by giving loyalty to your soldiers and providing for their welfare. Properly led and treated right, your lowest-ranking soldier is capable of extraordinary acts of valor. Ribbons, medals, and accolades, then, are poor substitutes to the ability to look yourself in the mirror every night and know that you did your best."

"The shadows are lengthening for those of us who fought in World War II. In the twilight of our lives, our thoughts return to happier days, when we struggled together not as individuals, but as a team- a team that willingly sacrificed itself to protect its members. Sixty years after our final victory, these men remain different. Not one man walks around wearing his wings or medals on his chest to stand out. It is what each man carries in his chest that makes him different. It is the confidence, pride, and character that make the World War II generation stand out in any crowd. I'm proud to have been a small part of it. I certainly harbor no regrets. And not a day goes by that I don't think of the men I served with who never had the opportunity to enjoy a world of peace."

"I wish to convey a final thought- and I hope it doesn't sound out of place- but I would like to share something as I look back on the war. War brings out the worst and the best in people. Wars do not make men great, but they do bring out the greatness in good men. War is romantic only to those who are far away from the sounds and turmoil of battle. For those of us who served in Easy Company and for those who served their country in other theaters, we came back as better men and women as the result of being in combat, and most would do it again if called upon. But each of us hoped that if we had learned anything from the experience, it is that war is unreal and we earnestly hoped that it would never happen again."

"The President of the United States of America, authorized by Act of Congress, July 9, 1918, takes pleasure in presenting the Distinguished Service Cross to First Lieutenant (Infantry) Richard D. Winters (ASN: 0-1286582), United States Army, for extraordinary heroism in connection with military operations against an armed enemy while serving with Company E, 2d Battalion, 506th Parachute Infantry Regiment, 101st Airborne Division, in action against enemy forces on 6 June 1944, in France. First Lieutenant Winters with seven enlisted men, advanced through intense enemy automatic weapons fire, putting out of action two guns of the battery of four 88-mm. that were shelling the beachhead. Unswerving in his determination to complete his self-appointed and extremely hazardous task, First Lieutenant Winters and his group withdrew for reinforcements. He returned with tank support and the remaining two guns were put out of action, resulting in decreased opposition to our forces landing on the beachhead. First Lieutenant Winters' heroic and determined leadership exemplify the highest traditions of the military forces of the United States and reflect great credit upon himself, the 101st Airborne Division, and the United States Army."